Melzack Shoots (From the Hip)

Total Page:16

File Type:pdf, Size:1020Kb

Melzack Shoots (From the Hip) *9 ****3$33**»433»S»$3»&4 19 r*+*m$*-**-imm±^ THE WEATHER Vol. 1, no.7 Richter, "Wolfie" as he is known to friends, assisted Denis Melzack Shoots (From the Hip) Heroux on the 1976 Cinevideo (Montreal) co-production of The Julian Melzack paused during tough demands which ACTRA and held in a cabana down by Uncanny. Prior to that he work­ the shoot of Tomorrow Never was making on producers who the river. The relentless rain ed with COJO as deputy chief Comes to talk. He underlined want to make films which qualify and cold have prolonged the of the Sports Information Centre again his desire to go on making for the 100ro Capital Cost Allow­ hostage incident. It now lasts at the Olympic Village and, with films which will find a large ance. Melzack claims that these well into the night. Luckily, the National Film Board in Ot­ foreign market, and seemed demands will result in un­ though, it has been raining in tawa as an educational media perplexed about the reception marketable films. Montreal for weeks, the nights consultant. he has gotten from some Melzack believes he is in a are clear and the moon is bright His objective in the new post quarters - especially from strong position. "I'm able to and the autumn leaves are not is, he says, "to stimulate film ACTRA - recently. fund a picture without using tax too apparent. production in B.C. in any way possible except with money Melzack, president of Classic money. I like to use it because If ever Melzack was to move (grants)." He was feeling good Film Industries, has officially it's profitable, but I don't have to California, he should have the day we talked to him be­ cancelled the production of to use it. I spent from January started with Tomorrow Never cause he'd had a phone, call Restless, one of the projects he to March travelling all around Comes. , _ , from a producer shooting in has nursed for well over a year. the world, getting enough money Connie 1 adros And he and director Peter Col- together so that I now have a Alberta who was considering al­ linson are off to the States after revolving fund that I can keep ternative locations because it this shoot to look for locations putting into movies. These sums B.C. Film had, apparently, been raining for The Limey, a film once are from private people and there for three weeks. scheduled for production in Ca­ from private banks in Switzer­ Boss Whatever the reasons produc­ nada. land and Iran. So I don't have to In a recent issue we announc­ ers might choose the province, "I was not making idle make Canadian movies any­ ed that the B.C. government their presence should be bene­ threats," stated Melzack, re­ more." was looking for someone to fill ficial to B.C.ers. It'll mean ferring to a press conference the position of Film Coordina­ more work for local film people he had given in Toronto Sept. Meanwhile, the shoot of tor. Well, they have found their and a financial boost to those 11. Though the expressed pur­ Tomorrow goes on, under what man. He is Victoria born Wolf­ communities where the produc­ pose of the conference was to are becoming nearly impossible gang Richter, who was official­ tions locate. announce Classic's new associa­ conditions. The script called ly installed in early August. When Canafox moved into Lil- tion with Tele-Metropole, the for a torrid summer's day, a Richter, 32, will coordinate looet earlier this summer to discussion quickly turned to the day on which a hostage is taken the development and promotion shoot Flashback, starring Yves of film and television produc­ Montand, the Lillooetans en­ tion in British Columbia, filling thusiastically provided lunches a post similar to those in a for the crew, and in other ways couple of other provinces (name­ made them welcome. After only ly rivals Alberta and Ontario). three weeks of "putting up with His task will be, among other the filmmakers" as one edito­ things, to attract national and rialist put it, the community had international film and TV pro­ received a $100,000 shot in the ductions to "beautiful B.C.". arm. The provinces' variety of loca­ It's that kind of experience tions and good (?) weather would that probably motivated B.C. probably sell itself, but film Secretary and Minister of Trav­ producers seem to appreciate el Industry Grace McCarthy's the official welcome and ad­ long awaited decision to go ministrative assistance that ahead with the appointment. provincial film officials can We