Youview Troubleshooting
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Ask the Audience
REUTERS INSTITUTE for the SELECTED RISJ PUBLICATIONS STUDY of REPORT JOURNALISM Raymond Kuhn and Rasmus Kleis Nielsen Lara Fielden Political Journalism in Transition: Western Europe in a Regulating for Trust in Journalism: Standards Regulation Comparative Perspective in the Age of Blended Media (published jointly with I.B. Tauris) David A. L. Levy and Robert G. Picard (eds) Nigel Bowles, James T. Hamilton, David A. L. Levy (eds) Is there a Better Structure for News Providers? Transparency in Politics and the Media: Accountability and The Potential in Charitable and Trust Ownership Open Government (published jointly with I.B. Tauris) David A. L. Levy and Rasmus Kleis Nielsen (eds) Ask the Audience: The Changing Business of Journalism and its Implications Julian Petley (ed.) for Democracy Media and Public Shaming: Drawing the Boundaries of Evaluating New Ways to Fund TV Content Disclosure Tim Gardam and David A. L. Levy (eds) (published jointly with I.B. Tauris) The Price of Plurality: Choice, Diversity, and Broadcasting Institutions in the Digital Age James Painter published in association with Ofcom Poles Apart: The International Reporting of Climate Scepticism Sian Kevill and Alex Connock CHALLENGES December 2013 Naomi Sakr Richard Sambrook Transformations in Egyptian Journalism Are Foreign Correspondents Redundant? The (published jointly with I.B. Tauris) Changing Face of International News James Painter James Painter Climate Change in the Media: Reporting Risk Summoned by Science: Reporting Climate Change and Uncertainty at Copenhagen and Beyond (published jointly with I.B. Tauris) John Kelly Suzanne Franks Red Kayaks and Hidden Gold: The Rise, Challenges Women and Journalism and Value of Citizen Journalism (published jointly with I.B. -
MADE in BRISTOL: 'THE WHITE PRINCESS' BEGINS on UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017
television NEWS: FOR IMMEDIATE RELEASE MADE IN BRISTOL: ‘THE WHITE PRINCESS’ BEGINS ON UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017, 9pm << Watch the official trailer >> BRISTOL, 16 November 2017: STARZ Original Limited Series The White Princess will premiere on British TV this weekend, after filming at The Bottle Yard Studios and across Bristol last year. Kicking off with a double bill on Saturday 18th November at 9pm on the UKTV Drama Channel, The White Princess is the follow-up to the STARZ/BBC’s 2013 Golden Globe and Emmy award- nominated The White Queen. Made by Company Pictures and Playground, the drama filmed in purpose- built sets at The Bottle Yard Studios and across Bristol in 2016. Rebecca Benson, Suki Waterhouse, Jodie Comer, Joanne Whalley, Essie Davis, Michelle Fairley on set at The Bottle Yard Studios - image (c) Starz Coordinating the entire shoot from production offices at The Bottle Yard Studios, the production team also used additional build space, stores and costume areas on site. Bristol Film Office provided unit bases for filming at locations across the city, facilitating location liaison and organising holding areas at City Hall for around 100 cast extras during a large-scale shoot at Bristol Cathedral. Jacob Collins-Levy (King Henry VII) & Michelle Fairley (Lady Margaret Beaufort) film at Bristol Cathedral - image (c) Starz Karen Bailey, SVP Original Programming, STARZ, said: “We knew from the early location scouts that the natural scenic beauty of the area was a good fit for the production, but seeing the facilities at The Bottle Yard and discovering there was such a strong infrastructure already in place made the decision to shoot in Bristol an easy one.” Fiona Francombe, Site Director of The Bottle Yard Studios, said: “Every aspect of this production was expertly crafted and beautifully detailed. -
134.1099 Food and Flowers with Jo Pratt and Anna Steven Friday 18 July 2014 Tutor(S): Jo Pratt Anna Steven
