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Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema
Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Discourse, Volume 31, Number 3, Fall 2009, pp. 318-358 (Article) Published by Wayne State University Press For additional information about this article http://muse.jhu.edu/journals/dis/summary/v031/31.3.lim01.html Access Provided by University of California @ Irvine at 11/09/10 7:10PM GMT Sharon’s Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Writing in 1965 under the pseudonym Quijano de Manila, National Artist Nick Joaquin vividly describes an era when the decline of the great Philippine film studios spawned an unbridled “star system still in apogee.” In the 1960s, star worship fuels the popular cinema and feeds “the avarice of the independent producer.” The middle- class lament that mainstream Filipino movies are hardly “quality” pictures, Joaquin writes impatiently, misses the point: “The movie fans crowd to a local movie not because they expect a sensible story or expert acting or even good entertainment”; instead, they go to the movies to see the stars they adore—action film kings Fernando Poe Jr. and Joseph Estrada, glamour goddesses Amalia Fuentes and Susan Roces. “Our movie idols remain idolized, whatever the quality of their vehicles, as long as they remain impossibly young, impossibly glamorous, impossibly beautiful”1 (figure 1). This is a form of star worship that, in its emphasis on an unrealizable world, ends by preventing audience identification. The spectatorial plea- sures offered by the star system of the early to mid-1960s, Joaquin argues, are not driven by identification but by wonder, idolatry practiced from afar. -
Xbox 360 Total Size (GB) 0 # of Items 0
Done In this Category Xbox 360 Total Size (GB) 0 # of items 0 "X" Title Date Added 0 Day Attack on Earth July--2012 0-D Beat Drop July--2012 1942 Joint Strike July--2012 3 on 3 NHL Arcade July--2012 3D Ultra Mini Golf July--2012 3D Ultra Mini Golf Adventures 2 July--2012 50 Cent: Blood on the Sand July--2012 A World of Keflings July--2012 Ace Combat 6: Fires of Liberation July--2012 Ace Combat: Assault Horizon July--2012 Aces of Galaxy Aug--2012 Adidas miCoach (2 Discs) Aug--2012 Adrenaline Misfits Aug--2012 Aegis Wings Aug--2012 Afro Samurai July--2012 After Burner: Climax Aug--2012 Age of Booty Aug--2012 Air Conflicts: Pacific Carriers Oct--2012 Air Conflicts: Secret Wars Dec--2012 Akai Katana July--2012 Alan Wake July--2012 Alan Wake's American Nightmare Aug--2012 Alice Madness Returns July--2012 Alien Breed 1: Evolution Aug--2012 Alien Breed 2: Assault Aug--2012 Alien Breed 3: Descent Aug--2012 Alien Hominid Sept--2012 Alien vs. Predator Aug--2012 Aliens: Colonial Marines Feb--2013 All Zombies Must Die Sept--2012 Alone in the Dark Aug--2012 Alpha Protocol July--2012 Altered Beast Sept--2012 Alvin and the Chipmunks: Chipwrecked July--2012 America's Army: True Soldiers Aug--2012 Amped 3 Oct--2012 Amy Sept--2012 Anarchy Reigns July--2012 Ancients of Ooga Sept--2012 Angry Birds Trilogy Sept--2012 Anomaly Warzone Earth Oct--2012 Apache: Air Assault July--2012 Apples to Apples Oct--2012 Aqua Oct--2012 Arcana Heart 3 July--2012 Arcania Gothica July--2012 Are You Smarter that a 5th Grader July--2012 Arkadian Warriors Oct--2012 Arkanoid Live -
Miguel Castro Biographical Information
