CV “Guide” Pops Concert

Total Page:16

File Type:pdf, Size:1020Kb

CV “Guide” Pops Concert CV “Guide” Pops Concert Prime Time Late Night CONCERT BAND & JAZZ BAND WIND ENSEMBLE Hawaii: 5-0 Family Guy Mort Stevens, arr. Roy Philippe FOX Walter Murphy Peter Gunn Hooked On TV Reruns Henry Mancini, arr. Jack Bullock arr. Dave Wolpe WIND ENSEMBLE SYMPHONY ORCHESTRA The Simpsons. TV Spectacular Danny Elfman, arr. Paul Jennings Various..arr. James Curnow Rocky and Bullwinkle Hoe Down Fred Steiner, arr. John Higgins Aaron Copland CBS The West Wing Spongebob Squarepants W.G Snuffy Walden, Mark Harrison, arr. Jay Bocook arr. Bob Cerulli Theme from “Spiderman” Mission: Impossible Theme Harris and Webster, Lalo Schifrin, arr. Jay Bocook arr. Calvin Custer JAZZ BAND JAZZ BAND Tank! For the Love of Money Yoko Kanno, arr. Eric Dannewitz O’Jays, arr. Chuck Wyke ABC Theme from “I Love Lucy!” The Jetsons www.Falconmusic.org Eliot Daniel, Hanna, Barbera, Curtin, arr. Jack Cooper arr. Michael Philip Mossman VAPA Calendar 2004-2005 STRING ORCHESTRA CONCERT BAND (Meet) The Flintstones The Mission Date Event Time Hanna, Barbera, Curtin, arr. Cerulli John Williams, arr. Paul Lavender 5/27 Instrumental Awards Banquet 6:00 p.m 6/10 Choral Pops Concert 7:00 p.m. I’ll Be There For You A Charlie Brown Celebration Michael Skloff, arr. Cerulli/Schick arr. Johnny Vinson Stage Arts NBC The Pink Panther Band Of Brothers Stage Manager: Alyse McGinnes Henry Mancini, arr. John Coponegro Michael Kamen, arr. Jerry Brubaker Stage Crew: Victoria Kegeyan, Eddie Schwander, Max Martin Palladio Happy Days Lighting Design & Audio Tech: Candi Haynes Karl Jenkins Charles Fox, arr. Johnny Vinson House Manager: Alyse McGinnes I’m A Believer Cartoon Symphony House Crew: Candi Haynes, Victoria Kegeyan, Eddie Schwander, Max Martin Neil Diamond, arr. John Wasson arr. Larry Clark Concert Band Wind Ensemble Flute Clarinet Eun Bee Ahn Flute Clarinet Oboe Sandra Lee Andrew Carbajal Steven Kim Susie Chon Ashlee Chan * Eric Engle Eric Choi Christopher Chi Kristen Muche Mike Cho Chris Lee Dorothy Chung William Lee Karen Lee Kurt Freidenberger June Choi Megan Nelson Jae Won Jang Yong Jin Lee Amanda Escruceria Mina Pak Enoch Joo David Min Julie Ma Makenzie Mabry William Im Sarah Ferraro Jie-Hye Park Paul Kang Caroline Moon Lydia Hwang Natalia Maranian Alto Clarinet Hannah Lee * Michele Kang Lindsey Soderstrom Kristopher Karian * Kimberley Nakamura Elena Maranian Chelsea Munoz Danny Park Hee Kyung Suk Hannah Kahl Christina Song David S. Kim Jason Yoo Geoffrey Moser Aimee Kim Olivia Song Sebastian Kim * Bass Clarinet Irene Kim Alto Sax Trombone Bass Clarinet Percussion Eunice Yoon Chris Kim Trumpet Rachel de Perio Kevin Ingelson * Andrew Farestveit * Sophia Kim Hyun Ah Yoon Kevin Han Kenny Dacher Choong Man Han Yee Ji Kim Meaghan York William Krieger French Horn Melissa Tjoelker Rachel Lee Eun Han Mason Holland Crystal Pack Piccolo Denise White Andrew Foong Danny Huddleston Raja Gangopadhya John Yeo * + Alto Saxophone Oboe William Long * Ben Henry John Choi Trumpet Baritone Tuba Chyna Balonick Man Koo Lee Brian Park Aaron D. Lee Phil Patterson Sarah Choi Julia Huh Kenneth Han Seniors Harrison Cho So Hyun Choi Michael Totino Esther Moon Chris Johnson Frank Kim * Janice Kang * Ho Young Cho Sung Bin Nam Byung Jo Kim Rachel De Perio - 