Inherent Vice
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Race and Membership in American History: the Eugenics Movement
Race and Membership in American History: The Eugenics Movement Facing History and Ourselves National Foundation, Inc. Brookline, Massachusetts Eugenicstextfinal.qxp 11/6/2006 10:05 AM Page 2 For permission to reproduce the following photographs, posters, and charts in this book, grateful acknowledgement is made to the following: Cover: “Mixed Types of Uncivilized Peoples” from Truman State University. (Image #1028 from Cold Spring Harbor Eugenics Archive, http://www.eugenics archive.org/eugenics/). Fitter Family Contest winners, Kansas State Fair, from American Philosophical Society (image #94 at http://www.amphilsoc.org/ library/guides/eugenics.htm). Ellis Island image from the Library of Congress. Petrus Camper’s illustration of “facial angles” from The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. Inside: p. 45: The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. 51: “Observations on the Size of the Brain in Various Races and Families of Man” by Samuel Morton. Proceedings of the Academy of Natural Sciences, vol. 4, 1849. 74: The American Philosophical Society. 77: Heredity in Relation to Eugenics, Charles Davenport. New York: Henry Holt &Co., 1911. 99: Special Collections and Preservation Division, Chicago Public Library. 116: The Missouri Historical Society. 119: The Daughters of Edward Darley Boit, 1882; John Singer Sargent, American (1856-1925). Oil on canvas; 87 3/8 x 87 5/8 in. (221.9 x 222.6 cm.). Gift of Mary Louisa Boit, Julia Overing Boit, Jane Hubbard Boit, and Florence D. Boit in memory of their father, Edward Darley Boit, 19.124. -
Two-Gun Bill: the Story of William S. Hart, 1987
TWO-GUN BILL The Story of Williatn S. Hart by KATHERINE H. CHILD illiam S. Hart not only got "While playing in Cle. veland [in 1913], I attended that chance to make West a picture show. I saw a Western picture. W ern motion pictures, he It was awful! I talked with the manager of made the best of it. In spite of their early popularity, Western films were, as Hart the theater and he told me it was one of the best had seen, exercises in mediocrity. When Hart came to California in 1914, he Westerns he had ever had. Npne of the impossibilities brought with him a fresh approach to or libels on the West meant anything to him-it was Western film making. He added authen tic costumes and locales to a heretofore drawing the crowds .... I was so sure that I had made popular, highly idealized image of the West to create a truly original style for a big discovery that I was frightened that some one his films. Much as the work of Frederic would read my mind and find it out. Remington and Charles Russell has come to be emblematic of the West in the Here were reproductions of the Old West being art world, so does the work of William seriously presented to the public-in almost a bur S. Hart symbolize the West on film. Though he was not the first Western lesque manner-and they were successful. It made me actor/ film maker nor the last, he was surely one of the most important, tremble to think of it. -
Misdemeanor Warrant List
SO ST. LOUIS COUNTY SHERIFF'S OFFICE Page 1 of 238 ACTIVE WARRANT LIST Misdemeanor Warrants - Current as of: 09/26/2021 9:45:03 PM Name: Abasham, Shueyb Jabal Age: 24 City: Saint Paul State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/05/2020 415 Bench Warrant-fail to appear at a hearing TRAFFIC-9000 Misdemeanor Name: Abbett, Ashley Marie Age: 33 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 03/09/2020 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Abbott, Alan Craig Age: 57 City: Edina State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 09/16/2019 500 Bench Warrant-fail to appear at a hearing Disorderly Conduct Misdemeanor Name: Abney, Johnese Age: 65 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/18/2016 100 Bench Warrant-fail to appear at a hearing Shoplifting Misdemeanor Name: Abrahamson, Ty Joseph Age: 48 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/24/2019 100 Bench Warrant-fail to appear at a hearing Trespass of Real Property Misdemeanor Name: Aden, Ahmed Omar Age: 35 City: State: Issued Date Bail Amount Warrant Type Charge Offense Level 06/02/2016 485 Bench Warrant-fail to appear at a hearing TRAFF/ACC (EXC DUI) Misdemeanor Name: Adkins, Kyle Gabriel Age: 53 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 02/28/2013 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Aguilar, Raul, JR Age: 32 City: Couderay State: WI Issued Date Bail Amount Warrant Type Charge Offense Level 02/17/2016 Bench Warrant-fail to appear at a hearing Driving Under the Influence Misdemeanor Name: Ainsworth, Kyle Robert Age: 27 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 11/22/2019 100 Bench Warrant-fail to appear at a hearing Theft Misdemeanor ST. -