wish Mr. Richter good provide. hunting Melzack during a break for lunch Joan Irving 8/ Cinema Canada CAMU CBC Presents TO HEAD CRTC A small but vocal ruckus en­ The new law moves policy Horse Latitudes, The Peter sued after Pierre Camu was from the CRTC, a regulating Rowe film shot last year, was named head of the CRTC. Al­ body, to cabinet, under Com­ finally shown by the CBC in though Camu's background is in munications Minister Sauve es­ September. The problem was maritime industries, it was pecially. The Government has running time; despite re-edit­ pointed out that for the past four been trying to control the media, ing attempts, only a 45-minute years he has been chief lobby­ and the new law is seen as a length was suitable, and that's ist for the Canadian Association means to achieve this end. Boy­ hard to fit in a TV schedule. of Broadcasters, - the very le fought the law and Sauve, but So Lies, about the filming of group he will now oversee as he's gone now. Camu is a great­ Lies My Father Told Me, was CRTC Chairman. Many said it er threat. run back to back with Horse was like letting the fox into the Camu's background in mari­ Latitudes, and an hour and a chicken coop. Others said, time work is more significant half resulted... throw him out, including the than his lobbying, although the Don Shebib's CBC-directed Canadian Consumers' Associa­ lobbying is a natural outgrowth film The Fighting Men was tion. Of course the broad­ of his previous experience. broadcast September 24. A par­ casters and cable people were He was a professor and head­ able on the French-English co­ happy; now they can all get down ed up the St. Lawrence Seaway, existence in the country, it and also worked as a govern­ concerns two armed forces per­ to business with a businessman. Barry Morse Camu himself put down the ment bureaucrat. He went to sonnel who crash in the lower complaints as all wrong; he said school with Pierre Juneau and Arctic. Pic was produced by mist, but set in Toronto's it was his job to represent the Maurice Sauve, whose wife is John Trent and written by Tony Jewish area in the '20's. broadcasters, but could switch now Communications minister. Sheer, with Stan Colbert as ex­ Just three days before re­ hats the same way a lawyer There are few senior men in ecutive producer and Vic Sa­ hearsal for the tape effort was can when he's appointed a judge. Canada with the government rin as cameraman. Cast in­ to begin, it was cancelled. Di­ connections and loyalty to the cluded Allan Royal, Robert La­ rector Michael Lindsay-Hogg had replaced George Bloomfield Camu also said that his goals existing regime that Camu has londe and Mavor Moore... Arts and was set to go. Eon Sprott no are to improve the CRTC ad­ now, so while there may be Cuba, a one-hour documentary longer was producer. Barry ministration operation, and in­ cries in the wilderness that he about artistic life in Cuba today, Morse had been signed to star, sure a healthy industry via will favor the broadcasters, it's has been picked up by the CBC and would have to be paid. But CRTC and the new Communi­ more likely that he will follow for Fall broadcast. It was di­ Dennis was asked to re-write cations law; and therein lies the Liberal Government, and rected by Claude Jutra and the lead for another ethnic type the real threat. that's more ominous. produced by Vivienne Leebosh. DOP was Henri Fiks and sound when Barry Morse was cast. C5Q was by Aerlyn Weissman. Hirsch said that there weren't Filmed last January, it was enough adequate Jewish actors premiered in August at the Ca­ in Canada, and furthermore that nadian Embassy in Cuba and Morse couldn't play a Jew. Den­ Govt. Tidbits nis pointed out that recently Eli was shown at Toronto's Fes­ Another CBC show has rais­ with several foreign companies. tival of Festivals. Wallach and Anne Jackson had ed hackles. The Tar Sands, a Ashling Multi-Media was in­ played Italians for the CBC, and film on how the foreign oil in­ volved in Equus and planned Last year CBC drama called several actors were named as terests played on Premier further ventures but wasn't expatriate writer Charles Den­ being both Jewish and adequate Peter Lougheed's loyalty to his heard from. Head of Ashling nis in L.A. and asked for con­ by various others. tribution. He sent The Alchemist Albertan constituency and ob­ was a man named Kennedy. You Dennis is waiting for the new of Cecil Street, a comedy based tained a too-favorable deal in may also have read recently of on Ben Johnson's The Alche- regime.
