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Chemical Engineering Education Graduate Education in Chemical Engineering
I • N • D • E • X GRADUATE EDUCATION ADVERTISEMENTS Akron, Uni versity of. .......... , .... ... .................. 321 Iowa State Uni versity .................. ... ....... ....... 360 Pensylvania State Uni versity ........................ 395 Alabama, University of ................................ 322 Johns Hopkins University .... .... .. .... .... .......... 361 Pittsburgh, University of .............................. 396 Alabama, Huntsville; Uni versity of.. .... .. ..... 323 Kansas, University of ............................... .... 362 Polytechnic University .. .... ... .... ........... .. ..... .. 397 Alberta, Uni versity of .. ........ .... .. .... ... ..... ..... .. 324 Kansas State University ............... ... ...... ........ 363 Princeton University ....................... .......... .. .. 398 Arizona, University of ....... .. .... .. .... ... .. ... ....... 325 Kentucky, Uni versity of ........................ .. ..... 364 Purdue University .. ........... ... ... ....... ... .... .... ... 399 Arizona State University ..... .. ... ...... ..... ......... 326 Lamar University .. ... ..... ..... ......... ........... .. ..... 430 Rensselaer Polytechnic Institute .... ...... .... ... .. 400 Auburn Uni versity .. ..... .. ... ..... .. .............. .... ... 327 Laval Universite ...................... ........... ...... .. .. 365 Rhode Island, University of.. .... ..... .. ... ..... .. ... 435 Bri gham Young Uni versity .............. ... .. ..... ... 427 Lehigh University .................................. .... ... 366 Rice University -
Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair Port Conventzon, John Martyn, Pentangle and the Incredible String Band
. Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch season Productions, recording LPs by Fair port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968. -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
Informal Popular Music Learning Practice and Their Relevance for Formal Music Educators
17 INFORMAL POPULAR MUSIC LEARNING PRACTICE AND THEIR RELEVANCE FOR FORMAL MUSIC EDUCATORS Lucy Green Institute of Education, University of London Introduction I would like to start by listening to the opening of a song. It is performed by Nanette Welmans, an English popular musician who I interviewed as part of a study on how popular musicians learn. Nanette does all the singing on the recording, including the backing vocals; she plays all the instruments and she mixed the recording herself. She also composed the music and wrote the lyrics. Like the majority of popular musicians, she had hardly any formal music education at all. She had taken a few piano lessons when she was ten years old, but gave up because in her words: ‘I just couldn’t relate to them, at all’. She became a professional singer at the age of 17, but only went to a singing teacher later. She had two separate periods of taking lessons, mainly concentrating on diaphragm breathing. At the time of creating this song, she did not know how to read notation; and it emerged after the interview that she had notation dyslexia. She had never had any education in composition, form, harmony or counterpoint. There are three main questions I wish to address in this presentation. Firstly, how did she, and other musicians like her, go about the informal processes of acquiring their skills and knowledge; secondly, what kinds of attitudes and values did they bring to their learning experiences; thirdly, and more briefly, to what extent might it be beneficial to incorporate these learning practices into the formal environment of the general school music classroom? The research involved detailed interviews and some observations with 14 popular musicians living in and around London, UK, aged 15 to 50. -
John Martyn Tape > 1St Generation Maxell XLII-90 Cassette, Dolby B On