Nurses and Midwives in Nazi Germany
Downloaded by [New York University] at 03:18 04 October 2016 Nurses and Midwives in Nazi Germany This book is about the ethics of nursing and midwifery, and how these were abrogated during the Nazi era. Nurses and midwives actively killed their patients, many of whom were disabled children and infants and patients with mental (and other) illnesses or intellectual disabilities. The book gives the facts as well as theoretical perspectives as a lens through which these crimes can be viewed. It also provides a way to teach this history to nursing and midwifery students, and, for the first time, explains the role of one of the world’s most historically prominent midwifery leaders in the Nazi crimes. Downloaded by [New York University] at 03:18 04 October 2016 Susan Benedict is Professor of Nursing, Director of Global Health, and Co- Director of the Campus-Wide Ethics Program at the University of Texas Health Science Center School of Nursing in Houston. Linda Shields is Professor of Nursing—Tropical Health at James Cook Uni- versity, Townsville, Queensland, and Honorary Professor, School of Medi- cine, The University of Queensland. Routledge Studies in Modern European History 1 Facing Fascism 9 The Russian Revolution of 1905 The Conservative Party and the Centenary Perspectives European dictators 1935–1940 Edited by Anthony Heywood and Nick Crowson Jonathan D. Smele 2 French Foreign and Defence 10 Weimar Cities Policy, 1918–1940 The Challenge of Urban The Decline and Fall of a Great Modernity in Germany Power John Bingham Edited by Robert Boyce 11 The Nazi Party and the German 3 Britain and the Problem of Foreign Office International Disarmament Hans-Adolf Jacobsen and Arthur 1919–1934 L. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
2. We and They
2. We and They Democracy is becoming rather than being. It can easily be lost, but never is fully won. Its essence is eternal struggle. WILLIAM H. HASTIE OVERVIEW Chapter 1 focused on factors that shape an individual’s identity. It also described how those factors are sometimes used to exclude people from membership in various groups. Chapter 2 considers the ways a nation’s identity is defined. That definition has enormous significance. It indicates who holds power in the nation. And it determines who is a part of its “universe of obligation” – the name Helen Fein has given to the circle of individuals and groups “toward whom obligations are owed, to whom rules apply, and whose injuries call for [amends].”1 For much of world history, birth determined who was a part of a group’s “universe of obligation” and who was not. As Jacob Bronowski once explained, “The distinction [between self and other] emerges in prehistory in hunting cultures, where competition for limited numbers of food sources requires a clear demarcation between your group and the other group, and this is transferred to agricultural communities in the development of history. Historically this distinction becomes a comparative category in which one judges how like us, or unlike us, is the other, thus enabling people symbolically to organize and divide up their worlds and structure reality.”2 This chapter explores the power of those classifications and labels. As legal scholar Martha Minow has pointed out, “When we identify one thing as like the others, we are not merely classifying the world; we are investing particular classifications with consequences and positioning ourselves in relation to those meanings. -
2016 Annual Foal Registration Reports
