Hope and Uncertainty in Contemporary African Migration
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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
Yet None with Truer Fervour Sing’: Coronation Song and the (De)Colonization of African Choral Composition
‘YET NONE WITH TRUER FERVOUR SING’: CORONATION SONG AND THE (DE)COLONIZATION OF AFRICAN CHORAL COMPOSITION by CHRISTINE LUCIA Abstract: In 1937, the Se(Sotho) composer, Mohapeloa published ‘Coronation Song’ a short a cappella choral work that celebrates the coronation of King George VI and which is ostensibly rooted in his colonial experience of the British Protectorate of Basutoland. It was reprinted in Morija in 1939 as ‘Coronation March’, by which time it was clear that this song’s political message was at odds with his other songs. Reprinted in 1945, 55, 66, and 80 with minor changes, the song becomes increasingly anachronistic. Mohapeloa suddenly rewrote it in the mid 1970s, 10 years after Lesotho gained independence, by transforming it into a patriotic song, ‘Lesotho Our Heritage’ (‘Lesotho Lefa la Rōna’). This article traces the song’s journey through decades of political change by means of a close hermeneutic reading of its text, musical language and structure, arguing that the music had always identified with two political tendencies, the one European and colonizing, the other American and decolonizing. It was this ambiguity that kept Mohapeloa’s interest and led to his last version of the song, finally published only in 2015. Keywords: Mohapeloa, Coronation Song, colonial, decolonial, Basutoland, Lesotho, choral, analysis, history, harmony, tonality. Introductory remarks Little detailed musical analysis has yet been applied to colonial and postcolonial African composition in order to lay bare the lasting damage inflicted on indigenous musical languages by what Kofi Agawu has called “musical violence of a very high order” that accompanied other forms of colonial violence (Agawu 2016a: 337). -
Roger Davidson Tierney Sutton Regina Carter Junior Mance
168556_HH_April_REV_0 3/24/16 2:02 PM Page 1 The only jazz magazine in NY in print, online and on apps! April 2016 www.hothousejazz.com Saint Peter's Church Page 10 Brooklyn Center Page 17 Junior Mance Regina Carter Tierney Sutton Roger Davidson Dizzy's Club Coca-Cola Page 21 Caffé Vivaldi Page 10 Where To Go & Who To See Since 1982 168556_HH_April_REV_0 3/24/16 2:03 PM Page 2 2 168556_HH_April_REV_0 3/24/16 2:03 PM Page 3 3 168556_HH_April_REV_0 3/24/16 2:03 PM Page 4 4 168556_HH_April_REV_0 3/24/16 2:03 PM Page 5 5 168556_HH_April_REV_0 3/24/16 2:03 PM Page 6 6 168556_HH_April_REV_0 3/24/16 2:03 PM Page 7 7 168556_HH_April_REV_0 3/24/16 2:03 PM Page 8 8 168556_HH_April_REV_0 3/24/16 2:03 PM Page 9 9 168556_HH_April_REV_0 3/24/16 2:03 PM Page 10 WINNING SPINS By George Kanzler WO PIANISTS WHO HAVE PLIED Crusaders hit "Hard Times" with a deep Ttheir trade in the Big Apple for many blues feel, including locked hand triplets years, Junior Mance and Roger Davidson, and soul jazz backing to Fuji's persuasive are the principals of the albums compris- solo. The violinist carries the swing of ing this Winning Spins. Mance is a long- "9:20 Special," with Mance joining in at the time veteran of the jazz scene, and one of climax for scintillating four-bar exchanges the few musicians still with us who per- to take it out. formed with Charlie Parker. Davidson is Live at Caffé Vivaldi, Volume 3, Roger an eclectic player with roots in classical Davidson (Soundbrush), is a collection of and Brazilian music as well as jazz. -
Would Curb Arms Expense by JANE FODERARO Pared
