Forecasting Opinion Assignment on the U.S. Supreme Court Paul J

Total Page:16

File Type:pdf, Size:1020Kb

Forecasting Opinion Assignment on the U.S. Supreme Court Paul J Forecasting Opinion Assignment on the U.S. Supreme Court Paul J. Wahlbeck George Washington University Alyx Mark George Washington University Ryan Krog George Washington University Phillip J. Wininger George Washington University The chief justice does not possess extraordinary powers by virtue of that leadership post. Instead, the chief “presides over a conference not of eight subordinates, whom he may direct or instruct, but of eight associates who, like him, have tenure during good behavior, and who are as independent as hogs on ice.”1 One prerogative that the chief enjoys is the authority to assign the majority opinion. This responsibility gives the chief justice the ability to shape the Court’s agenda. By assigning the opinion, the chief justice is able to determine which justice will make the first policy proposal in the opinion-writing process with a unique ability to shape the law. Since the assigned author circulates a draft opinion before dissenting or concurring opinions, that author can secure commitments from colleagues.2 Because of the importance of opinion authorship, legal commentators follow each decision announcement with interest. Opinion assignment patterns give legal commentators clues that allow them to predict the outcomes of the remaining cases on the Court’s docket that term. Numerous legal and media outlets, such as the prominent SCOTUSblog, regularly highlight these conjectures in the days prior to notable Supreme Court decisions. For instance, approach the finale of the 2011 term, a whirlwind of speculation and guessing led up to the Court’s highly-anticipated decision regarding the constitutionality of the Affordable Care Act of 2010. A week prior to the Court’s announcement various legal commentators began predicting Chief Justice Roberts as the likely author of the case’s opinion, since the other predicted candidate for opinion author, Justice Kennedy, delivered the majority opinion in the highly salient Arizona immigration case immediately prior to the health care ruling.3 1 Of course, interest in opinion assignment extends beyond journalists and commentators. Recognizing opinion assignment as central to agenda-setting and case outcomes, political scientists, too, have long shown interest in the Court’s opinion assignment process. Following Walter Murphy’s 1964 classic The Elements of Judicial Strategy, an immense body of research has developed on the subject.4 Employing data derived from assignment sheets found in the justices’ papers, this research assesses the assignments of some previous chief justices—Vinson, Warren, Burger, and Rehnquist— and uncovers various causal factors that may underlie the process.5 However, despite this wealth of knowledge, political scientists have not applied their theoretically grounded explanations to forecast current opinion assignments, even as commentators and journalists continue to toss around their predictions. This comes as no surprise; political scientists have long eschewed forecasting methods. With the exception of a study by Martin and colleagues6 forecasting applications to the Supreme Court have been quite limited. In this chapter, we undertake a unique endeavor: we construct a theoretically- grounded model of Supreme Court opinion assignment and use it to predict assignments in out-of-sample data. Our research utilizes data from 2004 to 2009 Supreme Court terms to build an explanatory opinion assignment model. To cross-validate the model, we then make assignment predictions with respect to cases decided during an out-of-sample 2010 term. This attempt at making a real-world application is both methodologically and theoretically important. Forecasting and out-of-sample predictions provide significant analytical leverage, as testing predictions against future events is one of the most stringent checks of statistical models. To this end, Beck, King, and Zeng write, “even if 2 we have no interest in prediction per se, the poor forecasting performance of standard models indicates that we can improve on them to provide better knowledge of real-world causal relationships.”7 Consequently, we argue that it is important to revisit (and perhaps question) our understanding of the opinion assignment process. Testing our models of opinion assignment against future observations helps accomplish this goal. It is this challenge that we undertake as our principal responsibility in this project. More so than a model that seeks to predict the outcomes of cases alone, a model of opinion assignment allows us to think not only about the policy implications of a particular outcome, but how the predicted assigned author will incorporate