DOCSLIB.ORG

Sets, Props, Costumes & Makeup

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sets, Props, Costumes & Makeup First Light New Programming Video Publishing www.firstlightvideo.com Film, Video & TV Production Beginners Guide to Digital Video Production. 8 Dear Colleague, and Rick Ladomade. Editing with Final Cut Pro . 2 ER – The PropMasters. 3 First Light Video is pleased to announce Nine extraordinary over 20 new programs to our fall catalog. individuals who have The Editing Process. 3 Our first new series “Legends of Screen excelled in their Film School – Making a Low Budget Movie . 5 Make-Up” includes five new programs respective fields also Michael Bennett Composing Images . 3 President which take a look at some of the cinematic reveal the secrets of Understanding Lighting. 3 pioneers and masters of make-up of the their Creativity in “How to be Creative” 20th century including Jack Pierce, John – an invaluable tool for Acting and Make Up & Special Effects Chambers & Dick Smith. Please see page 2 Directing students. Albert Whitlock – Master of Illusion. 2 and 21. For easy on line ordering, please go directly Jack Pierce - The Man Behind The Monsters . 2 We are also excited to release the second to our website at www.firstlightvideo.com. Making Wolvy. 21 program in our new "Journeys Below The Tribute to the Wizard of Oz . 21 Sincerely, Line" series produced by the Academy of Tribute to Dick Smith . 21 Television Arts & Sciences – ER The Michael Bennett, President Tribute to John Chambers . 21 PropMasters. Go behind-the-scenes of this multi-Emmy®-Winning show and NBC First Light Video is continually acquiring new Broadcast/Journalism programming for distribution. Please contact Michael television hit and discover the technically Bennett directly at [email protected] regarding Creating an Effective Television Story . 17 demanding job of prop masters Rick Kerns all new product submissions. Acting & Directing How To Be Creative. 23 M A K E - U P Index Guide Jack Pierce - The Man Behind The Monsters ! NEW I Legends of Screen Make-Up Acting & Directing . 22-27 I One of the cinematic pioneers & masters of make-up of the 20th Audio Production . .12 century & the legendary monster-maker. I Broadcast & Print Journalism . 16, 17 This program details the life of Jack Pierce, the legendary I Dance/Stage Combat . 28, 29 monster-maker from Universal Studios classic horror period of I Digital/Multimedia . .13 1928-1945. Pierce looks back on his life and work in cinema and I his emergence as a premiere character makeup artist. We see Film, Video & TV Production . 2-8 Pierce’s work on The Man Who Laughs, Frankenstein, The I Film, VideoNew & Post Programming Production . 2, 13-15 Mummy, The Invisible Man, The Bride of Frankenstein, Son of I Lighting & Camera . 3, 9-11 Frankenstein and The Wolf Man through historical photos and I footage and via live actors. Radio Production . 22 This program re-creates 15 of Pierce’s characters with makeup I Sets, Props, Costumes & Makeup . 2, 20, 21 wizard Robert Burman from Frankenstein’s Monster and Bride to the Im-Ho-Tep Mummy I Scriptwriting . 4, 28 and the original Lon Chaney Jr. Wolf Man. Watch as costumes were created, sets I Speech & Mass Communications . .17, 18, 24, 25 constructed and the many hours of makeup preparation. Actors were lifecasted, I makeups were sculpted, molds were made and makeup appliances were fabricated in Visual Language & Media Studies . 8, 19 prosthetic materials. I Writing For The Media . 4 72 min. F1171DVD . .$119.00 I How To Order . 31 (See page 21 for New Make-Up legends of the Screen) F I L M , V I D E O & T V P R O D U C T I O N & P O S T P R O D U C T I O N Albert Whitlock: A Master of Illusion NEW! Editing with Final Cut Pro NEW! The Creation of Special Visual Effects Winner of an International Telly Award. Featuring Mel Brooks Designed as part of an introductory series on the technical and aesthetic aspects of Winner - Ohio Film Festival video production and post-production, Using Mel Brooks “A History of the World - Part I” as these programs have been classroom tested! a backdrop, “Albert Whitlock: A Master of Illusion”, takes a behind-the-scenes look at the creation of Geared toward the novice editor, this program special visual effects in the movie business. Academy introduces editing practices using Apple’s Final Cut Award winner, Whitlock takes you to his studio Pro editing software. Learn the basics of editing from where he reveals the secrets of a movies develop- logging and capturing your footage, to printing to ment, the intricate details involved in creating illu- tape and everything else in between. Filled with sions and demonstrates the tricks which made him famous - from creating shortcuts and tips, this program follows a post dust storms to re-enacting “The Hindenburg Disaster.” production project from beginning to end. 30 min. F1159DVD . .$79.95 45 min. F1173 . .$79.95 F1173DVD . .