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Odyssey Glossary of Names
GLOSSARY OF NAMES GLOSSARY OF NAMES [Note, the following is raw output from OCR software, and is otherwise unedited.] (First appearance noted by book and line number.) Achaeans (A-kee'-unz): General term used by Homer to reFer to Greeks. 2.139 Acheron (A'-ker-on): River in the Underworld, land of the dead. 10.537 Achilles (A-kil'-eez): Son of Peleus and Thetis. He is the heroic leader of the Myrmidons in the Trojan War and is slain by Paris. Odysseus consults him in the Underworld. 3.117 Aeaea (Ee-ee'-a): Island on which Circe lives. 9.34 Aegisthus (Ee-jis'-thus): Son of Thyestes and Pelopia. He seduces Clytemnestra, wife of Agamemnon, while Agamemnon is away fighting the Trojan War and helps her slay Agamemnon when he returns. Orestes avenges this action years later by murdering both Clytemnestra and Aegisthus. 1.35 GLOSSARY OF NAMES Aegyptus (Ee-jip'-tus): The Nile River. 4.511 Aeolus (Ee'-oh-lus): King of the island Aeolia and keeper of the winds. 10.2 Aeson (Ee'-son): Son oF Cretheus and Tyro; father of Jason, leader oF the Argonauts. 11.262 Aethon (Ee'-thon): One oF Odysseus' aliases used in his conversation with Penelope. 19.199 Agamemnon (A-ga-mem'-non): Son oF Atreus and Aerope; brother of Menelaus; husband oF Clytemnestra. He commands the Greek Forces in the Trojan War. He is killed by his wiFe and her lover when he returns home; his son, Orestes, avenges this murder. 1.36 Agelaus (A-je-lay'-us): One oF Penelope's suitors; son oF Damastor; killed by Odysseus. -
Sophocles' Philoctetes Roisman, Hanna M Greek, Roman and Byzantine Studies; Summer 1997; 38, 2; Proquest Pg
The appropriation of a son: Sophocles' Philoctetes Roisman, Hanna M Greek, Roman and Byzantine Studies; Summer 1997; 38, 2; ProQuest pg. 127 The Appropriation of a Son: Sophocles' Philoctetes Hanna M. Roisman ANHOOD in archaic and classical Greece-as in modern times-is generally manifested not so much in relation M ships with women as in relationships with other men, especially in the relationship between father and son. The Greek male is expected to produce sons who will continue his oikos (e.g. Soph. Ant. 641-45; Eur. Ale. 62lf, 654-57). Further, as Hesiod makes clear, sons should resemble their fathers in both looks and conduct, especially the latter (Op. 182,235; ef Ii. 6.476-81; Theophr. Char. 5.5). Such resemblance earns the father public esteem and proves his manliness; the lack of it may be cause for disparagement and calls his manliness into question. 1 We learn from Ajax and Philoctetes that Sophocles follows the Hesiodic imperative that sons should resemble their fathers in their natures and their accomplishments. Ajax sees himself as an unworthy son, having lost Achilles' arms to Odysseus, and prefers to commit suicide rather than face his father, Telamon, who took part in Heracles' expedition to Troy and got Hesione, the best part of the booty, as a reward (Aj. 430-40,462-65, 470ff, 1300-303; Diod. 4.32.5). At the same time, he expects his son, Eurysaces, to be like himself in nature, valor, and in everything else ('ttl.~' aA.A.' OIlOlO~, Aj. 545-51). Sophocles' Philoctetes, on the other hand, presents the strug gle between Odysseus and Philoctetes for the 'paternity' of Neoptolemus, as each tries to mold the young man in his own 1 Even in contemporary Greece the intense male rivalry for proving oneself takes place among men alone, while women and flocks serve as the object of this rivalry. -
Dares Phrygius' De Excidio Trojae Historia: Philological Commentary and Translation