Recommended publications
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Recommended Reading
    C O R E Y P A R K E R Recommended Reading Books on Acting –––––––––– “The Power of The Actor” by Ivana Chubbuck “Respect for Acting” by Uta Hagen “A Challenge For The Actor” by Uta Hagen “Being And Doing” by Eric Morris “Truth” by Susan Batson “The Technique of Acting” by Stella Adler “Intent to Live” by Larry Moss “Towards A Poor Theater” by Jerzy Grotowski “The Art of Acting” by Stella Adler “Acting 2.0” by Anthony Abeson “Acting Class” by Milton Katselas “The Actor’s Eye” by Morris Carnovsky “All About Method Acting” by Ned Manderino “The Vakhtangov Sourcebook” by Andrei Malaev-Babel “Audition” by Michael Shurtleff “The Open Door” by Peter Brook “Stanislavski in Rehearsal” by Vasili Toporkov “The Presence of The Actor” by Joseph Chaikin “Strasberg At The Actors Studio” edited by Robert Hethmon “The War of Art” “On Acting” by Steven Pressfield by Sanford Meisner W W W . C O R E Y P A R K E R A C T I N G . C O M “On The Technique of Acting” by Michael Chekhov “The Existential Actor” by Jeff Zinn “The Theater And Its Double” by Antonin Artaud “An Acrobat of The Heart” by Stephen Wangh “Auditioning” by Joanna Merlin “Richard Burton in Hamlet” by Richard Sterne “Acting: The First Six Steps” by Richard Boleslavsky “The Empty Space” by Peter Brook “Advice to The Players” by Robert Lewis “On Acting” by Laurence Olivier “An Actor’s Work: Stanislavski” (An Actor Prepares) “Juilliard to Jail” retranslated and edited by Leah Joki by Jean Benedetti “On Screen Acting” “Advanced Teaching for The Actor, Teacher by Edward Dmytryk and Director” by Terry Schreiber “The Actor's Art and Craft” by William Esper & Damon DiMarco “How to Stop Acting” by Harold Guskin “Acting and Living in Discovery” by Carol Rosenfeld Books on Directing –––––––––– “On Directing” “No Tricks in My Pocket: Paul Newman Directs” by Elia Kazan by Stewart Stern “On Directing” “Cassavetes on Cassavetes” by Harold Clurman by John Cassavetes and Ray Carney “Stanislavsky Directs” “Levinson on Levinson” by Nikolai Gorchakov edited by David Thompson W W W .
    [Show full text]
  • October 29, 2008 the Free-Content News Source That You Can Write! Page 1
    October 29, 2008 The free-content news source that you can write! Page 1 Top Stories Top Stories constitutes the most severe since records started being taken in the US Senator Ted Stevens More teenagers attracted to early 1990s. convicted on 7 counts computer crime, say experts United States Senator Ted Security experts warn more and The study by scientists of Stevens of Alaska was convicted more teenagers are now into hi- University College London has Monday on seven counts of failing tech computer crime. Alarmingly been published in the journal to report gifts. large number of teenagers are Geophysical Research Letters. The Stevens, a senior found peddling credit card work provides the first definitive United States numbers, phishing kits and proof for overall decrease in Arctic Senator from Alaska cracking tips in some Internet ice volume, claim the authors. and the longest forums. The young offenders are serving Republican very likely to get caught and The researchers have found that in the Senate, had prosecuted due to their inferior last winter's ice thickness been accused not reporting tens technical skills, claim experts. represented a decrease of an of thousands of dollars worth of average of 26 centimeters below gifts from the VECO Corporation Wikipedia Current Events the 2002-2008 winter average. including free house remodeling. The greatest decline of 49 At its PDC, Microsoft delivers a centimeters was in the western pre-beta release of Windows 7 to Homes of six Minnesota Arctic, which could explain the developers, and announces plans politicians vandalized region's becoming relatively ice- to release a full Windows 7 beta An unknown person or persons free this summer, allowing it to be early in 2009.