their own unique insights into the drafting of the decision. This might have implications for court watchers, speculating on the impact of cases, and outside parties who have a stake, financial or otherwise, in the case. Moreover, our study also allows us to investigate opinion assignment practices during the current Roberts Court. It is important to understand Chief Justice Roberts’ decision-making process, as he will have many opportunities to develop and change legal policy during his presumably lengthy tenure on the Court. Thus, our model can potentially provide a first glimpse into how he will lead the Court and on how law will develop under his leadership in the coming years. In the sections that follow, we review extant research on the opinion assignment process and use this literature to derive hypotheses about the forecasting of opinion assignment. Next, we describe our data and methods and specify the series of statistical models designed to test both in-sample and out-of-sample forecasts. Along the way, we pay special attention to the challenges we face in testing our hypotheses given a lack of available data associated with several of our measures. 3 Opinion Assignment Decision Making Given the strategic environment within which the justices operate, political scientists have long attempted to uncover underlying motivations behind the chief justices' opinion assignment decisions.8 An array of causal factors has been explored. But the literature has sorted these factors into two primary goals in opinion assignment: (1) the strategic pursuit of policy preferences and (2) the desire to satisfy the Court’s organizational needs.9 Highlighting the first goal, political scientists David Rohde and Harold Spaeth aptly state, “the rational strategy for the assignor is to assign the opinion to the justice whose views are most like his own on the issue being decided.”10 This statement, of course, portrays the chief as a policy-minded justice who seeks to choose a writer who will construct a written opinion—and, thus, the content of law—that most closely reflects the chief’s preferred policy. This policy-centered view of opinion assignment transcends from a large body of research demonstrating that policy motivations guide an array of judicial behavior by Supreme Court justices.11 There may be more to the story, however. The second goal—the pursuit of organizational needs—suggests that the chief looks beyond ideological preferences in many cases. More specifically, research indicates that formal and informal norms confer upon the chief a special job obligation: the role of an administrator and representative of the Court.12 Internalizing this role, the chief may use opinion assignment to preserve judicial legitimacy, enhance harmony amongst justices, and promote smooth operation of the Court.13 These factors uniquely constrain the chief justice. Associate justice assignors do not weigh organizational factors.14 4 When these policy and organizational components of opinion assignment are viewed collectively, a nuanced process of opinion assignment unfolds in which the chief justice balances multiple goals.15 To help illustrate, this review highlights a body of scholarship exploring opinion assignment as a function of both goals. And, building upon this scholarship, it iterates several empirical hypotheses relevant to a forecasting model of opinion assignment. The Pursuit of Policy Goals Scholars readily acknowledge that the pursuit of policy preferences underlies a variety of Supreme Court behavior, including certiorari decisions, bargaining and accommodation over opinion content, decisions to write concurring or dissenting opinions, and general voting patterns.16 Thus, it is reasonable to surmise that opinion assignment is not exempt from policy-motivated behavior. Moreover, given that opinion assignment constitutes one of the chief’s primary responsibilities when voting with the majority, the chief may be able to exercise special policymaking power over the Court.17 In order to demonstrate how this power may operate, opinion assignment must be placed within the context of the dynamic give-and-take of opinion writing. Notably, a majority opinion generally requires five supporting votes; the opinion writer cannot institute his or her preferred policy by fiat. The opinion writer’s need to collect and maintain a majority leads to a process of bargaining and accommodation whereby justices haggle over how an opinion should textually unfold.18 An opinion writer may have to draft or alter the opinion to accommodate the views of other justices, especially when the majority appears to be small or fragile. Maltzman, Spriggs, and Wahlbeck find, for example, that writers circulate more opinion drafts—and, thus, engage in more 5 bargaining—when the majority coalition is small, majority coalition members are ideologically distant from the author,
