The Strutter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Swing Is Back ... in Boerne!! Big Bad Voodoo Daddy at Boerne Performing Arts 2019
SWING IS BACK…IN BOERNE!! BOERNE, TX – March 24, 2019 – Boerne Performing Arts will close out their 2019 season swingin’ with Big Bad Voodoo Daddy. Since BBVD’s formation in the early nineties in Ventura, California, the band has toured virtually non-stop, performing an average of over 150 shows a year and sales of over 2 million albums to date. The band, cofounded by singer Scotty Morris and drummer Kurt Sodergren, was at the forefront of the swing revival of that time, blending a vibrant fusion of the classic American sounds of jazz, swing, and Dixieland, with the energy and spirit of contemporary culture. Ticket holders are coming from all four corners of Texas including Orange, Alpine, McAllen and Lubbock. Tickets for this event have been sold out since late February, but volunteers of Boerne Performing Arts are maintaining a “Wait List” in case any tickets are donated back to the organization. Big Bad Voodoo Daddy will arrive in Boerne to perform one evening show on Friday, April 5, at 7:30pm, at Champion Auditorium. Having performed at the Super Bowl, Macy’s Thanksgiving Day Parade, the late night show circuits, for three US Presidents, and with our country’s most distinguished symphony orchestras, their musicianship is well known throughout the world. The GVTC Foundation, Frost Bank, LoneStar Properties and The City of Boerne are sponsoring this evening performance as well as a student matinee for 1,000 local students. Thanks to their generosity, fourth grade students from Boerne ISD will attend a one-hour show at no cost to the students as part of the Boerne Performing Arts FOR KIDS program. -
Program Policy Brief 2019 Swingtime
Program Policy # 029 Approved on 18 July 2019 ARTSOUND FM PROGRAM BRIEF Program Title Swingtime Category Specialist Music Program Schedule 4-5pm Wednesday Brief Description The program’s core element is swing jazz from the recognised US big bands recorded from 1932 to 1946. The focus is on the bands, band leaders, arrangers, composers, prominent musicians and vocalists who led or shaped the Swing Era. Concept and Content The target audience is listeners with a love of jazz music in the Swing idiom and interest in the people who were significant in the Swing Era. The core of the program is US popular music recorded from 1932 to 1946, but any music that "swings" or music associated with the core is appropriate. Subsidiary themes include: • the evolution of jazz through the 1920s and early ‘30s and the early work of musicians, arrangers, band leaders, and composers whose work led to and typified the Swing Era; • Australian bands of all periods with a significant emphasis on swing music; • subsidiary groups (bands within the bands)composed of key big band members, typically led by the big band leader; • big bands, dance bands, and musicians outside the core swing band and Swing Era, including UK swing and hotel dance bands, gypsy swing, Latin swing, western swing, swing revival, and military bands; • post-swing particularly the evolution of swing bands and musicians and singers in this idiom; and • Themed programs, or featured artist, composer, or groups as part of programs. The program addresses general and re-emerging interest in Swing music and the 2 Swing Era. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Midiri Brothers Sextet with Jeff Barnhart February 17, 2019 • John Winthrop Middle School