Question Suspec1 t in Somef.. t Point SlayingJ ~s SEE STORY BELOW Sunny, Warmer Sunny and warmer today. THEDAILY FINAL Clear and mild tonight; Sun- Red Bank, Freehold ny, warmer again'tomorrow. Long Branch EDITION (Set, Details, Page 2), Monmouth County's Home Newspaper for 90 Years VOC 91, NO. 242 RED BANK, N. J., FRIDAY, JUNE 6, 1969 28 PAGES 10 CENTS Diiiiiiiiiiniiigiiiiiibiiiiiiiiiiiigiiiiiuiiiiii iiiiiiiiiiiniiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii Harsha Drafts 'Tough' Watchdog Bill Would Curb Arms Expense By JANE FODERARO pared. "The congressman has Introduction of the bill documented accounts of al- Latta, and Col. Jacob B. A spokesman in the How- WASHINGTON, D.C. - it before him now," he said. would climax Rep. Harsha's leged irregularities in Army Cooperhouse, director of pro- ard office said yesterday that Legislation to crack down on "He's checking legal details three-week attack on the De- procurement procedures, cit- curement and production. Gen. Latta hoped to see Rep. military spending will be pro- — really just dotting the i's. fense Department, an attack, ing five specific cases at Ft. (Gen. Latta took command Harsha in person "in order to posed in the House early next "It's a very tough bill," the that has focused mainly on Monmouth. The congressman in 1965. Col. Cooperhouse as- answer each and every week by Eep. William H. spokesman continued. "It's ECOM. In floor statements, claims that, by . eliminating sumed his post nine, months charge." He said that when Harsha (R-Ohio) who has designed to put an end to the he has accused the Army of competition, ECOM wasted ago.) Mr. -
Universal Music Group and Leading African Streaming Service Boomplay Expand License to Cover 47 Countries Across the Continent
UNIVERSAL MUSIC GROUP AND LEADING AFRICAN STREAMING SERVICE BOOMPLAY EXPAND LICENSE TO COVER 47 COUNTRIES ACROSS THE CONTINENT Home > News > Universal Music Group and leading African streaming service Boomplay expand license to cover 47 countries across the continent New licensing agreement will significantly boost the availability of UMG’s African and International repertoire to music fans across Africa New markets include South Africa, Ethiopia, Côte d’Ivoire, Cameroon and Senegal; with UMG catalog now also widely available across French-speaking territories for first time LAGOS and SANTA MONICA, March 17, 2021 – Boomplay, the leading music streaming and download service based in Africa and Universal Music Group (UMG), the world leader in music-based entertainment, today announced a new landmark licensing agreement that will extend licensing of UMG’s global music catalog from 7 to 47 countries across the African continent, as part of an extended relationship that will benefit African musicians and talent and expand the listening experience for Boomplay users across Africa. In 2018, UMG became the first major global music company to license music to the service, which has continued to grow its audience reach and influence across Africa in recent years. Boomplay’s catalog currently stands at more than 50 million tracks and it boasts the largest repertoire of local African content globally, with 50million monthly active users (MAU). The renewal and expansion of this licensing deal with UMG, will enable African music fans across the continent to experience the best in both domestic African and International talent. As one of the first entrants in Africa, Boomplay has been at the forefront of the music streaming market since 2015 and has a deep understanding of the local market. -
Bulletin of University of Minnesota