    [Show full text]
  • Phillip Fielder
    CAST BIOS CHAD LOWE (Phillip Fielder) – Chad Lowe has delivered numerous compelling on- screen performances from his unforgettable, Emmy® Award-winning turn as the HIV- positive Jessie McKenna on the acclaimed drama “Life Goes On” to his role as singer John Denver in “Take Me Home: The John Denver Story.” The Dayton, Ohio native moved to Los Angeles with his family at the age of nine. Inspired by the success of his brother Rob Lowe and encouraged by neighbor Martin Sheen to explore his talent, Lowe relocated to the East Coast to study acting. Lowe’s recent motion picture credits include “Red Betsy,” “Your Guardian” and “Unfaithful.” His television credits include series roles on “Melrose Place,” “Popular” and “Now Again.” He also had a recurring role on “ER,” and guest roles on “Medium,” “Without A Trace,” “Law & Order: SVU” and “CSI: Miami.” In September 1997, Lowe married Academy Award®-winning actress Hillary Swank and the couple appeared onscreen in the Hollywood satire “Quiet Days of Hollywood.” Lowe recently ventured into directing with an episode of “Law and Order: Special Victim’s Unit.” He also directed his wife in the short film “The Audition.” # # # MARIN HINKLE (Holly) – Marin Hinkle is best known to television audiences as Judith Harper, Jon Cryer’s ex-wife in the hit comedy “Two and a Half Men” and the acclaimed drama "Once and Again." Her other television credits include “House, M.D.,” “Without a Trace,” “ER,” "Spin City," "Law & Order” and the movie “World War II.” Hinkle’s feature film credits include "I Am Sam," "Frequency," "Dark Blue," "The Next Big Thing," "I'm Not Rappaport," "Angie," "Breathing Room" and "Milk Money." Her theater credits include the Broadway productions of "Electra," "A Thousand Clowns" and "The Tempest." (more) HALLMARK CHANNEL / “Fielder’s Choice” Cast Bios – Page 2 Marin’s parents met while serving in the Peace Corp.
    [Show full text]
  • Theatre Palisades PRESENTS
    Theatre Palisades PRESENTS By Bruce Norris Directed by Tony Torrisi Produced by Martha Hunter & Sherman Wayne Set & Lighting Design Sound Design Sherman Wayne Susan Stangl Costume Design June Lissandrello Produced by special arrangement with Dramatists Play Service, Inc. Clybourne Park was produced on Broadway by Jujamcyn Theaters at the Walter Kerr Theatre, 2012. Playwrights Horizons, Inc., New York City, produced the World Premiere of Clybourne Park Off-Broadway in 2010. Cast of Characters (in order of appearance) ACT I Russ . .Larry Thaler Bev . .Yvonne Robertson Francine . .Ruthenna Porterfield Jim . .Philip Bartolf Albert . .Brooks Darnell Karl . .Matt Landig Betsy . .Laura Goldstein ACT II Tom . .Philip Bartolf Lindsey . .Laura Goldstein Kathy . .Yvonne Robertson Steve . .Matt Landig Lena . .Ruthenna Porterfield Kevin . .Brooks Darnell Dan . .Larry Thaler Kenneth . .TBA Setting: The interior of a modest three-bedroom bungalow, 406 Clybourne Street, in the near northwest of central Chicago. Time: 1959 and 2009 ACT I September, 1959. Three o’clock, Saturday afternoon. ACT II September, 2009. Three o’clock, Saturday afternoon. There will be one 20-minute intermission. Richard Blumenberg, AIA, LEED, AP RLB Architecture Production Staff Director . .Tony Torrisi Assistant Director . .Sherman Wayne Producers . .Martha Hunter, Sherman Wayne Set Design . .Sherman Wayne Lighting Design . .Sherman Wayne Sound Design . .Susan Stangl Costume Design . .June Lissandrello Poster Design . .Joanne Reich Scenic Artist . .Joanne Reich Properties . .Maria O’Connor, Martha Hunter Booth Operators . .Andy Frew, Brett Chapin, Sherry Coon, Clayton Collins Set Construction & Painting . .Sherman Wayne, David Cardone, Nona Hale, Martha Hunter, Maria O’Connor, Alex Pitcher, William Pitcher, Joanne Reich, Yvonne Robertson, Mariel Suarez Auditions . .Sherry Coon, Shirley Churgin, Pre-Production .