4 Martin Han Hoon Sung Kim * Jessica Lee Neal Rea * Kevin Han - 3.5 Alex Heflin Trombone Jessica Yang Justin Roa Julia Huh - 4 Aaron J. Kim Michael Boukidis Jeffrey Chae Stephanie Schafer Hoonsung Kim - 4 Jasmin Kim Kevin Ingelson Mark Wagner President: John Yeo Heidi Seo + Vice President: Crystal Kim Jessica Lee - 4 Nam Joo Kim Jesse Buensuceso * Amanda Clay * Zeb Sola Treasurer: Mina Pak William Lee - 4 Caitlin Kollgaard Ryan Dunning Daniel Song Isabel Kim Librarian: Kevin Ingelson, Janice Kang Danny Jun Park - 2 Joshua Ando Glenn Park Secretary: Hoon Sung Kim Jessica Yang - 4 Tenor Saxophone Euphonium Christopher Kim Equipment Manager: Ashley Chan Wook Je (John) Yeo - 4 Aaron Aragon Emily Henry Armando Martinez Percussion Kyung Jin Chu Jeanny Han Sung Moon Ahn Jeff Campana Alex Crosthwaite Elaine Chang Daniel Gordon Baritone Saxophone Artin Galoosian Shawn Hansen Jazz Band Sharon Cho Schulyer Jeffress Dong Kim Alto Sax Trumpet Trombone Drum Set Corey Newman Jason Kurosu Hyun Min Kim Jacob Dunham -Ia Andrew Klint - II Jesse Buensuceso - IV Casey Gregg - b Janet Lee Greg Yee Matthew Mcnamee Min Young Lee - IIb Justin Lim - III Amanda Clay - II + Jason Kurosu Stephanie Lim Jennifer Song Neal Rea - IIa William Long - III Isabel Kim - III Jordan Nuanez Horn Tuba Steve Saidkhanian Sigmon Whitener Adam Recio - I + Nicolas Trimis - I + Christopher Sherman - I Scott Tremper Anna Yu David Luiz Kim Paul Abril * Eric Ueo - IV Christy Woo Tenor Sax Minah Kim Chris Clay Colin Freidenberger - IIb Christopher Wilson II Ji Sun Lee James Godwin Seniors Ben Schmidt - Ia Guitar Bass Irene Moon Alex Miyazaki Sung Moon Ahn - 4 Colin Winchell - IIa + Jesse Cantlay - b Andrew Hayhurst Seniors Jung Hee Won Jae Yoo Aaron Aragon - 1 Jae Young Yoo - Ib Steve Saidkhanian Nikola Ratkovich Jacob Dunham - 4 Kristin Kiyoji Whitener Jeffrey Chae - 2 Alexander Snyder Hyun Min “Mandu” Kim - 3 Baritone Sax Piano Colin Freidenberger - 3 Tracey Kim - 4 Jun Soo Kim Hannah Whang + Layla Suleiman Habahbeh - 4 Joon Sang (Justin) Lim - 4 President: Sung Moon Ahn Jason Kurosu - 4 Layla Habahbeh Nikola Ratkovich - 4 Vice President: Tracey Kim Stephanie Lim - 1 President: Adam Recio Adam Recio - 4 Treasurer: David S. Kim William Long - 4 Vice President: Nick Trimis Christopher Sherman - 4 Librarian: Isabel Kim Kwong (Glenn) C Park - 2 Treasurer: Chris Wilson Xander Snyder - 3 Assistant Librarian: Hyun Ah Yoon Steve Saidkhanian - 4 Librarian: Hannah Whang, Amanda Clay Nicolas Trimis - 4 Equipment Manager: William Long Hee Won Seo - 4 Secretary: Colin Winchell Eric Ueo - 4 Equipment Crew: James Godwin Sigmon Whitener - 3.5 Equipment Manager: Min Young Lee String Orchestra Symphony Orchestra Violin 1 Cello White Violins Suejin An Robert Han Stara Chun Peace Lee Sherveen Abdarbashi Sarah Hwang Flute Clarinet Michelle Arnett Hee Sun Jung Annie Chung Julie Moon Susie Kim Brian Lee Max Bogenmann Alex Bae Eun Hae Chung Sara Lee David Corless Aaron Oh Brian K. Lee Irene Park * Elizabeth Eun Ryan Chang Michelle Chung Helen Park * Eric Kleinsasser Joanne Park Garam Song Esther Woo Shannon Ma Danny Choi Nari Choi Mina Pashayi Edward Lee Sung Hyo Park Sydney Wright Ye Seul Yoo Han Na Oh James Yang Edwin Corcoran IV+Esther Rho Sarah S. Lee Mina Ryu Christopher Lee Josephine Shim Oboe Trumpet Violin 2 Elizabeth Lee Tony So