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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Online Scavenger Hunt for Youth and Families
Online Scavenger Hunt for Youth and Families You can find many amazing objects in the Louisiana State Museum’s collection by visiting the Louisiana Digital Library! This scavenger hunt will help you use this unique online resource and learn more about Louisiana’s history, art, and culture. Visit https://louisianadigitallibrary.org/lsm. You will find collection titles that match the bold words on this worksheet. Find the objects under each collection title. There are different ways to play: • Find as many objects as you can in one hour. Award yourself one point for every object you find. • Time how long it takes you to find all the objects. • Stretch it out! Find one or two objects each day. Recommended for families with The hunt has 20 objects total. Good luck!* children 12 years old or younger. ART Louisiana State Museum Newcomb College Arts and Crafts 1. Printmaking was one of the arts taught at Newcomb College. This collection contains prints of several bookplates, which are labels pasted into books showing the owner’s name. Find the bookplates and choose your favorite! Write its title and describe it. __________________________________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________ Paintings from the Louisiana State Museum 2. Folk painter Clementine Hunter was famous for her paintings of plantation life near Natchitoches, Louisiana. Find one of her colorful paintings. -
New Orleans Jazz Museum a Gift to the World T H E L Ouisiana M Useum F O U N Datio N C a M P a I G N F O R the New O R Leans J Azz M Useum
THE LOUISIANA MUSEUM FOUNDATION CAMPAIGN FOR THE NEW ORLEANS JAZZ MUSEUM A GIFT TO THE WORLD T H E L OUISIANA M USEUM F O U N DATIO N C A M P A I G N F O R THE NEW O R LEANS J AZZ M USEUM The Campaign The New Orleans Jazz Museum showcasing Louisiana’s rich history and culture. The Museum Foundation and LSM operates nine museums across the state, with Louisiana State Museum have The Louisiana Museum Foundation (LMF), in support To be housed within the historic Old U.S. Mint five located in New Orleans’ historic French Quarter: joined forces to embrace this ambitious of the Louisiana State Museum (LSM), is engaged in (1838)—strategically located at the intersection the Cabildo, the $2 million capital campaign to build the world’s a $2 million capital campaign to create a world- of the city’s French Quarter (Vieux Carré) and Presbytère, the 1850 newest and best jazz museum. Having raised class New Orleans Jazz Museum. While nearly half Frenchmen Street live music corridor—the New House, Madame nearly half of the required funds, we are now ready of the campaign’s $2 million goal has already Orleans Jazz Museum will place on permanent John’s Legacy, and to move into the public phase of the campaign. been acquired or pledged, your help is needed display the world-renowned New Orleans the Old U.S. Mint. Several unique, high-visibility naming opportunities to complete the funding for this historic project! Jazz Club Collections of the Louisiana Since 1978, the LSM exist for signature supporters, including an overall State Museum. -
Chapter 11 ) LAKELAND TOURS, LLC, Et Al.,1 ) Case No
20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 1 of 105 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ) In re: ) Chapter 11 ) LAKELAND TOURS, LLC, et al.,1 ) Case No. 20-11647 (JLG) ) Debtors. ) Jointly Administered ) AFFIDAVIT OF SERVICE I, Julian A. Del Toro, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned case. On September 25, 2020, at my direction and under my supervision, employees of Stretto caused the following document to be served via first-class mail on the service list attached hereto as Exhibit A, via electronic mail on the service list attached hereto as Exhibit B, and on three (3) confidential parties not listed herein: Notice of Filing Third Amended Plan Supplement (Docket No. 200) Notice of (I) Entry of Order (I) Approving the Disclosure Statement for and Confirming the Joint Prepackaged Chapter 11 Plan of Reorganization of Lakeland Tours, LLC and Its Debtor Affiliates and (II) Occurrence of the Effective Date to All (Docket No. 201) [THIS SPACE INTENTIONALLY LEFT BLANK] ________________________________________ 1 A complete list of each of the Debtors in these chapter 11 cases may be obtained on the website of the Debtors’ proposed claims and noticing agent at https://cases.stretto.com/WorldStrides. The location of the Debtors’ service address in these chapter 11 cases is: 49 West 45th Street, New York, NY 10036. 