Faculteit Letteren & Wijsbegeerte Dares Phrygius' De Excidio Trojae Historia: Philological Commentary and Translation Jonathan Cornil Scriptie voorgedragen tot het bekomen van de graad van Master in de Taal- en letterkunde (Latijn – Engels) 2011-2012 Promotor: Prof. Dr. W. Verbaal ii Table of Contents Table of Contents iii Foreword v Introduction vii Chapter I. De Excidio Trojae Historia: Philological and Historical Comments 1 A. Dares and His Historia: Shrouded in Mystery 2 1. Who Was ‘Dares the Phrygian’? 2 2. The Role of Cornelius Nepos 6 3. Time of Origin and Literary Environment 9 4. Analysing the Formal Characteristics 11 B. Dares as an Example of ‘Rewriting’ 15 1. Homeric Criticism and the Trojan Legacy in the Middle Ages 15 2. Dares’ Problematic Connection with Dictys Cretensis 20 3. Comments on the ‘Lost Greek Original’ 27 4. Conclusion 31 Chapter II. Translations 33 A. Translating Dares: Frustra Laborat, Qui Omnibus Placere Studet 34 1. Investigating DETH’s Style 34 2. My Own Translations: a Brief Comparison 39 3. A Concise Analysis of R.M. Frazer’s Translation 42 B. Translation I 50 C. Translation II 73 D. Notes 94 Bibliography 95 Appendix: the Latin DETH 99 iii iv Foreword About two years ago, I happened to be researching Cornelius Nepos’ biography of Miltiades as part of an assignment for a class devoted to the study of translating Greek and Latin texts. After heaping together everything I could find about him in the library, I came to the conclusion that I still needed more information. So I decided to embrace my identity as a loyal member of the ‘Internet generation’ and began my virtual journey through the World Wide Web in search of articles on Nepos. -
'The Judgement of Paris' from Robert Graves
Extract, regarding ‘The Judgement of Paris’, from Robert Graves, The Greek Myths: Volume Two. h. Paris's noble birth was soon disclosed by his outstanding beauty, intelligence, and strength: when little more than a child, he routed a band of cattle-thieves and recovered the cows they had stolen, thus winning the surname Alexander.1 Though ranking no higher than a slave at this time, Paris became the chosen lover of Genone, daughter of the river Oeneus, a fountain-nymph. She had been taught the art of prophecy by Rhea, and that of medicine by Apollo while he was acting as Laomedon's herdsman. Paris and Oenone used to herd their flocks and hunt together; he carved her name in the bark of beech-trees and poplars.2 His chief amusement was setting Agelaus's bulls to fight one another; he would crown the victor with flowers, and the loser with straw. When one bull began to win consistently, Paris pitted it against the champions of his neighbours' herds, all of which were defeated. At last he offered to set a golden crown upon the horns of any bull that could overcome his own; so, for a jest, Ares turned himself into a bull, and won the prize. Paris's unhesitating award of this crown to Ares surprised and pleased the gods as they watched from Olympus; which is why Zeus chose him to arbitrate between the three goddesses.3 i. He was herding his cattle on Mount Gargarus, the highest peak of Ida, when Hermes, accompanied by Hera, Athene, and Aphrodite, delivered the golden apple and Zeus's message: 'Paris, since you are as handsome as you are wise in affairs of the heart, Zeus commands you to judge which of these goddesses is the fairest.' Paris accepted the apple doubtfully. -
Ebook Download Troy: Lord of the Silver Bow No.1: Lord of The
TROY: LORD OF THE SILVER BOW NO.1: LORD OF THE SILVER BOW PDF, EPUB, EBOOK David Gemmell | 640 pages | 04 Apr 2006 | Transworld Publishers Ltd | 9780552151115 | English | London, United Kingdom Lord of the Silver Bow | David Gemmell Wiki | Fandom DG: My imagination always runs wild—for which I am more than thankful. Andromache is a great character. When authors talk of great characters, what they really mean is easy. Some characters are tough to write. The author has to constantly stop and work out what they will say or do. With the great characters, this problem disappears. Their dialogue flows instantly, their actions likewise. A friend of mine calls them "Ricks