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The Art of War in the Middle Ages, A.D. 378-1515
Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/artofwarinmiddleOOomanuoft otl^xan: ^rt§e ^ssag 1884 THE ART OF WAR IN THE MIDDLE AGES PRINTED BY HORACE HART, PRINTER TO THE UNIVERSITY THE ART OF WAR [N THE MIDDLE AGES A.D. 37^—15^5 BY C. W. C. OMAN, B.A. FELLOW OF ALL SOULS COLLEGE WITH MAPS AND PLANS OXFORD B. H. BLACKWELL, 50 BROAD STREET LONDON T. FISHER UNWIN, 26 PATERNOSTER SQUARE 1885 [^// rights reserved '\ O/M The Author desires to acknowledge much kind help received in the revision and correction of this Essay from the Rev. H. B. George, of New College, and Mr. F. York Powell, of Christ Church. 6/ 37 05 , — — CONTENTS. PAGE ' Introduction . i CHAPTER 1. The Transition from Roman to Medieval forms in War (a.d. 378-582). Disappearance of the Legion.—Constantine's reorgajiization. The German tribes . — Battle of Adrianople.—Theodosius accepts its teaching.—Vegetius and the army at the end of the fourth century. —The Goths and the Huns. Army of the Eastern Empire.— Cavalry all-important . 3— 14 CHAPTER n. The Early Middle Ages (a.d. 476-1066). Paucity of Data for the period.—The Franks in the sixth cen- tury.—Battle of Tours.—^Armies of Charles the Great. The Franks become horsemen.—The Northman and the Magyar.—Rise of Feudalism.—The Anglo-Saxons and their wars.—The Danes and the Fyrd.—Military importance of the Thegnhood.—The House-Carles.—Battle of Hastings . Battle of Durazzo 15 — 27 W — VI CONTENTS. -
Notes on the Decorations of Central Vault Mosaic of Galla Placidia Chapel in Ravenna, Italy Prof
مجلة العمارة والفنون والعلوم اﻻنسانية المجلد الخامس - العدد الثاني والعشرون Notes on the decorations of central vault mosaic of Galla Placidia chapel in Ravenna, Italy Prof. Khaled Gharib Ali Ahmed Shaheen Professor and Head of Greco-Roman Archaeology Department - faculty of Archaeology, Cairo University. Assist. Prof. Dr. Mona Gabr Abd El-Naby Hussein Assistant Professor of art history - Greco-Roman Archaeology Department - faculty of Archaeology, Cairo University. Lect. Asmaa Mamdouh Abdel-Sattar Hanafi Mohammed El-Nadi Demonstrator– Greco-Roman department– faculty of Archaeology, Cairo University. [email protected] Abstract: The Galla Placidia Chapel in Ravenna, or globally known as the "Mausoleum" of Galla Placidia, has been renowned for its exceptional mosaic decorations covering the surfaces of its interior walls. The entrance of the chapel represents a dramatic transition from the humble exterior to the grandeur and majesty of the interior; the chapel has retained its entire interior decoration program, which is uncommon for buildings from that late antiquity. This cross- planned chapel still raises many issues and questions that are difficult to answer decisively, as a result of the lack of any contemporary documentation, so it remains purely hypothetical. The interpretation of central vault mosaics of the chapel is one of the most important issues that have occupied the scholars for a long time over the years, due to the ambiguity and distinctiveness of its elements with regard to the iconographic traditions of the time, as it is the predecessor of a decorative subject that will continue over time in the early Christian structures. The central vault mosaic consists of 567 golden stars arranged in concentric circles against a dark blue background, all orbiting a Latin gold cross represented at the vault apex, while floating, over the heap of the clouds, in the pendentives area, winged bust-figures represent the four living creatures around the celestial throne. -
The Cambridge Companion to Age of Constantine.Pdf
The Cambridge Companion to THE AGE OF CONSTANTINE S The Cambridge Companion to the Age of Constantine offers students a com- prehensive one-volume introduction to this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, reli- gion, social and economic history, art, and foreign relations during the reign of Constantine, a ruler who gains in importance because he steered the Roman Empire on a course parallel with his own personal develop- ment. Each chapter examines the intimate interplay between emperor and empire and between a powerful personality and his world. Collec- tively, the chapters show how both were mutually affected in ways that shaped the world of late antiquity and even affect our own world today. Noel Lenski is Associate Professor of Classics at the University of Colorado, Boulder. A specialist in the history of late antiquity, he is the author of numerous articles on military, political, cultural, and social history and the monograph Failure of Empire: Valens and the Roman State in the Fourth Century ad. Cambridge Collections Online © Cambridge University Press, 2007 Cambridge Collections Online © Cambridge University Press, 2007 The Cambridge Companion to THE AGE OF CONSTANTINE S Edited by Noel Lenski University of Colorado Cambridge Collections Online © Cambridge University Press, 2007 cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521818384 c Cambridge University Press 2006 This publication is in copyright. -
The Suevic Kingdom Why Gallaecia?