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 2 of 105 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 3 of 105 Exhibit A 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 4 of 105 Exhibit A Served via First-Class Mail Name Attention Address 1 Address 2 Address 3 City State Zip Country Aaron Joseph Borenstein Trust Address Redacted Attn: Benjamin Mintz & Peta Gordon & Lucas B. -
New Orleans Jazz & Heritage Foundation
New Orleans' Welcome to Jazz country, where Maison Blanche our heartbeat is a down beat and salutes the the sounds of music fill the air . Welcome to Maison Blanche coun• New Orleans Jazz try, where you are the one who calls the tune and fashion is our and Heritage daily fare. Festival 70 maison blanche NEW ORLEANS Schedule WEDNESDAY - APRIL 22 8 p.m. Mississippi River Jazz Cruise on the Steamer President. Pete Fountain and his Orchestra; Clyde Kerr and his Orchestra THURSDAY - APRIL 23 12:00 Noon Eureka Brass Band 12:20 p.m. New Orleans Potpourri—Harry Souchon, M.C. Armand Hug, Raymond Burke, Sherwood Mangiapane, George Finola, Dick Johnson Last Straws 3:00 p.m. The Musical World of French Louisiana- Dick Allen and Revon Reed, M. C.'s Adam Landreneau, Cyprien Landreneau, Savy Augustine, Sady Courville, Jerry Deville, Bois Sec and sons, Ambrose Thibodaux. Clifton Chenier's Band The Creole Jazz Band with Dede Pierce, Homer Eugene, Cie Frazier, Albert Walters, Eddie Dawson, Cornbread Thomas. Creole Fiesta Association singers and dancers. At the same time outside in Beauregard Square—for the same $3 admission price— you'll have the opportunity to explore a variety of muical experiences, folklore exhibits, the art of New Orleans and the great food of South Louisiana. There will be four stages of music: Blues, Cajun, Gospel and Street. The following artists will appear throughout the Festival at various times on the stages: Blues Stage—Fird "Snooks" Eaglin, Clancy "Blues Boy" Lewis, Percy Randolph, Smilin Joe, Roosevelt Sykes, Willie B. Thomas, and others. -
1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism
Notes 1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism 1. This speech has often been erroneously quoted (not least by Adam Curtis in his 2002 documentary The Century of the Self ) as ‘You have taken over the job of creating desire and transformed people into constantly moving happi- ness machines’ – a tremendously resonant phrase, but not one which actually appears in the text of Hoover’s speech. Spencer Howard of the Herbert Hoover Presidential Library attributes the corrupted version to a mis-transcription several decades later. 2. The title of his 1947 essay. His key writings in the 1920s were Crystallizing Public Opinion (1923) and Propaganda (1928). 3. Of course, not all responded sympathetically to the film’s vicious racist message. The NAACP mounted a particularly effective campaign against the film, which was banned in several states and sparked mass protests in others. For the full story see Melvyn Stoke, D.W. Griffith’s ‘The Birth a Nation’, Oxford: Oxford University Press, 2008. 4. CPI titles made in 1917/18 include America’s Answer, Under Four Flags and Pershing’s Crusaders – distributors who wanted the new Fairbanks or Pickford picture would be forced to take a CPI release as well. 2 A Convention of Crazy Bugs: Mack Sennett and the US’s Immigrant Unconscious 1. The temptation, here, is to regard Sennett’s name and the Keystone brand as being broadly synonymous, but one should remember that Sennett started off, first, as an actor and then, as a director at Biograph in 1909; the Key- stone Company was set up by Adam Kessel and Charles Baumann in 1912 (Sennett was never the owner). -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
The Historic New Orleans Collection Quarterly Historian Sarah Borealis, with Help from THNOC Reference Associate Robert Ticknor