Thanks to the taper; and to kneesfudd for sharing the show at Dime. kneesfudd noted: Warts: Volume levels a bit erratic on #1. #10 has tapeflip splice in middle. Fixed a number of small pops, dullspots and dropouts, but surely missed a few. Last minute of #12 dropped in volume, so is a bit hissy where it was raised. The other two acts on the bill were the Dazz Band and Whitesnake. The audience was not happy about the billing. Non-stop background chanting for Whitesnake going on between songs. Lineage: stereo FM radio broadcast > unknown stereo recording equipment > off-air master John Martyn tape > 1st generation Maxell XLII-90 cassette, Dolby B on. SW3 Festival Playback 2014-07-14: 1st generation Maxell XLII-90 cassette on Nakamichi 680ZX Friedrich-Ebert-Halle cassette deck, Dolby B on, azimuth adjusted for individual recording, heads cleaned & demagnetized > Sony Linear PCM Recorder PCM-M10 (LPCM 44.10kHz/16bit Ludwigshafen am Rhein WAV files) > computer > Audacity [normalisation to remove DC offset, channel/ phase alignment, fades, manual one-at-a-time glitch, bump, pop, click, dropout & Germany dullspot repairs, volume adjustments, NO equalisation] > CD Wave (track splits) > flacs (Trader’s Little Helper) March 19, 1983 MP3 Version 01. Intro 0:26 02. Glorious Fool 3:39 03. Amsterdam 4:09 04. Call Me Crazy 3:55 1983 Martyn Germany John 05. Couldn’t Love You More 5:19 06. Bless The Weather 4:14 07. Dealer 5:45 08. Inside Out 5:08 09. Could Have Been Me 3:38 10. Sweet Little Mystery 5:18 11. -
Sponsorship Opportunities Killebrew
KILLEBREW-THOMPSON MEMORIAL SPONSORSHIP OPPORTUNITIES August 19-22, 2020 | Sun Valley, Idaho A Leukemia & Cancer Research Benefit ©Jordyn Dooley Dear Friend of KTM, We are pleased to invite you to the 44th Annual Killebrew-Thompson Memorial, August 19-22, 2020 at beautiful Sun Valley Resort. Thanks to the generosity of our 2019 supporters, $800,000 was donated to our beneficiaries to fund cutting-edge cancer research and patient care. The resulting innovations in cancer treatments and therapies are improving outcomes for an untold number of cancer patients and their families. Hannah Stauts We hope you will join us, as a sponsor or participant, for a fun-filled weekend Executive Director enjoying all that Idaho has to offer. With your support, we will be one step closer to a cancer-free tomorrow. Board of Directors Marc Butler, Chairman Evan Robertson, Secretary Georgie Fenton Mark Johnson Doug Oppenheimer CEO, JR Butler, Inc. Robertson & Slette, PLLC (Former) President, KTM News Anchor, KTVB/NBC President, Oppenheimer Denver, CO Twin Falls, ID Sun Valley, ID Boise, ID Companies Boise, ID Joe Puishys, Vice Chairman Terrance Dolan Russell Huffer Ross Matthews CEO, Apogee Enterprises Vice Chairman, US Bank CEO (Retired), Apogee Enterprises President, Sinclair Oil Minneapolis, MN Minneapolis, MN Eden Prairie, MN Salt Lake City, UT Paul Hartzell, Treasurer John Elmore John D. Jackson Marvin May Founder/Partner, Verichain Partners Vice Chairman (Retired), US Bank CEO, Jackson Food Stores Owner, May Trucking Company Hailey, ID Minneapolis, MN Boise, ID Salem, OR ABOUT US History The Killebrew-Thompson Memorial is dedicated to raising funds for Danny Thompson played shortstop for the Minnesota leukemia and cancer research through an annual charity event held in Twins for only one season before being diagnosed with Sun Valley, Idaho. -
The Comment, February 8, 1973
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1973 The ommeC nt, February 8, 1973 Bridgewater State College Volume 52 Number 17 Recommended Citation Bridgewater State College. (1973). The Comment, February 8, 1973. 52(17). Retrieved from: http://vc.bridgew.edu/comment/306 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The COMMENT , . r~ebruary 8, 1973 VOl-. 1.11 NO. 17 BRIDGEWATER STATE COLLEGE Language Dissens-ion Centers Around "What are Relevant Considerations II ()Par Kevin: he fulfilled either by further study to the requirements for its major, it is evident that both faculty and two basic principles enumerated This is in response to your letter in foreign language courses or by it was assumed that the recom- students found it difficult to grasp above in the sixth paragraph of of January 16, 197:3, regarding the courses in non-English literature ml'ndations of the departments the full implications of the Board this letter. decisions recen~Iy made in the in translation.) w('re professional judgements, not of Trustees' policy in terms of With respect to the Department foreign language requirements at The experience of other colleges to be overruled by any segment or what