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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Online Scavenger Hunt for Youth and Families
Online Scavenger Hunt for Youth and Families You can find many amazing objects in the Louisiana State Museum’s collection by visiting the Louisiana Digital Library! This scavenger hunt will help you use this unique online resource and learn more about Louisiana’s history, art, and culture. Visit https://louisianadigitallibrary.org/lsm. You will find collection titles that match the bold words on this worksheet. Find the objects under each collection title. There are different ways to play: • Find as many objects as you can in one hour. Award yourself one point for every object you find. • Time how long it takes you to find all the objects. • Stretch it out! Find one or two objects each day. Recommended for families with The hunt has 20 objects total. Good luck!* children 12 years old or younger. ART Louisiana State Museum Newcomb College Arts and Crafts 1. Printmaking was one of the arts taught at Newcomb College. This collection contains prints of several bookplates, which are labels pasted into books showing the owner’s name. Find the bookplates and choose your favorite! Write its title and describe it. __________________________________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________ Paintings from the Louisiana State Museum 2. Folk painter Clementine Hunter was famous for her paintings of plantation life near Natchitoches, Louisiana. Find one of her colorful paintings. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Read Ebook {PDF EPUB} the Explorer by Frances Parkinson Keyes the Explorer — Frances Parkinson Keyes
Read Ebook {PDF EPUB} The Explorer by Frances Parkinson Keyes The Explorer — Frances Parkinson Keyes. ROMANCE--ADVENTURE--PASSION surge through this dramatic novel of a famous explorer, his quest for an exotic "lost city" high in the Andes--and the woman he left behind. When the handsome and celebrated Nicolas Hale asked the lovely and lonely lady from Virginia to marry him he had no thought of love. His marriage to Margaret would be primarily for convenience. and to provide him with an heir. For Margaret the arrangement was equally convenient. until she found herself caught up in a passion she never knew existed. and discovered that Nicolas, too, had stumbled into her flaming world of love. THE EXPLORER By FRANCES PARKINSON KEYES 1964 First Edition. Title: THE EXPLORER By FRANCES PARKINSON KEYES 1964. Publisher: MCGRAW-HILL BOOK COMPANY, NY. Publication Date: 1964. Binding: Hardcover. Book Condition: Good. Dust Jacket Condition: Good. Book Type: Book. We guarantee the condition of every book as it's described on the Abebooks web sites. If you're dissatisfied with your purchase (Incorrect Book/Not as Described/Damaged) or if the order hasn't arrived, you're eligible for a refund within 14 days of the estimated delivery date. If you've changed your mind about a book that you've ordered, please use the Ask bookseller a question link to contact us and we'll respond within 2 business days. Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. -
New Orleans Jazz Museum a Gift to the World T H E L Ouisiana M Useum F O U N Datio N C a M P a I G N F O R the New O R Leans J Azz M Useum
THE LOUISIANA MUSEUM FOUNDATION CAMPAIGN FOR THE NEW ORLEANS JAZZ MUSEUM A GIFT TO THE WORLD T H E L OUISIANA M USEUM F O U N DATIO N C A M P A I G N F O R THE NEW O R LEANS J AZZ M USEUM The Campaign The New Orleans Jazz Museum showcasing Louisiana’s rich history and culture. The Museum Foundation and LSM operates nine museums across the state, with Louisiana State Museum have The Louisiana Museum Foundation (LMF), in support To be housed within the historic Old U.S. Mint five located in New Orleans’ historic French Quarter: joined forces to embrace this ambitious of the Louisiana State Museum (LSM), is engaged in (1838)—strategically located at the intersection the Cabildo, the $2 million capital campaign to build the world’s a $2 million capital campaign to create a world- of the city’s French Quarter (Vieux Carré) and Presbytère, the 1850 newest and best jazz museum. Having raised class New Orleans Jazz Museum. While nearly half Frenchmen Street live music corridor—the New House, Madame nearly half of the required funds, we are now ready of the campaign’s $2 million goal has already Orleans Jazz Museum will place on permanent John’s Legacy, and to move into the public phase of the campaign. been acquired or pledged, your help is needed display the world-renowned New Orleans the Old U.S. Mint. Several unique, high-visibility naming opportunities to complete the funding for this historic project! Jazz Club Collections of the Louisiana Since 1978, the LSM exist for signature supporters, including an overall State Museum. -