VOLUME XXXV The Historic New Orleans NUMBER 3 Collection Quarterly SUMMER 2018 Shop online at www.hnoc.org/shop CITY CENTERED: A Contemporary Take on the Tricentennial EVENT CALENDAR EXHIBITIONS & TOURS “CELEBRATING THE SWEDISH NIGHTINGALE” All exhibitions are free unless otherwise noted. In collaboration with the Embassy of Sweden in Washington, DC, and the Consulate of Sweden in New Orleans, The Collection will present a recital featuring the repertoire of Jenny CURRENT Lind, the Swedish opera singer who was an international star in the 19th century. Featuring “Working for the Williamses” Tour soprano Kine Sandtrø and pianist Julia Sjöstedt, the program will feature arias from the operatic Tuesday–Sunday, June 1–30, 11 a.m. canon as well as Nordic folk music. 533 Royal Street Monday, June 18, 6–7 p.m. $5 admission; free for THNOC members Williams Research Center, 410 Chartres Street Free; reservations required. To register, visit www.hnoc.org or call (504) 598-7146. Preview of Art of the City: Postmodern to Post-Katrina presented by The Helis “CARING FOR YOUR COLLECTIONS” WORKSHOP Foundation THNOC staff will share their knowledge of working with and enjoying historical artifacts in this On view through fall 2018 morning workshop. Talks will address documentation, proper methods of handling and display, 533 Royal Street appropriate cleaning and storage techniques, and connoisseurship and acquisition. Free Saturday, June 23, 9:30 a.m.–noon Williams Research Center, 410 Chartres Street French Quarter Museum Association Free; reservations encouraged. To register, visit www.hnoc.org or call (504) 598-7146. Welcome Center Through December 2018 UPSTAIRS LOUNGE PANEL DISCUSSION 533 Royal Street Join us as we commemorate the 45th anniversary of the UpStairs Lounge fire, the unsolved hate Free; for more information, visit crime that claimed 32 lives in 1973. -
Curriculum Guide. Grade 8. Louisiana State Dept. of Education, Bato
DOCUMENT RESUME ED 296 931 SO 019 166 TITLE Acadians of Louisiana: Curriculum Guide. Grade 8. Bulletin 1780. INSTITUTION Louisiana State Dept. of Education, Baton Rouge. Div. of Academic Programs. PUB DATE [873 NOTE 237p.; Acadian Odyssey Bicentennial Commission and the Council for the Development of French in Louisiana co-sponsored the development of this publication. PUB TYPE Guides Classroom Use Guides (For Teachers) (052) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Course Content; Cultural Awareness; Cultural Background; *Cultural Education; Cultural Influences; Curriculum Development; Folk Culture; *Grade 8; History; History Instruction; Information Sources; Instructional Materials; Junior High Schools; Learning Activities; Program Content; Resource Units; *Social Studies; State Curriculum Guides; *State History; State Programs; Units of Study IDENTIFIERS *Acadians; Cajuns; *Louisiana ABSTRACT This document, a supplement to the "Louisiana Studies Curriculum Guide," was designed to enhance junior high school students' appreciation for the Acadian settlers impact on Louisiana history and culture. A course outline presents four units of study that include: (1) early history; (2) life in Louisiana; (3) social and cultural life; and (4) the evolving and modern Cajuns. Each unit is divided into specific sections that contain: (1) generalization, concept, and learner outcome statements; (2) a content outline; and (3) suggested activities. A 50-item bibliography and glossary of terms are provided. Appendices include: (1) a suggested teaching timetable; (2) a teacher's reference entitled, "Louisiana French Heritage"; (3) student handouts; (4) maps; (5) Acadian music and dances; (6) suggested French language learning objectives and activities; (7) an overview of Louisiana French oral literature; (8) an exploration of the role and history of Cajun music in Louisiana French society; and (9) a selected collection of Acadian recipes. -
Learnaboutmovieposters.Com September 2016