Midiri Brothers Sextet with Jeff Barnhart February 17, 2019 • John Winthrop Middle School This afternoon’s concert is co-sponsored by THE CLARK GROUP and TOWER LABORATORIES the 2019 stu ingersoll jazz concert Midiri Brothers Sextet A concert featuring the music of reed giants Benny Goodman, Jimmy Noone, Artie Shaw, Sidney Bechet, and more Paul Midiri, vibraphone Joseph Midiri, reeds Danny Tobias, jazz cornet, trumpet Pat Mercuri, guitar, banjo Jack Hegyi, bass Jim Lawlor, drums with special guest Jeff Barnhart, piano and vocals Selections will be announced from the stage 27 • Essex Winter Series Paul Midiri, co-leader, vibraphone Paul Midiri, along with his brother Joe, co-leads the 16 piece Midiri Brothers Orchestra as well as various small group ensembles. The Midiri Brothers Sextet performs jazz arrangements of standards, clasical music, as well as originals, many of them arranged by Paul. His many instrumental talents lend a special versatility to the Midiri Brothers unique sound. His specialty is jazz vibraphone with the sextet. Paul’s love of the vibes, and xylo- phone has led him to arrange numerous pieces for the sextet to give these instruments a proper setting. His extended virtuosity includes playing trombone and drums with the sextet where his brush work is often featured. Paul can be heard performing with the sextet across the country in many jazz festivals including the Sun Valley Jazz Jubilee, Pismo Jubilee By The Sea, the Capital city Jazz Fest as well as performer/clinician for the Sacramento Traditional Jazz Camp. Joseph Midiri, co-leader, reeds Joseph Midiri is an instrumentalist on the clarinet, alto, baritone and soprano saxophones. -
ORDER FORM STOMP OFF RECORDS P.O. Box 342 York, PA
Updated 1/31/20 ORDER FORM STOMP OFF RECORDS stompoffrecords.com P.O. Box 342 stompoff.dickbaker.org York, PA 17405 OO indicates out of print or not available in that format (if a recording is not listed, it is no longer available in any format). Please indicate quantity on ____. Quantity Quantity No. Description LP Cass. CD No. Description LP Cass. CD 1014 Limehouse Jazzband ____ OO OO 1146 Andy Stein & Friends OO ____ OO 1027 South Frisco Jazz Band, Vol. 1 OO ____ OO 1147 Black Eagle Jazz Band, Vol. 6 OO ____ OO 1035 South Frisco Jazz Band, Vol. 2 OO ____ ____ 1148 Jim Cullum Jazz Band ____ ____ ____ 1038 Scaniazz, Vol. 2 ____ OO OO 1150 Keith Nichols Dreamland Syncopators ____ OO OO 1046 Jazz O’Maniacs, Vol. 1 ____ OO OO 1153 Red Roseland Cornpickers, Vol. 4 ____ OO OO 1048 Black Eagle Jazz Band, Vol. 1 ____ OO OO 1155 Murphy, Cullum & Hot Antic Jazz Band ____ OO OO 1049 Ian Whitcomb & Dick Zimmerman, Vol. 2 ____ OO OO 1158 Marty Grosz /Keepers of the Flame ____ OO OO 1052 Neville Dickie, Vol. 1 ____ OO OO 1159 Keith Nichols ____ OO OO 1054 Black Eagle Jazz Band, Vol. 2 ____ OO OO 1160 Humphrey Lyttelton & His Band ____ OO OO 1055 Louisiana Repertory Jazz Ensemble, Vol. 2 ____ ____ ____ 1162 Ray Smith, Vol. 2 ____ OO OO 1057 Wally Rose ____ OO OO 1163 Fried Potatoes ____ OO OO 1061 Jazz Classics OO OO ____ 1165 Watergate Seven Plus One ____ OO OO 1072 David Thomas Roberts, Vol. -
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday. -
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
Upcoming Events
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. Address: 2521 Port Street, West Sacramento, CA 95691•(916)444-2004•www.sacjazz.org VOLUME49•NO.7 August 2017 Jazz Sunday, August 6 (FIRST Sunday!) Note from The President …..……...2 Week Two STJS Jazz Campers Concert and ElksLodge#6–info/directions ....... 2 The Professors The Professors …………………………..3 Raffle Cent$.................................8 Race for the Art Pictures…………….8 Membership Application…….……13 Upcoming Events: July 23-29 Week 1 STJS Teagarden EEachy E Youth Jazz Camp Each year when the jazz camps conclude, we are treated to a special July 29 Week 1 STJS Jazz Campers Concert and The Counselors Jazz Jazz Sunday that features not only The Professors both youth Band campers and counselors as well. August Jazz Sunday is one of the July 31–Aug 6 Week 2 - STJS best STJS events of the year. The place is buzzing with excitement Teagarden Youth Camp from a productive and fun-filled week at Jazz Camp amid the scenic Aug 6 (First Sun) Week 2 STJS Jazz beauty of Pollock Pines. Campers have been making new friends Campers Concert and The Professors while counselors (former campers) are having a blast reuniting with their musician friends. Sept 10 – Skin ‘n Bones (Gonsoulin) Oct 8 – Pub Crawlers Our Jazz Camp Faculty is loaded with all-star talent, and we are Nov 12 – Youth Jazz Day incredibly fortunate to have them all here together as our guest Dec 10 – Gold Society Jazz band. -