CV Miguel Castro MIGUEL CASTRO (Gregorio Enrico Garcia Castro) BIOGRAPHICAL INFORMATION Place of Birth: Lipa City, Batangas, Philippines Nationality: Filipino Height: 173 cm Weight: 75 kg Hair Color: Brown/Grey Eye Color: Brown Address: 27 Wyoming Avenue Oatlands, NSW 2117 Mobile: 0420648214 e-mail: [email protected] Webpage: https://miguelcastro.art/ ACADEMIC QUALIFICATIONS Elementary: Lipa City South Central School, Lipa Batangas, From Grade One to Grade 6 High School: The Mabini Academy, Lipa City Batangas, Graduated March 1985 University: Lyceum of the Philippines, Intramuros, Manila, 3rd Year Mass Communication TRAINING • 1982-1986 Bookbinding Apprenticeship Tayuman, Manila, Philippines • 1989 Gantimpala Acting Workshop, Gantimpala Theatre Foundation Manila Metropolitan Theatre, Lawton, Manila, Philippines • 1989-1994 Company actor/production work apprentice for Gantimpala Theatre Foundation, Manila Metropolitan Theatre, Lawton, Manila, Philippines 1 CV Miguel Castro • 2005-2006 Private Vocal Training under Lionel Guico University of the Philippines, Music Department, Manila, Philippines • 2007-2015 Private Vocal Training under Pablo Molina, Quezon City, Philippines • 21-23.6.2019 Anthony Brandon Wong Acting Workshop, Sydney, Australia Business Experiences • 1992-2019 Castro Designs Paper Products Manufacturing and Local Distributing Company, Manila, Philippines • 1998-2003 Castro Designs Paper Products Manufacturing and Exporting Company, Quezon City, Philippines • 1998-2003 Castro Designs retail gift shops chain, SM North Quezon City, Mega Mall Mandaluyong, Robinsons Galleria Pasig City, Robinsons Place Manila, Philippines Agents • 2005-2016 Bibsy Carballo Talent Management, Manila, Philippines • May 2019-present Focus Talent Management, Sydney, Australia ARTIST INFO – Actor/Singer/Visual Artist Miguel Castro started his career as a stage actor with one of the oldest theatre companies in Manila, Philippines, Gantimpala Theatre Foundation, in 1989. -
Kod-4000 Sort by Title Tagalog Song Num Title Artist Num
KOD-4000 SORT BY TITLE TAGALOG SONG NUM TITLE ARTIST NUM TITLE ARTIST 650761 214 Luke Mejares 650801 A Tear Fell Victor Wood 650762 ( Anong Meron Ang Taong ) Happy Itchyworms 650802 A Wish On Christmas Night Jose Mari Chan 650000 (Ang) Kailangan Ko'y Ikaw Regine Velasquez 650803 A Wit Na Kanta Yoyoy Villame 650763 (He's Somehow Been) A Part Of Me Roselle Nava 650804 Aalis Ka Ba?(Crying Time) Rocky Lazatin 650764 (He's Somehow Been)A Part Of Me Roselle Nava 650805 Aangkin Sa Puso Ko Vina Morales 650765 (Nothing's Gonna Make Me) Change Roselle Nava 650806 Aawitin Ko Na Lang Ariel Rivera 650766 (Nothing's Gonna)Make Me Change Roselle Nava 650807 Abalayan Bingbing Bonoan 650187 (This Song) Dedicated To You Lilet 650808 Abalayan (Ilocano) Bingbing Bonoan 650767 ‘Cha Cha Cha’ Unknown 650809 Abc Tumble Down D Children 650768 100 Years Five For Fighthing 650188 Abot Kamay Orange&Lemons 650769 16 Candles The Crest 650810 Abot Kamay (Mtv) Orange&Lemons 650770 214 (Mtv) Luke Mejares 650189 Abot-Kamay Orange And Lemons 650771 214 (My Favorite Song) Rivermaya 650811 About Kaman Orange&Lemons 650772 2Nd Floor Nina 650812 Adda Pammaneknek Nollie Bareng 650773 2Nd Floor (Mtv) Nina 650813 Adios Mariquita Linda Adapt. L. Celerio 650774 6_8_12 (Mtv) Ogie Alcasid 650814 Adlaw Gai-I Nanog Rivera 650775 9 & Cooky Chua Bakit (Mtv) Gloc 650815 Adore You Eddie Peregrina 650776 A Ba Ka Da Children 650816 Adtoyakon R. Lopez 650777 A Beautiful Sky (Mtv) Lynn Sherman 650817 Aegis Rachel Alejandro 650778 A Better Man Ogie Alcasid 650190 Aegis Medley Aegis 650779 A -
Si Judy Ann Santos at Ang Wika Ng Teleserye 344