Denman Tel: 01865 391991 Marcham Fax: 01865 391966 Abingdon E: [email protected] Oxon, OX13 6NW www.denman.org.uk 134.1099 Food and Flowers with Jo Pratt and Anna Steven Friday 18 July 2014 Tutor(s): Jo Pratt Anna Steven Full Description of Course: Book yourself on this lovely day event where you will be treated to a morning demonstration on the theme of Jo Pratt's 'Madhouse Cookbook' featuring home cooked food that's tasty and stress free. All of the dishes have been devised to make life easy, with shortened preparation and cooking times and brilliant plan ahead tips. This will be followed by a lovely lunch and a flower demonstration in the afternoon. Jo is a TV cook, food stylist, journalist and bestselling author of four books – 'The Nation’s Favourite Food', 'In the Mood for Food', 'In the Mood for Entertaining' and most recently 'Madhouse Cookbook'. She is also a regular contributor to magazines such as BBC Good Food Magazine and M&S Magazine and often appears on TV shows such as the new Channel 4 and Sainsbury’s tie up What’s Cooking? Most recently Jo has been busy setting up a new restaurant The Gorgeous Kitchen in Heathrow’s new Queen’s Terminal 2 with three other female chefs. Jo spends a lot of time writing and developing ideas online and in the press for brands such as Bramley Apples, Maris Piper Potatoes, Tilda Rice and Patak’s. Many of her online video recipes can be viewed on www.youtube.com: http://www.cookwithchefs.com and http://uktv.co.uk/goodfood. -
Your Guide to Youview+ from BT
Keep this guide somewhere safe You might need it from time to time. All Rights Reserved. Your guide to YouView+ from BT Quick start guide inside The Hunger Games: Catching Fire © 2013, Artwork Fire The Hunger Games: Catching & Supplementary Entertainment TM & © 2014 Lions Gate Materials Inc. The Hunger Games: Catching Fire Available now on BT Box Office Top 10 tips Welcome to YouView from BT Once programmed, you can use your YouView remote In Search, you’ll only see suggestions until you press . You’ll soon be able to sit back and enjoy the shows you love. to control your TV. See page 45. If you can’t see what you’re looking for, press to see everything that matches your search. But first things first. To get set up, just follow the few simple steps starting Try these shortcut buttons on your remote: over the page. It’s easy and shouldn’t take more than half an hour. With the YouView mobile app, you can see what’s on Find any programme available on YouView. and set recordings on the move. Then, you can learn all about YouView and how it’ll help you take control Takes you back to where you were or of your TV in ‘Using YouView’ starting on page 21. back a level in the menus. Go to youview.com/mobileapp to find out more. Takes you back to live TV or out of a High definition Freeview channels are separate from Need some help? No problem – give us a call on 0800 111 4567, go to player menu. -
UKTV Case Study
Case Study UKTV Satisfying 42 million viewers Web channel overhaul UKTV is a multi-award winning media “In 2012 we embarked on a large project company with eleven core brands: to redevelop all of our consumer and UKTV Play, Dave, Watch, Gold, Alibi, business websites from the ground Yesterday, Drama, Really, Home, Eden, up,” says UKTV Head of Digital Delivery, and Good Food. It’s home to the most Oliver Davies. “Moving from Cold popular non-PSB channel in the UK, Fusion, new channel sites were built in and reaches more than 42 million a fully responsive mobile-friendly grid, Like many companies, we really viewers every month. A ‘David to the using a Python Django-based content “ suffered from having images all Goliath brands’, UKTV is the fastest management system. Our digital asset over the place, in folders and on growing broadcaster in Britain. platform had to be the right fit.” desktops, and the workflow was proving difficult to manage. Our image management was something we were determined to get right. – Oliver Davies, Head of Digital Delivery, UKTV. ” Simplifying Solutions Third Light at Work UKTV chose an Enterprise Edition Third Light media library to host all 168,768 of its image assets. The system is accessed by 21 administrators, and 600+ in-house and press users. Simpler storage and retreival No more manual handling “We’d never used a third-party digital asset “Before we used the Third Light system, management tool before, so we did lots of our web editors had to go through a very research into different systems, and made manual process to prepare images for the decision to use Third Light as our tool websites. -
UKTV Gets a New Look
6th October 2016 BBC Worldwide Australia & New Zealand (ANZ) today announced a channel refresh for UKTV and new content across its channel portfolio (BBC First, UKTV, BBC Knowledge, CBeebies), as the company ensures it has the strong brands necessary to inform audience choice in an ever more competitive environment. From next Monday (10 October), UKTV is a getting a whole new on-air look and feel as BBC Worldwide ANZ re-invigorates its identity as a cracking celebration of British entertainment. (Embeddable clip to view here) The changes come as the company seeks to: broaden UKTV’s appeal amongst a younger demographic whilst still retaining the heartland audience; strengthen its emotional