are relevant considerations. of [t:arth Sciences and Geography, Bridgewater State College .. May I has shown that a great many step of the College Community The Faculty Council, also I subsequently received on say at the outset that I share many students who have studien a governance process, including the cognizant of the Board of Trustees' November- 14, 1972, a sup of the principles that you express foreign language in high schOol are President, unless they were in policy, voted at its November 13, plementary and unsolicited so forcefully in your thoughtful able to pass the proficiency conflict with the two basic prin- 1~l72 meeting to accept the statement further clarifying the iptter. -
Oa: on V Bosa ARRIVALS Ptts91i0 C9b,Pa Pcena SCHEDULED WILL POINT Ctent FL GHT T©ARFIVE ARRIVE GATE of OP1G'n Slbuc9b' Pa
www.americanradiohistory.com oa: ON v BOSa ARRIVALS Ptts91i0 c9b,Pa pcena SCHEDULED WILL POINT ctent FL GHT T©ARFIVE ARRIVE GATE OF OP1G'N Slbuc9b' Pa. 9ets ricena C ic B113 cVt 1 ttans 5do 235 2.15 N 16 LONDON cc bead 904 2:45 IN 22 PRAGUE %s, 250 2:50 2:50 4 PARIS M0- e a Md B1 t6 815 3:05 3:15 13 SYDNEY easyi\e,nn. C 5 y. 310 3:27 3:33 5 LIMA t.e,x 916 3:44 3.50 9 TUNIS RuPP 61'0 t, M`eun` 830 4.05 4.05 8 BANGKOK Stad or` 617 4:12 4:12 12 ROME el fo,NÁad;tÓc`u 6uen` oc,ai a 22 a, Ganada tatweOtna`` ns 912'0e1 Z0o, Ga,aaa S keaf -tarla 9 240, G 31..30'5 S°ro t.eaE aP e da an onnta.i 912-..e006., v9O SaGarden ,Nad_ ',IV Garden MaarÑ pv 913 `-eat ac den Neese'Y 912 0,%.Pack cbGae11 cocM- 913 o,t\. 'ck chmacey 916 Got. pees .enta S M°°`t giNnto ie 91tó a`e,WaSb. Sose.cn 91 tr`ed, Ore. Áj12 et, Ganada ¿oise3n 91 eras/"' um corset`'ye Wae. SQ .enta+`l. 91 ¡6 ore°n Eñésity ° vr ,Ney. 9Ii egas s t ntabye Ga 9120 SanF fancisCo,,1ace ca. C0`14 Ca San912 Francisco, Peace Get eenter rine ° g124' Gael` ter ßnaentp° Sae ZS on, ricit s 12c9 cQue,N.M riap°Q 9130 so,ter. 9OP www.americanradiohistory.com VOLUME XL - NUMBER 12 - August 5, 1978 THE INTERNATIONAL MUSIC RECORD WEEKLY CASH BOX GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT Vice President and General Manager Goals: A Year Later STAN MONTEIRO CBS Director of Marketing Its in A year ago in London, Walter Yetnikoff, president proved it is also very artist -oriented. -
A BUCK HAY POR BRISBANE JULIANNE SCHULTZ Looks at the New Wave of Violence Against Blacks in This Week's Centrefold
A BUCK HAY POR BRISBANE JULIANNE SCHULTZ looks at the new wave of violence against blacks in this week's centrefold. THE FACTS OF SZASZ TheMythof mental illness E^e'rpis from Szasi'recent Myer Memorial lecture page 12 The Master of Mime talks to TttUIT? STUART MATCHETT on, h|s life story page 6-7 'The cose for oborfion pages 4-5" and art—Pages 13-14. ?u>m3:^:m «^ '-**^*"*"---. ments to thb public. Generalised poli tical statements or slogans can be funda mentally true in one context and in fact PART TIME STUDENTSFASS productive in their conseuqences, yet come to a ' ; . they can also be inadequate or lacking in impact or understanding in another (eg BARBECUE exceptions to the rule in question or any /•on •';••'.•• omitted qualifications to a critique can be very important occasionaUy if you don't ; WEDNESDAY AUGUST 24 wish to alienate many of those you wish commencing 4.30 pm to communicate with). Many of the feminist points about the * Beside the Swimming Pool, University of Queensland. show being racist and heterosexist I feel * Barbecuing facilities available-bring picnic or food for barbecuing arc too generalised. They raise potentially important questions (eg the selective and and drinl<s for your family. racist way the western press utilises Idi * Organised by PESO (Part-time and External Students Organisation). Amin in the news), however they do not Dear Gamut, The barbecue tea is an opportunity for part-timers and their families As a member of the Revue 77 go far enough into the specifics of the company and producer of the Bjeike argument's reasoning and also whether to get together and enjoy the University's facilities, and also to they are genuinely applicable to the Bitter advertisements for "Life- Wasn't welcome external students who will be visiting the University for Meant to Be ..." I would like to reply to sketches in question. -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step.