Jersey Jazz June 2015 Hot Jazz Festival

Total Page:16

File Type:pdf, Size:1020Kb

Jersey Jazz June 2015 Hot Jazz Festival Volume 43 • Issue 6 June 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Singer Tamar Korn and Jerron “Blindboy” Paxton joined Terry Waldo’s Gotham City Band on stage at The Players Club in NYC on May 3. Photo by Lynn Redmile. New York’s Hot Jazz Festival NJJS Presents Old Tunes, Young Turks A Billy Strayhorn A sold-out crowd that included such music world luminaries as George Wein and Gary Giddins and 130-plus top tier musicians Centennial Tribute filled a 19th century Gramercy Park mansion on May 3 for a June 14 | Mayo PAC, Morristown 14-hour marathon of traditional and swing era jazz at the 3rd Tickets On Sale NOW! annual New York Hot Jazz Festival. Jersey Jazz’s Lynn Redmile See Page 13 was there to take in the scene and you can read her report and see more photos beginning on page 26. JerseystoriesJazz 3rd annual Hot Jazz Festival sizzles In New york Story and photos by Lynn Redmile t was everything jazz should be — wild, hot (in more ways than and James P. Ione!), and exhilarating. I arrived at noon and, by the time I left at Johnson, a 12:45 am, I had watched sixteen bands, ten solo pianists, and the pioneer of the start of an amazing jam session. Euphorically exhausted, I’m still stride style of marveling at how far this event has come in only two years, thanks piano playing. to the efforts of Director Michael “Misha” Katsobashvili, with In the Ballroom, co-producers Bria Skonberg and Patrick Soluri. the EarRegulars As with last year, the third edition of the New York Hot Jazz Festival took the stage, was held at the beautiful Player’s, a private social club in New York with Jon-Erik City’s Gramercy Park neighborhood. With two stages on two levels, Kellso (Puje a Steinway Lounge showcasing piano soloists, and the lower level trumpet), Matt featuring screenings of hot jazz films, fans could choose to move to Munisteri different rooms between song/set breaks. Completely sold out, with (guitar), Pat over a thousand fans and musicians attending, and with many of O’Leary (bass) the musicians under thirty, it’s clear to see that hot jazz is in no and Scott danger of dying out. Robinson My first stop was the Steinway Lounge, for the keyboard talents of (reeds). After Rob Reich. His primary instrument is accordion, but his early start “Back in Your and many years of piano studies shines through! After a couple of Own Backyard,” pieces, I crossed the lobby to the ballroom, where Terry Waldo’s they presented Gotham City Band was performing, comprising Dan Levinson an original, (clarinet), Bria Skonberg (trumpet), John Gill (banjo), Jim Fryer “Out of the (trombone), Brian Nalepka (bass) and Rob Garcia (drums). Terry Gate,” which is opened with “Maple Leaf Rag” followed by Fats Waller’s on their new “Everything’s Alright By Me” with guests Jerron “Blind Boy” Paxton album. Warren (banjo and vocals) and Tamar Korn (vocals). Their rendition of Vaché joined “Sugar Blues” was particularly sweet. Upstairs in the Library, Nikki them for “On The Alamo.” In the Steinway Lounge, Terry Waldo Parrot’s trio performed, was tearing it up, to the joy of everyone listening. And upstairs in with Nikki (bass), the Library, a group of “youngsters” was ably demonstrating they Vinny Raniolo (guitar) have what it takes. Rhythm Future Quartet, led by violinist Jason and Warren Vaché Anick, featured Finnish lead guitarist Olli Soikkeli, Vinny Raniolo (cornet). “You’d Be So (guitar) and Greg Loughman (bass). Each virtuosos, their Django- Nice To Come Home inspired gypsy jazz was exquisitely and passionately performed, with To” was beautifully each artist clearly enjoying the music as much as their delighted done, as was “Stardust.” audience. Catch them on tour! Rebecca Kilgore, in Dan Levinson’s Bix Millennium All-Stars took to the Ballroom town from Portland stage, with Dan on