The Norton Jazz Recordings 2 Compact Discs for Use with Jazz: Essential Listening 1St Edition Pdf, Epub, Ebook
THE NORTON JAZZ RECORDINGS 2 COMPACT DISCS FOR USE WITH JAZZ: ESSENTIAL LISTENING 1ST EDITION PDF, EPUB, EBOOK Scott DeVeaux | 9780393118438 | | | | | The Norton Jazz Recordings 2 Compact Discs for Use with Jazz: Essential Listening 1st edition PDF Book A Short History of Jazz. Ships fast. Claude Debussy did have some influence on jazz, for example, on Bix Beiderbecke's piano playing. Miles Davis: E. Retrieved 14 January No recordings by him exist. Subgenres Avant-garde jazz bebop big band chamber jazz cool jazz free jazz gypsy jazz hard bop Latin jazz mainstream jazz modal jazz M-Base neo-bop post-bop progressive jazz soul jazz swing third stream traditional jazz. Special Attributes see all. Like New. Archived from the original on In the mids the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. Traditional and Modern Jazz in the s". See also: s in jazz , s in jazz , s in jazz , and s in jazz. Charlie Parker's Re-Boppers. Hoagy Carmichael. Speedy service!. Visions of Jazz: The First Century. Although most often performed in a concert setting rather than church worship setting, this form has many examples. Drumming shifted to a more elusive and explosive style, in which the ride cymbal was used to keep time while the snare and bass drum were used for accents. Season 1. Seller Inventory While for an outside observer, the harmonic innovations in bebop would appear to be inspired by experiences in Western "serious" music, from Claude Debussy to Arnold Schoenberg , such a scheme cannot be sustained by the evidence from a cognitive approach. -
Chapter 11 ) LAKELAND TOURS, LLC, Et Al.,1 ) Case No
20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 1 of 105 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ) In re: ) Chapter 11 ) LAKELAND TOURS, LLC, et al.,1 ) Case No. 20-11647 (JLG) ) Debtors. ) Jointly Administered ) AFFIDAVIT OF SERVICE I, Julian A. Del Toro, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned case. On September 25, 2020, at my direction and under my supervision, employees of Stretto caused the following document to be served via first-class mail on the service list attached hereto as Exhibit A, via electronic mail on the service list attached hereto as Exhibit B, and on three (3) confidential parties not listed herein: Notice of Filing Third Amended Plan Supplement (Docket No. 200) Notice of (I) Entry of Order (I) Approving the Disclosure Statement for and Confirming the Joint Prepackaged Chapter 11 Plan of Reorganization of Lakeland Tours, LLC and Its Debtor Affiliates and (II) Occurrence of the Effective Date to All (Docket No. 201) [THIS SPACE INTENTIONALLY LEFT BLANK] ________________________________________ 1 A complete list of each of the Debtors in these chapter 11 cases may be obtained on the website of the Debtors’ proposed claims and noticing agent at https://cases.stretto.com/WorldStrides. The location of the Debtors’ service address in these chapter 11 cases is: 49 West 45th Street, New York, NY 10036. 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 2 of 105 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 3 of 105 Exhibit A 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 4 of 105 Exhibit A Served via First-Class Mail Name Attention Address 1 Address 2 Address 3 City State Zip Country Aaron Joseph Borenstein Trust Address Redacted Attn: Benjamin Mintz & Peta Gordon & Lucas B. -
Mid-August 2021
T H E Where Else? OIN EPOT MID-AUGUST 2021 C 116 PoinsettD Highway • Greenville, SC 29609 • 800-922-2441 • 864-242-1679 Endless Summer The traditional summer season may be coming to an end but summer isn’t officially over until September 22. That still leaves plenty of time to enjoy the great outdoors. We’ve put together a ton of new listings to celebrate “endless summer”. GOLD $1,850.00 | SILVER $27.00 | PLATINUM $1,200.00 VIEW OUR WEBSITE AT www.thecoindepot.net Feel Free to E-mail us your want list: [email protected] FEATURED COIN SPECIALS FOR MID-AUGUST 00 1920S SILVER INSURANCE BAGS 1929 $5 LINCOLN CENT ROLLS We are now offering 5 and 10 ounce FEDERAL RESERVE BANK NOTES bags of pre-1965 silver coinage. Put a Fine Average Circulated few away for you and your loved ones These notes were printed as an emergency Each roll will contain a great mix of dates as an insurance policy to the volatile issue in 1933 due to the public hoarding of U.S. dollar. and mintmarks from the 1920's. Use these cash because of so many bank failures from rolls to fill in books on the cheap 5-OUNCE BAG 10-OUNCE BAG the Great Depression. They are printed on the same stock as the 1929 National Bank Notes $ 00 $ 00 by the 12 regional Federal Reserve banks. $ ROLL95 135 265 $ 00 19 5 Bags.. $659.00 5 Bags $1,299.00 ROLL 5 Rolls ....................................... $95.00 3 Different Banks77 .................. $215.00 POPULAR SAN FRANCISCO 2021 YEAR SETS EARLY 1940S S-MINT MERCURY DIMES HOUSED IN PLASTIC HOLDER WASHINGTON QUARTERS Premium Quality BU Premium Quality BU Premium Quality BU Each set contains a half, quarter, dime, These San Francisco quarters are tough 1928-S...................................... -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
