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Decisions Taken by BCCC 16 April 2014 to 22 August 2015
ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 22 AUGUST 2015 S.NO Programme Channel Total Nature of Complaints Telecast Action By BCCC Number date of the of programme Compla reviwed by ints BCCC Receive d A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 2015 Movie Awards VH1 1 During the telecast, performers made some highly indecent 13.04.2015 Channel’s representatives appeared before BCCC. After detailed gestures. One of them grabs another man’s crotch and tries to deliberations, the channel was asked to run an Apology Scroll for three days. reach for his nipples saying, “I am gonna milk those nipples.” Also, Detailed Order is being issued. a suggestive term ‘girl power’ was used for referring to vagina and a female performer is heard telling the audience that her “vagina looks more like a neat burrito rather than a stand and stuff taco”. While the word vagina has been beeped/ muted, its description is denigrating to women. Acts performed on stage were highly indecent, sexually explicit, adult, vulgar and suggestive. Irrespective of the time, the content violates Licence Term and Programme Code of Cable TV Network Rules. 2 Dance India Dance Zee TV 2 Episode-1, 27/06/15: The dance performance of two girls was 27.06.2015 BCCC viewed the episode and did not find the dance to be vulgar or vulgar as it was exposing their bodies. Such acts spoil Indian 26.07.2015 obscene. The complaint was DISPOSED OF. culture. Episode-2, 26/07/15: The performance by contestant Pronita on the song ‘Kundi na khadkao raja’ was out-and-out vulgar. -
Bollywood Bourgeois Author(S): Rachel Dwyer Source: India International Centre Quarterly, Vol
Bollywood Bourgeois Author(s): Rachel Dwyer Source: India International Centre Quarterly, Vol. 33, No. 3/4, India 60 (WINTER 2006-SPRING 2007), pp. 222-231 Published by: India International Centre Stable URL: http://www.jstor.org/stable/23006084 . Accessed: 07/11/2013 09:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. India International Centre is collaborating with JSTOR to digitize, preserve and extend access to India International Centre Quarterly. http://www.jstor.org This content downloaded from 146.96.128.36 on Thu, 7 Nov 2013 09:20:14 AM All use subject to JSTOR Terms and Conditions INDIA 60 Bollywood Bourgeois cliche of Indian cinema being the domain of the escapist fantasies of the Indian masses can now be safely put to rest. While this may have been true for The the 1980s, when the study of Indian cinema began to grow, the present cinema audiences, who are willing to pay Rs. 200 and upwards for a cinema ticket, are from various sections of the Indian middle classes and elites. These classes now dominate the public sphere in India and film is one of the major media which they are producing and consuming. -
Dhoom Machale Mp4 Video
Dhoom Machale Mp4 Video Download Free Dhoom Machale Dhoom Dhoom 3 [mobmp4.com] From Category : Dhoom 3 Section : Dhoom 3 File Size Download Free HD Video Song Dhoom Machale Dhoom from Dhoom 3 Bollywood Movie File Type : mp4 File Free Download Dhoom Machale Dhoom Full DHOOM 3-.mp4. Thumb_3002. Download :Dhoom Size of file: 8.77 mb. Category: Katrina Kaif Videos Collection 02 Dhoom 3 - Dhoom Machale(DJ Shadow Dubai Remix).mp3 Desilicious 46 - DJ Shadow Dubai Mp4 Video Download, 02 Dhoom 3 - Dhoom Machale(DJ Download Dhoom Video 3gp mp4 Free Video Song - VideoKing.In. Dhoom Machale Dhoom - Full Song - DHOOM3.mp4. Downloads: 35317. Size: 13.95 MB Free Download Dhoom Machale Dhoom - (DHOOM 3).mp4. Mid_121718. [Download File]. Size: (19.44 mb). Downloaded: 7737 Times 10 Aug 2014 Dhoom Machale Dhoom 3 Video song download - songspk - Dhoom Machale video Dhoom Machale video song in MP4,3GP & AVI Format - Free Download Dhoom Machale Dhoom - HD (Dhoom 3).mp4. Thumb_59069. ZERO Launcher-The smallest, fastest, perfect launcher! Download :Dhoom Download Free Dhoom Machale Dhoom Arabic Song (Dhoom 3) (Mp4 HQ) (YoutubeMaza.Com) From Category : Dhoom 3 (2013) Video Songs Section Dhoom Machale Dhoom - Full Song - DHOOM:3. Dhoom Machale - Song - Dhoom video download at mp4, flv, 3gp and audio mp3. HD videosDhoom Machale Free Download Dhoom Machale (English Version V1) (Dhoom) HD.mp4. Download :Dhoom Machale (English Version V1) (Dhoom) HD.mp4. Size of file: 10.99 Tags: Dhoom Machale Dhoom [HD].mp4 Free HD Video Download, Dhoom Machale Dhoom [HD].mp4 Full Video Song Download, Dhoom Machale Dhoom Dhoom Machale Dhoom (Dhoom 3) DVDRip Full Song. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