    [Show full text]
  • ​A Body of Water
    Press Contact: Nora Feldman ​ [email protected] 818.760.1240 A BODY OF WATER ​ February 7 – March 15, 2020 ​ Actors Co-op Crossley Theatre ​ The Award-winning Actors Co-op Theatre Company proudly presents “A Body of Water” written by ​ ​ Lee Blessing with the world premiere of Blessing’s new ending, directed by Nan McNamara, produced by Crystal Jackson. The play will run February 7 through March 15, at Actors Co-op Crossley Theatre in ​ Hollywood, California. “A Body of Water” - In this play about lost identity and rediscovering love, a couple in their fifties wake ​ ​ up in an isolated house above a picturesque body of water, with no idea where they are or why they are there. The situation is further complicated by the arrival of a young woman with questionable ​ explanations. Funny and charming, this lyrical, intriguing drama examines the wisdom of embracing a ​ pure moment of joy...when nothing else is certain. “A Body of Water” premiered in 2005 at The Guthrie Theater in Minneapolis, Minnesota and won the ​ 2006 Steinberg New Play Award. Primary Stages presented the New York premiere in 2008 Off -Broadway at 59E59 Theaters. What critics have said about the play "…a play rich in ideas about memory, identity, and fiction…[Blessing] lays down…a rich philosophical groundwork for the play's intrigue…artfully presented…." — Variety ​ "…gets the audience talking…raises questions about what is true and whom to believe…intriguing stuff." — Los Angeles Times ​ "…one of America's greatest playwrights…satisfying, ninety-five minutes of existential hide-and-seek." — St.
    [Show full text]
  • Columbia Pictures: Portrait of a Studio
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • SHAYLA ALAMINO Phone: 407.922.0893 Email: [email protected]
    SHAYLA ALAMINO Phone: 407.922.0893 Email: [email protected] Shayla was born and raised in the beautiful tropical city of Miami Beach, FL, of Argentinean-American heritage. She received her BA in Theatre Arts with an emphasis in Acting from Rollins College, appearing in plays with the Rollins Department of Theatre and improvisational shows with Rollins Improv Players. She studied at Upright Citizens Brigade, The Barrow Group, and the National Theatre Institute. Shayla is fluent in both English and Spanish, and has performed in both languages. Her most recent roles include: Wanda’s Visit (Wanda), Dinner with Friends (Beth), Who’s Afraid of Virginia Woolf? (Martha), Two Sisters and a Piano (Maria Celia), The Boys Next Door (Shiela), and Our Lady of 121st Street (Norca). THEATRE Wanda’s Visit Wanda ASDS Repertory Season Danny Gorman Ambrosia* Abigail Manhattan Repetory Theatre Alex Keegan Picasso at the Lapin Agile Germaine Annie Russell Theatre Christopher Jones Standing On Ceremony Allie Mad Cow Theatre Thomas Ouellette Letters to Sala* Ann Kirschner Annie Russell Theatre Eric Nightengale Playhouse Creatures Doll Common Annie Russell Theatre Jennifer Cavenaugh Stop Kiss Callie Fred Stone Theatre Alex Richmond *denotes original work EDUCATIONAL THEATRE Who’s Afraid of Virginia Woolf? Martha Actors Studio Drama School Susan Aston Little Bird Maura Actors Studio Drama School Susan Aston The Boys Next Door Sheila Actors Studio Drama School Jacqueline Knapp Frankie and Johnny Frankie Actors Studio Drama School Jacqueline Knapp The Cherry Orchard Lubov Ranesky Actors Studio Drama School Jacqueline Knapp Three Sisters Olga Actors Studio Drama School Jacqueline Knapp Our Lady of 121st Street Norca Actors Studio Drama School Jacqueline Knapp Two Sisters and a Piano Maria Celia Actors Studio Drama School Jacqueline Knapp Dinner with Friends Beth Actors Studio Drama School Elizabeth Kemp FILM/TELEVISION The Novelist Receptionist New Beginning Films Octavian Onuc *Commercial and print conflicts available on request.
