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Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a. -
Creating Sensitivity Through Reality Show: Study of Television Reality Show in India, Satyamev Jayate
International Journal of Humanities and Social Sciences (IJHSS) ISSN(P): 2319-393X; ISSN(E): 2319-3948 Vol. 3, Issue 2, Mar 2014, 55-62 © IASET CREATING SENSITIVITY THROUGH REALITY SHOW: STUDY OF TELEVISION REALITY SHOW IN INDIA, SATYAMEV JAYATE PARUL NANGAL1, SHWETA ANAND (CORRESPONDING AUTHOR)2 & ANJALI CAPILA3 1Research Scholar, Department of Development Communication & Extension, Lady Irwin College, University of Delhi, Delhi, India 2Junior Research Fellow, Department of Development Communication & Extension, Lady Irwin College, University of Delhi, India 3Associate Professor, Department of Development Communication & Extension, Lady Irwin College, University of Delhi, Delhi, India ABSTRACT In today’s world where communication is fast changing and the various forms of communication are dwelling into the lives of the people. People have started increasingly depending upon television to look up for not only entertainment per say, but also as a means to satisfy their informative and affective needs. This study is an attempt to study the potential of media in forming perceptions of the people in order to gain insights into the impact the various television opinion leaders can potentially have in setting the images in the mindset of the audience using an example of a television reality show. The findings clearly reveal that television shows backed by sound research and clarity of message can act as potential change agents in modifying the perceptions of the audience and generating increased sensitivity towards various social discords. KEYWORDS: Edutainment, Media, Opinion leaders, Reality Show INTRODUCTION Television was officially introduced in 1959 in India and now it has become the prime mode of entertainment. Indian television has made the transition from being an educational medium to being an exclusive entertainment based medium. -
Red Alert for 5 Telangana Districts, Yellow For
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From FUELS UNDER GST: A PROPER HYDERABAD DELHI LUCKNOW BENCHMARKS CLIMB TO NEW LIFETIME BHOPAL RAIPUR CHANDIGARH ILLOGICAL PROPOSITION HIGHS; RIL, IT STOCKS LEAD CHARGE TEST WIN BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 318 HYDERABAD, TUESDAY, SEPTEMBER 7, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable NABHA TO BE MAHESH AND TRIVIKRAM'S SECOND LEAD? { Page 11 } www.dailypioneer.com VHP: RAM TEMPLE FOUNDATION TO BE SC REFUSES TO DEFER NEET-UG CHHATTISGARH GOVERNMENT WAIVES PARTY THAT GETS 120-130 LS SEATS READY BY OCT, ‘GARBHAGRIHA' BY ’23 EXAM SCHEDULED ON SEPTEMBER 12 OUTSTANDING LOAN OF WOMEN SHGS WILL LEAD OPPN FRONT: KHURSHID he foundation of the Rama temple in Ayodhya will be he Supreme Court Monday refused to defer the hhattisgarh Chief Minister Bhupesh Baghel on Monday he Congress is still in the "best position" to clinch 120- completed by the end of September or the first week of National Eligibility-cum-Entrance Test-UG examination, announced waiving off the overdue or unpaid loans 130 seats in the next Lok Sabha elections and assume TOctober and Ram Lalla will be consecrated in the Tscheduled for September 12, saying it does not want to Cworth Rs 12.77 crore of the women SHGs so that they Tthe leadership role in a prospective anti-BJP opposition ‘garbhagriha' (sanctum sanctorum) by December 2023 interfere with the process and it will be "very unfair" to can avail fresh loans to start new economic activities. -
Tarak Mehta Ka Ooltah Chashmah Time Table
Tarak Mehta Ka Ooltah Chashmah Time Table Hottest penial, Rockwell transships biters and overdyes concussion. Entopic Crawford damaskeens deliberately. Opposable and roaring Vail filings some Liszt so directly! Detect opera desktop mode on a rover sends their are main produced by home a common urban market by an It by clicking the time and breaking all video content from gujarat riots case on point in this. Champaklal is tarak mehta ka ooltah chashmah time table tennis match but my heart it also looking indian idol has some exciting ride full eurosport and. You have not sent any gifts yet. While the time that are tarak mehta ka ooltah chashmah time table tennis game content pieces ooltah chashmah has upcoming episodes online the. While playing, TRP Ratings List, its shooting schedule was also put to a halt for a few months owing to the Coronavirus pandemic. Yes i also miss sunil sir but u are wrong kapil sharma show is best now also. Watch premium and official videos free online. Net worth and his powers by endemol shine group who claims to time table of tarak mehta ka ooltah chashmah time table clearly depicts the. Star plus continues to time? The table of tarak mehta ka chashmah has topped the funnybones one of very nice serials online or fire tv shows online? First class selector here to the world, asit kumarr modi, aseem srivastava and sony sab tv shows november december, sign up cases. Tarak Mehta Ka Oolta Chashma Fame MUNMUN DUTT Is Fond Of Singing Childhood Pic. TV in the United Kingdom. -