$99.95 2 (See page 6 for additional programs in this series) S E T S / P R O P S & C O S T U M E S Where Do I Start: Basic Set Construction V Play It Safe: Introduction To TheaterBEST Safety SELLER This program demonstrates basic set “These videos will be the cornerstone of construction from start to finish. our yearly safety campaign.” David Shawger, Ball State University Scene - Carey Lawless, Production Manager, Designer and Technical Director, covers building supplies and tools, the construction of flats and Columbia University, York platforms, the assembly of window and door Safety habits every theater and production worker frames, the addition of hinging, stiffeners and should learn! Save yourself the emotional and legal jacks, moldings and other finishing touches. Plus problems of an accident and make sure everyone in the transport and assembly of the completed set. your theater or production team watches this tape! The accompanying teacher’s guide includes a Play It Safe gives you hundreds of guidelines, exam- program outline, suggested plans for flats, ples and rules so that theater workers can develop windows, doors, jacks and platforms, a sample floor safer work habits. The facts are prepared in an plan, illustrated glossary and select bibliography. amusing & memorable style. This program is divided 72 min. F646 $119.00 F646DVD $149.00 F646 CDROM $149.00 into six sections: Basic OSHA regulations, general safety practices, chemical hazards & personal protection equipment, stage Fundamentals Of Scenic Painting lighting safety, costume shop safety and scene & prop safety. #### Four Stars - Highly recommended. 82 min. F698 . .$148.00 F698DVD . .$158.00 “Ranson is an expert on the subject. Filled Firearm Safety On Stage V with practical information.” “Had the crew of “The Crow” followed - Video Rating Guide For Libraries. the advice in Firearm Safety Onstage, This ambitious introduction to scenic painting Brandon Lee would be alive.” - Arts, examines the basic components of paint (pigments, Crafts and Theater Safety (ACTS) fillers, bases and binders), the characteristics and This program teaches actors & technicians to properly uses of various media (oil and water base paints, use guns onstage. Gun & theater special effects shellacs and varnishes, spray paints, bronzing expert Rovert Chambers demonstrates the following: powders and more) and a wide range of tools and sound considerations, history of firearms, proper application techniques (brushes, rollers, sprayers, cleaning procedures, how guns work & safety checks. sponges, dusters, stencils, rag roll, pounce wheel Contrary to popular opinion, the use of blanks for and much more). Host Ron Ranson shows specific application methods of onstage firearms scenes is not a guarantee of safety. foliage, stone, brick, planking, wall paper, architectural detailing, ageing, A must for all administrators, directors, stage man- sky textures, highlights and shadows. agers, actors and students. Strongly recommended 81 min. F612 . .$148.00 for production groups & classes in acting, stagecraft, props, directing and stage managing plus theater faculty & EHS advisors. 45 min. F651 . .$129.00 F651DVD . .$149.00 How Do I Paint It? V David C. Shawger, Associate Professor, Scene Designer at Ball State University, hosts this "how Design - An Introduction V to" video illustrating scene painting techniques in Designer Dennis Gentle provides a fast paced and a step-by-step manner that will dramatically entertaining introduction to design for film and TV. improve your sets. Includes cross hatching, paint Gentle uses actual productions and examples to stamping, glazing, finishing, dry brushing, stenciling, demonstrate the process of scene design and stippling, marbling, spattering, wood graining, construction. He also examines the role of the feather dusting and brick painting. 83 min. designer in coordinating costume design and F978 . $119.00 F978DVD . .$149.00 selection, props, makeup and special effects to give F978 CDROM . $149.00 each production a unified style. 18 Min. F716 . $119.00 F716DVD . .$119.00 The Basic Costumer V Costumer Carma Shawger covers costume research, the taking of measurements, costume acquisition The Pattern Development Video and maintenance and various approaches to pattern #### Four Stars - Highly Recommended. making. She uses live models and historical illustrations to take an in-depth look at the specific requirements of "The Pattern Development Video will be of Elizabethan, Victorian and Jazz Age costumes. interest to classes in costuming or anyone Costuming a theatrical production can be fun and involved in producing theatrical costumes." rewarding with proper organization. This video - Video Rating Guide for Libraries. highlights 3 major time periods used frequently in The cutter or draper is at the heart of a costume educational theater and shows how to costume a construction team and transfers a costume design- production efficiently and cost effectively. Covers er's sketch into fully developed patterns and organization and research, Victorian era, measure- supervises the work of the stitchers in turning that ments, Jazz era, acquisitions, patterns, Elizabethan era pattern into a finished costume.