chapter 4 The Suevic Kingdom Why Gallaecia? Fernando López Sánchez The Sueves…(came to) hold the supremacy which the Vandals abandoned.1 Introduction: Towards a Re-evaluation of the Suevic Kingdom of Hispania During the reign of Rechiar (448–456) in the middle of the fifth century, the Sueves’ hegemony in Hispania seemed unassailable. Rechiar had inherited from his father, Rechila (438–448), a Suevic kingdom strong in Gallaecia and assertive across the Iberian Peninsula.2 By marrying a daughter of Theoderic I in 449, the new Suevic king won the support of the Visigothic rulers in Toulouse.3 As a Catholic, Rechiar managed to draw closer to the population of Hispania and also to Valentinian III, making himself, in a sense, a ‘modern’ monarch.4 In 453, he secured imperial backing through a pact with the imperial house of Ravenna.5 Confident in his power and prospects, Rechiar plundered Carthaginiensis and, finally, Tarraconensis, the last Spanish province under imperial control, following the deaths of Aëtius (454) and Valentinian III (455).6 1 Ubric (2004), 64. 2 For an analysis of Rechila’s ambitions and achievements: Pampliega (1998), 303–312. 3 Hyd. 132, pp. 98–99; Valverde (1999), 304. 4 Rechiar’s father, Rechila, died a pagan (gentilis), but Hydatius 129, pp. 98–99, describes Rechiar as catholicus at the time of his succession; see also Isidore of Seville, Historia Sueuorum 86–87, p. 301. Presumably, Rechila, his predecessor, Hermeric, and most of the Suevic aristocracy fol- lowed traditional German religious practices: Schäferdiek (1967), 108; García Moreno (1997), 200–201. -
Joyce E. Salisbury, Rome's Christian Empress: Galla Placidia Rules At
Joyce E. Salisbury, Rome’s Christian Empress: Galla Placidia Rules at the Twilight of the Empire. Baltimore: Johns Hopkins University Press, 2015. Pp. ix, 236. 12 illustrations, 7 maps. ISBN 9781421417004. $34.95. Writing the biography of any late antique individual is a challenging task given the either fragmentary, normative or highly rhetoricised nature of an overwhelming number of late antique sources. Writing the biography of a late antique woman – not frequently the object of late antique texts – may seem like an unsurmountable task. Galla Placidia, sister of Honorius, wife of Constantius III and mother of Valentinian III, is often considered an exception: her life is reasonably well documented in narrative sources of the fifth and sixth centuries, there are extant churches and church decorations that bear her name as a patron, and – remarkably – we possess documents she ostensibly wrote herself. As a result, there are already a number of biographies of Galla Placidia, from Stewart Oost’s masterly Galla Placidia Augusta: A Biographical Essay (1968) to Hagith Sivan’s Galla Placidia: The Last Roman Empress (2011), making the opening claim of Salisbury’s book that Galla Placidia is a ‘forgotten empress’ at least questionable (p. 1). Yet, while Galla Placidia may not be forgotten by academic scholarship, there is a good chance that she is less well known to general readers who will certainly enjoy Salisbury’s account of her life. After an introduction, in which Salisbury highlights her debt to Oost, but also her objective of portraying Galla Placidia as a ‘powerful empress in her own right’, and not just a ‘worthy child’ of Theodosius I, as Oost did, Salisbury (p. -
Front Matter