Recommended publications
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • The Impact of Judicial Decisions: New Dimensions in Supreme Court-Congressional Relations, 1945-1968
    Washington University Law Review Volume 1971 Issue 2 Symposium: Courts, Judges, Politics—Some Political Science Perspectives January 1971 The Impact of Judicial Decisions: New Dimensions in Supreme Court-Congressional Relations, 1945-1968 John R. Schmidhauser University of Iowa Larry L. Berg University of Southern California Albert Melone North Dakota State University Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Courts Commons, and the Judges Commons Recommended Citation John R. Schmidhauser, Larry L. Berg, and Albert Melone, The Impact of Judicial Decisions: New Dimensions in Supreme Court-Congressional Relations, 1945-1968, 1971 WASH. U. L. Q. 209 (1971). Available at: https://openscholarship.wustl.edu/law_lawreview/vol1971/iss2/3 This Symposium is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE IMPACT OF JUDICIAL DECISIONS: NEW DIMENSIONS IN SUPREME COURT- CONGRESSIONAL RELATIONS, 1945-1968 JOHN R. SCHMIDHAUSER, LARRY L. BERG AND ALBERT MELONE* Modern academic interpretations of the status of the Supreme Court in the American political system have commonly accepted the notion that the Supreme Court is protected from political attack by an aura of reverence. The Court Packing Fight of 1937 was the seminal controversy which
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]
  • The Shadow of Natural Rights, Or a Guide from the Perplexed
    Michigan Law Review Volume 86 Issue 6 1988 The Shadow of Natural Rights, or a Guide from the Perplexed Hadley Arkes Amherst College Follow this and additional works at: https://repository.law.umich.edu/mlr Part of the Constitutional Law Commons, and the Legal Education Commons Recommended Citation Hadley Arkes, The Shadow of Natural Rights, or a Guide from the Perplexed, 86 MICH. L. REV. 1492 (1988). Available at: https://repository.law.umich.edu/mlr/vol86/iss6/46 This Review is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. THE SHADOW OF NATURAL RIGHTS, OR A GUIDE FROM THE PERPLEXED Hadley Arkes* AMERICAN CONSTITUTIONAL INTERPRETATION. By Walter Murphy, James Fleming and William Harris, IL Mineola: Foundation Press. 1986. Pp. 1212. $34.95. G.K. Chesterton once remarked that the problem with the world was not that it was unreasonable or even reasonable, but that "it is nearly reasonable, but not quite." He imagined a "mathematical crea­ ture from the moon" assaying the human body and being struck by its symmetry: a hand on the left side, matched by another on the right, with the same number of fingers; twin eyes, twin nostrils, twin lobes of the brain. "At last he would take it as a law; and then, where he found a heart on one side, would deduce that there was another heart on the other.
    [Show full text]
  • Annual Report Senior Officers
    2016 ANNUAL REPORT SENIOR OFFICERS Dr. Richard Guarasci Angelo Araimo Joseph Romano President Senior Vice President for Vice President for Administration Planning and Enrollment Dr. Lily D. McNair Ruta Shah-Gordon Provost and Senior Vice President John Carrescia Jr. Vice President for Internationalization, for Academic Affairs CFO and Vice President for Intercultural Affairs and Campus Life Finance and Business Wagner College 2016 Annual Report Editor Photographers Laura Barlament Vinnie Amessé Jonathan Harkel Designer Anna Mulé Natalie Nguyen THE WAGNER Year in Review 2016 ANNUAL REPORT From the Chair 3 Looking Back, Planning Ahead From the President 4 Reflecting on a Milestone In 2016, we celebrate new accolades recognizing Wagner’s value, a new undergraduate major that’s a first in the U.S., and the College’s first doctoral graduates, among many other highlights. 6 Winter/Spring 8 Summer 10 Fall The Financial Picture 12 An overview of the College’s financial status during fiscal year 2016. Honor Roll of Donors 16 Recognizing the generous individuals and organizations that help the College fulfill its mission and build community. FROM THE CHAIR OF THE BOARD Looking Back, Planning Ahead s midwinter settled over the Wagner campus on lovely Grymes Hill, members of our Board of Trustees were busy planning for the annual retreat, which took place this year in early March. Each year, we gather for two full days at an off- Acampus site so that we may take a look back, undistracted, much like This school has this annual publication does, at the College’s performance and progress. “shown a great More importantly, we also look ahead and, in conjunction with President Guarasci and his senior staff, work to place Wagner in as deal of stability strong a position as possible in the coming months and years.
