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a group exhibit by Kansilay Visual Arts Society Education has as its ultimate objective the improvement of a person’s quality of life. It offers to underprivileged adults and children a chance to escape from poverty. It is thus an essential tool for the economic, social and cultural development of all populations around the world. KanVas KanVAS (Kansilay Visual Artist Society), is a group of artists (Kansilay Visual Artist Society) unified with the advocacy of documenting people culture, tradition, and heritage through creative visual presentations. The group is composed of artists from different art disciplines and background and aims to impart their insights on life by showing it in their color palettes, strokes, pressure and the way they see their subjects. They are more into the representational approach in painting in which have painted in their subjects in their own interpretation with what it depicts in reality. The group has started it’s journey on 2008 and it’s members are all from Silay City. The group was initially formed to merge other artists from Silay city. They have exhibited their works in Bernardino Jalandoni Museum, Dizon Ramos Museum as well as the Negros Museum all from Negros Occidental. They went on hiatus last 2011 and went back to the scene again last October 11, 2014 with “Palanublion”. This time the members are not exclusively from Silay but also different parts of the Negros Occidental and to further extend their reach. We all know for a fact that globally, a great number of children are unable to go to school. -
Kathryn Bernardo Winning Over Her Self-Doubt Bernardo’S Story Is Not Just All About Teleserye Roles
ittle anila L.M.ConfidentialMARCH - APRIL 2013 Stolen Art on the Rise in the Philippines MANILA, Philippines - Art dealers and buyers beware: Criminal syndicates have developed a taste for fine art and, moving like a pack of wolves, they know exactly what to get their filthy paws on and how to pass the blame on to unsuspecting gallery staffers or art collectors. Many artists, art galleries, and collectors who have fallen victim to heists can attest to this, but opt to keep silent. But do their silence merely perpetuate the growing art thievery in the industry? Because he could no longer agonize silently after a handful of his sought-after creations have been lost KATHRYN to recent robberies and break-ins, sculptor Ramon Orlina gave the Inquirer pertinent information on what appears to be a new art theft modus operandi that he and some of the galleries carrying his works Bernardo have come across. Perhaps the latest and most brazen incident was a failed attempt to ransack the Orlina atelier Winning Over in Sampaloc early in February! ORLINA’S “Protector,” Self-Doubt stolen from Alabang design space Creating alibis Two men claiming to be artists paid a visit to the sculptor’s Manila workshop and studio while the artist’s workers Student kills self over Tuition were on break; they told the staff they were in search of sculptures kept in storage. UP president: Reforms under way after coed’s tragedy The pair informed Orlina’s secretary that they wanted to purchase a few pieces immediately and MANILA, Philippines - In death, and its student support system In a statement addressed to the asked to be brought to where smaller works were Kristel Pilar Mariz Tejada has under scrutiny, UP president UP community and alumni, Pascual housed. -
PH - Songs on Streaming Server 1 TITLE NO ARTIST
TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V. -
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/The Philippines Louie Jon A
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines Louie Jon A. Sanchez In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’y Ikaw (Bernal & Villarin, 2013). In following the three teleserye texts, the author observes three hallyu aesthetic influences now operating in the local sphere—first, what he called the “spectacularization” of the first world imaginary in foreign dramatic/fictional spaces as new “spectre of comparisons” alluding to Benedict Anderson; the crafting of the Filipino character as postcolonially/neocolonially dispossessed; and the continued perpetration of the imagination of Filipino location as archipelagically—and consequently, nationally—incoherent. The influences result in the aforementioned “diasporization”, an important trope of simulated and dramaturgically crafted placelessness in the process of imagining Filipino “communities” and their sense of “historical” reality, while covering issues relating to the plight and conditions of the diasporic Filipino. Keywords: Koreanovelas, Korean turn, teleserye, translation, imagined communities, diaspora, hallyu After a decade of its constant presence in the Philippine market, the extent of change brought about by the “Koreanovela” in the landscape of Philippine television is clearly noticeable and merits revaluation. -