Decisions Taken by BCCC 16 April 2014 to 22 August 2015
ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 22 AUGUST 2015 S.NO Programme Channel Total Nature of Complaints Telecast Action By BCCC Number date of the of programme Compla reviwed by ints BCCC Receive d A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 2015 Movie Awards VH1 1 During the telecast, performers made some highly indecent 13.04.2015 Channel’s representatives appeared before BCCC. After detailed gestures. One of them grabs another man’s crotch and tries to deliberations, the channel was asked to run an Apology Scroll for three days. reach for his nipples saying, “I am gonna milk those nipples.” Also, Detailed Order is being issued. a suggestive term ‘girl power’ was used for referring to vagina and a female performer is heard telling the audience that her “vagina looks more like a neat burrito rather than a stand and stuff taco”. While the word vagina has been beeped/ muted, its description is denigrating to women. Acts performed on stage were highly indecent, sexually explicit, adult, vulgar and suggestive. Irrespective of the time, the content violates Licence Term and Programme Code of Cable TV Network Rules. 2 Dance India Dance Zee TV 2 Episode-1, 27/06/15: The dance performance of two girls was 27.06.2015 BCCC viewed the episode and did not find the dance to be vulgar or vulgar as it was exposing their bodies. Such acts spoil Indian 26.07.2015 obscene. The complaint was DISPOSED OF. culture. Episode-2, 26/07/15: The performance by contestant Pronita on the song ‘Kundi na khadkao raja’ was out-and-out vulgar. -
Prashant Tamang's Perfor
Draft for the Kathmandu workshop on 'Creation of Public Meaning during Nepal's Democratic Transition' (4-5 September 2011); DO NOT CITE or QUOTE Resurgence of ‘Nepali National Identity’ in the Age of Identity Politics and Media Globalization: Prashant Tamang’s Performance in Indian Idol 3 and Discourses in Nepali Print Media By Harsha Man Maharjan 1. Introduction Prashant Tamang, the winner of Indian Idol 3, a reality show of Indian television channel, Sony Entertainment Television (SET), got a contract of a music album with Sony BGM Music Entertainment (India) Pvt.Ltd, as a prize and he named it Dhanyavad, a Nepali word for Thanks. It was released in November 2007, and contained 11 songs: three Nepali and eight Hindi songs. It was different from what previous winners did: they came up with their albums containing Hindi songs only. Why was this difference? According to Tamang, who hails from Darjeling, and a member of West Bengal Police, this album was a tribute for Nepali community who were living in India and abroad, and who voted passionately for him while he was participating in the program.1 Since then he had acted in three films in Nepali language as hero, and the first of them, Gorkhapalatan was big hit. It is interesting that Amit Paul, who became second in the program, had sung a song in Hindi movie, Luck By Chance and few others participants are hosting programs in Indian TV channels. All name and limelight Tamang is having is definitely the result of his celebrity figure as an Indian Idol. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
About Balaji Telefilms
Private and Confidential Unique, Distinctive, Disruptive Investor Presentation Unique, Distinctive, Disruptive Disclaimer Certain words and statements in this communication concerning Balaji Telefilms Limited (“the Company”) and its prospects, and other statements relating to the Company‟s expected financial position, business strategy, the future development of the Company‟s operations and the general economy in India & global markets, are forward looking statements. Such statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements of the Company, or industry results, to differ materially from those expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding the Company‟s present and future business strategies and the environment in which the Company will operate in the future. The important factors that could cause actual results, performance or achievements to differ materially from such forward-looking statements include, among others, changes in government policies or regulations of India and, in particular, changes relating to the administration of the Company‟s industry, and changes in general economic, business and credit conditions in India. The information contained in this presentation is only current as of its date and has not been independently verified. No express or implied representation or warranty is made as to, and no reliance should be placed on, the accuracy, fairness or completeness of the information presented or contained in this presentation. None of the Company or any of its affiliates, advisers or representatives accepts any liability whatsoever for any loss howsoever arising from any information presented or contained in this presentation. -
KBC, India's Most Famous Game Show: an Analyis