Sanchez / Si Judy Ann Santos at ang Wika ng Teleserye 344 SI JUDY ANN SANTOS AT ANG WIKA NG TELESERYE Louie Jon A. Sánchez Ateneo de Manila University [email protected] Abstract The actress Judy Ann Santos boasts of an illustrious and sterling career in Philippine show business, and is widely considered the “queen” of the teleserye, the Filipino soap opera. In the manner of Barthes, this paper explores this queenship, so-called, by way of traversing through Santos’ acting history, which may be read as having founded the language, the grammar of the said televisual dramatic genre. The paper will focus, primarily, on her oeuvre of soap operas, and would consequently delve into her other interventions in film, illustrating not only how her career was shaped by the dramatic genre, pre- and post- EDSA Revolution, but also how she actually interrogated and negotiated with what may be deemed demarcations of her own formulation of the genre. In the end, the paper seeks to carry out the task of generically explicating the teleserye by way of Santos’s oeuvre, establishing a sort of authorship through intermedium perpetration, as well as responding on her own so-called “anxiety of influence” with the esteemed actress Nora Aunor. Keywords aura; iconology; ordinariness; rules of assemblage; teleseries About the Author Louie Jon A. Sánchez is the author of two poetry collections in Filipino, At Sa Tahanan ng Alabok (Manila: U of Santo Tomas Publishing House, 2010), a finalist in the Madrigal Gonzales Prize for Best First Book, and Kung Saan sa Katawan (Manila: U of Santo To- mas Publishing House, 2013), a finalist in the National Book Awards Best Poetry Book in Filipino category; and a book of creative nonfiction, Pagkahaba-haba Man ng Prusisyon: Mga Pagtatapat at Pahayag ng Pananampalataya (Quezon City: U of the Philippines P, forthcoming). -
Kathryn Bernardo Winning Over Her Self-Doubt Bernardo’S Story Is Not Just All About Teleserye Roles
ittle anila L.M.ConfidentialMARCH - APRIL 2013 Stolen Art on the Rise in the Philippines MANILA, Philippines - Art dealers and buyers beware: Criminal syndicates have developed a taste for fine art and, moving like a pack of wolves, they know exactly what to get their filthy paws on and how to pass the blame on to unsuspecting gallery staffers or art collectors. Many artists, art galleries, and collectors who have fallen victim to heists can attest to this, but opt to keep silent. But do their silence merely perpetuate the growing art thievery in the industry? Because he could no longer agonize silently after a handful of his sought-after creations have been lost KATHRYN to recent robberies and break-ins, sculptor Ramon Orlina gave the Inquirer pertinent information on what appears to be a new art theft modus operandi that he and some of the galleries carrying his works Bernardo have come across. Perhaps the latest and most brazen incident was a failed attempt to ransack the Orlina atelier Winning Over in Sampaloc early in February! ORLINA’S “Protector,” Self-Doubt stolen from Alabang design space Creating alibis Two men claiming to be artists paid a visit to the sculptor’s Manila workshop and studio while the artist’s workers Student kills self over Tuition were on break; they told the staff they were in search of sculptures kept in storage. UP president: Reforms under way after coed’s tragedy The pair informed Orlina’s secretary that they wanted to purchase a few pieces immediately and MANILA, Philippines - In death, and its student support system In a statement addressed to the asked to be brought to where smaller works were Kristel Pilar Mariz Tejada has under scrutiny, UP president UP community and alumni, Pascual housed. -
VIRGIN LABFEST 14: TITIBOK-TIBOK Untried, Untested, Unstaged Plays
