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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Counter-Apocalyptic Play in Richard Kelly's Southland Tales
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2014 "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Marcus O'Donnell University of Wollongong, [email protected] Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Abstract Richard Kelly’s Southland Tales (2006) presents a dystopic, post-apocalyptic, near-future through an aesthetic, which fuses contemporary postmodern screens with the phantasmagorical of traditional apocalyptic visions. This article argues that Southland Tales is an example of what feminist theologian Catherine Keller calls the “counter-apocalyptic” (Keller 1996:19-20). Through strategies of ironic parody Kelly both describes and questions the apocalyptic and its easy polarities. In situating the film as counter-apocalyptic the paper argues that the film both resists the apocalyptic impulse however it is also located within it. In this sense it produces a unique take on the genre of the post-apocalyptic film and a powerful fluid critique of the post 9/11 security state. Keywords play, apocalyptic, counter, tales, hold, southland, can, you, if, kelly, richard Disciplines Arts and Humanities | Law Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35. -
Loft Film Fest 2015
OCTOBER 21-25, 2015 PRESENTED BY COX COMMUNICATIONS AND DESERT DIAMOND CASINOS & ENTERTAINMENT LOFT FILM FEST 2015 Welcome to the Loft Film Fest! FESTIVAL STAFF I am so proud of the extraordinary lineup of lms and I’m thrilled that we get to bring them to Tucson for ve exciting days in October. festival executive director assistant managers PEGGY JOHNSON RAY BORBOA Film festivals should always be about discovery! I urge you to take some chances KYLE CANFIELD - see a lm that sounds unlike anything you’ve ever seen! Who knows - maybe festival directors PEDRO ROBLES you’ll discover a new director, a fresh face or your new favorite movie! JJ GIDDINGS BRENDA RODRIGUEZ JEFF YANC e 2015 Loft Film Fest will always be remembered as the one where you met volunteer coordinator Rita Moreno, Alfonso Arau, Larry McMurtry and Diana Ossana! In addition to managing director BRENDA RODRIGUEZ her many awards, Rita Moreno will be honored at the Kennedy Center Honors in ZACH BRENEMAN December! We’re proud to welcome Larry and Diana back for a 10th anniversary inventory specialist screening of Brokeback Mountain, just after Larry received the National festival programming consultant DAVID CORREA Humanities Medal from President Obama! Alfonso Arau is a Tucson favorite, MIKE PLANTE projectionists because, after all, he is El Guapo in ree Amigos! ANA HUMPHREY associate programmers DALE MEYERS We’re excited to add free outdoor movies this year in our newly improved parking SHAWNA DACOSTA KEISHA RICHARDSON lot! We’re adding valet parking from 5PM during the fest (free for pass holders!) JONATHAN KLEEFELD IZABELLA VANEK For the rst time, select lms will be in competition, a result of e Loft being MIKE WILKINS the only American festival member of the International Confederation of Art art director MATT MCCOY Houses. -
FOR IMMEDIATE RELEASE September 18, 2014 Press/Media Contact: Philip Sokoloff, (626) 683-9205
PHILIP SOKOLOFF Publicity for the theatre P.O. Box 94387 Pasadena, CA 91109-4387 (626) 683-9205 fax (626) 683-9172 e-mail: [email protected] FOR IMMEDIATE RELEASE September 18, 2014 Press/media contact: Philip Sokoloff, (626) 683-9205 BACK FROM THE UNDEAD! STUART GORDON DIRECTS “RE-ANIMATOR™ THE MUSICAL” AT STEVE ALLEN THEATER; OPENS OCTOBER 17 FOR A HALLOWEEN RUN WHAT: “Re-Animator™ The Musical.” Revival of the award-winning musical hit. WHO: Book by Dennis Paoli, Stuart Gordon and William J. Norris. Music and lyrics by Mark Nutter. Adapted from the story by H.P. Lovecraft. Based on the film “H.P. Lovecraft’s Re- Animator” produced by Brian Yuzna. Musical director: Peter Adams. Choreography by Cynthia Carle. Directed by Stuart Gordon. Produced by Dean Schramm and Stuart Gordon. Presented by The Schramm Group LLC and Red Hen Productions in association with Trepany House. WHERE: The Steve Allen Theater, 4773 Hollywood Blvd., Hollywood, CA 90027. Parking lot behind building. WHEN: Previews Oct. 10, 11, 12 . Opens October 17, 2014, runs through November 2. Fridays through Sundays at 8:00 p.m. ADMISSION: $25. Previews $20. RESERVATIONS: 800-595-4849 ONLINE TICKETING: www.trepanyhouse.org * * * * * * “Re-Animator™ the Musical” has been re-animated, with new songs and new performers just in time for Halloween. “RE-ANIMATOR™ the Musical” tells the story of Herbert West, a brilliant young medical student who has created a glowing green serum that can bring the dead back to life. What should be a medical breakthrough results in hideous monstrosities and ghastly consequences. “I guess he just wasn’t fresh enough,” is West’s constant refrain in his quest for fresh subjects. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