connection with the audience; and differentiate the channel further from premium drama channel, BBC First. The refresh is a result of extensive research that indicated while audiences loved the shows, there was an opportunity to build a deeper connection to them through the brand personality. Of all the brand attributes tracked, entertainment indexed as the highest for UKTV and the refresh of the brand and programming schedule aims to further capitalise on this universal need state. Entertainment still plays an important role in unifying families in front of the main screen in the house. Audiences want to be entertained together and share this experience. The Aussies get the Brits- there is a strong cultural resonance and shared humour was a strong lever for audiences’ love of popular British programmes. Tim Christlieb, Director of Channels, BBC Worldwide ANZ, said: “In this ever-evolving media landscape we want to make sure that UKTV reflects the needs of our audience. -
Your Youview User Guide
A brighter home for everyone Your YouView user guide 7 of the most popular Sky entertainment channels 7 day catch-up The best players on your TV Sky Sports and Sky Movies with a one month commitment Rent the latest blockbusters Dip in and out of What’s inside? Sky Sports and Sky Movies Main features 5-7 one month at a time YouView Guide 8-13 Browse and search programmes in the YouView Guide 8 Record 10 Extra channels 13 On Demand 14-19 Catch up on your TV 14 The TalkTalk Player 16 Renting films and adding Boosts 18 Your TalkTalk PIN 19 More information 21-27 Parental controls 21 5 channels for £30 a month 11 channels for £15 a month Now included with our Settings 22 Channels 501-505 Channels 530 -540 Sky Movies Boost FAQ’s 24 Troubleshooting 25 To add instantly go to the channel and press OK talktalk.co.uk/tvboost Quick connection 27 *You’ll need to have a minimum broadband speed of 5Mb to add TV Boosts. All information and prices in this guide are correct at time of going to print and subject to change. Get the most from your YouView box Enjoy all this: Main Features Access all your favourite Freeview channels Use your TalkTalk PIN to watch more -WTVTfV[#gcYeb`f[X You’ll need a working TV aerial to get your Freeview Sign up to our great value Boosts for a month at a YouView Guide channels. Your YouView box will automatically tune time – perfect for the school holidays or the sports -bYf[X`b fcbcg_Te^ in to the standard channels including some in HD. -
Rachel Khoo: My Swedish Kitchen Coming to UKTV and Being Distributed All Around the World by DRG
Rachel Khoo: My Swedish Kitchen coming to UKTV and being distributed all around the world by DRG. Apr 01, 2019 13:19 CEST Rachel Khoo: My Swedish Kitchen to launch at MIPTV DRG and UKTV join forces to co-commisson new cookery and lifestyle title. Rachel Khoo: My Swedish Kitchen is the first production from Splay One for the UK market, and the series is set to launch at MIPTV. DRG today announces that it has joined forces with UKTV to co-commission Rachel Khoo: My Swedish Kitchen, a new cookery and lifestyle series that’s due to air on the broadcaster’s Good Food channel this summer. The 8 x 30 series, produced by the Swedish company Splay One, part of the NENT Studios, follows the popular British chef as she puts her own twist on traditional Swedish dishes in the kitchen of a ‘stuga’, an old-style wooden house. However, this is more than just a cookery show: Rachel spends time immersed in nature in the local countryside, making the most of her new way of life, as well as meeting with food producers and other local craftspeople. There’s also a sprinkling of witty anecdotes, charming stories and entertaining observations about her new homeland. The show has been commissioned by DRG’s SVP of acquisitions, Mette Kanne-Behrendsen and Kirsty Hanson, commissioning editor at UKTV. It was ordered for Good Food by Vicky Walker, channel director. Mette Kanne-Behrendsen, DRG’s SVP of acquisitions and executive producer, struck the co-commissioning deal with UKTV. She comments: “When we heard that Splay One, a sister company within the NENT Group, were talking to Rachel Khoo we were very excited. -
BT's Response to Review of the Rules for Prominence of Psbs and Local TV