reeds, Jon-Erik Kellso (Puje trumpet), Charlie Oregon (thanks to Caranicas (cornet), Brian Nalepka (bass), Mark Shane (piano) and Arbors Records), was Kevin Dorn (drums). “Big Boy” was followed by “Davenport Blues” enjoying their — such a treat. Jon Weber gave the Steinway a fabulous workout, performance when selecting random keys for his stride pieces by blindly plucking a Nikki invited her to piano string, and Margi Gianquinto’s vocals were a lovely addition. duet on “When I Grow Gypsy jazz guitarist Stéphane Wrembel’s band took to the Library Too Old To Dream” — stage, with Tim Clements (guitar), David Gastine (guitar and superb! vocals), Sebastien Chaumont of Nice (saxophone), Kells In the Steinway Lounge, Nollenberger (bass) and David Langlois (washboard). Their I caught Mark Shane beautiful performance of Django Reinhardt’s “Nuages” was playing the beautiful somehow followed by “Country Roads” which the audience joined “Guess Who’s In in singing. As Will Friedwald said, “It’s still country music, just a Vocalist Hilary Gardner performed with different country!” Evan Christopher’s Clarinet Road. Town” by Ethel Waters 26 ___________________________________ June 2015 JerseystoriesJazz Andy Farber’s After fabulously, and clarinetist Midnight Orchestra had Evan Christopher’s Clarinet their turn in the Ballroom, Road took over the with Andy (sax), Kurt Ballroom. In town from Bacher (sax), Jay Brandford New Orleans, Evan was (sax), Mark Gross (sax), joined by James Chirillo Dan Block (sax), Bill Easley (guitar), Ehud Asherie (sax), Robert Edwards (piano), Neal Caine (bass) (trombone), Wayne and Hilary Gardner (vocals). Goodman (trombone), Art Following Tommy Ladnier’s Baron (trombone), James “Mojo Blues,” Hilary sang a Chirillo (guitar), James rare Duke Ellington piece, Zollar (trumpet), Alphonso “Azalea,” which seemed Horne (trumpet), Greg made for her. I loved “China Gisbert (trumpet), Bruce Boy.” On the Library stage, Harris (trumpet), Adam Riley Mulherker’s and Birnbaum (piano), Jennifer Alphonso Horne’s Gotham “When I Grow Too Old To Dream” — Nicki Parrott is joined by Rebecca Kilgore Vincent (bass), Alvester Kings wowed the crowd for a vocal duet in The Players Club Library. Garnett (drums) and with indefatigable energy — Rebecca Kilgore (vocals). especially that of tap dancer A jam-packed stage! “The Michela Marino Lerman. Bombers,” Andy’s With Riley and Alphonso on composition, was exciting, trumpets, Patrick Bartley and Rebecca’s exquisite (clarinet), Jeffery Miller voice delighted everyone. (trombone), Chris Pattishall Back in the Steinway (piano), Ibanda Ruhumbika Lounge, Bill Charlap had an (tuba) and Sammy Miller enthusiastic audience, and (drums), they kicked it up a upstairs Mona’s Hot Four notch when Michael kept the Library swinging, Mwenso joined on vocals, with Dennis Lichtman coaxing out “Squeeze Me” (clarinet), Rob Reich and transitioning almost (accordion), Dalton seamlessly into “Truckin’.” Ridenhour (piano), Nick The Ballroom was the stage Russo (guitar/banjo), Jared for trumpeter/vocalist Bria The EarRegulars – Pat O’Leary, Jon-Erik Kellso, Matt Munisteri and Engel (bass), and Martina Skonberg & Her Jazz Scott Robinson, with special guest (2nd from left) Warren Vaché. DaSilva and Kate Davis on Compatriots, comprising vocals. Martina’s haunting Adrian Cunningham “I’ve Got It Bad and That (reeds), Dalton Ridenhour Ain’t Good,” and their (piano), Sean Cronin (bass) rendition of “If I Had You” and Darrian Douglas were simply wonderful. (drums). “Cornet Chop As the afternoon session Suey” set the mood, and wound down, and the Bria’s vocals on Valaida mansion emptied out to Snow’s “High Hat, Trumpet prepare for the evening & Rhythm” elevated it. program, I couldn’t help but Upstairs, the Library stage think how lucky we are to held banjoist Eddy Davis’s have this music in our lives. New Orleans Jazz Band, Jerron “BlindBoy” Paxton with Simon Wettenhall kicked