Load more

Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • Making Faces Article
    Making Faces By Jess Cagle/Glendale recalls Baker, a horror-movie fan Seuss's How the Grinch Stole Driving through the town of who at the age of 10 scrapped his Christmas. Next year Baker creates Covina, Calif., circa 1960, you plan to become a doctor for the an entire simian society in a remake might have spotted seemingly dream of becoming a Hollywood of Planet of the Apes, with Mark healthy children in the distance makeup artist. "There was one guy I Wahlberg. Baker calls it "a film I playing on small lawns of modest made up with this horrible burn. He was born to do." homes. As you approached, you went home, and his father was At Cinovation, Baker's makeup- would have seen their wounds--the hysterical." effects company in Glendale, Calif., gashes in their faces and the bullet Four decades and five Oscars corpses dangle from the ceiling and holes in the sides of their heads. And later, Baker, 49, is still making the a towering grim reaper stands guard they would have kept on playing, impossible believable. In this week's outside his office, holding a sword. oblivious to your horror. Nutty Professor II: The Klumps, Baker is famously stubborn You would not have entered the Baker again transforms Eddie ("extremely committed to his artistic Twilight Zone. You would simply Murphy into the Klump clan. In belief system" is how Nutty II have caught young Rick Baker November he helps Jim Carrey give producer Brian Grazer puts it), having fun. "I liked people to a Bronx cheer to the holidays in Ron wears his hair in a ponytail and believe the makeup I did was real," Howard's live-action comedy Dr.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • KEITH EDMIER Mother Mold September 6 - November 4, 2017
    KEITH EDMIER Mother Mold September 6 - November 4, 2017 Annunciation Lilies XI (Fra Filippo Lippi, c.1455-60) 2013 dental acrylic, polyurethane, acrylic paint, majolica, limestone 34.65 x 23.62 x 23.62 inches 88 x 60 x 60 cm (KE 13/020) Edmier imagines [Beverly Edmier, Teacher/Artist] 2017 plaster 11 x 6.5 x 6 inches 27.9 x 16.5 x 15.2 cm (KE 17/003.1) Edmier imagines [Tom Edmier, People Coach] 2017 plaster 11.5 x 4.5 x 4.5 inches 29.2 x 11.4 x 11.4 cm (KE 17/003.2) Edmier imagines [Keith Edmier, Age 13] 2017 plaster 11.5 x 4.25 x 4.5 inches 29.2 x 10.8 x 11.4 cm (KE 17/003.3) Edmier imagines [Dick Smith, Special Make-Up Effects Artist] 2017 plaster 13 x 7 x 7 inches 33 x 17.8 x 17.8 cm (KE 17/003.4) Edmier imagines [Linda Blair, Actor] 2017 plaster 9 x 4 x 3.75 inches 22.9 x 10.2 x 9.5 cm (KE 17/003.5) Edmier imagines [Alfred Hitchcock, Director] 2017 plaster 11.25 x 6.5 x 7.25 inches 28.6 x 16.5 x 18.4 cm (KE 17/003.6) Edmier imagines [Rick Baker, Special Make-Up Effects Artist] 2017 plaster 11.5 x 5.5 x 6.25 inches 29.2 x 14 x 15.9 cm (KE 17/003.7) Edmier imagines [Michael Jackson (Thriller), Musician] 2017 plaster 8.25 x 5.25 x 4.5 inches 21 x 13.3 x 11.4 cm (KE 17/003.8) Edmier imagines [Michael Jackson (Captain EO), Muscian] 2017 plaster 12.25 x 5.5 x 5.5 inches 31.1 x 14 x 14 cm (KE 17/003.9) Edmier imagines [Clint Eastwood, Actor/Director/Producer] 2017 plaster 12.5 x 7.5 x 7 inches 31.8 x 19.1 x 17.8 cm (KE 17/003.10) Edmier imagines [Jeff Goldblum, Actor] 2017 plaster 11.5 x 7 x 7 inches 29.2 x 17.8 x 17.8 cm (KE 17/003.11)
    [Show full text]
  • Wisconsin Athletics
    WISCONSIN ATHLETICS WISCONSINUNIVERSITY OF WISCONSIN ATHLETIC DEPARTMENT ATHLETI 2018 DONOR HONOR ROLL LETTER FROM WISCONSIN DIRECTOR OF ATHLETICS BARRY ALVAREZ: I am proud to introduce the 2018 Donor Honor Roll, which is published annually to recognize and thank our many donors for choosing to support the University of Wisconsin Athle c Department. Private support is essen al for our Department to provide the resources necessary to off er a na onally compe ve athle cs program -- one in which we can all take pride in suppor ng. Whether your contribu on goes to the annual fund, premium sea ng, an endowed fund or to support a capital project, your gi truly makes a diff erence in the lives of over 800 Badger student-athletes, in the classroom, in the community and on the fi elds of play. Thank you for your support! On, Wisconsin! Barry Alvarez, Director of Athle cs 2018 DONOR HONOR ROLL CONTENTS On-Going Facility Projects ..................................................................................................................................................................2-3 Tennis Facility ..................................................................................................................................................................................2 Aqua c Center ................................................................................................................................................................................3 Ambassador’s Circle .................................................................................................................................................................................4
    [Show full text]
  • Dear Prospective Student, We Are Delighted to Hear About Your
    Dear Prospective Student, We are delighted to hear about your interest in Cinema Makeup School! In this package you will find information about our school and the courses we offer, along with information regarding housing options and student loans. At Cinema Makeup School our principal goal is to provide the best education possible and prepare you for employment in the field of Makeup Artistry. Our instructors are Professional Makeup Artists, and have years of experience training individuals in the area of Makeup and many of their students have gone on to achieve a high degree of success. Our programs are geared towards the “hands-on” approach to learning the true art of makeup artistry. We pride ourselves in offering the student, a very unique learning environment and are especially open-minded towards your creative growth. We feel your success is our success. Enclosed you will find an application, instructions and everything you will need to begin the enrollment process. If you would like further details please visit our web site at www.cinemamakeup.com or feel free to call us and we can discuss what programs would best suit you. Also, if you would like to take a tour of our school, please call to make an appointment. Thank you for your interest in Cinema Makeup School! Sincerely, The Cinema Makeup School Staff **Advanced Lab Techniques is an offsite class. Students are required to provide their own transportation. + This is a continuing education class. Completion will result in a letter of completion rather than a certificate or diploma. § OPTIONAL – while materials are required for class, you are not required to purchase from Cinema Makeup School Additional class equipment may be required in addition to the priced materials.
    [Show full text]
  • Dur 16/06/2016
    E JUEVES 16 DE JUNIO DE 2016 Editora: MARA GÜERECA [email protected] Humor. Beetlejuice fue una de las películas más taquilleras de 1988. Luego de casi 20 años de espera, los rumores de una secuela podrían volverse una realidad en poco tiempo. AGENCIAS cuela de Beetlejuice, uno de los pro- Ciudad de México yectos que más interés han levanta- do en Hollywood recientemente. La Original y tremendamente diverti- cinta fue protagonizada en su mo- da. Quizá estos sean los dos adjeti- mento por Michael Keaton en el pa- vos que mejor le van a la película pel del insoportable espectro llama- Claves que salió del genio de Tim Burton. do Beetlejuice, así como por Geena Posiblemente el personaje más esca- Davis y Alec Baldwin. de Beetlejuice tológico, absurdo y genial de cuan- ‘No sé en qué etapa creativa se tos creó, una recreación alucinada encuentra el proyecto’, aceptó en EL UNIVERSO del mundo de los muertos a través entrevista y agregó que ‘sé que hay La música de Elfman, el mejor Michael Keaton del incomparable Beetlejuice. mucho interés, porque se trata de que se recuerde y unos efectos especiales ‘únicos’ Tras casi dos décadas de espera, una película de culto para mucha crearon un universo propio a finales de la déca- los rumores sobre el posible rodaje gente, y me incluyo’. da de los 80. de la secuela han ido creciendo, y Winona, quien en la película en- Winona Ryder, una de las protago- carnó a Lydia Deetz, agregó que ‘la UN MAQUILLAJE EXCEPCIONAL nistas de la cinta original no la des- única forma de que pueda llegar a El trabajo de la maquilladora Ve Neill fue reco- carta.
    [Show full text]
  • Nomination Press Release
    Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros.