    [Show full text]
  • Tf£"#, TABLE of CONTENTS
    A REPORT ON THE PRODUCTION OF THE PLAY uA PHOENIX TOO FREQUENT 11 Wayne Shrope A.B., Sacramento State College, 1952 PROJECT Submitted in partial satisfaction of the requirements tor the degree of MASTER OF ARTS AT THE SAC.RAMENTO STATE COLLEGE Charles V. Hume, Chair SA CRAMENT O Baxter M. Geeting STATE COLLEGE George W. Creel ARCHIVES Date @.~ ~C; tf£"#, TABLE OF CONTENTS CHAPTER PAGE I. THE PROBLEM • • • • . .. • • 1 II. REVIEW OF RESEARCH, CASTING, DIRECTING, AND REHEARSAL SCHEDULE • • • • • • • • • 3 Review of research • • • • • • • • • • • • 3 The author • • • • • • • • • • • • • • 3 The play • • • • • • • • • • • • • • • s Casting; . • • • • • • • • • • • • • • • • 10 Direction • • • • • • • • • • • • • • • • 11 Rehearsal schedule • • • • • • • • • • • 16 - III. PROMPT BGOK • • • • • • • • • • • • • • • • 18 IV. THE SETTING • • • • • • • • • • • • • • • • 82 v. THE COSTUMES • • • • • • • • • • • • • • • 86 VI. PUBLICITY • • • • • • • • • • • • • • • • • 93 VII. EVALUATIONS • • • • • • • • • • • • • • • • 96 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • • • 98 APPENDIX •• • • • • • • • • • • • • • • • • • • • 99 CHAPTER I THE PROBLE:M The problem was to prepare a prompt book for the play A Phoenix 12.2 Frequent by Christopher Fry and to pre­ sent this play for a public performance in the drama work- shop at Sacramento State College. A Phoenix too Frequent wae chosen because it is an excellent comedy, perhaps Fry's funniest, and because the interpretation of the beautiful poetry and subtle wit provided an interesting challenge for ' the director and for the actors. The scenes are well con- etructed and carefully planned for comic effect; the char­ acters are clearly drawn and differentiated. In the pre­ sentation of this play the writer acted as producer, director, designer, and technician. In the capacity of director he read and carefully analyzed the play in order to plan the general style ot the production. Subsequently he cast the play, prepared a prompt book, and directed the action and interpretation.
    [Show full text]
  • 2021 Breeze Show Choir Catalog
    Previously Arranged Titles (updated 2/24/21) Specific details about each arrangement (including audio samples and cost) are available at https://breezetunes.com . The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** For songs that do not have vocal rehearsal tracks, these can be created for $150/song. To place an order, send an e-mail to [email protected] or submit a license request on Tresona listing Garrett Breeze as the arranger, Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Most SATB songs, for example, can be easily reworked for SAT. • Remember that show function is one of the most important things to consider when purchasing an arrangement. For example, if something is labelled in the catalog as a Song 2/4, it is probably not going to work as a closer.
    [Show full text]
  • “Le Freak”—Chic (1978) Added to the National Registry: 2017 Essay by Cary O’Dell
    “Le Freak”—Chic (1978) Added to the National Registry: 2017 Essay by Cary O’Dell “Le Freak” 45 sleeve Original 45 label Nile Rodgers Inevitably, there seems to be a collective groan whenever that word is spoken. That word, of course, is “disco.” It is, without question the only musical genre to illicit such a response. No one smirks and recedes from “country” or “classical” or “folk.” It is also the only musical genre to ever have had its own made-to-order funeral: the public lambasting that was the famous—turned infamous—“Disco Sucks” Demolition Night held on July 12, 1979 at Comiskey Park in Chicago, Illinois. Yet, despite all the baggage attached to it, and despite the endless jokes, and the very bad fashion connected with it, the music of disco, itself, has actually aged remarkably well. And, in fact, it has never completely departed. Today, disco beats still rain down from the radio airwaves and steam upwards from the streets and meet on a million dance floors in between. It’s just that, today, instead of daring to utter the word “disco,” we hide these same grooves under euphemisms like “dance” music or “club” music. Founded, more or less, in 1976, the band known as Chic has survived, with some hiatuses, up to the present day. They have also existed in various incarnations with a wide assortment of musicians and singers coming and going over the years. At the time the group recorded their major hit “Le Freak,” however, the group consisted (in the studio, at least) of five members: Nile Rodgers, Bernard Edwards, Tony Thompson, Norman Jean Wright and Alfa Anderson.