    [Show full text]
  • Performing Masculinity: the Star Persona of Tom Cruise Ruth O
    Performing Masculinity: the Star Persona of Tom Cruise Ruth O’Donnell A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Royal Holloway, University of London Department of Media Arts March 2012 1 Contents Acknowledgements p.6 Declaration p.7 Abstract p.8 Introduction: Masculinity and Performance in the Screen Persona of Tom Cruise p.9 Why a Study of Tom Cruise? p.9 Cruise‘s Star Persona p.10 Cruise and 1980s America p.11 A Psychodynamic Approach to Cruise p.17 Cruise Within Stardom p.19 Cruise Within Modern Hollywood p.26 Structure of the Thesis p.29 Section One: The Star Persona p.29 Section Two: Cruise‘s Performances of Masculinity p.31 Section Three: A Psychodynamic Reading of the Persona p.34 Conclusion p.38 Notes p.39 Chapter One: The Tom Cruise Persona p.40 Meanings of Persona p.40 Cruise‘s Persona p.44 The Early Persona of Tom Cruise p.46 Top Gun and Stardom p.52 Tom Cruise as Actor p.55 2 Extensions of the Persona p.58 Transgressing the Persona p.61 Eyes Wide Shut – a Shift in Persona p.65 Cruise, Oprah and Scientology p.71 Conclusion p.77 Notes p.78 Chapter Two: Male Bonding - Gender, Homoeroticism and the Performing Tom Cruise p.80 Bonds Between Men p.80 Performing Masculinity p.83 Figuring the Soldier p.85 The Other‘s Martial Masculinity p.91 Making an Exhibition of Oneself p.97 ‗Being the Best‘ – the Erotics of Male Competition p.106 ‗Passing‘ as Men p.112 Hysterical Performances p.119 Conclusion p.123 Notes p.124 Chapter Three: Male Bonding – The Racial Other p.126 Filmic Contexts
    [Show full text]
  • Aymara Limma Partial Acting Resume
    AYMARA LIMMA SAG/AFTRA I SATED/RJ WWW.AYMARALIMMA.COM [email protected] I [email protected] FILM/TELEVISION: * winner of an audience award Cine Arte Variety Self Dir.: Various Incondicional Janaina Dir.: Aymara Limma/Daniel Camargo Te Amo! Shabbat Shalom * Ayeme Dir.: Aymara Limma Where we Belong Iris Dir.: Marsa Horibe City of Angels - Warner Brothers Girl Lover Dir.: Brad Silberling Fruits of Nature Julia Dir.: Kai Niihara The Collar Laura Dir.: Ceci Rangel Hollywood Express - Pilot Self Dir.: J. Machado Video Vela Self Dir.: Alexandre Adad Capitāes de Areia - TV Bandeirantes Glorinha Dir.: Walter Lima Jr. Linha Direta - Rede Globo Solange Dir.: Walmor Pamplona THEATER: * winner of six awards, including Best play The Adventures of Tom Sawyer* Becky Tatcher Teatro Ipanema The Adventures of Tom Sawyer* Becky Tatcher Teatro Glaucio Gil The Girl on The Via Flaminia Lisa Skylight Theater The Glass Menagerie Laura Wingfield Skylight Theater The Miracle Worker Helen Keller Matrix Theater Cronicas Escolhidas Amora Teatro do Tablado TRAINING: Z/A Studio – Robert Zimerman and Peter Allas (current) Ca’Foscari University (Master degree in Fine Arts in Filmmaking) – Venice, Italy Michelle Danner – Edgemar Theater / Larry Moss Studio Milton Katselas, Jeffrey Tambor, Gloria Gifford and Richard Lawson - Beverly Hills Playhouse Bob & Claire Corff Voice Studio Central School of Speech and Drama - London American Intercontinental University (B.B.A w/ Mkt & Fashion) - London & Los Angeles Faculdade da Cidade - Marketing - Rio de Janeiro Teatro do Tablado – Caca Morthe, Guida Vianna, Carlos Wilson - Rio de Janeiro Ballet Dallal Achcar (ballet, jazz, tap) - Rio de Janeiro COMMERCIALS: Conflicts upon request SPECIAL SKILLS: Fluent English, Portuguese and Italian.
