The Transition of Sinulog Dance Festival in the Face of Modernization
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO [Ortiz et. al., Vol.5 (Iss.3): March, 2017] ISSN- 2350-0530(O), ISSN- 2394-3629(P) ICV (Index Copernicus Value) 2015: 71.21 IF: 4.321 (CosmosImpactFactor), 2.532 (I2OR) InfoBase Index IBI Factor 3.86 Social THE TRANSITION OF SINULOG DANCE FESTIVAL IN THE FACE OF MODERNIZATION Ersa Joy L. Ortiz1, Faith Joan P. Relampagos1, Jyn Ruehn S. Pejana1, Shene Mitchelle B. Siarot1, Nino Aaron S. Tolo1, Ruby S. Melchor, DBA2, Reynaldo B. Inocian, Ed. D.3 1Department of Tourism Management Scholars, College of Arts and Sciences, Cebu Normal University, Cebu City, Philippines, 6000 2Chair, Tourism Management Department, College of Arts and Sciences, Cebu Normal University, Cebu City, Philippines, 6000 3Professor IV, Social Sciences Department, College of Arts and Sciences, Cebu Normal University, Cebu City, Philippines DOI: https://doi.org/10.5281/zenodo.478895 Abstract This study analyzed the evolutionary transition of the Sinulog-based dance in Cebu, Philippines. It also sought to: contrast the traditional Sinug Dance and the contemporary Sinulog-based dance in terms of the dance steps, musicality, ritual, costumes, and the reason or purpose of dancing; identify the effects of the changes in the Sinulog-based dance in the tourism industry of Cebu City as a whole; generate a theory which serves as framework of the evolutionary transition of the Sinulog-based dance. A collective case study design with naturalistic observation was utilized. The transition of the traditional Sinug dance to the contemporary Sinulog dance was ignited by the change of external factors indicated in the Theory of Cultural Transition.
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