Bar characters," from the film Casablanca. Some characters you have to build, like a sculptor carving them from rock. Q:You present Agammemnon and the Mykene as arrogant, brutal warmongers, which is pretty much how Homer depicts them too. DG: Alexander the Great is remembered the same way. They had developed universities, in order for young people from peasant families to be educated. They had an international postal service, so that letters could be sent all over the empire. They had a form of social security so that their people did not starve during famines. They wanted to share their knowledge, and so built a great library containing works of history, science, and religion. They had interpreters there so that foreigners could learn the secrets they has so patiently gathered. The entire works of Zoroaster were kept there, inscribed with gold on sheepskin. Alexander, while drunk, thought it would be great fun to burn it all down. -
Helen of Troy
T H E P O E T I C A L WO R K S A N D R E W L A N G I V OL . V TH E P O E T I CAL Wo rm s * W L A 3 ! d i b N E ted y M rs. L A G I N F 0UR VOLUM ES . VOL V . I With Port r ai n m (J r ee o L o g a l s n 63 L . P a te rn oste r R ow n E C . 39 , Lo don , . 4, N ew Y o rk Tor n to , o Bo m ba Ca c u t ta a nd M a a s y , l , d r $3“ k; on( 9 e! TH E PO ET I C AL WO R K S dited N G E by M r s . LA I N F OUR V OLUM ES V O L . I V 8 Ll O 3 \V ith P or tr a i ’ a tc rn ost r R w do n e o Lo n E C . , , . N ew Y r k T r n t o , o o o B m ba C a c u a a n d M a a s o y , l t t , d r fi %L eff M a d e i n! G r ea t TA BLE OF CON TE N TS V OLUM E I V XV H EL EN OF TR OY D edic a t io n : To a ll Old F ri e nd s The Com i ng ofP a ris Th e S p e ll ofAp h rodite Th e F light ofH e l e n Th e D e a th ofCo ry t h u s Th e \V a r Th e S a c k o fT ro T h e R u n o fH n y . -
Nick Susa Epic Mythomemology – the Iliad Book 1: Achilles Was Fighting
Nick Susa Epic Mythomemology – The Iliad Book 1: Achilles was fighting alongside Agamemnon, the King of Argos, during the Trojan war. After winning a battle each was given a war prize, a woman. Achilles was given Briseis, and Agamemnon was given Chryseis. However, the father of Chryseis, Chryses, who was also a priest of Apollo, wasn’t ready to part with his daughter and came with a ransom for his daughter for King Agamemnon. Agamemnon refused the ransom in favor of keeping Chryseis and threatened the priest. Horrified and upset the priest (Chryses) calls upon Apollo and asks him to put a plague upon the Achaean armies, one of which Agamemnon leads. For nine days the armies were struck with a plague, on the tenth Achilles called a meeting to find the reason for the plague. Calchas, a prophet and follower of Apollo, being protected by Achilles, explains that Agamemnon refusing the ransom was the reason for the plague and he must return the girl and make a sacrifice of one hundred cows to Apollo in order to end the plague. Agamemnon decides to appease Apollo, but only if he can take away Achilles war prize, Briseis. Achilles doesn’t believe that Agamemnon should gain Briseis, so the two begin to argue. Achilles decides that he and his men shall not fight in the war because of Agamemnon’s actions. After Agamemnon takes Briseis away, Achilles cries and prays to his mother, Thetis, asking her to have Zeus grant the Achaean armies many loses. Zeus was not around to be asked though, but after twelve days, he returns and promises to Thetis that he will grant the Trojans many victories and the Achaeans many losses. -
Trojan War - Wikipedia, the Free Encyclopedia Trojan War from Wikipedia, the Free Encyclopedia for the 1997 Film, See Trojan War (Film)