    [Show full text]
  • STAFF NOTES April 18, 2019 Colonel Eliot K
    C i n c i n n a t i P o l i c e D e p a r t m e n t STAFF NOTES April 18, 2019 Colonel Eliot K. Isaac, Police Chief Planning Section • New Form 444-C, Working Out of Classification Pay for CODE Employees Police Training Section • Training Opportunity – Shattering the Myths-Islam in America Support Bureau • First Responders – Special Edition Static Display Event Chief’s Office • S.T.A.R.S. Data • Thank You Letters Colonel Eliot K. Isaac, Police Chief April 18, 2019 1. NEWLY CREATED FORM 444-C, WORKING OUT OF CLASSIFICATION PAY FOR CODE EMPLOYEES The Department has created the new Form 444-C, Working Out of Classification Pay for CODE Employees. The new form is similar to the existing Form 444 (used for AFSCME employees); however, the new form contains language specific to the CODE contract. The new Form 444-C is effective immediately and available in the CPDFORMS folder on the H: drive of Department computers. Employees may direct specific questions pertaining to the Form 444-C to Personnel Management. 2. TRAINING OPPORTUNITY – SHATTERING THE MYTHS-ISLAM IN AMERICA Host/Sponsor: Ohio Peace Officer Training Academy (OPOTA) Course Title: Shattering the Myths-Islam in America Presenter: Ms. Sarah Shendy, OPOTA Richfield Date/Time(s): Friday, August 2, 2019, 0800 – 1600 hours Location: Cincinnati Police Academy This course teaches a basic understanding of the Muslim faith, its origins, major tenets, and role in the Arab community and the Muslim family. Students will learn aspects of the Muslim faith most relevant to the law enforcement personnel and their potential impact on law enforcement operations in Arab households and the Arab community.
    [Show full text]
  • Solo Violinist Repertoire
    Solo Violinist Repertoire Background music with Backing Tracks Light Classics: Pachelbel: Canon in D Handel: Ombra mai fu Handel: Arrival of the Queen of Sheba Bach: Air from Suite no 3 Bach: Arioso Vivaldi: Spring from the Four Seasons Vivaldi: Winter from the Four Seasons Beethoven: Romance in F Massenet: Meditation Monti: Czardas Kreisler: Liebesfreud Kreisler: Liebeslied Kreisler: Schon Rosmarin Gluck: Mélodie Debussy: Claire de lune Thaxted: The World in Union Sartori: Con te partirò Schonberg: “Stars” from Les Miserable Andersson/Rice: Anthem from Chess Bernstein: One hand, one heart Trad: Scarborough Fair Morricone: Cinema Paradiso Arlen: Over the Rainbow Pop & Rock: Sting: Fields Of Gold Beatles: Here comes the Sun Eva Cassidy: Songbird Adele: Someone Like You Take That: Rule the World Robbie Williams: Angels Cohen: Hallelujah Coldplay: Yellow, Viva La Vida, The Scientist, Paradise Emeli Sandé: Clown Extreme: More Than Words Ed Sheeran: Perfect Ed Sheeran: Thinking Out Loud Jason Mrarz: I'm Yours Jason Mrarz: I Won't Give Up Katy Perry: Firework Green Day: Good Riddance (Time of Your Life) David Guetta: Titanium Cristina Perri: A Thousand Years Bruno Mars: Just The Way You Are John Legend: All Of Me Arctic Monkeys: Chasing Cars Justin Bieber: Despacito Daft Punk: Get Lucky Seal: Kiss From A Rose Clean Bandit: Rather Be Gotye: Somebody That I Used To Know Fun: We Are Young Walter Murphy: A Fifth Of Beethoven Stevie Wonder: Signed, Sealed, Delivered Cee Lo Green: Forget You Jessie J: Price Tag Ben E King: Stand By Me Bill Withers:
    [Show full text]
  • Walter Murphy