Cambridge University Press 978-0-521-83672-2 - Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Frontmatter More information Ravenna in Late Antiquity Ravenna was one of the most important cities of late antique Europe. Between AD 400 and 751, it was the residence of western Roman emperors, Ostrogothic kings, and Byzantine governors of Italy, while its bishops and archbishops ranked second only to the popes. During this 350-year period, the city was progressively enlarged and enriched by remarkable works of art and architecture, many of which still survive today. Thus, Ravenna and its monuments are of critical importance to historians and art historians of the late ancient world. This book provides a com- prehensive survey of Ravenna’s history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and new interpre- tations of art works. As a synthesis of the voluminous literature on this topic, this volume provides an English-language entry point for the study of this fascinating city. Deborah Mauskopf Deliyannis is assistant professor of history at Indiana Uni- versity. She is the editor and translator of Agnellus of Ravenna’s Liber pontificalis ecclesiae Ravennatis, and she is the executive editor of The Medieval Review. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-83672-2 - Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Frontmatter More information Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Indiana -
Bologna Contents
Study Abroad in Bologna Contents Introduction 3 Welcome to Bologna 4 History of the University 6 The University Today 8 How to Apply 10 Tuition Fees and Living Costs 13 Living in Bologna 17 Exploring Emilia-Romagna 22 Introduction The University of Bologna is one of the most highly regarded universities in Italy, Europe, and the world. The oldest continuously running university on the planet, founded in 1088, the university and the city alike have provided countless generations of students with incredible education in one of Italy’s most historically important regions, Emilia-Romagna. It’s not all just about the history though. The University of Bologna (or UNIBO for short) consistently stands at the forefront of innovation with The University of 230 projects funded by Horizon 2020, the largest ever EU Research and Bologna is one of Innovation program, along with a further 145 funded national projects and 170 regional projects. the most highly regarded universities The university is committed to helping achieve the UN’s agenda of sustainable development goals (17 in total), teaching the best suitable in Italy, Europe, and practices to accomplish goals by 2030, with sustainability at the heart of the world. this university that has sustained teaching for close to 1,000 years. Read on to find out more about Bologna’s rich history, the history of its university, as well as UNIBO’s application process and tuition fees, what it’s like to live in the city, and discover the university multicampus across the Emilia-Romagna region. Si parte! www.TopUniversities.com How to study abroad in Bologna 3 Image from Alma Mater Studiorum - University of Bologna Welcome to Bologna Bologna is the pride and joy of northern Italy’s Emilia Romagna region, seamlessly combining the ancient and the modern. -
Constantius Iii, Galla Placidia, and Libanius the Magician
E-ISSN: 1754-517X; Journal DOI: https://doi.org/10.18573/issn.1754-517X Journal website: https://jlarc.cardiffuniversitypress.org Volume 14, 2020, 50-64; Volume DOI: https://doi.org/10.18573/jlarc.v14 CONSTANTIUS III, GALLA PLACIDIA, AND LIBANIUS THE MAGICIAN OLYMPIODORUS OF THEBES AND THE RECONSTRUCTION OF IMPERIAL POLITICS IN RAVENNA IN 421 Geoffrey D. Dunn Article DOI : https://doi.org/10.18573/jlarc.113 Date Accepted: 1 February 2020 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License (CC-BY-NC-ND). https://creativecommons.org/licenses/by-nc- nd/4.0/ © Geoffrey D. Dunn 50 GEOFFREY D. DUNN CONSTANTIUS III, GALLA PLACIDIA, AND LIBANIUS THE MAGICIAN OLYMPIODORUS OF THEBES AND THE RECONSTRUCTION OF IMPERIAL POLITICS IN RAVENNA IN 421 Geoffrey D. Dunn, University of Pretoria / John Paul II Catholic University, Lublin Abstract In Fragmentum 36, the ninth-century Photius, patriarch of Constantinople, summarises Olympiodorus of Thebes teratological story about Libanius the magician and the contradictory responses to his presence in Ravenna by Constantius III and his wife, Galla Placidia. The story of the dispute between the couple and of Galla Placidia’s success in having Libanius put to death is to be believed, in the light of what else we can reconstruct about how this married couple operated in other situations. Although R.C. Blockley assessed this story in terms of Olympiodorus’ interest in paganism and magic, it will be argued here that it is best seen in terms of the poet-historian’s hostility to Constantius— something Blockley noted but did not explain. -