5/14/2014 Trojan War - Wikipedia, the free encyclopedia Trojan War From Wikipedia, the free encyclopedia For the 1997 film, see Trojan War (film). In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen Trojan War from her husband Menelaus king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homer's Iliad. The Iliad relates a part of the last year of the siege of Troy; its sequel, the Odyssey describes Odysseus's journey home. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful Achilles tending the wounded Patroclus of all women and wife of Menelaus, fall in love with Paris, who (Attic red-figure kylix, c. 500 BC) took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean The war troops to Troy and besieged the city for ten years because of Paris' Setting: Troy (modern Hisarlik, Turkey) insult. -
Penelope, Odysseus, and the Teleologies of the Odyssey
Putting an End to Song: Penelope, Odysseus, and the Teleologies of the Odyssey Emily Hauser Helios, Volume 47, Number 1, Spring 2020, pp. 39-69 (Article) Published by Texas Tech University Press DOI: https://doi.org/10.1353/hel.2020.0001 For additional information about this article https://muse.jhu.edu/article/765967 [ Access provided at 28 Dec 2020 07:35 GMT from University of Washington @ Seattle ] Putting an End to Song: Penelope, Odysseus, and the Teleologies of the Odyssey EMILY HAUSER Abstract Book 1 of the Odyssey presents us with the first bard-figure of the poem, singing what in many ways is an analogue to the Odyssey with “the return of the Greeks”; yet when Penelope appears, it is to attempt to put an end to his song. I use this scene as a starting point to suggest that Penelope is deeply implicated in narrative endings in the Odyssey. Looking at the end or τέλος of the poem through a system- atic study of its “closural allusions,” I argue that a teleological analysis of Penelope’s character in relation to endings may both resolve some of the issues in her inter- pretation thus far, and open up new avenues for the reading of the Odyssey as a poem informed by endings. I. Introduction Penelope’s first appearance in the Odyssey (1.325–144) is to make a request of Phe- mius the bard, who is singing the tale of the Greeks’ return from Troy, the Ἀχαιῶν νόστος (1.326). Phemius’s song of the Greek νόστος (return), of course, mirrors the plot of the Odyssey itself, which has opened only a few hundred lines before with the plea to the Muse to sing of Odysseus and his companions’ return (νόστος, 1.5) from Troy.1 Penelope, however, interrupts the narrative flow and asks the bard to cease singing because of the pain his tale is causing her (1.340–342): ‘ταύτης δ᾽ ἀποπαύε᾽ ἀοιδῆς λυγρῆς, ἥ τέ μοι αἰεὶ ἐνὶ στήθεσσι φίλον κῆρ τείρει . -
Table of Contents
OGL 360, “Odyssey synopsis” (2018), Page 1 The Odyssey of Homer: An Illustrated synopsis (revised 2018) with excerpts from the text Please read the entire synopsis, along with most of the excerpts. WANT A SHORT VIDEO? This assignment cannot be completed with a video, but a video can help you understand and remember key moments in the story. Plus, some of these videos are just fun. An entertaining and fairly accurate 4-minute cartoon is at https://www.youtube.com/watch?v=PglAFdKSJ_M and another cartoon is at http://education-portal.com/academy/lesson/the-odyssey-greek- epic.html#lesson; they are both recommended, but you’d need to register for a free trial if you want to view the full “education-portal” cartoon. Or, if you are tired of proper vocabulary and polite discourse, you might like the irreverent and wittily foul-mouthed “THUG NOTES” (WITH DECENT ANALYSIS INCLUDED!) at https://www.youtube.com/watch?v=qf3XrZW2o4I (Warning: Foul language, snap judgment, and lots of it.) AUDIOBOOK? A reading by Ian McKellan (yes, the actor who plays Gandalf) is worth a bit of your time. Listen to him read the first lines (the invocation) and other excerpts, as if you and a bard are sitting at a fire 4,000 years ago: https://www.youtube.com/watch?v=2IiP74_5Mnc Table of Contents These are “The Wanderings of Odysseus”---the middle part of The Odyssey---arranged in chronological order without the framing narratives and flashbacks of the full story. Thus, please note that we are actually skipping over the first four books, which focus on Odysseus’s family and the “haughty suiters” afflicting their home---these are “the good parts” in terms of adventure, but I highly recommend you read the entire epic sometime; it’s a fascinating read! -The Trojan Horse (a story told in The Iliad, though The Odyssey includes mention of it). -