2015Suspension 2008Registere
LIST OF SEC REGISTERED CORPORATIONS FY 2008 WHICH FAILED TO SUBMIT FS AND GIS FOR PERIOD 2009 TO 2013 Date SEC Number Company Name Registered 1 CN200808877 "CASTLESPRING ELDERLY & SENIOR CITIZEN ASSOCIATION (CESCA)," INC. 06/11/2008 2 CS200719335 "GO" GENERICS SUPERDRUG INC. 01/30/2008 3 CS200802980 "JUST US" INDUSTRIAL & CONSTRUCTION SERVICES INC. 02/28/2008 4 CN200812088 "KABAGANG" NI DOC LOUIE CHUA INC. 08/05/2008 5 CN200803880 #1-PROBINSYANG MAUNLAD SANDIGAN NG BAYAN (#1-PRO-MASA NG 03/12/2008 6 CN200831927 (CEAG) CARCAR EMERGENCY ASSISTANCE GROUP RESCUE UNIT, INC. 12/10/2008 CN200830435 (D'EXTRA TOURS) DO EXCEL XENOS TEAM RIDERS ASSOCIATION AND TRACK 11/11/2008 7 OVER UNITED ROADS OR SEAS INC. 8 CN200804630 (MAZBDA) MARAGONDONZAPOTE BUS DRIVERS ASSN. INC. 03/28/2008 9 CN200813013 *CASTULE URBAN POOR ASSOCIATION INC. 08/28/2008 10 CS200830445 1 MORE ENTERTAINMENT INC. 11/12/2008 11 CN200811216 1 TULONG AT AGAPAY SA KABATAAN INC. 07/17/2008 12 CN200815933 1004 SHALOM METHODIST CHURCH, INC. 10/10/2008 13 CS200804199 1129 GOLDEN BRIDGE INTL INC. 03/19/2008 14 CS200809641 12-STAR REALTY DEVELOPMENT CORP. 06/24/2008 15 CS200828395 138 YE SEN FA INC. 07/07/2008 16 CN200801915 13TH CLUB OF ANTIPOLO INC. 02/11/2008 17 CS200818390 1415 GROUP, INC. 11/25/2008 18 CN200805092 15 LUCKY STARS OFW ASSOCIATION INC. 04/04/2008 19 CS200807505 153 METALS & MINING CORP. 05/19/2008 20 CS200828236 168 CREDIT CORPORATION 06/05/2008 21 CS200812630 168 MEGASAVE TRADING CORP. 08/14/2008 22 CS200819056 168 TAXI CORP. -
Cultural and Historical Affairs Commission
Cultural and Historical Affairs Commission Written by Administrator Thursday, 03 June 2010 11:38 - Last Updated Thursday, 16 April 2015 11:43 Brief History The Cultural and Historical Affairs Commission (CHAC) was created through Ordinance No. 1098 by then Mayor Florentino Solon on March 30, 1981. The Cultural and Historical Affairs Commission together with the Cebu City Museum are housed on the 2nd floor of the Rizal Memorial Library and Museum Building, a landmark itself being 61 years old. The building was built in 1936 through the efforts of Los Tocayos de Rizal. The Cebu City Public Library is housed on the ground floor. The Commission is composed of a Chairman, Vice- Chairman and 5 members who shall be appointed by the City Mayor. The Chairman shall be appointed from the among the members of the Sangguniang Panlungsod, their terms are coextensive with the tenure of the appointing power or unless sooner terminated at the pleasure of the appointing power. But the staffs of the Commission are permanent employees and are civil service eligible. VISION CHAC is a catalyst for Cebuano cultural heritage providing the best opportunity in art, culture and history within the community, instilling pride and sense of identity and unity among cebuanos as well as among the Filipinos. MISSION CHAC shall develop, implement and promote programs and projects that will inculcate the appreciation of cebuano heritage. Objectives The main objectives of the commission are: To pursue the cultural development and historical promotion programs and projects of the national government, to initiate its own program of promoting, encouraging and developing culture, history, tradition and as an instrument of accelerating the development of the City of Cebu to act as the implementing arm of the City Government in the achievement of policies for the development and promotion of culture, history and the arts. -
The Duterte Bloodline