State of Illinois Bruce Rauner, Governor Raymond Poe, Director Department of Agriculture STATE OF ILLINOIS BREEDERS FUND PROGRAMS 2016 ANNUAL FOAL REGISTRATION REPORTS TABLE OF CONTENTS PAGE QUARTER HORSE BREEDERS FUND ILLINOIS CONCEIVED AND FOALED: ……………………………………….. 1 Nominated Foals Recapitulation: ……………………………………….. 4 Alphabetical Listing By: Dam …….…………………………. 5 Owner …….……………………… 6 Stallion ………..………………….. 7 STANDARDBRED BREEDERS FUND ILLINOIS CONCEIVED AND FOALED: ……….……………………………… 8 Nominated Foals Recapitulation: ….………….…….………………….. 12 Alphabetical Listing By: Dam …….…………………………. 13 Owner …….……………………… 23 Stallion ………..………………….. 27 THOROUGHBRED BREEDERS FUND ILLINOIS CONCEIVED AND FOALED: ……….……………………………… 29 Nominated Foals Recapitulation: ….………….…….………………….. 33 Alphabetical Listing By: Dam …….…………………………. 34 Owner …….……………………… 40 Stallion ……..…………………….. 43 ILLINOIS FOALED: ……….……………………………… 45 Nominated Foals Recapitulation: ….………….…….………………….. 45 Alphabetical Listing By: Dam …….…………………………. 46 Owner …….……………………… 51 Stallion ……..…………………….. 54 FOAL REGISTRATION SUMMARIZATION: ……………………………………... 56 ILLINOIS DEPARTMENT OF AGRICULTURE ILLINOIS THOROUGHBRED BREEDERS FUND 2016 Foal Registrations of Illinois Conceived and Foaled Thoroughbreds and Illinois Foaled Thoroughbreds ILLINOIS DEPARTMENT OF AGRICULTURE Illinois Quarter Horse Breeders Fund Program Registrations Mares Bred Number of Foaling Number of Foals Registered in: Mares Bred Year Registered Stallions 2002 325 2003 121 87 2003 257 2004 113 76 2004 232 2005 97 74 2005 229 2006 56 52 2006 117 2007 41 38 2007 68 2008 24 38 2008 53 2009 27 39 2009 36 2010 23 39 2010 46 2011 16 33 2011 33 2012 18 33 2012 49 2013 18 30 2013 55 2014 10 24 2014 24 2015 2 19 2015 7 2016 3 9 ILLINOIS DEPARTMENT OF AGRICULTURE HORSE RACING PROGRAMS 2015 ILLINOIS QUARTER HORSE BREEDERS FUND PURSES PAID Non Wagering Races Wagering Races Supplement To Purses PARI-MUTUEL RACETRACKS 0 0 $ 0 NON PARI-MUTUEL EVENTS County Fairs Perry Co. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. However, the thesis incorporates, to the extent indicated below, material already submitted as part of required coursework and/ or for the degree of: Masters in English Literary Studies, which was awarded by Durham University. Sign ature: Incorporated material: Some elements of chapter three, in particular relating to the discussion of teeth and dentistry, formed part of an essay submitted for my MA at Durham CniYersiry. This material has, however, been significantly reworked and re,,ised srnce then. Dismantling the face in Thomas Pynchon’s Fiction Zachary James Rowlinson Submitted for the award of Doctor of Philosophy University of Sussex November 2015 i Summary Thomas Pynchon has often been hailed, by those at wont to make such statements, as the most significant American author of the past half-century. -
Modernist Vintages: the Significance of Wine in Wilde, Richardson, Joyce
Modernist Vintages: The Significance of Wine in Wilde, Richardson, Joyce and Waugh by Laura Waugh A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved March 2013 by the Graduate Supervisory Committee: Mark Lussier, Chair Daniel Bivona Patrick Bixby ARIZONA STATE UNIVERSITY May 2013 ABSTRACT “Modernist Vintages” considers the significance of wine in a selection of modernist texts that includes Oscar Wilde’s Salomé (1891), Dorothy Richardson’s Honeycomb (1917), James Joyce’s Ulysses (1922), and Evelyn Waugh’s Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945). The representations of wine in these fictions respond to the creative and destructive depictions of Wine that have imbued the narratives of myth, religion, and philosophy for thousands of years; simultaneously, these WorKs recreate and reflect on numerous Wine-related events and movements that shaped European discourse in the nineteenth and tWentieth centuries. The modernists use Wine’s conventional associations to diverse and innovative ends: as the playWright August Strindberg Writes, “NeW forms have not been found for the neW content, so that the neW Wine has burst the old bottles.” Wine in these works alternately, and often concurrently, evoKes themes that Were important to the modernists, including notions of indulgence and Waste, pleasure and addiction, experimentation and ritual, tradition and nostalgia, regional distinction and global expansion, wanton intoxication and artistic clarity. -
A Cat-Tales Companion
