Chapter One: the Advent of Lord Krishna
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
YOGA INFLUENCE YOGA INFLUENCE English Version of YOGAPRABHAVA Discourse by Saint Gulabrao Maharaj on ‘Patanjala Yogasutra’
YOGA INFLUENCE YOGA INFLUENCE English Version of YOGAPRABHAVA Discourse by Saint Gulabrao Maharaj on ‘Patanjala Yogasutra’ Translated By Vasant Joshi Published by Vasant Joshi YOGA INFLUENCE YOGA INFLUENCE English Version of YOGAPRABHAVA Discourse by Saint Gulabrao Maharaj on ‘Patanjala Yogasutra’ * Self Published by: Vasant Joshi English Translator: Vasant Joshi © B-8, Sarasnagar, Siddhivinayak Society, Shukrawar Peth, Pune 411021. Mobile.: +91-9422024655 | Email : [email protected] * All rights reserved with English Translator No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical including photocopying recording or by any information storage and retrieval system, without permission in writing from the English Translator. * Typesetting and Formatting Books and Beyond Mrs Ujwala Marne New Ahire Gaon, Warje, Pune. Mobile. : +91-8805412827 / 7058084127 | Email: [email protected] * Preface by : Dr. Vijay Bhatkar, Chief Mentor, Multiversity. * Cover Design by : Aadity Ingawale * First Edition : 26th January 2021 YOGA INFLUENCE DEDICATED TO THE MEMORY OF G My Brother My Sister Late Prabhakar Joshi Late Sudha Natu yG y YOGA INFLUENCE INDEX Subject Page No. Part I Preface - Dr. Vijay Bhatkar I Prologue of English Translator - Vasant Joshi IV Acquaintance - Dr. K. M. Ghatate VI Autobiography of Saint Gulabrao Maharaj XLII Introduction - Rajeshwar Tripurwar LI Swami Bechiranand - Rajeshwar Tripurwar LVI Tribute - Vasant Joshi LIX Part II Chapter I : Introduction 4 to 37 Aphorism 1 to 22 Chapter II : God Meditation 38 to 163 Aphorism 23 to 33 Chpter III : Study 164 to 300 Aphorism 34 to 39 Chapter IV : Fruit of Yoga Study 301 to 357 Aphorism 40 to 44 Pious Behaviour Indication 358 to 362 Steps Perfection 363 to 370 Part III Appendix : Glossary of Technical Terms 373 to 395 References 396 G YOGA INFLUENCE PART I YOGA INFLUENCE INDEX Subject Page No. -
Kīrtan Guide Pocket Edition
All glory to Śrī Guru and Śrī Gaurāṅga Kīrtan Guide Pocket Edition Śrī Chaitanya Sāraswat Maṭh All glory to Śrī Guru and Śrī Gaurāṅga Kīrtan Guide Pocket Edition Śrī Chaitanya Sāraswat Maṭh ©&'() Sri Chaitanya Saraswat Math All rights reserved by The Current President-Acharya of Sri Chaitanya Saraswat Math Published by Sri Chaitanya Saraswat Math Kolerganj, Nabadwip, Nadia Pin *+()'&, W.B., India Compiled by Sripad Bhakti Kamal Tyagi Maharaj Senior Editor Sripad Mahananda Das Bhakti Ranjan Editor Sri Vishakha Devi Dasi Brahmacharini Proofreading by Sriman Sudarshan Das Adhikari Sriman Krishna Prema Das Adhikari Sri Asha Purna Devi Dasi Cover by Sri Mahamantra Das Printed by CDC Printers +, Radhanath Chowdury Road Kolkata-*'' '(, First printing: +,''' copies Contents Jay Dhvani . , Ārati . Parikramā . &/ Vandanā . ). Morning . +, Evening . ,+ Vaiṣṇava . ,. Nitāi . 2, Gaurāṅga . *& Kṛṣṇa . .* Prayers . (', Advice . ((/ Śrī Śrī Prabhupāda-padma Stavakaḥ . ()& Śrī Śrī Prema-dhāma-deva Stotram . ()2 Holy Days . (+/ Style . (2* Śrī Chaitanya Sāraswat Maṭh . (*. Index . (*/ Dedication This abridged, pocket size edition of Śrī Chaitanya Sāraswat Maṭh’s Kīrtan Guide was offered to the lotus hands of Śrīla Bhakti Nirmal Āchārya Mahārāj on the Adhivās of the Śrī Nabadwīp Dhām Parikramā Festival, && March &'(). , Jay Dhvani Jay Saparikar Śrī Śrī Guru Gaurāṅga Gāndharvā Govindasundar Jīu kī jay! $%&"'( Jay Om Viṣṇupād Paramahaṁsa Parivrājakāchārya-varya Aṣṭottara-śata-śrī Śrīmad Bhakti Nirmal Āchārya Mahārāj !"# kī jay! Jay Om Viṣṇupād Paramahaṁsa -
Krishna Lila-48