off the evening (trumpet), Conal Fowkes festivities in the Steinway (piano), Debbie Kennedy Lounge, followed by Dalton (bass) and John Gill (drums). Chris Pattishall Rhythm Future Quartet with hot gypsy jazz: Jason Anick, Olli Soikkeli, Ridenhour “striding” Vinny Raniolo and Greg Loughman. continued on page 28 June 2015 ____________________________________27 JerseystoriesJazz HOT JAZZ FESTIVAL continued from page 27 held court in the Steinway Lounge — a treat to hear “Alligator Crawl” and the dancers loved him too. Wycliffe Gordon & Friends, with Adrian Cunningham (reeds), Ehud Asherie (piano), Jennifer Vincent (bass), Alvin Atkinson Jr. (drums) owned the Ballroom stage with “Honeysuckle Rose,” and when Brianna Thomas joined on vocals with “Mood Indigo,” everyone wanted more. Conal Fowkes had a surprise treat for us in the Steinway Lounge, James inviting his friend actor Danny Aiello to croon Chirillo, a couple of songs for us. And in the Library, Neal Caine and Evan The Grand Street Stompers, led by Gordon Au Christopher. (trumpet) and comprising Dennis Lichtman (clarinet), Jim Fryer (trombone), Nick Russo (guitar/banjo), Andrew Hall (bass) and Kevin Dorn (drums) entertained with well-known and original compositions. Crowd favorites Molly Ryan and Tamar Korn were in fine form with “Blue Skies.” Ehud Asherie closed out the Steinway Lounge Photos by Lynn Redmile session, and Glenn Crytzer’s Savoy Seven was the final Library act, performing standards and some of Glenn’s own compositions. With Glenn on guitar/vocals, he was joined by Dan Levinson (sax), Dennis Lichtman (clarinet), Gordon Au (trumpet), Jesse Gelber (piano), Andrew Hall (bass) and Kevin Dorn (drums). Hot Sardines – “Fast Eddy” Still-energetic fans crowded the Ballroom for Francisco on the Hot Sardines with brand new mom “Miz taps, with Elizabeth” Bougerol on vocals/washboard, Evan Palazzo Evan Palazzo (piano), Jason Prover (trumpet), and “Miz Nick Myers (reeds), Mike Sailors (cornet), Elizabeth” Evan Crane (bass), Alex Raderman (drums) Bougerol. and “Fast Eddy” Francisco on taps. Festival favorites (they’ve appeared each year), their unique take on well-loved standards honors the inspiration of artists before them, and brings a new audience to this thing called jazz.
Recommended publications
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • ORDER FORM STOMP OFF RECORDS P.O. Box 342 York, PA
    Updated 1/31/20 ORDER FORM STOMP OFF RECORDS stompoffrecords.com P.O. Box 342 stompoff.dickbaker.org York, PA 17405 OO indicates out of print or not available in that format (if a recording is not listed, it is no longer available in any format). Please indicate quantity on ____. Quantity Quantity No. Description LP Cass. CD No. Description LP Cass. CD 1014 Limehouse Jazzband ____ OO OO 1146 Andy Stein & Friends OO ____ OO 1027 South Frisco Jazz Band, Vol. 1 OO ____ OO 1147 Black Eagle Jazz Band, Vol. 6 OO ____ OO 1035 South Frisco Jazz Band, Vol. 2 OO ____ ____ 1148 Jim Cullum Jazz Band ____ ____ ____ 1038 Scaniazz, Vol. 2 ____ OO OO 1150 Keith Nichols Dreamland Syncopators ____ OO OO 1046 Jazz O’Maniacs, Vol. 1 ____ OO OO 1153 Red Roseland Cornpickers, Vol. 4 ____ OO OO 1048 Black Eagle Jazz Band, Vol. 1 ____ OO OO 1155 Murphy, Cullum & Hot Antic Jazz Band ____ OO OO 1049 Ian Whitcomb & Dick Zimmerman, Vol. 2 ____ OO OO 1158 Marty Grosz /Keepers of the Flame ____ OO OO 1052 Neville Dickie, Vol. 1 ____ OO OO 1159 Keith Nichols ____ OO OO 1054 Black Eagle Jazz Band, Vol. 2 ____ OO OO 1160 Humphrey Lyttelton & His Band ____ OO OO 1055 Louisiana Repertory Jazz Ensemble, Vol. 2 ____ ____ ____ 1162 Ray Smith, Vol. 2 ____ OO OO 1057 Wally Rose ____ OO OO 1163 Fried Potatoes ____ OO OO 1061 Jazz Classics OO OO ____ 1165 Watergate Seven Plus One ____ OO OO 1072 David Thomas Roberts, Vol.
    [Show full text]
  • Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
    Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday.