ABC's 'Scandal': Women in Washington, Political Power
SIGN IN Follow @thedailybeast TUMBLR DOW 12,588.3 +45.9, NASDAQ 2,853.1 +16.2 Search The Daily Beast Like 219k HOME POLITICS BUSINESS VIDEO ENTERTAINMENT FASHION BOOKS ART WOMEN IN THE WORLD Featured: ELECTION HERO SUMMIT THE DISH HOWARD KURTZ DAVID FRUM GREEN RANKINGS CHANGE TEXT SIZE ABC’s ‘Scandal’: Women in RELATED VIDEO AUTHOR Washington, Political Power, and Holly Petraeus Nov 14, 2012 11:59 AM EST Alyssa Rosenberg explores how ABC’s “Scandal” mishandles Alyssa Rosenberg women in Washington and female political power. Follow @thedailybeast 19 Like 68 Tweet 13 (4) Here's My Number, Sheldon Scandal, Shonda Rhimes’s portrait of Washington, D.C., fixer Olivia Pope (Kerry Who says nerds can't dance?... Washington)—a character based on real-life crisis-management expert Judy STORIES WE LIKE Smith—is meant to be a kind of power fantasy. Olivia is not only one of the few African-American female main characters on both network and cable television, US WEEKLY she’s also one with a direct line to the president of the United States. In her cool Selena Gomez Seems 'Bubbly, Upbeat' at Bash After Justin Bieber Split suits (and sometimes great lingerie), there’s no one she can’t stare down, no scandal she can’t defuse, no trial she can’t undermine, no truth she can’t HUFFINGTON POST POLITICS uncover. Obama Says He Won't Budge on Bush Tax Cuts But while it may be fun to imagine being Olivia Pope, particularly for those of us who live and work in BUZZFEED Washington, Scandal actually has a remarkably Keira Knightley 'Doesn't Mind' conservative view of what power women have in the Exposing Her Breasts 'Because They're So Small' nation’s capital, and how we use it. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Top 30 Films
March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky. -
Diciembreenlace Externo, Se Abre En
F I L M O T E C A E S P A Ñ O L A Sede: Cine Doré C/ Magdalena nº 10 c/ Santa Isabel, 3 28012 Madrid 28012 Madrid Telf.: 91 4672600 Telf.: 91 3691125 Fax: 91 4672611 (taquilla) [email protected] 91 369 2118 http://www.mcu.es/cine/MC/FE/index.html (gerencia) Fax: 91 3691250 MINISTERIO DE CULTURA Precio: Normal: 2,50€ por sesión y sala 20,00€ abono de 10 PROGRAMACIÓN sesiones. Estudiante: 2,00€ por sesión y sala diciembre 15,00€ abono de 10 sesiones. 2009 Horario de taquilla: 16.15 h. hasta 15 minutos después del comienzo de la última sesión. Venta anticipada: 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente hasta un tercio del aforo. Horario de cafetería: 16.45 - 00.00 h. Tel.: 91 369 49 23 Horario de librería: 17.00 - 22.00 h. Tel.: 91 369 46 73 Lunes cerrado (*) Subtitulaje electrónico DICIEMBRE 2009 Monte Hellman Dario Argento Cine para todos - Especial Navidad Charles Chaplin (I) El nuevo documental iberoamericano 2000-2008 (I) La comedia cinematográfica española (II) Premios Goya (y V) El Goethe-Institut Madrid presenta: Ulrike Ottinger Buzón de sugerencias Muestra de cortometrajes de la PNR Las sesiones anunciadas pueden sufrir cambios debido a la diversidad de la procedencia de las películas programadas. Las copias que se exhiben son las de mejor calidad disponibles. Las duraciones que figuran en el programa son aproximadas. Los títulos originales de las películas y los de su distribución en España figuran en negrita. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
2011 Kevin & Bean Clips Listed by Date
2011 Kevin & Bean clips listed by date January 03 Monday 01 Opening Segment-2011-01-03-No What It Do Nephew segment.mp3 02 Show Biz Beat-2011-01-03-6 am.mp3 03 Highlights Of Dick Clark and Ryan Seacrest-New Years Eve-2011-01-03.mp3 04 Harvey Levin-TMZ-2011-01-03.mp3 05 The Internet Round-up-2011-01-03.mp3 06 Show Biz Beat-2011-01-03-7 am.mp3 07 Thanks For That Info Bean-2011-01-03.mp3 08 Broken New Years Resolutions-2011-01-03.mp3 09 Show Biz Beat-2011-01-03-8 am.mp3 10 Eli Manning-2011-01-03-Turns 30 Today.mp3 11 Patton Oswalt-2011-01-03-New Book Out.mp3 12 Show Biz Beat-2011-01-03-9 am-Patton Oswalt Sits In.mp3 13 Dick Clark New Years Eve-More Highlights-2011-01-03-Patton Oswalt Sits In.mp3 14 Calling Arkansas About 2000 Dead Birds-2011-01-03-Patton Oswalt Sits In.mp3 15 Show Biz Beat-2011-01-03-10 am.mp3 January 04 Tuesday 01 Opening Segment-2011-01-04.mp3 02a Bean Did Not Realize It Was King Of Mexicos Birthday-2011-01-04.mp3 02b Show Biz Beat-2011-01-04-6 am.mp3 03 Calling Arkansas About 2000 Dead Birds-from Monday 2011-01-03-Patton Oswalt Sits In.mp3 04 and 14 Hotline To Heaven-2011-01-04-Michael Jackson.mp3 05 Oprah Rules In Kevins House-2011-01-04.mp3 06 Show Biz Beat-2011-01-04-7 am.mp3 07 Strange Addictions-2011-01-04-Listener Call-in.mp3 08 Paula Abdul-2011-01-04-On Her New TV Show.mp3 09 Show Biz Beat-2011-01-04-8 am.mp3 10 Bean Passed Out On Christmas Eve-2011-01-04-Wife Donna Explains.mp3 11 Psycho Body-2011-01-04.mp3 12 Show Biz Beat-2011-01-04-9 am.mp3 13 Afro Calls-2011-01-04.mp3 15 Show Biz Beat-2011-01-04-10 am.mp3