MOVIE NAME SONG NAME Naina's Theme (Instrumental) Oye Hichki
MOVIE NAME SONG NAME Vashmalle Thugs Of Hindostan Suraiyya Chaav Laaga Khatar Patar Sui Dhaaga Tu Hi Aham Title Track Sab Badiya Hai Naina's Theme (Instrumental) Oye Hichki Madamji Go Easy Hichki Khol De Par Teri Dastaan Phir Kya Hai Gham Soul of Hichki Tiger Zinda Hai Theme Swag Se Swagat Dil Diyan Gallan Tiger Zinda Hai Zinda Hai Daata Tu Tera Noor Tiger Zinda Hai - Trailer Soundtrack I Am India Hulchul Phir Nayi Junooni Qaidi Band Udanchoo Jag Mag Poshampa Phir Wohi I Am India (Escape) Hum Hain Bank Chor Bank Chor Tashreef Maana ke hum yaar nahin Haareya Ye Jawani Teri Meri Pyari Bindu Iss Tarah Khol De Baahein Afeemi Meri Pyaari Bindu (2017) Labon Ka Karobaar Nashe Si Chadh Gayi Ude Dil Befikre Befikre Je T'aime You And Me Khulke Dulke Love Is A Dare Sultan Trailer Baby Ko Bass Pasand Hai Jag Ghoomeya 440 Volt Sultan Sachi Muchi Bulleya Tuk Tuk Sultan Jag Ghoomeya (Female) Rise of Sultan Baby Nu Bass Pasand Hai - Salman Khan Version Jag Ghoomeya - Salman Khan Version 440 Volt - Salman Khan Version Sultan - Salman Khan Version Sultan Mashup Baby Ko Bass Pasand Hai - Remix Jabra Fan Byapok Fan - Bengali Version Jabardast Fan - Bhojpuri Version Jabro Fan - Gujarati Version Jabraa Fan - Marathi Version Ghaint Fan - Punjabi Version Fan Takkara Fan - Tamil Version Veera Fan - Telugu Version Jabar Fan - Odia Version Jabara Fan - Arabic Version Lokuma Fan - Sinhala Version Fan Theme Jabra Fan Mashup Calcutta Kiss Bach Ke Bakshy Byomkesh In Love Detective Byomkesh Bakshy Jaanam Chase In Chinatown Life's A Bitch Yang Guang Lives Moh Moh Ke -
KBC, India's Most Famous Game Show: an Analyis
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/348295598 KBC, India's most famous game show: An Analyis Article in ACADEMICIA An International Multidisciplinary Research Journal · December 2020 DOI: 10.5958/2249-7137.2020.01740.1 CITATIONS READS 0 27 1 author: Karunakar B. Narsee Monjee Institute of Management Studies 21 PUBLICATIONS 3 CITATIONS SEE PROFILE All content following this page was uploaded by Karunakar B. on 07 January 2021. The user has requested enhancement of the downloaded file. ACADEMICIA ISSN: 2249-7137 Vol. 10 Issue 12, December 2020 Impact Factor: SJIF 2020 = 7.13 ACADEMICIA An International Multidisciplinary R e s e a r c h J o u r n a l (Double Blind Refereed & Peer Reviewed Journal) DOI: 10.5958/2249-7137.2020.01740.1 KBC, INDIA’S MOST FAMOUS GAME SHOW: AN ANALYSIS Dr B Karunakar* *NMIMS Hyderabad, INDIA Email id: [email protected]; [email protected] ABSTRACT Today, there are more than a dozen reality shows on air across all kinds of channels, from general entertainment to youth channels to the regional, all on prime time. These reality shows offer a wide scope for brand visibility. In this context, Kaun Banega Crorepati as a reality show was studied for its impact and the economics involved. The attempt of this article is to provide insights on the working of the TV channels, production houses, marketers & advertisers that provide the sponsorship, the general comparison of reality shows with serials and the overall impact created. KEYWORDS: Sponsorship, Reality Shows INTRODUCTION Amid the COVID-19 lockdown, 'Kaun Banega Crorepati' (KBC) Season 12, hosted by India’s famous actor Amitabh Bachchan caught the attention of audiences as millions logged in to participate in the show during May 2020. -
Humans of Somaiya