VIRGIN LABFEST 14: TITIBOK-TIBOK Untried, Untested, Unstaged Plays FESTIVAL PROGRAM & SYNOPSES OF THE PLAYS: FEATURED WORKS: Tanghalang Aurelio Tolentino (CCP Little Theater) SET A June 19, 28, July 3, 7 | 3:00 PM June 19, 27, July 2, 6 | 8:00 PM FANGIRL Written by Herlyn Alegre Directed by Charles Yee Cast: Mayen Estanero – Barbara Marj Lorico – Jessica Mean Espinosa – Angeline Synopsis: As one of the biggest boybands of the 1990s get together for a long-awaited reunion concert after 20 years, high school friends, Barbara, Jessica and Angeline, also reunite to book concert tickets to see their favorite boys. As the three friends reminisce their teenage years spent swooning over their favorite boyband, they also find themselves confronting issues from their past as concealed insecurities and unspoken resentment rise towards the surface. Herlyn Alegre Herlyn Alegre is a playwright, screenwriter and researcher currently based in Tokyo, Japan. Her debut play at the Virgin Labfest, Imbisibol, was staged in 2013 and was part of the revisited plays in 2014. It later became a part of the anthology Mga Piling Dula mula sa Virgin Labfest 2013-2016 published by the Cultural Center of the Philippines in 2017. It was also adapted for the screen and made its debut at the first Sinag Maynila Film Festival in 2015 where it bagged the award for Best Screenplay. Her other plays staged at the Labfest were Huling Huli in 2015 and Bahay-Bahayan, Tagu-Taguan in 2016. Charles Yee Charles graduated with a degree in BFA Theater Arts and BS Communications Technology Management from the Ateneo de Manila University. -
Ang Galak at Lumbay Ng Makata Ê
Jun Cruz Reyes Ang Galak at Lumbay ng Makata (TS A PTER 3 NG “AMADO, ANG PA GHAHANAP SA NAW AW ALANG EPIKO NG KATAG ALU GAN”) Ê ay alanganing ngiti ang busto ni Amado V. Hernandez na nakatayo sa bukana Mng baryo. Nakangiti naman ang malaking retablo ng mukha niya sa plaza sa harap ng simbahan ng Tondo. Masayahing tao si Ka Amado, laging nababanggit ng mga nakasalamuha niya. Hinahanap ko iyon, pero ang tumatampok sa kanyang mga obra ay lumbay at lungkot. Bakit? Sa Tondo ko unang narinig ang pangalan ni Ka Amado, kay Tatang Ado na pinsang-buo ni Inang na ang pamilya’y nakikitira sa silong ng bahay namin sa Velasquez, Tondo. Nasa elementarya ako noon. Tuwing nadaraan kami sa Daang Juan Luna, itinuturo niya ang bahay, na mukhang apartment dahil dikit-dikit. 140 Likhaan “Diyan nakatira si Amado Hernandez.” Di ko matandaan ang aktuwal na itsura ng bahay dahil lumalakad ang sasakyan. O siguro’y hindi ko lang talaga kayang tandaan dahil wala iyong relasyon sa aking buhay dahil bata pa ako. Na malalaman kong hindi naman pala niya iyon talagang bahay kundi ang kanyang pinakaopisina at library na rin. Malalaman ko rin ang itsura noon. Bahay na itinayo noong bagong dating pa lamang ang mga Amerikano. Maraming mga antigong muwebles. Malaki pero magulo. Iisa lamang ang kuwarto kaya maluwag. May tatlong mesa. Nagkalat kung saan-saan ang libro. May nakapatong sa mga aparador at tokador. May mga nakasalansan sa mga mesa. Pati sa sahig ay nagkalat ang mga libro. Iyon ang trabahuhan ni Ka Amado. -
PH - Songs on Streaming Server 1 TITLE NO ARTIST
TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V. -
Filipino Star February 2010 Edition
Volume XXVIIi, No. 2 February 2010 www.filipinostar.org Filipino Solidarity Coop moves Noli Bade took the time to assist movers in putting furniture and equipment into a van during the moving of the Filipino Solidarity Cooperative, January 31, 2010. Montreal, January 31, 2010 - on the rent and to reduce its losses. Its new tenant immediately moved into premises in the basement apartment of The Filipino Solidarity Cooperative has lease which was supposed to expire the vacated space starting February 1, moved to a temporary location to save on April 30, 2010 was cancelled and a 2010. The Coop leased its new See Page 4 The Filipino Coop Cardinal Turcotte to Consecrate the Filipino Catholic Mission ChurchBy Hilda Tan Veloso His Eminence Jean Claude Cardinal Turcotte, archbishop of the archdiocese of Montreal, will preside at the Celebration of Thanksgiving and