St. Ambrose and the Architecture of the Churches of Northern Italy : Ecclesiastical Architecture As a Function of Liturgy
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2008 St. Ambrose and the architecture of the churches of northern Italy : ecclesiastical architecture as a function of liturgy. Sylvia Crenshaw Schneider 1948- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Schneider, Sylvia Crenshaw 1948-, "St. Ambrose and the architecture of the churches of northern Italy : ecclesiastical architecture as a function of liturgy." (2008). Electronic Theses and Dissertations. Paper 1275. https://doi.org/10.18297/etd/1275 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. ST. AMBROSE AND THE ARCHITECTURE OF THE CHURCHES OF NORTHERN ITALY: ECCLESIASTICAL ARCHITECTURE AS A FUNCTION OF LITURGY By Sylvia Crenshaw Schneider B.A., University of Missouri, 1970 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Art History University of Louisville Louisville, Kentucky December 2008 Copyright 2008 by Sylvia A. Schneider All rights reserved ST. AMBROSE AND THE ARCHITECTURE OF THE CHURCHES OF NORTHERN ITALY: ECCLESIASTICAL ARCHITECTURE AS A FUNCTION OF LITURGY By Sylvia Crenshaw Schneider B. A., University of Missouri, 1970 A Thesis Approved on November 22, 2008 By the following Thesis Committee: ____________________________________________ Dr. -
Ravenna from Imperial Residence to Episcopal City: Processes of Centrality Across Empires
Zeitschri des Max-Planck-Instituts für europäische Rechtsgeschichte Rechts R Journal of the Max Planck Institute for European Legal History geschichte g Rechtsgeschichte Legal History www.rg.mpg.de http://www.rg-rechtsgeschichte.de/rg23 Rg 23 2015 54 – 67 Zitiervorschlag: Rechtsgeschichte – Legal History Rg 23 (2015) http://dx.doi.org/10.12946/rg23/054-067 Salvatore Cosentino Ravenna from imperial residence to episcopal city: processes of centrality across empires Dieser Beitrag steht unter einer Creative Commons cc-by-nc-nd 3.0 Abstract From Late Antiquity to the early Middle Ages, two basic factor shaped Ravenna’s ability to influ- ence a much more extensive space than its natural hinterland. The first was its establishment as an imperial residence the second was its location within the northern Adriatic basin, which had since Antiquity been a crossroads for peoples, trade and cultures. Just on the basis of the support it received from the imperial power, its episcopate was elevated to one of the most important sees of Italy. By means of the large international harbour of Classe, from the 5th to the 7th centuries the city imported products from around the entire Medi- terranean. With the arrival of the Byzantine gov- ernment, the ties between the port of Classe and the other Mediterranean export centres shifted by moving from West to East. Moreover, the relation- ship with Constantinople reaffirmed the political and ecclesiastical importance of Ravenna. As long as these ties remained strong, Ravenna retained a vital contact to the other maritime Mediterranean trade centres. The twilight of Byzantine rule did not cause the decline of the city, but rather a progressive turn of its ruling class toward the political scenario of the medieval West. -
Hiperboreea Journal
