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An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down. -
1940-11-01 Pm
THE PLYMOUTH M AIL Vol. 53. No. 8 Plymouth, Michigan Friday, November 1, 1940 $1.50 P er Year in Advance America Elects It s National Leaders Petition Seeks BoardAnnouncesMen First Change in Registrations Indicate Drawn in First Draft Zoning Ordinance Record Vote Nov. 5 Planning Commission Bedford Man Sets Public Hearing Of Select Members for Monday, Nov. 4 Republicans to Total 2,397 A petition requesting the first Holds First change in the city zoning ord Voters Register lOf Election Board inance since it was effected Nov em ber 28. 1939, was presented to Banquet Tonight Number Drawn A list of 31 election officials ‘he city planning commission in Plymouth for the general election Tuesday Monday night bv Allen Tillotson. 36 Men in This was announced bv City Manager The petition requests changing City Officials Advise Clarence H. Elliott this week. ’he southeast quarter of the District Among southeast quarter of section 2G. Study of Proposals Mrs. Maud Bennett .will pre nne-quarter mile souare located F irst 200 Drawn side as chairman for precinct No. ’n the extreme southeast comer Before Going to Polls 1; Lester Daly and Robert Zim nf the city bounded bv Ann Ar There were 36 men whose merman, inspectors; Mrs. Anna bor road and South Mill street, A total of 2397 voters now numbers were drawn among Richards, Mrs. Elizabeth Wills, from class A and B residential registered in Plymouth and Miss Winifred Jolliffe, Miss Ma '^nd local business areas to an th e first 2 0 0 from local board bel Spicer, clerks, and Charles eligible to vote in the general No. -
Behind the Numbers 2019–2020 ANNUAL REPORT
ANNUAL REPORT / THE WESTTOWN FUND Behind the Numbers 2019–2020 ANNUAL REPORT * Deceased | ● Granolithic Society Charter Member (2-4 years) | ■ Granolithic Society Milestone Member (5-19 years) | ◆ Granolithic Society Lifetime Member (20 years +) 1 ANNUAL REPORT / THE WESTTOWN FUND 2 WESTTOWN SCHOOL 2019–2020 ANNUAL REPORT Behind the Numbers 2019–2020 ANNUAL REPORT TABLE OF CONTENTS 02 DEAR FRIENDS Letter from Head of School Tori Jueds 03 GIVING BY THE NUMBERS 06 DONOR LISTS Please note: some of the photographs used in these pages were taken pre-pandemic. 01 ANNUAL REPORT Giving Dear Friends, by the THE 2019–20 SCHOOL YEAR began as usual at Westtown, with a joyful return to Numbers campus, the start of classes, athletic competitions, theater performances, student trips, and interactive projects. Then the pandemic launched our school into Gifts at a Glance uncharted territory. Since March, our school community has adapted to unprece- dented circumstances in many ways. As you read in the Summer/Fall 2020 issue of The Westonian, Westonians of all ages have risen beautifully to the challenges of this extraordinary time. Teachers, adminis- trators, staff, and students have all done their part. In addition, this report honors the 10.4% of total raised ($150,121) tremendous generosity of Westtown alums, parents, parents of alums, grandparents, were gifts up to $499 and other friends, who stepped forward — in some cases repeatedly — to ensure that our school could provide an education worthy of our mission at this difficult time. The pages that follow describe and honor the support given to Westtown in 2019–20, and the significant financial commitment of our generous donors. -
National Arena
I-. Broadway: A Critic Looks Back Lavery Drama, Hartman Revue Atkinson’s Scrapbook Recalls Dozen Years Coming Up By tht Associated Press of An Amusing Analytic Mind Emmett Lavery is the author of a new play premiering on Broad- By Jay Carmody way Tuesday evening at the Mans- One of the challenges flung to drama critics by persons who would field Theater. A revue, starring the Hartmans, much prefer flinging the critics over cliffs is: Why don’t you write fashionable comedy ballroom danc- something better? ing team, is the week's other hope- Some day in reply to this query, a modest, reticent little man in ful arrival. the drama reviewing trade will reach into his inner coat pocket and “The"Gentleman From Athens" is pull out a long list of titles which prove this already has been done. the name of Lavery’s drama, the He will start, perhaps, with Shaw’s “Critical Opinions and Essays,” action of which takes place in where the two volumes which have retained their popularity for half a century Washington, gentleman of the title is a member of Con- and which deal, in large part, with plays which otherwise would have gress. Sam Wanamaker is the di- been dead an interval. equal rector, Ralph Alswang is the de- There Are Dozens Such Books. signer, Martin Gosch is producing, He will go on from there to half a dozen titles by Max Beerbohm, in association with Eunice Healey. The cast includes a dozen and one half by George Jean Nathan, a handful by John Anthony Quinn, Edith Atwater, Alan Hewlitt, Feodor Mason Brown, Burns Mantle and a number of others. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism
Notes 1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism 1. This speech has often been erroneously quoted (not least by Adam Curtis in his 2002 documentary The Century of the Self ) as ‘You have taken over the job of creating desire and transformed people into constantly moving happi- ness machines’ – a tremendously resonant phrase, but not one which actually appears in the text of Hoover’s speech. Spencer Howard of the Herbert Hoover Presidential Library attributes the corrupted version to a mis-transcription several decades later. 2. The title of his 1947 essay. His key writings in the 1920s were Crystallizing Public Opinion (1923) and Propaganda (1928). 3. Of course, not all responded sympathetically to the film’s vicious racist message. The NAACP mounted a particularly effective campaign against the film, which was banned in several states and sparked mass protests in others. For the full story see Melvyn Stoke, D.W. Griffith’s ‘The Birth a Nation’, Oxford: Oxford University Press, 2008. 4. CPI titles made in 1917/18 include America’s Answer, Under Four Flags and Pershing’s Crusaders – distributors who wanted the new Fairbanks or Pickford picture would be forced to take a CPI release as well. 2 A Convention of Crazy Bugs: Mack Sennett and the US’s Immigrant Unconscious 1. The temptation, here, is to regard Sennett’s name and the Keystone brand as being broadly synonymous, but one should remember that Sennett started off, first, as an actor and then, as a director at Biograph in 1909; the Key- stone Company was set up by Adam Kessel and Charles Baumann in 1912 (Sennett was never the owner). -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
To Download a Copy of This Newsletter
S TRATFORD H ISTORICAL S OCIETY U PDATE he T CUPHEAG CORNER Capt. David Judson House c. 1750 VOLUME II, ISSUE 2 NOVEMBER 2019 Catharine B. Mitchell Museum M A R K T H E DATES: NOVEMBER’S GENERAL MEMBERSHIP MEETING Sunday, November 24th, 2:00 pm, Stratford Library Lovell Room, 2203 Main Street November’s Gen- eral Membership tratford Historical Society there’s enough to go around if we’ll Meeting: Sunday, S Presents: only learn to take care of it.” November 24th at Christopher Wigren as he discuss- Brown added: “Go out and keep 2:00 pm at the es Connecticut’s architectural your eyes open. Enjoy every bit of it, Stratford Library gems. whether it’s on somebody’s list or not. Governing Board Christopher Wigren doesn’t want And above all, guard it.” Meeting, Thursday, people to merely read his new Wigren dedicated his book to January 9th, 6pm, book, Connecticut Architecture: Brown, noting she had intended to Stratford Town Stories of 100 Places. He hopes write it. But after their decades of Hall, Room 213 we will go out and see for ourselves research together, she died in 2008. the state’s rich variety of sites and “I kind of inherited it,” Wigren says January’s General during our talk in his office at the Membership Meet- even discover some we never knew ing: Sunday, Janu- existed. Perhaps even some that Connecticut Trust for Historic Preser- ary 26th at 2:00 didn’t make it into the book. vation in Hamden. Wigren, an archi- pm at the Strat- While Wigren was working on this Christopher Wigren tectural historian, is the Trust’s depu- ford Library 304-page compilation, a project of ty director. -
Learnaboutmovieposters.Com September 2016