    W. Murphy 1 Walter Murphy Executive Director for Research and Sponsored Programs and Deputy Chief Research Officer, Office of Research Texas A&M University – Central Texas 1001 Leadership Place, Killeen, TX 76549 (254) 519-5761 / Email: [email protected] EDUCATION Vanderbilt University Medical School, Postdoctoral faculty researcher University of Rochester, Ph.D. Dissertation: Speech recognition in noise: Developmental changes from 4 to 8 years of age University of Rochester, M.A. Thesis: Identification of “vowelless" vowels by three-year-olds Harvard-Radcliffe Colleges, A.B. PROFESSIONAL SOCIETIES Member, Southwestern Psychological Association Member, Society for Research in Child Development Member, American Auditory Society Member, Psi Chi (psychology honor society) and Pi Gamma Mu (social sciences honor society) HONORS AND AWARDS (Inaugural) Staff Excellence Award, 2019, A&M Central Texas Ignite Award (Faculty), 2015, A&M Central Texas Who’s Who among America’s Teachers, 2000, 2002, 2005, 2007 University of Rochester Rush Rhees Fellowship, 1984-1985, 1985-1986, 1986-1987 Harvard University Special Student, 1983-1984 Harvard College Scholarship for Academic Distinction, 1981-1982, 1982-1983 RESEARCH EXPERIENCE Fall 2016 – present Faculty Fellow, University Center for Applied Research and Engagement, A&M Central Texas Fall 2014 – present Texas A&M University-Central Texas, College of Education and Human Development, Department of Counseling and Psychology Laboratory research and paper development with several members of the department on topics including helping students with APA format writing, awareness of research consent form content, domestic violence, and parents’ views on childhood vaccination W. Murphy 2 Fall 2009 – Summer 2016 Baylor University, Robbins College of Health and Human Sciences, Department of Communication Sciences and Disorders Laboratory research, writing, and statistical consultation on research programs investigating effects of hearing impairment on development with Dr.
    [Show full text]
  • Brian Eno • • • His Music and the Vertical Color of Sound
    BRIAN ENO • • • HIS MUSIC AND THE VERTICAL COLOR OF SOUND by Eric Tamm Copyright © 1988 by Eric Tamm DEDICATION This book is dedicated to my parents, Igor Tamm and Olive Pitkin Tamm. In my childhood, my father sang bass and strummed guitar, my mother played piano and violin and sang in choirs. Together they gave me a love and respect for music that will be with me always. i TABLE OF CONTENTS DEDICATION ............................................................................................ i TABLE OF CONTENTS........................................................................... ii ACKNOWLEDGEMENTS ....................................................................... iv CHAPTER ONE: ENO’S WORK IN PERSPECTIVE ............................... 1 CHAPTER TWO: BACKGROUND AND INFLUENCES ........................ 12 CHAPTER THREE: ON OTHER MUSIC: ENO AS CRITIC................... 24 CHAPTER FOUR: THE EAR OF THE NON-MUSICIAN........................ 39 Art School and Experimental Works, Process and Product ................ 39 On Listening........................................................................................ 41 Craft and the Non-Musician ................................................................ 44 CHAPTER FIVE: LISTENERS AND AIMS ............................................ 51 Eno’s Audience................................................................................... 51 Eno’s Artistic Intent ............................................................................. 55 “Generating and Organizing Variety in
    [Show full text]