Kåñëa Lélä notes – Chapter 48 (Kåñëa Pleases His Devotees) Kåñëa visits Kubja Description is found p For days together, Kåñëa heard from Uddhava all the details Srimad Bhagavatam of his visit to Våndävana, (Krishna Book) p especially the condition of His father and mother and of the gopés and the cowherd boys. p Lord Kåñëa was fully satisfied that Uddhava was able to solace them by his instructions and by the message delivered to them. p Lord Kåñëa then decided to go to the house of Kubjä, the hunchback woman who had pleased Him by offering Him sandalwood pulp when He was entering the city of Mathurä. p To fulfill His promise, Kåñëa, along with Uddhava, went to the house of Kubjä, who was very eager to get Kåñëa for the satisfaction of her lusty desires. p When Kåñëa reached her house, He saw that it was completely decorated in a way to excite the lusty desires of a man. This suggests that there were many nude pictures, on top of which were canopies and flags embroidered with pearl necklaces, along with comfortable beds and cushioned chairs. p The rooms were provided with flower garlands and were nicely scented with incense and sprinkled with scented water. p And the rooms were illuminated by nice lamps. p When Kubjä saw that Lord Kåñëa had come to her house to fulfill His promised visit, she immediately got up from her chair to receive Him cordially. p Accompanied by her many girlfriends, she began to talk with Him with great respect and honor. -
Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary -
Vidura, Uddhava and Maitreya
Çré Çayana Ekädaçé Issue no: 17 27th July 2015 Vidura, Uddhava and Maitreya Features VIDURA QUESTIONS UDDHAVA Srila Sukadeva Goswami THE MOST EXALTED PERSONALITY IN THE VRISHNI DYNASTY Lord Krishna instructing Uddhava Lord Sriman Purnaprajna Dasa UDDHAVA REMEMBERS KRISHNA Srila Vishvanatha Chakravarti Thakur UDDHAVA GUIDES VIDURA TO TAKE SHELTER OF MAITREYA ÅñI Srila Sukadeva Goswami WHY DID UDDHAVA REFUSE TO BECOME THE SPIRITUAL MASTER OF VIDURA? His Divine Grace A .C. Bhaktivedanta Swami Prabhupada WHY DID KRISHNA SEND UDDHAVA TO BADRIKASHRAMA? Srila Vishvanatha Chakravarti Thakur WHO IS MAITREYA ÅñI? Srila Krishna-Dvaipayana Vyasa Issue no 16, Page — 2 nityaà bhägavata-sevayä VIDURA QUESTIONS UDDHAVA be the cause of the Åg Veda, the creator of the mind Srila Sukadeva Goswami and the fourth Plenary expansion of Viñëu. O sober one, others, such as Hridika, Charudeshna, Gada and After passing through very wealthy provinces like the son of Satyabhama, who accept Lord Sri Krishna Surat, Sauvira and Matsya and through western India, as the soul of the self and thus follow His path without known as Kurujangala. At last he reached the bank of deviation-are they well? Also let me inquire whether the Yamuna, where he happened to meet Uddhava, Maharaja Yudhisthira is now maintaining the kingdom the great devotee of Lord Krishna. Then, due to his great according to religious principles and with respect love and feeling, Vidura embraced him [Uddhava], for the path of religion. Formerly Duryodhana was who was a constant companion of Lord Krishna and burning with envy because Yudhisthira was being formerly a great student of Brihaspati's. -
Mahabharata Tatparnirnaya
Mahabharatha Tatparya Nirnaya Chapter XIX The episodes of Lakshagriha, Bhimasena's marriage with Hidimba, Killing Bakasura, Draupadi svayamwara, Pandavas settling down in Indraprastha are described in this chapter. The details of these episodes are well-known. Therefore the special points of religious and moral conduct highlights in Tatparya Nirnaya and its commentaries will be briefly stated here. Kanika's wrong advice to Duryodhana This chapter starts with instructions of Kanika an expert in the evil policies of politics to Duryodhana. This Kanika was also known as Kalinga. Probably he hailed from Kalinga region. He was a person if Bharadvaja gotra and an adviser to Shatrujna the king of Sauvira. He told Duryodhana that when the close relatives like brothers, parents, teachers, and friends are our enemies, we should talk sweet outwardly and plan for destroying them. Heretics, robbers, theives and poor persons should be employed to kill them by poison. Outwardly we should pretend to be religiously.Rituals, sacrifices etc should be performed. Taking people into confidence by these means we should hit our enemy when the time is ripe. In this way Kanika secretly advised Duryodhana to plan against Pandavas. Duryodhana approached his father Dhritarashtra and appealed to him to send out Pandavas to some other place. Initially Dhritarashtra said Pandavas are also my sons, they are well behaved, brave, they will add to the wealth and the reputation of our kingdom, and therefore, it is not proper to send them out. However, Duryodhana insisted that they should be sent out. He said he has mastered one hundred and thirty powerful hymns that will protect him from the enemies. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Community Newsletter of by Giving Them Krsna ISKCON New York City, Sri Sri Radha Govinda Temple Consciousness