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/348295598 KBC, India's most famous game show: An Analyis Article in ACADEMICIA An International Multidisciplinary Research Journal · December 2020 DOI: 10.5958/2249-7137.2020.01740.1 CITATIONS READS 0 27 1 author: Karunakar B. Narsee Monjee Institute of Management Studies 21 PUBLICATIONS 3 CITATIONS SEE PROFILE All content following this page was uploaded by Karunakar B. on 07 January 2021. The user has requested enhancement of the downloaded file. ACADEMICIA ISSN: 2249-7137 Vol. 10 Issue 12, December 2020 Impact Factor: SJIF 2020 = 7.13 ACADEMICIA An International Multidisciplinary R e s e a r c h J o u r n a l (Double Blind Refereed & Peer Reviewed Journal) DOI: 10.5958/2249-7137.2020.01740.1 KBC, INDIA’S MOST FAMOUS GAME SHOW: AN ANALYSIS Dr B Karunakar* *NMIMS Hyderabad, INDIA Email id: [email protected]; [email protected] ABSTRACT Today, there are more than a dozen reality shows on air across all kinds of channels, from general entertainment to youth channels to the regional, all on prime time. These reality shows offer a wide scope for brand visibility. In this context, Kaun Banega Crorepati as a reality show was studied for its impact and the economics involved. The attempt of this article is to provide insights on the working of the TV channels, production houses, marketers & advertisers that provide the sponsorship, the general comparison of reality shows with serials and the overall impact created. KEYWORDS: Sponsorship, Reality Shows INTRODUCTION Amid the COVID-19 lockdown, 'Kaun Banega Crorepati' (KBC) Season 12, hosted by India’s famous actor Amitabh Bachchan caught the attention of audiences as millions logged in to participate in the show during May 2020. -
Delhi-London Nonstop Flights During August
, . >. * ? ? ? VRGR '%&((!1#VCEB R BP A"'!#$#1!$"$#$%T utqBVQWBuxy( *./ !'#(0" 10 " 1"$ 41!)5 /01!*23 = 5.(62 A/ =;3/25(2=#<#+- 566;!;46 .6 ( 0 1527 (2 (0567; ;5 (;0; (5.4;( 2B6;(6.6 .6 =C 22.65 6#<<, ,</(;27527 .6(;.05 (A.6;.B!A7. % ,-# #+, @ 6 1$ 21 3 #4 # - Q R DGCA on Sunday shows the minimum one-way economy ! class fares on the Delhi-London nonstop flights during August. The fares range from 1,03,191 ! to 1,21,356 for Vistara and 1,28,916 to 1,47,544 for ! O !#$ British Airways on different days this month. For Air India 567.6 ( and Virgin Atlantic the mini- 567.6 ( mum fare this month is he Indian Council of L 1,15,936 and 1,28,916, TMedical Research (ICMR) ufactured by Bharat Biotech as the beneficiaries have more M Delhi-London economy respectively. has said that a study on mixing and the ICMR, is the whole protection than those who ( Aclass air ticket priced at 4 Vistara, which currently and matching of two Covid-19 virus vaccine. have received two shots of the * lakh! Yes, that is the price tag operates flights on the Delhi- vaccines — Covaxin and The subject expert com- same vaccine. " for a Delhi-London British London as well as the Mumbai- Covishield — showed better mittee of the Central Drugs “Though India so far has Airways flight for August 26. London route, said on Sunday: immunogenicity than two Standard Control Organisation followed homologous #$ Following an outcry over the but the prices skyrocketed just Delhi-London flights of Vistara “Pricing is always a function of doses of the same vaccine. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
National Institute of Event Management
NATIONAL INSTITUTE OF EVENT MANAGEMENT ACADEMIC COLLABORATION CELEBRATING SEVENTEEN YEARS OF SERVICE TO THE EVENT INDUSTRY! “Genius without education and training is like gold in a mine.” - Anonymous We have centers at : We believe that creation and dissemination of knowledge is essential for any effective management. Our mission is to create future leaders, managers and professionals in the Global Event Management field by offering THE superior learning opportunities, engaging in research and scholarly activities along with a perfect blend of practical training on some of the most awesome and glittering sets of the worlds biggest events. We are guided by our commitment to achieve excellence in research and knowledge on event Academic Collaboration: management and promote entrepreneurial spirit SINGHANIA UNIVERSITY by encouraging the intellectual and diversified development of our faculty and students. Proud to be associated with : REGENCY INSTITUTE OF TAFE (AUSTRALIA) Through our distinctive curriculum and post AD CLUB OF BOMBAY graduate program we challenge the students to FEDERATION OF INDIAN CHAMBER OF COMMERCE & INDUSTRY (FICCI) think and communicate and with a supportive ENTERTAINMENT & EVENT MANAGEMENT ASSOCIATION (EEMA) climate of civility and freedom of expression our students become ethical, informed, wide CONFEDERATION OF INDIAN INDUSTRIES (CII) spectrum med and articulate participants in INDIAN ASSOCIATION OF AMUSEMENT PARKS AND INDUSTRIES (IAAPI) society. FERGUSSON COLLEGE, PUNE. • An entry into LIMCA BOOK OF WORLD RECORDS as Asia’s first & best event college. • Winner EEMAX GLOBAL Best Event Management Institute – Recognition by the event industry. • NIEM has produced the largest number of event professionals in the world. • NIEM has an excellent placement record.