Blue Violins Sara Fram Aaron Cheeney Monica Lee So-Yoon Yu Debby Chung Harry Elyassi Karleen Wray Jennifer Ahn+ Yurhe Lee Raja Gangopadhya Sara Chao Ara Malayan Esther Kim Hansel Ihn Tiffany Man Alex Miyazaki Andrew Chong Jamie Morgan String Bass Sean Kim Bassoon Samuel Park Min Sun Park Katherine Lee Sigmon Whitener Christine Chung Tristan Barner Andrew Pardo Trombone Ji Min Shin * Debbie Won * Katherine Jun Wylie Cable Luka Ratkovich Kendrick Sibulo Horn Jennifer Kwon Daniel Kang Alex Chang Justin Rheem Viola David Suh Cello Melissa Stanley Chris Kim Hye Na Kim Eric Doh Carol Choi * Alice Yoon Jeff Small Edwin Cho * Eunice Koo Jonathan Hong Piano Percussion Kevin Yoon Theodore Gonder Paul Lee Lauren Schmidt Andrew Hayhurst Luana Choi Angela Chang Erin Kelly Branson NeJame Hannah Kim Bass Violin 3 Piano Jeong Eun Shin Susan Lee Wylie Cable James Castro Shin Young Kang Chris Babayans Jeanie Lee Judy Yoo Yoseph Chang Min Woo Kim Edward Chun * Eun Ah Park Matt Gray Eric Choi Hyun Ji Lee Ji Yeon Kim Hae Yeon Yang Daniel Chung Timothy Park Sur Yeon Kim Yejin Yoo Seniors Douglas Kang Jason Yoon Helen Kim Sena Yu Sherveen Abdarbashi - 4 Susie Kim - 4 President: Ryan Chang Angela Chang - 4 Brian Lee - 4 Viola Percussion Vice President: Irene Park Ryan (Kwon Joon) Chang - 4 Shannon Ma - 3 Treasurer: Carol Choi Aaron Cheeney - 4 Han Na Oh - 4 Kittiy Keratisomphon Alex Nelson Joyce Chai Hannah Kim Librarian: Susie Kim Edwin Cho - 4 Irene Park - 4 Edward Kim Caroline Praun Eun Song Ha Hae Ryun Lee * Assistant Librarian: Katherine Lee Danny Choi - 4 Jeong Eun Shin - 3 Samuel Kim Jennifer Suh Secretary: Angela Chang Sara Fram - 2 Garam Song - 4 Shant Mandossian Sharon Suh Hannah Kim - 2.5 Ye Suel Yoo - 4 Sarah Matsui * Danbee Yoon Section Leader = * Equipment Manager: Aaron Cheeney President: Edward Lee Vice President: Andrew Pardo CVHS STUDENTS IN OUTSIDE HONOR GROUPS Treasurer: Ji Min Shin Colburn Chamber Orchestra Librarian: Jenifer Ahn Claremont Young Musicians Colburn Wind Ensemble Andrew Hayhurst Assistant Librarian: Kitty Keratisomphon Intermezzo Orchestra Hannah Kim Min Sun Park Secretary: Hae Ryun Lee Mellisa Stanley Equipment Manager: Edwin Corcoran Glendale Youth Orchestra Pasadena Young Musicians Pasadena Youth Symphony Jesse Buensuceso Orchestra Orchestra Seniors Harry Elyassi Ashlee Chan Matt Gray Elizabeth Eun Ryan Chang Jennifer Ahn-4 Hannah Lee- Sarah Hwang Katherine Lee Wylie Cable - 3 Edward Lee- 4 Hanna Kim Jeong Eun Shin Edward Chun- 3 Hae Ryun Lee- 3 Irene Kim Daniel Chung- 3 Jeanie Lee- 3 Jason Kurosu L.A. Jr. Philharmonic Tournament of Roses Edwin Corcoran-4 Shant Mandossian- 1 Julie Ma Erin Kelly Honor Band Eric Doh- 4 Andrew Pardo- 4 Shannon Ma Jesse Buensuceso Eun Song Ha- 3 Justin Rheem- 1 Nick Ratkovich YMP Debut Orchestra Alex Miyazaki So Ri Han- 2 Ji Min Shim- 4 Neal Rea and Chamber Series Neal Rea Eward Kim- 4 Neal Rea The Crescenta Valley High School Instrumental Music Department would like to thank the following people for their support. Crescenta Valley High School Principals Assistant Principals VAPA Department Linda Evans Mrs. Linda Jensen Tammi Alderman Mike Livingston Mrs. Sun Sook Kim Brent Beerman Counselors Mr. Steve Ort Diana Brown Denise Jones Kathi Chaplar ASB Isabel Coelho Susan Corey Jon Allen Lisa Kuleto Wyn Ericson John Pehar Dennis Van Bremen Fredda Manzo Gail Johnson Auditorium Facilities Suzanne Saul Senior Admin.