January I, 2018 VOL.01.ISSUE.006 तब स े अब तDesign Credits,:क Riya Thakkar, FYBA, KJSAC The Somaiya Alumni Reunion Hooner 2017 - KJSAC fest 2018 December is the time when the winter has just set in. It's the Treasure hunt, Fine art quest were a must for participation. 20 Janurary, 2018 time of festival, weddings and vacation. But among that Pre-events like Anchorship, Cosmos poetry, Musically, one of the most anticipated college fest takes place. Caption the picture etc. had set Hooner'17 into motion. 'HOONER' - the intercollegiate fest of the KJSAC Other pre-events like Flash-mob and Funfair were held on Somaiya Vidyavihar and Ayurvihar, celebrated the Alumni (Degree) is at its prime. And with this year's theme the14th and 15th of Dec while the main festival happened on th Reunion on 20 January 2018 in the Vidyavihar campus at ‘Cosmos’ it had begun with a rocking start. the 20th & 21st of Dec. Hooner’ 17 was inaugurated by the Gargi plaza with great enthusiasm. The basic theme of the Cosmos is defined as the Universe, the Uncharted well-known Marathi film and theater actors, the star cast of event was retro as the special invitees to this event were the World. But it can be described as one's will to achieve and 'Yere Yere Paisa'. In order to judge various events, batches from the 80's and 90's.The function started at 5:15 their dreams that can take them on a journey beyond proficient personalities like Ajinkya Thakur, the Swirling pm with the campus prayer, lighting of lamp, invocation in horizons and taking a leap into the unknown. -
Dance-Off Or a Battle for the Future: Dance Reality Shows in India
CHAPTER 14 DANCE-OFF, OR A BATTLE FOR THE FUTURE Dance Reality Shows in India PALLABI CHAKRAVORTY Hindu mythology tells us that a most reasonable method of settling an argument is a dance-off. The story involves two of the most powerful Hindu deities, Shiva and Kali (who are husband and wife). Once they clashed over territorial dominance of the Thillai forest in the southern part of India. Kali was the patron goddess of the forest and the temple within it. But Shiva, following his two devotees who wanted to worship him in the temple (in the form of his abstract representation called the Shiva lingam), came to dance in the forest. This basically meant that Shiva wanted to occupy the forest and oust Kali. Kali refused to leave and challenged Shiva to enter a dance competition with her on the condition that the loser would leave the forest. Lord Vishnu presided as the judge. Kali (the goddess of Shakti, or power, who is often shown naked in Hindu iconog raphy, standing on the chest of her consort Shiva, prostrated beneath her) danced fear lessly. She matched Shiva’s every move and every posture with ease and grace. Shiva, the cosmic dancer of the universe, danced his tandava nritya (the cyclic dance of cre ative destruction) with fierce intensity. They were unrelenting. They danced for days and nights, but no one won. Then Shiva performed a transgressive act. He cheated. He lifted one of his legs high above his head in what classical dance parlance calls ananda tandavam (the dance of bliss). -
51 International Film Festival of India, 2020
51st Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] 2020 51st International Film Festival of India, 2020 vkf/kdkfjd foojf.kdk: Hkkjrh; flusek Official Catalogue: Indian Cinema Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 vk;kstd & fQYe lekjksg funs'kky; lwpuk vkSj izlkj.k ea=ky;] Hkkjr ljdkj Organized by the Directorate of Film Festivals Ministry of Information and Broadcasting, Government of India 001 OFFICIAL CATALOGUE INDIAN CINEMA IFFI 2020 Festival Director: Chaitanya Prasad, Additional Director General Indian Panorama, Indian Sections & Administration: Tanu Rai, Deputy Director Editors: Shambhu Sahu (English), Pankaj Ramendu (Hindi) Assisted by: Kaushalya Mehra, Arvind Kumar, Kamlesh Kumar Rawat Festival Coordinator: Sarwat Jabin, Rudra Pratap Singh, Shyam R Raghavendran, Design & Creative Director: Mukesh Chandra Photograph (Jury): Photo Division Acknowledgements: NFAI/NFDC/Film Producers/Production Houses for providing the films and other related materials. We are also grateful to various film and festival publications/websites, the extracts from which have helped enrich this book. All views expressed in this publication are not necessarily that of the editor or of the IFFI Secretariat. Published by the Directorate of Film Festivals Ministry of Information & Broadcasting Government of India You can visit us at www.iffigoa.org. www.dif.gov.in Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 003 UNION MINISTER INFORMATION & BROADCASTING AND ENVIRONMENT, FOREST & CLIMATE CHANGE GOVERNMENT OF INDIA MESSAGE I welcome you all to the 51st edition of the International Film Festival of India. -