LearnAboutMoviePosters.com September 2016 Ed-i-torial Part 2: The Neverending Story I got a call last week from one of our sponsors. The first words out of his mouth (before hello) was, “when is that damned book coming out?” Yes, it was due out in September… but NO, we’re pushing for mid to end of October. You remember the Ed-i-torial on this last month (if you don’t – go to the LAMP archive and read…. it’s important!!) We covered the various ways artists were used; the initial studio art departments; the ad-agency process for creating posters; design vs. finished posters; studios removing signatures; logo and title art; and comps and unused art. Right after that, I announced that to help show problem areas, we were creating a Title Index!! What a GREAT idea! Well – I compiled and re-sorted the current two thousand nine hundred and forty one titles in the book. And after glancing over it, my first thought was “WHAT THE HELL WAS I THINKING!!” This has to be the stupidest idea EVER just before going to press! I thought I would find a few duplicates and be able to quickly resolve them. THERE WERE DOZENS AND DOZENS OF THEM!! We now are over 100 artists or their families that we are in direct contact with. So, I started going through them and emailing various artists to figure out whose was whose and sorting out the two thousand four hundred and thirty poster images to go with the titles. Now we’re getting, “oh, yes, I forgot to give you this one,” and every other change you can think of. -
10243.Prologue.Pdf
Prologue September 1941 In hollywood it was a difficult time. Though film attendance was at an all-time high—that year eighty-five million tickets were sold each week—the major studios were under attack. The war in Europe and Asia had led to a decline in foreign markets, the House Un-American Activities Com- mittee was investigating the alleged involvement of several prominent actors with communism, and a Senate commission accused Hollywood of war- mongering by making films that promoted U.S. intervention in the overseas conflict. Moreover, the Federal Communications Commission had allowed regular commercial television broadcasting to begin on July 1, 1941, panick- ing those in Hollywood who saw the new medium as potentially formidable competition.1 Louella, too, had struggled that year. In the spring, Orson Welles’s Citizen Kane, a scathing attack on her employer, William Randolph Hearst, had been released in theaters across the nation. Americans watched Welles’s onscreen portrayal of a manipulative, megalomaniacal Hearst, and they read in na- tional publications about Louella’s conniving attempts to suppress the film. The New York Times and Newsweek described Louella as a vicious opponent of free speech who used her power to carry out her employer’s tyrannical wishes. Shortly afterward, the Screen Actors’ Guild launched an attack on her, publicly condemning her refusal to pay actors who appeared on her radio show and calling her an enemy of the film industry. Though Louella’s world- wide readership of nearly twenty million was more than triple that of her pri- mary rival, Hedda Hopper, pundits predicted that it would not be long until Hopper surpassed her and became the new first lady of Hollywood. -
Dear Liar by Jerome Kilty Based on the Correspondence of Bernard Shaw and Mrs
Dear Liar by Jerome Kilty Based on the correspondence of Bernard Shaw and Mrs. Patrick Campbell June 3, 8, 11 , 12 Performed by De ANN MEARS and DAKIN MATTHEWS 8:00p.m. Kennedy Theatre Directed by .... ... ...... .. .. ... .... ..... .. James Edmondson June 6 Lighting by ................. ... ............ .. .. .. Joseph Appelt 2:00p.m. Kennedy Theatre De Ann Mear's costumes courtesy of Burry Frederick, Old Globe Theatre, San Diego. ACT I Covers the period 1899 to 1914 ACT II From 1914 to 1939 There will be a twelve-minute intermission. DON'T MISS ANOTHER PART OF THE FOREST! The American Conservatory Theatre presents Another Part of the Forest by Lillian Hellman on June 4, 5, 6, 9, 10, and 13 at 8 p.m. and on June 5, 12 and 13 at 2 p.m. An encore to last season's standing-room-only performances of The Little Foxes, Hellman's second play about the ruthless Hubbard clan takes Regina, Ben, Oscar and the other characters from Foxes back in time twenty years to 1880 when their parents are still alive, revealing the roots of their greed and fascinating nastiness. Tickets for this compelling drama laced with sardonic laughter are available at the Kennedy Theatre Box Office and all HITS locations (no service charge). Call 948-7655 for details. PROGRAM NOTES The great Irish pl aywright George Bernard Shaw once remarked that "a man should have one woman to prevent him from thinking about women in general." Most of his life, Shaw did confine his thoughts to one woman, or, if you count the wife to whom he was also devoted, two women.