ISKCON New York City Sri Sri Radha Govinda Community Newsletter 0004 November 2019 International Society for Krishna Consciousness (ISKCON) Founder Acarya His Divine Grace A.C Bhaktivedanta Swami Prabhupada Tapping into the store house of love of God Contents Diwali at Brooklyn Borough Hall...........................................2 Govardhan Puja...................................................................2 Srila Prabhupada's Disappearance Day................................3 Srila Prabhupada New York November 1965.......................3 Tulsi and Saligram wedding.................................................4 Thanksgiving dinner..............................................................4 HG Vaisesika gives his blessings.........................................5 Monthly Sankirtan Festival...................................................6 Halloween Harinam!............................................................8 Sri Vrindavana Dham...........................................................8 HG Malati devi dasi visits....................................................8 Sunday Japa Club................................................................9 What's cookin' ?....................................................................10 Spanish Bhagavad Gita Classes..........................................10 New Beginnings...................................................................11 Devotee of The Month...........................................................12 Alachua Holy Name Festival.................................................12 -
Krishnalila in Terracotta Temples of Bengal
Krishnalila in Terracotta Temples of Bengal Amit Guha Independent Researcher Introduction The brick temples of Bengal are remarkable for the intricately sculpted terracotta panels covering their facades. After an initial period of structural and decorative experimentation in the 17th and 18th centuries, there was some standardization in architecture and embellishment of these temples. However, distinct regional styles remained. From the late 18th century a certain style of richly-decorated temple became common, particularly in the districts of Hugli and Howrah. These temples, usually two- storeyed or atchala and with a triple-arched entrance porch, had carved panels arranged in a fairly well-defined format (Figure 1). Ramayana battle scenes occupied the large panels on the central arch frame with other Ramayana or Krishna stories on the side arches. Running all along the base, including the base of the columns, were two distinctive friezes (Figure 2). Large panels with social, courtly, and hunting scenes ran along the bottom, and above, smaller panels with Krishnalila (stories from Krishna's life). Isolated rectangular panels on the rest of the facade had figures of dancers, musicians, sages, deities, warriors, and couples, within foliate frames. This paper is an iconographic essay on Krishnalila stories in the base panels of the late-medieval terracotta temples of Bengal. The temples of this region are prone to severe damage from the weather, and from rain, flooding, pollution, and renovation. The terracotta panels on most temples are broken, damaged, or completely lost. Exceptions still remain, such as the Raghunatha temple at Parul near Arambagh in Figure 1: Decorated Temple-Facade (Joydeb Kenduli) Hugli, which is unusual in having a well-preserved and nearly-complete series of Krishnalila panels. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh.