Addison, Joseph, 15 A¼ekt, 57, 67, 108 Alberti, Johann Friedrich

Cambridge University Press 978-0-521-83636-4 — Handel: Water Music and Music for the Royal Fireworks Christopher Hogwood Index More Information

Index

Addison, Joseph, 15 orchestral suites, 26, 33, 116 A¼ekt, 57, 67, 108 Baines, Anthony, 125 Alberti, Johann Friedrich, Handel Baker, Benjamin, 14 and, 55 Barthes, Roland, 56 Albinoni, Tomaso, 49 Barto´k, Be´la, 71 allemande, 26 Baselt, Bernd, 21, 125 alternativement/da capo, 26, 27, bassoon, 13 41, 45, 123, 130 Beecham, Thomas, 131, 142 Amelia, Princess, 21 Benda, Hans von, 125 Anne, Queen of Great Britain, 4, Berlin Chamber Orchestra, 125 7, 8 Berlin Philharmonic Orchestra, architecture, 58 125 Armstrong, John, 139 Berlioz, Hector, 100, 141 Arnold, Samuel, 22, 24, 63 Symphonie fune`bre et triomphale, edition of Fireworks Music, 101, 118 118, 122 Bloom, Robert, 123 edition of Water Music, 21, 24, Blow, John, Handel and, 28 46, 122 Bolton, Henrietta, Duchess of, 10, Augusta, Princess of Wales, 25, 11, 12 77, 96 Bonet, Friedrich, 12, 14, 27, 125 Axt, John, 14 Bononcini, Giovanni, 124 Aylesford, 21, 25 Handel and, 59, 133 borrowing, 58, 87 Babell, William, 131 attitudes to, 49–51, 55–9 Bach, C. P. E., 67 see also under Handel Bach, Johann Sebastian, 2, 3, 49 Boscawen, Frances, 140 borrowings, 55 bowing, 27, 42, 128 compositional methods and Boyce, William, 50 forms, 52, 55, 58, 61, 65 Brahe, Tycho, 2 and dance forms, 26, 27 Brainard, Paul, 55 Christmas Oratorio, 113 Brecht, Bertolt, 6 Mass in B minor, 117 Buelow, George J., 138

147

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-83636-4 — Handel: Water Music and Music for the Royal Fireworks Christopher Hogwood Index More Information

Index

Burney, Charles, 13, 14, 50 Dean, Winton, 57, 137 Burrows, Donald, 4, 139 Debussy, Claude, 52 Butler, Samuel, 66, 127, 139 Delaney (Granville), Mary, 22, 52 Byrom, John, 91–2 Dent, Edward J., 50, 51 Derr, Ellwood, 51 Cahusac, Louis de, 87 Diderot, Denis, 79 Campra, Andre´, Handel and, 54 Dolmetsch, Arnold, 128 caricatura,45 double dotting, 128 Carlos, Wendy (Walter), 126 doubling, 12–13, 15, 22, 41, 113–14 Caroline, Princess of Wales/Queen Drexel, 21, 24, 46 of Great Britain, 8, 9, 12, drums, 14, 99–101, 116–17, 141 76, 91 dynamics, 47, 65, 67, 110 Charles, Mr, 63 Chrysander, Friedrich, 22, 58, 63, Ebner, Wolfgang, Handel and, 55 122, 139 Eliot, T. S., 58 edition of Handel’s works, xi, 16, Emery, Walter, 58 24, 46, 58, 63, 122 Endler, J. S., 116 Coke, Lady Jane, 76 England, Cousser’s rules for conducting, 14, 101 musicians in, 3–4, 28 continuo instruments, 14, 22, English Concert, 137 129–30 Enlightenment, the, 5, 6 contra-bassoon, 99 espionage, 8 Cook, Anthony, 15 cor de chasse, see horn film, 124–5 Corelli, Arcangelo, 27 finales, 45–6 country dances, 26–7 Find, Fix and Strike (film), 124 Couperin, François, 27, 108 Finger, Gottfried, 3 Cousser, Johann Sigismund, firework displays, 77, 79, 80–2, 3–4, 28 119, 127 Cowper, William, vii see also under Handel, Fireworks Coxe, William, 54–5 Music (first performance and Crotch, William, 50 political background and Cumberland, William Augustus, occasion of) Duke of, 61, 89 Fiske, Roger, 110 editions of Fireworks Music and da capo/alternativement, 27, 41, Water Music, xi, 21, 25, 129 45, 47, 123, 130 Fleming, Hans von, 117 Daily Courant,10,13 Flower, Newman, 22 Danby, Lord, lute book, 44 flute, 12–13 dance forms, 26–7, 31, 41, 45, 137 Forrest Harmony, 30–1, 43 see also minuet and re´jouissances Foundling Hospital, 84, 85, Dart, Thurston, 16, 125, 130 89, 96–7 dates, 136 Frasi, Giulia, 83

148

Index

Frederick, Prince of Wales, 11, 25, attitudes concerning own music, 77, 96 vii–viii Frederick, Charles, 82, 83–6, 89, autographs, viii, 22 96, 140 borrowings, 6, 28, 48–59, 104, French horn, see horn 114, 131 Froberger, Johann Jacob, Handel caricatures and satires of, 1, 2, and, 55 4–5, 135 character, 1–6, 53–4 Galliard, Johann Ernst, 3 as a classic in his lifetime, 7 Gallini, John, 27 commemorations of, 122 Galuppi, Baldassare, Handel and, 59 compositional methods, 31, Gay, John, 120 51–2, 55–9, 70–1, 131 General Evening-Post,14 conducting, 14, 101 George I, King of Great Britain, 4, and dance music, 24–5, 7–9, 77, 136 25–7, 137 George II, King of Great Britain editions of music (see also under (also as Prince of Wales), 4, 5, individual works), xi–xii 8, 9, 12, 77, 108 and espionage, 8 and Fireworks Music, 83–4, 85–6, forms, 45–6, 61–2, 63, 65, 89, 92, 115 70, 104 Gibbons, Orlando, 124 ideal of beauty, 58 gigue, 45 improvising, 51–2 gigue loure, 27 independence/self-su½ciency, Gilbert, Adrian, 139 1–6, 60–1 Godolphin, Henrietta, Countess of, instrumental writing, 69, 71 10, 11, 12 key schemes, 25–6 Goodson, Richard, 47 library, 54 Goupy, Joseph, 1, 2, 135 life, 1–6, 7–8, 53–4, 58, 60–1, Grano, John, 14–15, 41, 52–3, 83–6 121, 126 naturalisation, 5 Granville, 22, 25 performing forces, viii, 5, 12–14, Granville, Bernard, 22 99, 122, 128 Granville (Delaney), Mary, 22, 52 see also under Fireworks Music Great Mr Handel, The (ﬁlm), and under Water Music in this 124–5 entry Greber, Jakob, 3 and politics, viii–ix, 4, 5–6, 7–8, Grey, Jemima, Marchioness, 91, 60–1 92–4 rhythmic notation, 31, 69, 104, 112, 125, 128–9 Handel, George Frideric [Ha¨ndel, sketches, 52, 57 Georg Friedrich] and suites, 25–7 attitudes concerning tempo indications, 67, 69, 70, instrumental music, vii–viii 104, 130, 139

149

Index

Handel, George Frideric [Ha¨ndel, Concerti Grossi, Op. 6, 57, 63 Georg Friedrich] (cont.) Concerto, HWV 331, 132 thematic listings of music, 137 Concertos, HWV 335a and 335b, will, 1 71–2 WORKS autograph of, xii Acis and Galatea, 17, 34, 45, 65 editions of, xi, xii libretto, 58 Fireworks Music and, 96, 98, Admeto,9 102, 102–3, 106, 107–8, 109, Alceste, incidental music for, 79 115, 117, 127, 133 Alexander Balus, 66, 67, 68, Daphne, 26, 43 98, 133 Deborah,99 L’Allegro, il Penseroso ed il Dettingen Te Deum,60 Moderato,99 Dolce pur, 132 Almira, 112, 131 Esther, 68, 69, 70, 99, 107, 133 Amadigi, 25, 31, 37, 132 Fireworks Music, vii–viii, 98–9 Anthem on the Peace (How arrangements of, 96–7, 118, Beautiful Are the Feet), 78, 121, 122, 123, 126 83, 114 autograph of, xii, viii, 88, Aria HWV 411, 118 101, 106, 108, 111–12, Arianna,46 115, 116 Ariodante, 25–6, 108, 131 editions of, xi–xii, 118, 122, 125 Arrival of the Queen of Sheba,57 ﬁrst performance, 78, 78–82, Atalanta,77 89–96, 101, 108, 119; Belshazzar, 65, 67, 133, 134 Handel’s part in, 101 Berenice, 46, 102, 106 gun salutes, 89, 108, 140 Blessed Are They (Foundling individual movements: Hospital Anthem), 96 Ouverture, 101–12, 117–18, Caroline Te Deum, 10, 83 128–9, 130, 133; Bourre´e, 112; Concerti a due cori (HWV 332-4), La Paix, 112–15, 118, 60, 61–71, 98, 117, 133–4 131, 133; La Re´jouissance, 57, arrangements of, 63 87, 112, 116–17, 129, 133; editions of, xi, 63 Menuets I and II, 112, 117–18, occasions of performances, 61, 133 65–6, 68 later performances, 84, 85, recordings, 126 96–7, 114, 119, 122, 142 revisions, 65, 66, 70–1, 130 movement titles, 104, 108 sources of musical material, 62, performance issues, see 63–4, 65–6, 67, 67–8, 69–70, performance issues 133–4, 139 performing forces, 99–101, tempo indications, 67, 69, 70, 113–14, 118; proposed, 76–7, 130, 139 83, 83–4, 84–5 Concerti Grossi, Op. 3, 22, political background and 33, 47 occasion of, 73–89, 96, 98–9