    [Show full text]
  • Celebrities Keeping Scientology Working Stephen A
    5 Celebrities Keeping Scientology Working Stephen A. Kent L. Ron Hubbard was prescient with his realization about the impact that stars and celebrities had upon ordinary people in mass culture. People imitated and emulated them, often modeling aspects of their own lives according to what actors did on stage or how they lived their lives off-camera. Statements that he made about the celebrities in the entertainment industry fostered among some of them an inflated feeling of self-importance, portraying them as art- ists who shaped the development of civilization. The artists who absorbed this inflated view of their contributions did so as they socialized into the subcultural world that Hubbard created, in which they equated civilizational advance with furthering Scientology’s influence. Serving Scientology, there- fore, was a means by which they felt that they were contributing to society’s advancement, and if by doing so, they caught the eye of a producer looking to fill a part in a film, then ever so much the better. This chapter examines the way that Scientology utilizes celebrities in the organization’s overall effort to “keep Scientology working.” I kept in mind the overall description of elites that appears in resource mobilization theory, since these celebrities have the flexible time, resources, and media connec- tions that allows them to open areas nationally or internationally in which they can proselytize. More importantly, however, might be the significance of having celebrity status itself, because that status carries with it forms of unique, valuable assets that its possessors can use to influence others in soci- ety.
    [Show full text]
  • Bohemian Rhapsody
    8 Bohemian Rhapsody aul Haggis and Deborah Rennard married in 1997, soon after Paul’s divorce from Diane became nal. Paul was still seeking joint custody of his three daughters. Without Pconsulting him, Diane had taken Lauren and Katy out of the Delphi Academy, apparently intending to enroll them in public school. Paul and Diane were ordered by the court to undergo psychiatric evaluation, a procedure that Scientology abhors. In December 1998, the court surprised everyone by awarding Paul full custody of his daughters. According to court records, the ruling followed the discovery that the girls were not enrolled in school at all. The girls were stunned. They had watched the hostilities through Diane’s eyes. No one had prepared them for the possibility that they might be taken from her—until then, it had been the three girls and their mother against the world. The girls thought the decision was unbalanced and unfairly inuenced by the fact that their father had more money. Alissa vowed she would never speak to him again. Haggis was also caught short by the court’s decision. In addition to the year-old son, James, he had with Deborah, he suddenly had two teenage daughters on his hands as well. (Alissa was twenty-one at the time, and lived on her own.) The girls felt uprooted and they missed the emotional support of their mother. They didn’t resent Deborah; actually, they appreciated her advocacy and the way she balanced out Paul. Still, it was a difficult adjustment for everyone. Paul put the girls in a private school, but that lasted only six months.
    [Show full text]