The Duterte Bloodline Saturday, 05 December 2015 21:43 By Antonio V. Figueroa The Dutertes, one of the political clans in Davao Region, historically come from Cebu. Oral tradition points out that there were actually two Duterte clans in that province, one from the south and the other from the north. The Davao lineage, accordingly, traces its roots to northern Cebu, to couple Facundo Duterte and Zoila Gonzales whose marriage bore five children, namely: Ramon, Sr. who was married to Rosario Regis of Carcar; Mariano tied the knot with Salud Calvo; Soledad wedded Epifanio Rodis; Jorge married Estefania Dacayana; and former Davao governor Vicente, fondly called ‘Teti’ but known as ‘Nene’ in Danao City, became the husband of Soledad Roa, mother of Davao City mayor Rodrigo R. Duterte. A half-brother, the illegitimate son of Facundo, was Adolfo Enriquez, who took the surname of his mother as was the practice then. He lived in Cavite. Ramon, born on Dec. 23, 1901 in Danao City, was fondly called ‘Lolo Banawa’; he earned his Bachelor of Laws from the Philippine Law School in 1925. Three decades later, he was elected vice mayor of Cebu City, with Sergio Osmeña Jr., his running mate, as mayor. He took over as city chief executive (Sept. 13, 1957-Dec. 31, 1959) when Osmeña resigned to run for Congress. Aside from becoming a judge of the Court of First Instance, Ramon was also a Law professor at the University of the Visayas and the University of Southern Philippines. A Cebu City street was named after him by virtue of City Ordinance No. -
Special Issue on Film Criticism
semi-annual peer-reviewed international online journal VOL. 93 • NO. 1 • MAY 2020 of advanced research in literature, culture, and society UNITAS SPECIAL ISSUE ON FILM CRITICISM ISSN: 0041-7149 Indexed in the International Bibliography of the ISSN: 2619-7987 Modern Language Association of America About the Issue Cover From top to bottom: 1. Baconaua - One Big Fight Productions & Waning Crescent Arts (2017); 2. Respeto - Dogzilla, Arkeofilms, Cinemalaya, CMB Film Services, & This Side Up (2017); 3. Ebolusyon ng Isang Pamilyang Pilipino - Sine Olivia, Paul Tañedo Inc., & Ebolusyon Productions (2004); 4. Himala - Experimental Cinema of the Philippines (1982); and 5. That Thing Called Tadhana - Cinema One Originals, Epicmedia, Monoxide Works, & One Dash Zero Cinetools (2014). UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced. -
Over 200 Filipinas Died in Hands of Employers in 4 Years Rep
“Radiating positivity, creating connectivity” CEBU January 28 - February 3, 2020 P15.00 BUSINESSVolume 2 Series 19 12 PAGES Room 310-A, 3rd floor WDC Bldg. Osmeña Blvd., Cebu City WEEK You may visit Cebu Business Week Facebook page. Ban PH workers in Kuwait: Mendoza Over 200 Filipinas died in hands of employers in 4 years Rep. Raymond Demo- generalized like injuries. at Philippine Embassy in crito Mendoza (TUCP Party- But the National Bureau Kuwait. List) has urged government of Investigation (NBI) They discussed about to fully implement a total ban reported that she was raped, problems in Kuwait on deployment of Overseas sodomized, and her genital like employers illegally Filipino Workers (OFWs) was mutilated. She suffered confiscating the passports in Kuwait and recall home broken arms, broken head and mobile phones of home existing workers. and countless wounds at the service workers. Mendoza made the back. A joint monitoring call while conducting a According to NBI doctors, committee in the Philippines congressional inquiry on the Villavende suffered a painful and Kuwait was tasked death of Jennelyn Villavende, and humiliating death. She to monitor incidents like 26, of South Cotabato. She was malnourished. this but there was only one worked as an OFW in Kuwait In four years time, meeting in 2018. and was tortured to death by Mendoza said more than With the Memorandum her Kuwaiti employer. 200 Filipinas already died of Agreement (MOA) bet- Mendoza said there is with questionable causes or ween the Philippines and an estimated 1,600 OFWs in killed by their employers in Kuwait, diplomatic ties was Kuwait who are not inclined Kuwait. -
Typhoon Spurs Bayanihan
October 2009 Available online at www.Lopezlink.ph How to help typhoon victims...pages 7 and 8 Typhoon spurs ‘bayanihan’ WHEN Jane woke up on the morning of September 26, she other: “It’s flooded everywhere, a lot of people are stranded. Don’t thought it was just another rainy Saturday, like most weekends in go out, floodwaters are rising fast.” They were from a friend who Meralco on track the past month or so had been. She wasn’t going to let the rain stop lived two streets away. When she checked online, she realized just with restoration her from spending the day at the nearest mall 15 minutes away, her how serious the situation in Manila was. way of unwinding from a long, crazy week at work. A flurry of posts from her Facebook contacts told of being stuck ...page 3 Then the first text message came: “Where are you? The flood is in cars or homes, and shared traffic advisories, hotline numbers, already waist-deep here, even the pedicabs are useless.” And an- Turn to page 6 ‘Kapamilya’ talents, among them Zanjoe Marudo and Shaina Magdayao, went to different evacuation centers and flood-ravaged areas to help distribute relief goods and bring comfort to the victims of typhoon Ondoy. EL Center safe after typhoon...page 3 Are you ready? Tips on page 10 A T IS T BENJIE BAU PHOTO BY: 2 3 Lopezlink October 2009 Lopezlink October 2009 OML: ‘Corporate governance is about being world- class’ EDC bags Palinpinon, Tongonan plants OSCAR M. Lopez (OML) was one understand that to compete globally for playing field, where the rules of en- the Institute of Corporate Directors; ENERGY Development Cor- cilities. -
8 T H P N H R S P R O C E D I N
8TH PNHRS WEEK CELEBRATION 8 t h P N H R S P R O C E D I N G S Central Visayas Consortium for Health Research and Development Regional Office of Department of Science and Technology VII (DOST VII) Cebu City, Philippines August 2014 i 8TH PNHRS WEEK CELEBRATION Contents Pre-Event Press Conference.................................................................................................................................1 Opening Ceremonies Opening Remarks......................................................................................................................................9 Welcome Remarks and Introduction of Delegates...................................................................................10 Message from the Department of Science and Technology (DOST) ......................................................12 Message from the Department of Health (DOH) .....................................................................................13 Message from the Commission on Higher Education (CHED) ................................................................15 Message from the University of the Philippines Manila (UP Manila) .......................................................16 Report of the PNHRS...............................................................................................................................17 Presentation: Disaster Risk Reduction and the Role of Science.............................................................20 Keynote Speech: SECRETARY PANFILO M. LACSON, Presidential Assistant -
Chapter 4 Safety in the Philippines
Table of Contents Chapter 1 Philippine Regions ...................................................................................................................................... Chapter 2 Philippine Visa............................................................................................................................................. Chapter 3 Philippine Culture........................................................................................................................................ Chapter 4 Safety in the Philippines.............................................................................................................................. Chapter 5 Health & Wellness in the Philippines........................................................................................................... Chapter 6 Philippines Transportation........................................................................................................................... Chapter 7 Philippines Dating – Marriage..................................................................................................................... Chapter 8 Making a Living (Working & Investing) .................................................................................................... Chapter 9 Philippine Real Estate.................................................................................................................................. Chapter 10 Retiring in the Philippines...........................................................................................................................