Recommended publications
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I Entered College
    Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I entered college a naïve 18-year-old musician. I had played guitar for roughly four years and was determined to be the next great Texas blues guitarist. However, I was now in college and taking the standard freshman music literature class. Up to this point the most I knew about music other than rock or blues was that Beethoven was deaf, Mozart composed as a child, and Chopin wrote a really cool piano sonata in B-flat minor. So, we’re sitting in class learning about Berlioz, and all of the sudden it occurred to me: are there any composers still working today? So I risked looking silly and raised my hand to ask my professor if there were composers that were still working today. His response was, “Of course!” In discussing modern composers, the one medium that continuously came up in my literature class was that of film music. It occurred to me then that I knew a lot of modern orchestral music, even though I didn’t really know it. From the time when I was a little kid, I knew the name of John Williams. Some of my earliest memories involved seeing such movies as E.T., Raiders of the Lost Ark, and The Empire Strikes Back. My father was a musician, so I always noted the music credit in the opening credits. All of those films had the same composer, John Williams. Of course, I was only eight years old at the time, so in my mind I thought that John Williams wrote all the music for the movies.
    [Show full text]
  • Pre-Assessment
    Name: _________________________________________________ Date: ____________________________ Film Music Unit Pretest 6th Grade Music Multiple Choice 1. What is a melody? a. The main line in music b. The background line in music c. A song that we sing d. The rhythmic drive in music. 2. The line of music associated with Luke Skywalker in the movie Star Wars is called a ___________________. a. Sequence b. Ostinato c. Leitmotif d. Melody 3. What was the first movie with an entire original score? a. Gone with the Wind b. King Kong c. Casablanca d. Star Wars 4. What year did synthesizers become introduced as a part of film music? a. 1958 b. 1968 c. 1978 d. 1980 True or False 5. Music was included as a part of film starting with the first motion picture. True False 6. Film composers are not always well-respected in their careers. True False 7. Film music is played by a symphony. True False 8. Ascending melodies are generally happy, while descending melodies are generally sad. True False Matching Match each film with the composer who wrote the film score. 9. ___________ Star Trek a) Hans Zimmer 10. ___________ Edward Scissorhands b) Jerry Goldsmith 11. ___________ Titanic c) Max Steiner 12. ___________ The Lion King d) Danny Elfman 13. ___________ The Pink Panther e) John Williams 14. ___________ King Kong f) James Horner 15. ___________ Star Wars g) Henry Mancini Name: _________________________________________________ Date: ____________________________ Fill in the Blank Insert the best word into each blank. Not all words will be used. character consonance dissonance geographic harmony historic piano tension timbre 16.