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Indian Reality Television Shows: Ordinary People, Celebrity and the Fame Cycle
Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Indian Reality Television Shows: Ordinary People, Celebrity and the Fame Cycle Taranjeet Kaur Chawla Research Scholar Department of Journalism and Mass Communication Manipal University Jaipur, Rajasthan, India Email- [email protected] Dr. Rayaz Hassan Associate Professor & Head of the Department Department of Journalism and Mass Communication Manipal University Jaipur, Rajasthan. India Dr. Oinam Bedajit Meitei Assistant Professor Department of Mass Communication and Journalism Central University of Karnataka, India Abstract- In this paper, we discuss the phenomenon of Indian reality television shows explore its function for those participating in it. Drawing on the success of their talent hunt programmes such as Sa Re Ga Ma Pa, Indian Idol and Dance India Dance, this research work argues that reality television appeals in different ways to participants and celebrities at different points in the fame cycle. ‘Ordinary’ people seeking to become known through using reality television as an opportunity. To understand the importance of Indian reality television shows for ordinary people and considering fame as a cyclical process, a survey of opinions has been conducted through questionnaire among students of media and communication studies. The present study explores how a successful reality television show cast ordinary people who are at a range of points in the fame cycle as seek to develop their own image and those whose careers are in a period of ‘post-celebrity’ who seek to renew their fame and to prove a key attraction for audiences. Keywords - Celebrity, Fame, Indian reality television, Ordinary people I. INTRODUCTION When television expanded in India, it also provided the space for genre of reality television. -
Zee Entertainment Y 2012 Earnings Call 22 May'12
Zee Entertainment Y 2012 Earnings Call 22 May’12 Operator Ladies and gentlemen, good day and welcome to the Zee Entertainment Enterprises Limited Q4 FY 2012 Results Conference Call. As a reminder, all participant lines will be in the listen‐only mode. There will be an opportunity for you to ask questions at the end of today's presentation. Please note that this conference is being recorded. I would like to hand the conference over to Mr. Kawaljit Singh from Zee Entertainment Enterprises Limited. Thank you, and over to you sir. Kawaljit Singh, Senior Manager, Corporate Strategy and Business Development Thank you Marina. Ladies and gentlemen, thank you for joining us today. This conference call has been organized to update our investors on the Company's performance in the fourth quarter of fiscal 2012, and to share with you the outlook of the Management of Zee Entertainment Enterprises Limited. We do hope that you have had the chance to go through the earnings release and the results, both of which have been uploaded on our corporate website, zeetelevision.com. To discuss the results and performance, joining me today is Mr. We will start with a brief statement from Mr. Goenka on the fourth quarter performance. And we'll then open the discussion for questions and answers. I would like to remind everybody that anything we say during this call that refers to our outlook for the future is a forward‐looking statement and must be taken in the context of the risk that we face. We would also like to add that this call is purely for our analysts and investors.