Some Evidence of the Worship of Apollo Physician (Ietroos) in Ancient Greece and the Black Sea Coast
CONTENTS GENERAL ASPECTS OF HISTORY AND PHILOSOPHY OF MEDICINE Herophilus and vivisection: a re-appraisal . 5 J. Ganz HISTORY OF MEDICAL DISCIPLINES Philippe Ricord – prominent venereologist of the XIX century . 13 K.A. Pashkov, M.S. Betekhtin Development of national system of pharmaceutical education in 1920–1930: Moscow medico-pharmaceutical combine . 18 M.S. Sergeeva FROM THE HISTORY OF HEALTHCARE Zemstvo district medicine and charity in Russia . 29 L.E. Gorelova, T.I. Surovtseva The formation of factory legislation on health protection in Europe and Russia in the 19th to early 20th centuries . 35 I.V. Karpenko FROM THE HISTORY OF RUSSIAN MEDICINE Stages of formation and further development of domestic cardiology. Part 1 . 40 V.I. Borodulin, S.P. Glyantsev, A.V. Topolianskiy On the Biography of Professor and Psychiatrist Anatoly Kotsovsky (1864−1937) . 48 K.K. Vasylyev, Yu.K. Vasylyev Professor of surgery at the University of Moscow I.P. Aleksinsky: his life and work in Russia and in emigration . 55 O.A. Trefi lova, I.A. Rozanov INTERDISCIPLINARY RESEARCH Some evidence of the worship of Apollo Physician (Ietroos) in ancient Greece and the Black Sea Coast . 73 E.S. Naumova SPECIFIC QUESTIONS IN THE HISTORY OF MEDICINE Physiological and pathophysiological aspects in Herophilos writings . 81 L.D. Maltseva SOURCE Continuity in the views of Hippocrates and Galen on the nature of the human body . 89 D.A. Balalykin 4 INTERDISCIPLINARY RESEARCH Some evidence of the worship of Apollo Physician (Ietroos) in ancient Greece and the Black Sea Coast E.S. Naumova I.M. Sechenov First Moscow Medical University, The Ministry of Health of the Russian Federation Based on the analysis of some contexts of ancient authors and epigraphic material we are talking about the place that takes the function of Apollo Ietroos in a complex set of Apollo`s functions. -
CLA 2323A Greek Mythology
Outline of the Iliad CLCV 2000A Classical Mythology Book 1 C. Hektor finds Andromache and Astyanax (369-502) I. The Quarrel (1-430) V. Paris and Hektor return to the fighting (503-529) II. Return of Chryseis to her home (430-492) Book 7 III. Balancing scene among the gods (493-611) I. Hektor and Paris return to battle (1-16) Book 2 II. Duel between Hektor and Aias (17-322) I. Agamemnon tests the army (1-154) III. Fighting halted to bury the dead (323-482) A. Odysseus recalls the troops (155-210) A. Greeks dig walls around ships (323-344) B. Thersites episode (211-332) B. Paris refuses to return Helen but offers other gifts (345-397) C. Nestor’s counsel (333-483) C. Greeks refuse Paris’ gifts (398-420) II. Catalogue of Greek Ships (484-785) D. Cremation of dead, Greeks build walls (421-482) III. Catalogue of Trojan troops (786-877) Book 8 Book 3 I. Assembly of gods; Zeus forbids gods to take part in battle (1-52) I. Truce by single combat between Paris and Menelaos (1-120) II. A day of fighting (53-349) II. The Teichoskopeia (Helen’s ‘View from the Wall’) (121-244) A. Battle begins with the scales of Zeus (53-65) III. The duel and the rescue (245-382) B. Nestor threatened by Hektor, rescued by Diomedes (78-166) IV. Helen and Paris (383-461) C. Advance of Trojans under Hektor (167-216) Book 4 D. Agamemnon rallies troops (217-334) I. Pandaros breaks the truce (1-122) E.