HHIIPPEERRBBOORREEEEAA JJOOUURRNNAALL Journal of History Vol. III, No. 1 June 2016 Bucharest 2016 https://biblioteca-digitala.ro HHIIPPEERRBBOORREEEEAA JJOOUURRNNAALL Journal of History Vol. III, No. 1 June 2016 Bucharest 2016 https://biblioteca-digitala.ro ADVISORY BOARD Ph.D. Professor Ecaterina Lung (University of Bucharest) Ph.D. Professor Marian Petcu (University of Bucharest) Ph.D. Professor Anca Irina Ionescu (University of Bucharest) Ph.D. Associate Professor Luminiţa Diaconu (University of Bucharest) Ph.D. Assistant Professor Ioana Munteanu (University of Bucharest) Ph.D. Senior Researcher Adrian Ioniță (“Vasile Pârvan” Institute of Archaeology, Romanian Academy) Ph.D. Research Coordinator, Zoran Ladić (The Department of Historical Sciences of the Institute of Historical and Social Sciences in Zagreb, Croatian Academy of Sciences and Arts) Ph.D. Professor, Sc. Hist. Valeria Fol (Institute of Balkan Studies and Centre of Thracology, Bulgarian Academy of Sciences) Ph.D. Associate Professor Carsten Selch Jensen (Department of Church History, Faculty of Theology, University of Copenhagen) EDITORIAL BOARD Editor-in-Chief: Ph.D. Student Mihai Dragnea (“Nicolae Iorga” Institute of History, Romanian Academy) Editors: Ph.D. Ovidiu Nedu (“Paul Păltănea” History Museum of Galaţi) Ph.D. Associate researcher Marco Cassioli (Telemme Laboratory, University of Aix- Marseille) Ph.D. Student Constantin Zamfir (University of Bucharest) Ph.D. Student Jillian Mary Mitchell (University of Wales Trinity Saint David) Hiperboreea (ISSN 2284 – 5666) is an online scholarly journal which publishes studies and articles in English, French, German, Spanish or Italian from the field of History as well as book reviews or evaluations of scholarly conferences. Without limiting the scope of the research to a particular geographical area or historical period, the journal covers a wide range of interdisciplinary approaches and analyses on topics related to Cultural History, Political History, Military History, Social History, Economic History and Archeology. -
RIVISTA John Ruskin in Venice 2018-2019
Friuli: A Frontier Region Immigration in Italy The Fosse Ardeatine Massacre RIVISTA John Ruskin in Venice 2018-2019 The Magazine of Dear readers n this issue we go from the North to the South of Italy exploring the region of Friuli Venezia Giulia, Ia beautiful garden on Lake Maggiore and then to Sicily to focus on migration issues. We stop in Venice on the way, visiting the Ruskin exhibition at the Palazzo Ducale and, on a more sombre note, the Fosse Ardeatine in Rome. Ancient Rome is the subject of a new book which you will find reviewed on page 21. Back in England we look at Italian influences on London life, review an exhibition about Italian connections in Hull and consider the complexities of adapting an Italian libretto to be Vanessa Hall-Smith Linda Northern sung in English. As usual we include a summary of all the events that have taken place in the course of have given such valuable and constructive feedback. the year. We are handing over to Sandra Fox and Philippa Leslie and wish them every success in their new role. This is the last issue of Rivista that we will edit – after We hope it will be as rewarding and as much fun for five years it’s time to move on. We remain enormously them as it has been for us. grateful to our contributors, to all those involved in the production of Rivista and to you, our readers, who Linda Northern and Vanessa Hall-Smith Cover photo: Detail of mosaic in San Vitale, Ravenna showing Emperor Justinian 1 Contact British-Italian Society Events and Membership Secretary Elisabetta Murgia [email protected] Rivista Editors [email protected] Rivista is published by the British-Italian Society No 401 2018/19 www.british-italian.org Designed by JASDesign [email protected] Printed by Bishops [email protected] At Bishops we are fully committed to printing responsibly and respecting our environment in all of our business practices.