    [Show full text]
  • Make-Up Artists and Hair Stylists Guild Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505
    Prsrt Std U.S. Postage Paid Santa Ana, CA Make-up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 VOLUME 8 NUMBER 4 Anniversary Issue 2012 Features Departments 22 The Hollywood Museum 4 From the President Congratulates Local 706 Tonight is your night! 24 Creating the Fantasy 6 Local Perspective With hair & make-up effects Artisans’ 75th Anniversary 8 Special Thanks 28 75 Years of Wonderful History A letter from Gov. Brown The way we were 10 Certificate of Recognition From Mayor Villaraigosa 13 Guild News The first contract 16 Government Proclamations Top, left to right: Our charter, a hand-embroidered Local 706 banner before hairdressers came in. Above: 1950s Deb Star Ball at the Hollywood Palladium Above, from left: Imogene Coca in make-up, Carmen Dirigo, hair stylist to the stars of the 1930s & 1940s. 1 Official Magazine of Hollywood Make-up Artists & Hair Stylists. Published in the Interest of ALL the Members of Make-up Artists & Hair Stylists I.A.T.S.E. Local 706 Thank You Supervising Editor JEFF ANGELL Contributing Writers MICHAEL FRANCIS BLAKE SUSAN CABRAL-EBERT TOMMY COLE Publisher For your Generous Support INGLEDODD PUBLISHING Office Manager KATHY SAIN as the Presenting Sponsor Mailing List Manager DIANE BURNS of our The Artisan is published quarterly 75th Diamond Anniversary Celebration by Make-up Artists & Hair Stylists, I.A.T.S.E. Local 706, 828 No. Hollywood Way, Burbank, CA 91505 Phone (818) 295-3933. Fax 818-295-3930 All editorial and photo and Your Continuous Encouragement submissions should be sent to e-mail address: [email protected] of our Professional Development and Craft.
    [Show full text]
  • Widener Swimming: a Stroke Above the Rest
    The I t' ••~~ IN THIS ISSUE THE • Smart Sex sea Where Love Started Reach for God on campus Page Buying jammin' fun for $5 Page ~ . The Jury is in on Art ,·o ···· ',~ __ ·-.·~·6 Y · · · 4rt By: Anthony Leone break, they went to Florida. a Broadway show in New York," said Op-Ed Editor When Lewis decided to enroll at Drago. Widener, she knew it would mean leav­ Who better to give advice on love then With Valentine's Day just around the ing McCroy behind, but she wanted to a dear Abby? Abigail "Abby" corner, many couples are looking forward keep their relationship alive. Szczepkowski, a senior, whose boyfriend Even Killers get the Blues to spending a romantic night with each "It's worth keeping this relationship. is Widener alumnus Neno Martians Page other. A night of romance is what many When I left, we realized how much we (Class of '95), seems up to the job. couples are hoping for, but what of cou­ cared about each other," said Lewis. In She met him through a mutual friend The Gigantic Titanic Oscar ples in a long distance relationship? Most fact, the two of them were talking about at a Phi Delta Theta party during Page people believe these sort of romances are getting engage before she left for college. Szczepkowski's sophomore year. She Beefcake bulks up at impossible. Well, here are a few Widener When asked how she feels about the was pledging at the time to Phi Sigma students who have so far proved every­ considerable distance between them, she Sigma.
    [Show full text]
  • MGM: Hollywood's Greatest Backlot a Lavish Illustrated History of Ho
    MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ AUTHORS BIBLIOGRAPHY EVENTS LETTERS PREVIEW QUIZ Once upon a time, long ago, there existed a vast and magical empire, ruled by money and power and fueled by imagination, talent and ambition. This magical place was not a work of fiction and its location was not a far away mountain top or a remote tropical island. It was found in Culver City, California and was known through out the world as Metro-Goldwyn Mayer Studios. 1 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ Through the M-G-M gates passed the greatest stars of filmdom from the Silent Era (Buster Keaton, Lon Chaney, Ramon Novarro, John Gilbert, Norma Shearer, Greta Garbo, and Marion Davies) to the Golden Era, (Jean Harlow, Joan Crawford, Clark Gable, Lana Turner, James Stewart, Judy Garland, Mickey Rooney, Hedy Lamarr, Fred Astaire, Ava Gardner and Elizabeth Taylor) and beyond (Debbie Reynolds, Glenn Ford, Rod Taylor, Elvis Presley, George Hamilton, and Doris Day). 2 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ The finest creative artists of show business, the world’s most beautiful women, kings and queens, presidents and princes, titans of industry, the great and the near-great from all nations and generations of movie lovers from around the world found their way to this Movieland institution. As the premiere movie factory, M-G-M Studios was a self-sufficient, self proclaimed “city within a city” built on six separate lots and spread across 185 fenced and gated acres.
    [Show full text]