What We've Made of Louis Prima John J
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 1-1-2005 Taming the Wildest: What We've Made of Louis Prima John J. Pauly Marquette University, [email protected] Published version. "Taming the Wildest: What We've Made of Louis Prima," in Afterlife as Afterimage: Understanding Posthumous Fame. Eds. Steve Jones and Joli Jensen. New York: Peter Lang International Academic Publishers, 2005: 191-208. Publisher Link. © 2005 Peter Lang International Academic Publishers. Used with permission. chapter 1 O Taming the Wildest What We've Made of Louis Prima jOHN j. PAULY For over forty years, Louis Prima had survived one change after another in the pop~ ular music business. He was, in succession, a trumpet section player in his home~ town ofNew Orleans, the front man for a popular New York City jazz quintet, and the leader of a touring big band. In the 1950s, with his career flagging, he reinvent~ ed himself as a spectacular Las Vegas lounge act, then nudged his career through the 1960s with help from his old friend, Walt Disney. He explored many forms of popular music along the way, but aspired only, in his own words, to "play pretty for the people." The same man who wrote the jazz classic "Sing, Sing, Sing," would also record easy listening instrumental music, Disney movie soundtracks, and ltalian~American novelty songs. In all these reincamations, he performed with an exuberance that inspired his Vegas nickname, "the wildest." Prima's career would end in deafening silence, however. He spent the last thirty~five months of his life in a coma, following a 197 5 operation in which doctors partially removed a benign tumor from his brain stem. -
Ken Peplowski Discography
Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Genre, De Muziekstijl, Stemming Van De Muziek En De Instrumentatie Die Een Bepaalde Artiest Uitoefende
Een Sociaal Netwerk Onder Muziekartiesten: Een analyse van het sociaal netwerk van muzikanten en daaraan verbonden muzikale kenmerken Gegevens student B.J.G.M. Kuppens Corporate Communication & Digital Media Universiteit van Tilburg [email protected] Begeleiding dr. J. J. Paijmans Faculteit Geesteswetenschappen dpt. Comm.‐ Infor.wetensch [email protected] 1 Abstract Dit onderzoek verdiept zich in de structuur van het sociaal netwerk van muziekartiesten. Wat onderzocht wordt, is of er binnen dit sociaal netwerk een zogenaamde power law verdeling te ontdekken valt. Dit is interessant vanwege de maatschappelijke relevantie van power law structuren in de samenleving. Om dit vast te stellen is er gekeken naar wie de meest invloedrijke artiesten zijn en van wie er de meeste nummers gecoverd zijn. De verwachting is dat er relatief weinig artiesten zijn met relatief veel invloed op medeartiesten, en overeenkomstig staan veel artiesten die weinig invloed hebben op hun medeartiesten. Hetzelfde fenomeen wordt verwacht bevestigd te worden voor gecoverde nummers. Nadat is gebleken dat de structuur van het sociaal netwerk onder muziekartiesten daadwerkelijk de kenmerken vertoont van een power law verdeling, is er vervolgens nog gekeken naar een viertal muzikale kenmerken van de meest invloedrijke artiesten gevonden tijdens dit onderzoek. Het betreft het genre, de muziekstijl, stemming van de muziek en de instrumentatie die een bepaalde artiest uitoefende. Ook van deze variabelen is er een frequentieverdeling gemaakt en is er gekeken of er op een power law gelijkende verdeling is. Dit bleek alleen bij de variabelen genre en instrumentatie het geval te zijn. Muziekstijl in mindere mate en wat stemming betreft zijn er geen dominante items gevonden.