Liturgy of Dedication at 2:00 PM on Contents Saturday, February 27, on the occasion of the 20th anniversary of the Editorial . p. 2 canonical installation of Notre Dame des Philippines Catholic Mission, and Cooperative News . p. 3 will bless and consecrate the church. Protocol requires that the blessing and RP Elections. ..p. 6-17 consecration are only performed when the property is fully paid. The Home Business . p 23 purchase of St-Thomas the Apostle church was finalized on October 22, Ask The Video Guy . p.10 2006. The Filipino Catholic Mission Health News . .. .p. 16 bought the St. Thomas the Apostle Church at 8500 boulevard St Laurent Philippine Cuisine . .p. 15 with the financial help from the Catholic archdiocese of Montreal. -
Papal Visit Philippines 2014 and 2015 2014
This event is dedicated to the Filipino People on the occasion of the five- day pastoral and state visit of Pope Francis here in the Philippines on October 23 to 27, 2014 part of 22- day Asian and Oceanian tour from October 22 to November 13, 2014. Papal Visit Philippines 2014 and 2015 ―Mercy and Compassion‖ a Papal Visit Philippines 2014 and 2015 2014 Contents About the project ............................................................................................... 2 About the Theme of the Apostolic Visit: ‗Mercy and Compassion‘.................................. 4 History of Jesus is Lord Church Worldwide.............................................................................. 6 Executive Branch of the Philippines ....................................................................... 15 Presidents of the Republic of the Philippines ....................................................................... 15 Vice Presidents of the Republic of the Philippines .............................................................. 16 Speaker of the House of Representatives of the Philippines ............................................ 16 Presidents of the Senate of the Philippines .......................................................................... 17 Chief Justice of the Supreme Court of the Philippines ...................................................... 17 Leaders of the Roman Catholic Church ................................................................ 18 Pope (Roman Catholic Bishop of Rome and Worldwide Leader of Roman -
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/The Philippines Louie Jon A
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines Louie Jon A. Sanchez In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’y Ikaw (Bernal & Villarin, 2013). In following the three teleserye texts, the author observes three hallyu aesthetic influences now operating in the local sphere—first, what he called the “spectacularization” of the first world imaginary in foreign dramatic/fictional spaces as new “spectre of comparisons” alluding to Benedict Anderson; the crafting of the Filipino character as postcolonially/neocolonially dispossessed; and the continued perpetration of the imagination of Filipino location as archipelagically—and consequently, nationally—incoherent. The influences result in the aforementioned “diasporization”, an important trope of simulated and dramaturgically crafted placelessness in the process of imagining Filipino “communities” and their sense of “historical” reality, while covering issues relating to the plight and conditions of the diasporic Filipino. Keywords: Koreanovelas, Korean turn, teleserye, translation, imagined communities, diaspora, hallyu After a decade of its constant presence in the Philippine market, the extent of change brought about by the “Koreanovela” in the landscape of Philippine television is clearly noticeable and merits revaluation.