Bulletin of University of Minnesota BUSINESS OFFICE -oOo- REPORT OF TJ-IE COMPTROLLER FOR THE YEAR ENDED JUNE 30, 1938 -oOo- WILLIAM T. MIDDLEBROOK COMPTROLLER Published by the University of Minnesota Minneapolis, Minnesota 1938 THE BOARD OF REGENTS Term Expires BENJAMIN DuBors, Sauk Centre 1943 GEORGE W. LAwsoN, St. Paul 1939 GEORGE B. LEONARD, Minneapolis 1943 LEWIS E. LoHMANN, St. Paul 1943 WILLIAM J. MAYO, Rochester 1941 FRANK W. MuRPHY, Wheaton 1939 A. E. OLsoN, Duluth - 1939 MARTIN M. OLSON, Clitherall 1943 0. M. PETERSON, Albert Lea 1941 ALBERT PFAENDER, New Ulm 1941 RAY QUINLIVAN, St. Cloud - 1939 FRED B. SNYDER, Mil'meapolis 1941 OFFICERS OF THE BOARD LoTus D. CoFFMAN (Deceased*) - President GuY STANTON FoRD President FRED B. SNYDER - First Vice-President GEORGE w. LAWSON - Second Vice-President WILLIAM T. MIDDLEBROOK - Secretary C. A. HALVERSON (State Treasurer) Treasurer THE BUSINESS OFFICE WILLIAM T. MIDDLEBROOK Comptroller CLAYTON E. GRISWOLD Assistant Comptroller PHILIP P. PHILLIPS - Chief Accountant \VILLIAM F. HoLMAN - Supervising Engineer RoY S. CALLAwAY Purchasing Agent JosEPH C. PoucHER Director of Service Enterprises CoNRAD SEITZ - Bursar LAURENCE R. l;UNDEN - Investment Counsel THOMAS L. O'HEARN - Real Estate Manager EDWIN C. JACKSON Field Auditor DoROTHY G. JoHNSON Director of Employment Bureau * September 22, 1938. 3 LETTER OF TRANSMITTAL PRESIDENT GuY STANTON FoRo, University of Minnesota. Dear Mr. Ford: I have the honor to submit herewith the annual report of the Comptroller of the University of Minnesota for the year ended June 30, 1938. The balance sheet, the summary, and detailed statement of receipts and expenditures have been grouped under the five headings, "General University Fund," "Federal Funds," "Special State Appropriations," "Service Enterprises and Revolving Funds," and "Trust Funds." GENERAL UNIVERSITY FUND On June 30, 1937, the cash balance in the General University Fund for operating purposes was $498,599.45 and for plant extension $200,698.21, making a total of $699,297.66. -
Repertorium Der Steierischen Mã¼nzkunde
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com Über dieses Buch Dies ist ein digitales Exemplar eines Buches, das seit Generationen in den Regalen der Bibliotheken aufbewahrt wurde, bevor es von Google im Rahmen eines Projekts, mit dem die Bücher dieser Welt online verfügbar gemacht werden sollen, sorgfältig gescannt wurde. Das Buch hat das Urheberrecht überdauert und kann nun öffentlich zugänglich gemacht werden. Ein öffentlich zugängliches Buch ist ein Buch, das niemals Urheberrechten unterlag oder bei dem die Schutzfrist des Urheberrechts abgelaufen ist. Ob ein Buch öffentlich zugänglich ist, kann von Land zu Land unterschiedlich sein. Öffentlich zugängliche Bücher sind unser Tor zur Vergangenheit und stellen ein geschichtliches, kulturelles und wissenschaftliches Vermögen dar, das häufig nur schwierig zu entdecken ist. Gebrauchsspuren, Anmerkungen und andere Randbemerkungen, die im Originalband enthalten sind, finden sich auch in dieser Datei – eine Erin- nerung an die lange Reise, die das Buch vom Verleger zu einer Bibliothek und weiter zu Ihnen hinter sich gebracht hat. Nutzungsrichtlinien Google ist stolz, mit Bibliotheken in partnerschaftlicher Zusammenarbeit öffentlich zugängliches Material zu digitalisieren und einer breiten Masse zugänglich zu machen. Öffentlich zugängliche Bücher gehören der Öffentlichkeit, und wir sind nur ihre Hüter. Nichtsdestotrotz ist diese Arbeit kostspielig. Um diese Ressource weiterhin zur Verfügung stellen zu können, haben wir Schritte unternommen, um den Missbrauch durch kommerzielle Parteien zu verhindern. Dazu gehören technische Einschränkungen für automatisierte Abfragen. Wir bitten Sie um Einhaltung folgender Richtlinien: + Nutzung der Dateien zu nichtkommerziellen Zwecken Wir haben Google Buchsuche für Endanwender konzipiert und möchten, dass Sie diese Dateien nur für persönliche, nichtkommerzielle Zwecke verwenden. -
Redalyc.People and Sounds": Filming African Music Between Visual