    [Show full text]
  • Danny Elfman's Violin Concerto
    Danny Elfman’s Violin Concerto Friday, October 18 Today’s concert focuses not only on the renowned 10:30am concert music of Danny Elfman, but on a style of music that doesn’t tell a complete narrative. Rather, today’s selections paint a picture of a feeling, or an emotion, or a mysterious land- scape, by only using the power of music. Read on to find out more! Danny Elfman, American Composer (1953- ) Danny Elfman is an American composer most well known for his film music. He has composed music for film and TV such as The Simpsons, Men in Black, and Avengers: Age of Ultron. and has worked with pioneer- ing directors such as Tim Burton, Sam Raimi, Guillermo del Toro and Ang REPERTOIRE Lee. In 2004, Elfman began writing for the concert hall, such as Serenada Schizophrana (2005), Rabbit and Rogue (2008), and Eleven Eleven (2017). ELFMAN Concerto: “Eleven Eleven” Danny Elfman work- STRAUSS ing with longtime creative collaborator Death and and director, Tim Bur- Transfiguration, ton, on Alice in Wonderland (2010). Dance of the Seven Veils from Salome Concerto for Violin & Orchestra: “Eleven Eleven” composed in 2017, duration is 15 minutes This concerto, or larger-scale piece for an orchestra and a solo instrument, is approximately 40 minutes in duration and is divided into four movements. It features lyrical melodies inspired by early 20th century music, as well as more modern rhythms and har- monies. The title comes from the measure count, which hap- pens to be exactly 1,111 meas- ures long. The piece was written in collaboration with violinist Sandy Cameron.
    [Show full text]
  • Danny Elfman's Horror Film Music Elements in the Films
    DANNY ELFMAN’S HORROR FILM MUSIC ELEMENTS IN THE FILMS BY TIM BURTON Rinske Lerk 4251970 July 29, 2017 Bachelor Thesis Musicology, MU3V14004 Supervisor: Dr. Petra Philipsen Table of Contents 1. Introduction…………………………………………………………………………... 3 2. Theoretical Framework…………………………………………………………......... 5 2.1. Instrumentation………………………………………………………………….. 5 2.2. Harmonics and Dynamics……………………………………………………….. 7 2.3. Scare Tactics…………………………………………………………………….. 8 3. Analysis Beetlejuice and Sleepy Hollow………………………………………........... 10 3.1. “Main Titles” – Beetlejuice……………………………………………………… 10 3.1.1. Instrumentation…………………………………………………….……... 10 3.1.2. Harmonics and Dynamics………………………………………………… 11 3.1.3. Scare Tactics……………………………………………………………… 12 3.2. “Main Titles” – Sleepy Hollow………………………………………………….. 13 3.2.1. Instrumentation…………………………………………………………… 13 3.2.2. Harmonics and Dynamics………………………………………………… 14 3.2.3. Scare Tactics……………………………………………………………… 14 4. Comparison…………………………………………………………………………… 16 5. Conclusion………………………………………………………………………......... 17 6. References……………………………………………………………………………. 18 2 1. Introduction Growing up I have seen many films, but one film has always stood out for me: Corpse Bride (2005). As soon as we got the DVD of this film, I must have watched it at least 20 times. This film marked the start of my love for Tim Burton films and music by Danny Elfman. After Corpse Bride I have seen many other films by Tim Burton. What has always intrigued me about his films, is that the storylines are quite dark and often use dark colours. This insinuates that Burton’s films could be horror films,1 but this is not always the case. The question this raises is to what extent the music in his films features horror elements. The main question in this thesis is: To what extent does the music of Danny Elfman in films by Tim Burton express fright? In this thesis I am focusing on the music itself, because I want to find out whether it is obvious from the music alone that it is frightening or not.