LearnAboutMoviePosters.com September 2016 Ed-i-torial Part 2: The Neverending Story I got a call last week from one of our sponsors. The first words out of his mouth (before hello) was, “when is that damned book coming out?” Yes, it was due out in September… but NO, we’re pushing for mid to end of October. You remember the Ed-i-torial on this last month (if you don’t – go to the LAMP archive and read…. it’s important!!) We covered the various ways artists were used; the initial studio art departments; the ad-agency process for creating posters; design vs. finished posters; studios removing signatures; logo and title art; and comps and unused art. Right after that, I announced that to help show problem areas, we were creating a Title Index!! What a GREAT idea! Well – I compiled and re-sorted the current two thousand nine hundred and forty one titles in the book. And after glancing over it, my first thought was “WHAT THE HELL WAS I THINKING!!” This has to be the stupidest idea EVER just before going to press! I thought I would find a few duplicates and be able to quickly resolve them. THERE WERE DOZENS AND DOZENS OF THEM!! We now are over 100 artists or their families that we are in direct contact with. So, I started going through them and emailing various artists to figure out whose was whose and sorting out the two thousand four hundred and thirty poster images to go with the titles. Now we’re getting, “oh, yes, I forgot to give you this one,” and every other change you can think of. -
10243.Prologue.Pdf
Prologue September 1941 In hollywood it was a difficult time. Though film attendance was at an all-time high—that year eighty-five million tickets were sold each week—the major studios were under attack. The war in Europe and Asia had led to a decline in foreign markets, the House Un-American Activities Com- mittee was investigating the alleged involvement of several prominent actors with communism, and a Senate commission accused Hollywood of war- mongering by making films that promoted U.S. intervention in the overseas conflict. Moreover, the Federal Communications Commission had allowed regular commercial television broadcasting to begin on July 1, 1941, panick- ing those in Hollywood who saw the new medium as potentially formidable competition.1 Louella, too, had struggled that year. In the spring, Orson Welles’s Citizen Kane, a scathing attack on her employer, William Randolph Hearst, had been released in theaters across the nation. Americans watched Welles’s onscreen portrayal of a manipulative, megalomaniacal Hearst, and they read in na- tional publications about Louella’s conniving attempts to suppress the film. The New York Times and Newsweek described Louella as a vicious opponent of free speech who used her power to carry out her employer’s tyrannical wishes. Shortly afterward, the Screen Actors’ Guild launched an attack on her, publicly condemning her refusal to pay actors who appeared on her radio show and calling her an enemy of the film industry. Though Louella’s world- wide readership of nearly twenty million was more than triple that of her pri- mary rival, Hedda Hopper, pundits predicted that it would not be long until Hopper surpassed her and became the new first lady of Hollywood. -
A Researcher's View on New Orleans Jazz History
2 TABLE OF CONTENTS Introduction 6 Format 6 New Orleans Jazz 7 Brass & String Bands 8 Ragtime 11 Combining Influences 12 Party Atmosphere 12 Dance Music 13 History-Jazz Museum 15 Index of Jazz Museum 17 Instruments First Room 19 Mural - First Room 20 People and Places 21 Cigar maker, Fireman 21 Physician, Blacksmith 21 New Orleans City Map 22 The People Uptown, Downtown, 23 Lakefront, Carrollton 23 The Places: 24 Advertisement 25 Music on the Lake 26 Bandstand at Spanish Fort 26 Smokey Mary 26 Milneburg 27 Spanish Fort Amusement Park 28 Superior Orchestra 28 Rhythm Kings 28 "Sharkey" Bonano 30 Fate Marable's Orchestra 31 Louis Armstrong 31 Buddy Bolden 32 Jack Laine's Band 32 Jelly Roll Morton's Band 33 Music In The Streets 33 Black Influences 35 Congo Square 36 Spirituals 38 Spasm Bands 40 Minstrels 42 Dance Orchestras 49 Dance Halls 50 Dance and Jazz 51 3 Musical Melting Pot-Cotton CentennialExposition 53 Mexican Band 54 Louisiana Day-Exposition 55 Spanish American War 55 Edison Phonograph 57 Jazz Chart Text 58 Jazz Research 60 Jazz Chart (between 56-57) Gottschalk 61 Opera 63 French Opera House 64 Rag 68 Stomps 71 Marching Bands 72 Robichaux, John 77 Laine, "Papa" Jack 80 Storyville 82 Morton, Jelly Roll 86 Bolden, Buddy 88 What is Jazz? 91 Jazz Interpretation 92 Jazz Improvising 93 Syncopation 97 What is Jazz Chart 97 Keeping the Rhythm 99 Banjo 100 Violin 100 Time Keepers 101 String Bass 101 Heartbeat of the Band 102 Voice of Band (trb.,cornet) 104 Filling In Front Line (cl.