New Orleans FREE Attractions and Sites
map not to scale to not map map not to scale to not map PM 7 WT 6 WT 5 WT map not to scale to not map New Orleans WT1 FREE Attractions and Sites The New Orleans Power Pass includes admission to some of the most popular paid attractions and tours in New Orleans. The city is also home to a number of great attractions and sites that don’t charge admission. So while you won’t need your Power Pass to get in, you may enjoy spending time exploring the following locations: Bourbon Street Bourbon street is a famous and historic street VISIT THE BEST VISIT THE BEST that runs the length of the French Quarter. When founded in 1718, the city was originally centered New Orleans Attractions New Orleans Attractions around the French Quarter. New Orleans has since expanded, but “The Quarter” remains the cultural for ONE low price! for ONE low price! hub, and Bourbon Street is the street best known by visitors. The street is home to many bars, restaurants, clubs, as well as t-shirt and souvenir Terms & Conditions shops. Bourbon Street is alive both day and night, particularly during the French Quarter’s many New Orleans Power Pass has done its best to ensure the accuracy of the information about the attractions described on our web site and in our festivals - the most popular of these being Mardi guides. However, conditions at these attractions may change at any time. Gras, when Bourbon Street teems with hundreds of We cannot guarantee that each facility will continue to honor its indicated thousands of tourists. -
New Orleans Jazz & Heritage Foundation
New Orleans' Welcome to Jazz country, where Maison Blanche our heartbeat is a down beat and salutes the the sounds of music fill the air . Welcome to Maison Blanche coun• New Orleans Jazz try, where you are the one who calls the tune and fashion is our and Heritage daily fare. Festival 70 maison blanche NEW ORLEANS Schedule WEDNESDAY - APRIL 22 8 p.m. Mississippi River Jazz Cruise on the Steamer President. Pete Fountain and his Orchestra; Clyde Kerr and his Orchestra THURSDAY - APRIL 23 12:00 Noon Eureka Brass Band 12:20 p.m. New Orleans Potpourri—Harry Souchon, M.C. Armand Hug, Raymond Burke, Sherwood Mangiapane, George Finola, Dick Johnson Last Straws 3:00 p.m. The Musical World of French Louisiana- Dick Allen and Revon Reed, M. C.'s Adam Landreneau, Cyprien Landreneau, Savy Augustine, Sady Courville, Jerry Deville, Bois Sec and sons, Ambrose Thibodaux. Clifton Chenier's Band The Creole Jazz Band with Dede Pierce, Homer Eugene, Cie Frazier, Albert Walters, Eddie Dawson, Cornbread Thomas. Creole Fiesta Association singers and dancers. At the same time outside in Beauregard Square—for the same $3 admission price— you'll have the opportunity to explore a variety of muical experiences, folklore exhibits, the art of New Orleans and the great food of South Louisiana. There will be four stages of music: Blues, Cajun, Gospel and Street. The following artists will appear throughout the Festival at various times on the stages: Blues Stage—Fird "Snooks" Eaglin, Clancy "Blues Boy" Lewis, Percy Randolph, Smilin Joe, Roosevelt Sykes, Willie B. Thomas, and others. -
The Connectors of Two Worlds: Chano Pozo, Dizzy Gillespie, and the Continuity of Myth Through Afro-Cuban Jazz
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2005 The connectors of two worlds: Chano Pozo, Dizzy Gillespie, and the continuity of myth through Afro-Cuban jazz Dwight Paul Sweeney Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Music Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Sweeney, Dwight Paul, "The connectors of two worlds: Chano Pozo, Dizzy Gillespie, and the continuity of myth through Afro-Cuban jazz" (2005). Theses Digitization Project. 2823. https://scholarworks.lib.csusb.edu/etd-project/2823 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE CONNECTORS OF TWO WORLDS: CHANO POZO, DIZZY GILLESPIE, AND THE CONTINUITY OF MYTH THROUGH AFRO-CUBAN JAZZ A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies by Dwight Paul Sweeney, Jr. March 2005 ■3 THE CONNECTORS OF TWO WORLDS: CHANO POZO, DIZZY GILLESPIE, ZYND THE CONTINUITY OF MYTH THROUGH AFRO-CUBAN JAZZ A Thesis Presented to the Faculty of California State University, San Bernardino by Dwight Paul Sweeney, Jr. March 2005 Approved by: 3-2- Chair, History Date Russell Barber, Anthropology ABSTRACT The histories of Cuba and the United States ran a parallel course until the late nineteenth century, and musical cultural exchanges are a legacy of this interaction.