Trans. Revista Transcultural de Música E-ISSN: 1697-0101 [email protected] Sociedad de Etnomusicología España D´Amico, Leonardo People and sounds": filming African music between visual anthropology and television documentary Trans. Revista Transcultural de Música, núm. 11, julio, 2007, p. 0 Sociedad de Etnomusicología Barcelona, España Available in: http://www.redalyc.org/articulo.oa?id=82201106 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative People and sounds”: Filming African music between visual anthropology and televi... Página 1 de 10 Revista Transcultural de Música Transcultural Music Review #11 (2007) ISSN:1697-0101 People and sounds”: Filming African music between visual anthropology and television documentary Leonardo D'Amico Università di Ferrara Università di Siena Abstract Watching music, and not only listening to or writing about it, is a priority to deepen in the knowledge of traditional music both in Europe and elsewhere. Since visual anthropology was born, there have been different ways to convey this idea. Through a review of the documentary films produced from the fifties until the present time, the paper shows the historical changes on the film industry priorities with regard to world music portrayals. The dialectal tension between fictional and ethnographic approaches has been a constant. This paper supports the premise that auteur films can reach ethnomusicological level, although not being scientific, and have an added poetical value of great help in this field. -
Study Guide Acoustic Africa Wednesday, October 18, 2006, at 11:00 A.M
06/07 Study Guide Acoustic Africa Wednesday, October 18, 2006, at 11:00 a.m. Zellerbach Hall SchoolTime About Cal Performances and SchoolTime The mission of Cal Performances is to inspire, nurture and sustain a lifelong appreciation for the performing arts. Cal Performances, the performing arts presenter of the University of California, Berkeley, fulfi lls this mission by presenting, producing and commissioning outstanding artists, both renowned and emerging, to serve the University and the broader public through performances and education and community programs. In 2005/06 Cal Performances celebrates 100 years on the UC Berkeley Campus. Our SchoolTime program cultivates an early appreciation for and understanding of the performing arts amongst our youngest audiences, with hour-long, daytime performances by the same world-class artists who perform as part of the main season. Teachers have come to rely on SchoolTime as an integral and important part of the academic year. Sponsors of Cal Performances Education and Community Programs Cal Performances’ Education and Community Programs are supported by Berkeley Community Fund, California Arts Council, California Savings Bank, Citigroup Foundation, City of Berkeley Civic Arts Program, East Bay Community Foundation, Robert J. and Helen H. Glaser Family Foundation, Walter & Elise Haas Fund, McKesson Foundation, National Endowment for the Arts, The San Francisco Foundation, The Wallace Foundation, Western States Arts Federation, The Zellerbach Family Foundation. II | SchoolTime Gamelan Sekar Jaya, Kali Yuga Welcome October 1, 2006 Dear Educator and Students, Welcome to SchoolTime! On Wednesday, October 18, 2006, at 11:00 a.m., you will attend the SchoolTime performance Acoustic Africa at Zellerbach Hall on the UC Berkeley campus. -
ATLAS of CLASSICAL HISTORY
ATLAS of CLASSICAL HISTORY EDITED BY RICHARD J.A.TALBERT London and New York First published 1985 by Croom Helm Ltd Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2003. © 1985 Richard J.A.Talbert and contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Atlas of classical history. 