A Cat-Tales Companion The Companion is a diverse, and not especially well-organized collection of snippets, rantings, and extras connected to the Cat Tales series: The recipes for d’Annunzio’s Shrimp Arrabiatta, the real life models for Nirvana the ocelot, how ‘Pheromones’ got his name, and what really happened at Clark Kent’s bachelor party. These items are divided roughly into the following categories: Catverse: Cat-Tales continuity, shown in purple DCU: DC continuity, shown in blue Reality: From the real world, or the real world’s history, pop culture, or literature A Girls’ Gotta Protect Her Reputation Catverse Cat Tails or Cat Tales Cats have tails, and tales are stories, so when Selina mounted her one-woman show, she thought Cat Tales was a cute play on words. Thus began her first flirtation with the legitimate world, where it turned out, the mass of people aren’t nearly as quick- witted as Batman. Fearing that the unwashed masses would not get the pun, the geniuses in the marketing office had the first run of programs made up as Cat Tales (no hyphen), while the ticket stock was printed Cat-Tales, the press release read Cat Tails, and the souvenir sweatshirts had Cattails. The 9-to-5ers responsible for this tangle all brought their issues to Selina, who didn’t care one way or the other. By this time the posters and window cards had arrived, reading Cat-Tails. When the mass of publicists, marketing directors, box office staffers, & business managers presented themselves at her dressing room door, Selina informed them that the tip of a cracked bullwhip accelerates to 1100 feet per second. -
16 BRIAN JARVIS Thomas Pynchon Thomas Pynchon Is Perhaps Best
16 BRIAN JARVIS Thomas Pynchon Thomas Pynchon is perhaps best known for knowing a lot and not being known. His novels and the characters within them are typically engaged in the manic collection of information. Pynchon’s fiction is crammed with erudition on a vast range of subjects that includes history, science, technology, religion, the arts, and popular culture. Larry McMurtry recalls a legend that circulated in the sixties that Pynchon “read only the Encyclopaedia Britannica.”1 While Pynchon is renowned for the breadth and depth of his knowledge, he has performed a “calculated withdrawal” from the public sphere.2 He has never been interviewed. He has been photographed on only a handful of occasions (most recently in 1957). Inevitably, this reclusion has enhanced his cult status and prompted wild speculation (including the idea that Pynchon was actually J. D. Salinger). Reliable information about Pynchon practically disappears around the time his first novel was published in 1963. While Pynchon the author is a conspicuous absence in the literary marketplace, his fiction is a commanding presence. His first major work, V. (1963), has a contrapuntal structure in which two storylines gradually converge. The first line, set in New York in the 1950s, follows Benny Profane and a group of his bohemian acquaintances self-designated the “Whole Sick Crew.” The second line jumps between moments of historical crisis, from the Fashoda incident in 1898 to the Second World War and centers on Herbert Stencil’s quest for a mysterious figure known as “V.” Pynchon's second novel, The Crying of Lot 49 (1966), is arguably his most accessible work and has certainly been the most conspicuous on university syllabuses. -
Inherent Vice, Aproductivity, and Narrative
Overwhelmed and Underworked: Inherent Vice, Aproductivity, and Narrative Miles Taylor A Thesis in The Department of Film Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada May 2020 © Miles Taylor 2020 Signature Page This is to certify that the thesis prepared By: Miles Taylor Entitled: Overwhelmed and Underworked: Inherent Vice, Aproductivity, and Narrative And submitted in Partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) Complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Examiner Luca Caminati Examiner Mary Esteve Supervisor Martin Lefebvre Approved by Marc Steinberg 2020 Rebecca Duclos Taylor iii Abstract Overwhelmed and Underworked: Inherent Vice, Aproductivity, and Narrative Miles Taylor This thesis proposes an artistic mode called aproductivity, which arises with the secular crisis of capitalism in the early 1970’s. It reads aproductivity as the aesthetic reification of Theodor Adorno’s negative dialectics, a peculiar form of philosophy that refuses to move forward, instead producing dialectics without synthesis. The first chapter examines the economic history aproductivity grows out of, as well as its relation to Francis Fukuyama’s concept of “The End of History.” After doing so, the chapter explores negative dialectics and aproductivity in relation to Adam Phillips’ concept of the transformational object. In the second chapter, the thesis looks at the Thomas Pynchon novel Inherent Vice (2009), as well as the 2014 Paul Thomas Anderson adaptation of the same name.