    [Show full text]
  • Winterspell Playlist 1. Sweet Dreams
    Winterspell Playlist 1. Sweet Dreams (Are Made of This) – Sucker Punch – performed by Emily Browning 2. Towers of the Void – Red Riding Hood – Brian Reitzell 3. Is It Poison, Nanny – Sherlock Holmes – Hans Zimmer 4. Dyslexia – Percy Jackson & the Olympians – Christophe Beck 5. Maria Redowa – Little Women – Thomas Newman 6. La Fayette’s Welcome – Little Women – Thomas Newman 7. Port Royal Gallop – Little Women – Thomas Newman 8. Dead Sister – Red Riding Hood – Brian Reitzell & Alex Heffes 9. The Dance – Emma – Rachel Portman 10. Tavern Stalker – Red Riding Hood – Brian Reitzell & Alex Heffes 11. Wolf Attack Suite – Red Riding Hood – Brian Reitzell & Alex Heffes 12. Then Came the Purge – Underworld: Awakening – Paul Haslinger 13. The Wolve’s Den – Underworld: Rise of the Lycans – Paul Haslinger 14. The Lycan Van Escape – Underworld: Awakening – Paul Haslinger 15. Wtf – Green Zone – John Powell 16. Mike to Tavern – Underworld: Evolution – Marco Beltrami 17. Darkness Deep Within – Underworld – Paul Haslinger 18. Teahouse – The Matrix Reloaded – Juno Reactor and Gocoo 19. To Jerusalem – Kingdom of Heaven – Harry Gregson-Williams 20. Jean and Logan – X-Men: The Last Stand – John Powell 21. Dissolve – The Book of Eli – Atticus Ross 22. Pier 17 – The Adjustment Bureau – Thomas Newman 23. Blind Faith – The Book of Eli – Atticus Ross 24. Richardson – The Adjustment Bureau – Thomas Newman 25. The Journey – The Book of Eli – Atticus Ross 26. Mt. Grimoor – Red Riding Hood – Brian Reitzell & Alex Heffes 27. The Arrow Attack – Underworld: Rise of the Lycans – Paul Haslinger 28. Corvinus – Underworld – Paul Haslinger 29. Subterrania – Underworld – Paul Haslinger 30. A Thorough Education – Jane Eyre – Dario Marianelli 31.
    [Show full text]
  • The Impact of Judicial Decisions: New Dimensions in Supreme Court-Congressional Relations, 1945-1968
    Washington University Law Review Volume 1971 Issue 2 Symposium: Courts, Judges, Politics—Some Political Science Perspectives January 1971 The Impact of Judicial Decisions: New Dimensions in Supreme Court-Congressional Relations, 1945-1968 John R. Schmidhauser University of Iowa Larry L. Berg University of Southern California Albert Melone North Dakota State University Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Courts Commons, and the Judges Commons Recommended Citation John R. Schmidhauser, Larry L. Berg, and Albert Melone, The Impact of Judicial Decisions: New Dimensions in Supreme Court-Congressional Relations, 1945-1968, 1971 WASH. U. L. Q. 209 (1971). Available at: https://openscholarship.wustl.edu/law_lawreview/vol1971/iss2/3 This Symposium is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE IMPACT OF JUDICIAL DECISIONS: NEW DIMENSIONS IN SUPREME COURT- CONGRESSIONAL RELATIONS, 1945-1968 JOHN R. SCHMIDHAUSER, LARRY L. BERG AND ALBERT MELONE* Modern academic interpretations of the status of the Supreme Court in the American political system have commonly accepted the notion that the Supreme Court is protected from political attack by an aura of reverence. The Court Packing Fight of 1937 was the seminal controversy which
    [Show full text]
  • An Examination of Jerry Goldsmith's
    THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Forecasting Opinion Assignment on the U.S. Supreme Court Paul J
    Forecasting Opinion Assignment on the U.S. Supreme Court Paul J. Wahlbeck George Washington University Alyx Mark George Washington University Ryan Krog George Washington University Phillip J. Wininger George Washington University The chief justice does not possess extraordinary powers by virtue of that leadership post. Instead, the chief “presides over a conference not of eight subordinates, whom he may direct or instruct, but of eight associates who, like him, have tenure during good behavior, and who are as independent as hogs on ice.”1 One prerogative that the chief enjoys is the authority to assign the majority opinion. This responsibility gives the chief justice the ability to shape the Court’s agenda. By assigning the opinion, the chief justice is able to determine which justice will make the first policy proposal in the opinion-writing process with a unique ability to shape the law. Since the assigned author circulates a draft opinion before dissenting or concurring opinions, that author can secure commitments from colleagues.2 Because of the importance of opinion authorship, legal commentators follow each decision announcement with interest. Opinion assignment patterns give legal commentators clues that allow them to predict the outcomes of the remaining cases on the Court’s docket that term. Numerous legal and media outlets, such as the prominent SCOTUSblog, regularly highlight these conjectures in the days prior to notable Supreme Court decisions. For instance, approach the finale of the 2011 term, a whirlwind of speculation and guessing led up to the Court’s highly-anticipated decision regarding the constitutionality of the Affordable Care Act of 2010.
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]