    [Show full text]
  • Crowd Pleaser Thousands Flock to Princeton for Food and Jazz by Tony Mottola Editor Jersey Jazz
    Volume 35 • Issue 10 November 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Crowd Pleaser Thousands flock to Princeton for food and jazz By Tony Mottola Editor Jersey Jazz Princeton JazzFeast 2007 — story on page 26. Free for members! inset: photo Alan Dale. Photos by Tony Mottola. NJJS Annual Meeting SUNDAY, DECEMBER 2 • CONCERT see pp 3, 8, 49 ARTICLES Ellingtonia on the Net . 32 Institute of Jazz Studies/ Snuffy’s . 23 in this issue: Classic Stine. 9 Crow’s Nest . 49 Jazz from Archives. 49 CTS Images . 24 NEW JERSEY JAZZ SOCIETY Meadowbrook Swings Again. 9 REVIEWS Somewhere There’s Music . 50 Lana’s Fine Dining . 25 Pres Sez/NJJS Calendar Big Band in the Sky . 10 D. Sherman/KT Sullivan . 34 The Name Dropper . 51 Community Theatre. 33 NH Library of Traditional Jazz . 14 Glen Rock Inn . 34 & Bulletin Board. 2 CDs: Compact Views/ ADVERTISERS Talking Jazz with Anat Cohen . 16 Other Views . 36 Arbors Records . 35 November 18 Member Meeting . 3 Cornerstone. 5 The Mail Bag/Jazz Trivia. 4 Dan’s Den . 22 DVDs: Jazz Icons/ Jazzdagen Tours. 39 Yours for a Song . 24 Improvisation . 40 Shanghai Jazz. 7 46 Lounge . 43 Editor’s Pick/Deadlines/NJJS info . 6 35th Anniversary Dinner Dance. 28 September Member Meeting . 46 Whiskey Café. 11 PA Jazz Society . 44 Notes from the Music Committee . 8 Riverwalk Jazz on WBGO. 30 EVENTS Cedar Grove Elks/Meadowbrook. 13 Atlanta Jazz Party . 45 In the Mainstream. 44 Giants of Jazz at the Baird . 30 ’Round Jersey: Bridgewater, Trumpets .
    [Show full text]
  • Bright Moments!
    Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough .
    [Show full text]
  • Liebman Expansions
    MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Ken Peplowski Discography
    Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Pressure of Trying to Make Each Note and Phrase a Little Jewel
    (Sportiello, Metz and Parrott) had the crowd buzzing during intermission and rising en masse for a standing ovation... KEN FRANCKLING/JAZZTIMES Together, they are the most elegant trio around! DICK HYMAN ...pure straight ahead heaven... doesn’t miss a beat or drop a false note... CHRIS SPECTOR, MIDWEST RECORD ANY DAY IS A GOOD DAY FOR SOME SONGS Many recording sessions are tense affairs, because the musicians feel the pressure of trying to make each note and phrase a little jewel. But at a Rossano Sportiello session, his delight in being allowed to make music, his easy assurance that there is no need to rush, makes everyone feel relaxed and joyous. No one could feel tense when his directions to the other musicians are so gentle, “You watch me. Maybe something nice will come out.” During playbacks, the control room was atypically quiet, because everyone (including visitors Harry Allen and Rebecca Kilgore) was busy listening and smiling. This trio is a friendly supportive community. Each voice is equal yet the three players come together from the first notes in a lovely synergy. Hear Ed Metz’s beautiful touch, his light-hearted rhythms that recall Jake Hanna so well: feathery brushwork or explosive accents. (Ed provides wonderfully apt incidental percus- sion, too.) Hear Nicki Parrott’s swinging pulse, the rich sonorities of her bass. Dur- ing this session, I would have sworn I heard a rhythm guitar because her sound is so ripe and full. As a singer, Nicki is one with the song. Her subtle, understated delivery is always convincing, whether she’s being perky or rueful.
    [Show full text]
  • John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
    192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s.
    [Show full text]
  • Celebrating Duke Ellington
    Thursday–Saturday Evening, April 25 –27, 2013, at 8:00 Saturday Afternoon, April 27, 2013, at 2:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. CELEBRATING DUKE ELLINGTON JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto Saxophone, Clarinet TED NASH, Alto Saxophone, Clarinet VICTOR GOINES, Tenor Saxophone, Clarinet WALTER BLANDING, Tenor Saxophone, Clarinet JOE TEMPERLEY, Baritone Saxophone, Bass Clarinet JAMES CHIRILLO, Guitar and Banjo DAN NIMMER, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Selections will be announced from the stage. There will be a 20-minute intermission for the evening performances. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard ® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz.
    [Show full text]