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Download Book Sample ‘Jump’ Van Halen Jump SONG TITLE: ‘JUMP’ ALBUM: 1984 Bright Saw Synth RELEASED: 1983 LABEL: WARNER BROS. 130 Rock GENRE: SYNTH ROCK/GLAM METAL q = 4 WRITTEN BY: EDDIE VAN HALEN/ G/C C F/C G/C C F/C C/F Gsus ALEX VAN HALEN/ MICHAEL ANTHONY/ œ j j œ j j j j DAVID LEE ROTH 4 Œ œ ‰ ‰ œ Œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ PRODUCED BY: & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ TED TEMPLEMAN œ œ œ œ œ œ œ ˙ UK CHART PEAK: J J J J J œ œ œ œ ˙ 7 f ? 4 ‰ j [1] 4 j œ w w w œ œ œ. G/C C F/C G/C C F/C C/F Gsus4 ‘Jump’ was the first song to be released from Van Halen’s sixth studio album, 1984, and is their most 1985, singer David Lee Roth was replaced by former successful single to date. Differing in sound from Montrose lead vocalist Sammy Hagar with whom thej j j their previous music, ‘Jump’ is very much keyboard band went on toœ release four US œnumber 1 albums œ œ œ œ j j j led rather than guitar driven. Although the track still acrossŒ eleven years.œ In‰ 1996‰ Hagarœ left Œthe band andœ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ & was replaced byœ Extreme frontmanœ Gary Cherone, œ œ œ œ œ œ œ œ œ œ œ ˙ features a prominent guitar solo, the recognisable and œ œ œ œ œ œ œ ˙ consistent melody is played on an Oberheim OB-X unfortunately theJ latest vocalist’sJ time with the band J J J œ œ œ œ ˙ synthesiser by Eddie Van Halen. The song made it to was short as he left in 1999 following a poor reception number six on the UK singles chart and topped the and tour for their album Van Halen III. US chart on its release, giving the group their first UK top ten and their one and only US number 1. ? Following Cherone’s parting, Van Halen took a hiatusœ from the music industry until 2003 and became ‰ [5] œ j œ œ Eddie Van Halen actually wrote the famous synth known for the many departures in the band with œ much of the media˙. commenting on the instability. w w line in 1981, but it was rejected by the other band œ œ members who felt it wasn’t heavy enough for them. Despite the constant changes, Van Halen have œ remained a significant figure in the rock community In 1983, producer Ted Templeman tried to tempt G/C C F/C G/C C F/C C/F Gsus4 singer Roth with the synth line again and asked him and are still regarded as on of the most influential to listen to the part repeatedly in the hope of coming American rock bands of the 1980s. Having sold more up with a melody line. Roth persevered and came up than 80 million records worldwide they are one of the j j j with the now famous vocal line, later dedicating the best-selling bandsœ of all time. œ œ œ œ œ j j j song to martial artist Benny Urquidez of whom he Œ œ ‰ ‰ œ Œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ œ œ was a student. & œ œ œ œ œ œ œ œ œ œ œ ˙ J J J J J œ œ œ œœ ˙˙ Van Halen formed in 1972, with the original line- up consisting of Eddie Van Halen (guitar), David Lee Roth (vocals), Alex Van Halen (drums) and Michael ? Anthony (bass). Together, this line-up released six œ studio albums with 1984 being their most successful [9] œ and selling over 12 million copies in the US alone. In œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4 F/C Keys Grade 7 C F/C C/F Gsus œ œ œ 13 œ œ œ œ œ œ œ j j j j j & Œ J ‰ ‰ J Œ J ‰ ‰ J Œ œ œ ‰ œ ‰ ‰ œ ‰ œ œ œ œ ˙ J œ œ œ œ œ œœ ˙˙ ? [13] œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ A G/C C F/C G/C C F/C C/F Gsus4 j j œ œ j œ œ œ œ j j j & Œ œ ‰ ‰ œ Œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ œ œ œ œ ˙ J J œ œ J J J œ œ œ œ œœ ˙˙ ? œ [17] œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ . œ- œ- œ- œ- œ. œ. œ. Jump Keys Arrangement Van Halen Bright Saw Synth 130 Rock q = G/C C F/C G/C C F/C C/F Gsus4 4 œ œ j j œ œ œ œ j j j j & 4 Œ œ ‰ ‰ œ Œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ œ œ œ œ ˙ J J J J J œ œ œ œœ ˙˙ f ? 4 ‰ j [1] 4 j œ w w w œ œ œ. G/C C F/C G/C C F/C C/F Gsus4 j j œ œ j œ œ œ œ j j j & Œ œ ‰ ‰ œ Œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ œ œ œ œ ˙ J J J J J œ œ œ œœ ˙˙ ? ‰ [5] œ j œ . œ œ œ ˙ w w œ œ œ G/C C F/C G/C C F/C C/F Gsus4 j œ œ j œ œ œ œ j j j j & Œ œ ‰ ‰ œ Œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ œ œ œ œ ˙ J J J J J œ œ œ œœ ˙˙ ? œ [9] œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F/C C F/C C/F Gsus4 œ œ œ œ œ œ œ œ œ œ j j j j j Œ J ‰ ‰ J Œ J ‰ ‰ J Œ œ œ ‰ œ ‰ ‰ œ ‰ œ œ & J œ œ œ œ œ œœ ˙˙ ? œ [13] œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ A G/C C F/C G/C C F/C C/F Gsus4 œ œ j j œ œ œ œ j j j j & Œ œ ‰ ‰ œ Œ œ ‰ ‰ œ ‰ œ ‰ œ œ œ ‰ ‰ œ ‰ œ œ œ œ ˙ J J œ œ J J J œ œ œ œ œœ ˙˙ ? œ [17] œ Keys Grade 7 Grade Keys œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ . œ œ œ œ œ œ œ Words & Music by Eddie Van Halen, Alex Van Halen & David Lee Roth - - - - . 14 © Copyright 1984 Diamond Dave Music, USA/Mugambi Publishing. Budde Music UK/Warner/Chappell North America Limited. All Rights Reserved. International Copyright Secured. Technical Exercises Scales, Arpeggios, Chord Voicings & Technical Studies Technical Exercises In this section you will be required to play a selection of exercises drawn from each of the groups below. The examiner will 4. C b major | contrary motion 5 be looking for the speed of your response and will also give credit for the level of your musicality. Please see the syllabus 2 3 4 1 3 4 1 2 1 2 3 1 2 3 guide for details on the marking criteria. œ œ œ œ œ œ œ bb b b œ œ œ œ œ œ œ œ œ œ ■ Candidates must prepare both natural minor and harmonic minor scales & b b b œ œ œ œ œ œ œ œ ■ Major scales, minor scales, chromatic scales and arpeggios need to be played: œ œ œ œ – hands together œ œ ? b œ œ œ œ œ œ œ œ œ œ – ascending and descending b b 1 2 3 4 œ œ 2 3 œ œ b b œ œ 4 1 œ œ b b 1 2 3 1 œ œ 2 3 œ œ – either straight or swung feel (as directed by the examiner) œ œ œ4 œ œ – either legato or staccato articulation (as directed by the examiner) – across four octaves (except contrary motion scales, scale in 3rds, altered scale and phrygian dominant mode, which must be played over two octaves, and extended arpeggios which are one octave only) 5. A# natural minor (four octaves, two octave example shown) ■ Groups A, B and C (scales, arpeggios and chords) need to be played from memory. You may use your book for 4 1 2 3 4 2 3 3 1 2 3 1 2 3 1 Group D (technical studies) # œ ## # # œ œ œ œ œ œ œ œ œ œ Note that Groups A and B need to be played to a click and any fingerings shown are suggestions only. & # # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? # # # œ œ œ œ ? œ Group A: Scales # # 2 1 œ3 œ2 & 4 3 œ2 œ œ # # œ œ 1 4 3 2 2 1 œ œ œ œ œ œ q 1 3 œ œ œ œ The tempo for this group is =160 bpm.
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