1. History, Ancient—Maps I. Talbert, Richard J.A. 911.3 G3201.S2 ISBN 0-203-40535-8 Master e-book ISBN ISBN 0-203-71359-1 (Adobe eReader Format) ISBN 0-415-03463-9 (pbk) Library of Congress Cataloguing in Publication Data Also available CONTENTS Preface v Northern Greece, Macedonia and Thrace 32 Contributors vi The Eastern Aegean and the Asia Minor Equivalent Measurements vi Hinterland 33 Attica 34–5, 181 Maps: map and text page reference placed first, Classical Athens 35–6, 181 further reading reference second Roman Athens 35–6, 181 Halicarnassus 36, 181 The Mediterranean World: Physical 1 Miletus 37, 181 The Aegean in the Bronze Age 2–5, 179 Priene 37, 181 Troy 3, 179 Greek Sicily 38–9, 181 Knossos 3, 179 Syracuse 39, 181 Minoan Crete 4–5, 179 Akragas 40, 181 Mycenae 5, 179 Cyrene 40, 182 Mycenaean Greece 4–6, 179 Olympia 41, 182 Mainland Greece in the Homeric Poems 7–8, Greek Dialects c. -
Dynamics of Identity in the World of the Early Christians
Dynamics of Identity in the World of the Early Christians Associations, Judeans, and Cultural Minorities Philip A. Harland 2009 Th e Continuum International Publishing Group Inc 80 Maiden Lane, New York, NY 10038 Th e Continuum International Publishing Group Ltd Th e Tower Building, 11 York Road, London SE1 7NX www.continuumbooks.com Copyright © 2009 by Philip A. Harland All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitt ed, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the writt en permission of the publishers. Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Printed in the United States of America ISBN-13: 9780567613288 For Cheryl, Nathaniel, and Justin Contents Illustrations ix Preface xi Map: Italy and the Eastern Roman Empire xiv Introduction 1 Part 1: Judean and Christian Identities in the Context of Associations 23 1. Associations and Group Identity among Judeans and Christians 25 2. Local Cultural Life and Christian Identity: “Christ-Bearers” and “Fellow-Initiates” 47 Part 2: Familial Dimensions of Group Identity 61 3. “Brothers” in Associations and Congregations 63 4. “Mothers” and “Fathers” in Associations and Synagogues 82 Part 3: Identity and Acculturation among Judeans and Other Ethnic Associations 97 5. Other Diasporas: Immigrants, Ethnic Identities, and Acculturation 99 6. Interaction and Integration: Judean Families and Guilds at Hierapolis 123 Part 4: Group Interactions and Rivalries 143 7. Group Rivalries and Multiple Identities: Associations at Sardis and Smyrna 145 8. -
Map 61 Ephesus Compiled by C
Map 61 Ephesus Compiled by C. Foss and G. Reger (islands), 1994 Introduction The continental part of the map comprises three distinct geographic regions: the coasts of Ionia and Caria, the Maeander valley, and the mountainous hinterland of Caria. The coastal region, settled by Greeks in their first great expansion in the Iron Age, became the site of major cities and many smaller settlements along its deeply indented coastline. The excavators of Ephesus and Miletus have long surveyed the regions of those cities, and other classical scholars have investigated the rest of Ionia. The Ionian coast has seen great physical changes since antiquity. The vast quantities of alluvium deposited by the R. Maeander have made the ancient port of Ephesus an inland town, and turned the former Gulf of Latmos near Miletus into a lake (inset and E2). The Carian coast, with its numerous small ports, is well known thanks to the researches of Bean and Fraser. The broad Maeander valley, which divides Ionia from Caria, always played a major role in the economy of the region with its fertility and the communication it provided between coast and interior. It has not been systematically surveyed. The river’s tributaries offered an outlet for the scattered settlements in the basins and plateaus of the heavily forested interior of Caria. Much of this region, as well as many parts of neighboring ones, was carefully explored by Louis Robert. The map omits Carian sites for which no Greek name is attested; for these, see Radt (1970). For unnamed village sites also not marked, see Marchese (1989, 147-54).