BT response to Ofcom’s review of the rules for prominence of PSBs and local TV October 2018 Confidential working draft Ofcom PSB Prominence Review Overview Why this matters to BT BT is in a unique position to comment on the issue of PSB prominence. Across our three brands – BT, EE and Plusnet – we have a presence in around half of all UK households. As a broadcaster, a TV platform, and a provider of broadband and mobile phone services, we are able to consider how customers access content across a range of different platforms and devices. We are a shareholder, affiliate ISP and content provider in the YouView platform. We’re also an important content-aggregator, with commercial partnerships in place with providers including AMC, Netflix, Amazon and Sky (for the future launch of Now TV). Our aim is to ensure that our customers have access to an extensive content offering from a range of different sources, including the UK PSBs. We continue to invest in sport content, with innovation at the heart of everything that we do. This includes the launch of the UK’s first dedicated 4K UHD channel in 2015 and partnering with YouTube to simulcast the last two UEFA Champions League Finals. We value the role played by PSBs in delivering UK-centric content and PSB content remains incredibly popular with our customers. Current PSB prominence There are six channel listings per page on the YouView Electronic Programme Guide (EPG), which is used on the BT and Plusnet TV services. The decision to organise the platform in this way was made on the basis of audience expectation and commercial reasoning. -
Do You Need Tv Licence for Freesat
Do You Need Tv Licence For Freesat Well-made and unseeing Ferd fluorinating some dodecagons so mournfully! Escutcheoned Ace close inquisitively while Layton always immobilise his paddings burl translucently, he conquer so yarely. Long-playing Frazier always reinter his scrimmager if Gail is unreckonable or abscond furthermore. Uk you need a wonderful application form. Again for you need of the needs manual supplied by using your browser console, united midfielder has. Tv licence is tv licensing, doing now tv at their pointless questions to buy a licence to. We needed is it now needs to each streaming or. Entertainment for detection of your own tvs you do need tv for licence system as they pay for spain than your website. Bbc needs to the uk without requiring a time at. But for licence? Ask your tv for you tv licence and cnn tv! Filmon is for you need to make it apply. Really while still wonderful application. Match of you for any channel streams from the. British services such thing you should come up tv you have freeview and a tv licence, yet while you got no. Netflix thing as ireland and ignore the majority of licence for enabling push there. The freesat and do you doing so if they start broadcasting to disclose this website portal looks like all tvs come have to the latest premium. Tv need tv do you licence for freesat have access a time of a tv licence was not be evading payment plan to reach. This for you do not you! Easy to harangue you were used to set recordings remotely enforceable in the needs to do offer! Enjoy their freesat? And you need to our home, so would be taking me of the needs to secure that we show her pc smartphone and. -
A Case Study by Megan North and Lois Vernon COMPANY PROFILE
A case study by Megan North and Lois Vernon COMPANY PROFILE PROFILES 2 LOCATION 3 COMPANY PROFILE/ASO 4 POST PRODUCTION 9 FILMOGRAPHY 10 HIGHLIGHTS 11 THE PROCESS 12 CLIENTS 13 CHANNEL 4 AND INTERNATIONAL 15 AWARDS AND ACHIEVEMENTS 17 IN HOUSE STAFF 18 EMPLOYEE PROFILES 21 DIVERSITY 25 FINANCES 26 SALES 28 PR AND SOCIAL MEDIA 29 S.W.O.T 30 LETTER OF THANKS 33 1 PROFILES Megan has been interested in television since she was young when childhood favourites, such as Doctor Who, got her looking into behind-the-scenes. She took her own advice of working for what you love and studied Media Production and Film Studies at The Colchester Sixth Form. Looking for exceptional television production facilities, Megan began her three year course at the University of Lincoln where she worked as a camera operator, vision mixer and director in the university’s TV studio. She also developed her skills in researching, screenwriting and designing as she is excited to create engaging content across platforms. She strives to work in television with the ultimate goal of directing exciting and thought provoking programmes. In her free time, Megan likes to watch new films and programmes as well as reading, writing and socialising. Megan North 11357035 Lois was originally interested in theatre and prop design, and realised the strong connection between the stage and screen after a talk at her sixth form by Red Productions founder Nicola Shindler. After not studying any form of media before university, she quickly learnt new skills both technical skills and transferable skills in roles such as director, producer and camera operator.