150

Index

recordings, 125–6 Occasional Oratorio, 29, 57, 60, rehearsals, 88; public rehearsal 68, 70, 118, 133, 134 in Vauxhall Gardens, 83–4, Ode for the Birthday of Queen 85–6, 88–9 Anne, 68, 70, 133 revisions, 104, 106, 108, Ode for St Cecilia’s Day,57 111–12, 113, 115, 116, 130 organ concertos, Op. 7, 130 scoring, 99–101, 112–13, Ottone, 67, 133 113–14, 115, 116–17, 118, Overture for two clarinets and 129–30 horn, 57, 63–4, 99, 134 sources of musical material, 65, Partenope, 65, 121, 134 69, 71, 72, 87, 101–4, 116, 117, Il Pastor Fido, 31, 42, 131, 132 118, 133 Peace Anthem (How Beautiful tempo indications, 104, 130 Are the Feet), 78, 83, 114 title, 73, 104 Radamisto, 25–6 Foundling Hospital Anthem La Resurrezione, viii, 42, 80, 132 (Blessed Are They), 96 Rodrigo, 25–6, 131 Fronda leggiera e mobile,67 Samson,99 Haec est regina virginum, 132 Saul,99 Haman and Mordecai, see Esther Semele, 5, 60, 67, 133 ‘Harmonious Blacksmith’ Serse, 124, 142 variations, 105 Solomon, 48, 51, 57, 96, 99, 102, Hercules,5 103–4, 134 How Beautiful Are the Feet sonatas, Op. 1, 30, 32, (Anthem on the Peace), 78, 40, 132 83, 114 Song for the Gentlemen hymn settings, 106 Volunteers of the City of Israel in Egypt, 50, 107, 120 London,61 Italian duet cantatas, 58 Stanco di piu` so¼rire, 132 Jephtha,59 Susanna,28 Joshua, 61, 65–6, 89, 117, 141 Terpsicore, 25–6, 131 Judas Maccabeus, 61, 63, Teseo, 132 100, 134 Theodora, 83, 98 keyboard fugues, 28, 132 Water Music, vii–viii, 17, 110 keyboard suites, 105 arrangements/adaptations of Lotario, 67, 68, 133 (see also order of movements/ Menuet, HWV 422, 133 playing sequences in this Messiah, 40, 48, 52, 57–8, 62, 64, entry), 15–16, 21, 22, 66, 68, 69–70, 89, 113, 124–5, 24, 28, 30–1, 33–4, 35, 133, 139 43, 45, 47, 120–1, 121–2, Music for the Royal Fireworks, 123, 126 see Fireworks Music in this autographs of, 22, 31, 36–7 entry dance forms, 26–7, 137 My Heart Is Inditing,72 dynamics, 47, 129

151

Index

Handel, George Frideric [Ha¨ndel, sources, 19–24 Georg Friedrich] (cont.) sources of musical material, editions of, xi–xii, 15–16, 24–5, 28, 30–1, 33, 35, 37, 122, 125 41–2, 43, 44, 46, 132 ﬁrst performance, 10, 11, suites, divisions into, 25, 34, 41, 12–14, 125; Handel’s part 47, 125, 126, 127 in, 101 tempi, 31, 42, 43 individual movements, 21; Zadok the Priest, 107 WM1, 27–8, 132; WM2, 28–9, Hardy, Thomas, 99 123, 131; WM3, 30, 69, 132; Harty, Hamilton, 41, 123 WM4, 30, 34, 132; WM5, Hasse, Johann Adolf, 49 30–1, 129, 132; WM6, 31, 128; Hawkins, John, 14, 121 WM7, 21, 31–4, 120, 132; Haydn, Franz Joseph, 3, WM8, 34, 45, 112; WM9, 34; 52, 71 WM10, 34–5; WM11, 13, 14, ‘Military’ Symphony, 45 22, 30, 35–7, 64, 105, 120, 129, Heidegger, John, 9, 12 32; WM12, 13, 16, 22, 37–41, Hervey, Lord John, 4 132; WM13, 41; WM14, 41; HHA, xi, 25, 122 WM15, 41; WM16, 41–2, Hicks, Anthony, 24–5, 137 128, 132; WM17, 26, 30, 42–3, Hill, Jonathan, 11 132; WM18, 26, 43, 130; Hiller, Johann, 122 WM19, 43–4; WM20, 43, 45; historically informed WM21, 33, 43, 45; performance, WM22, 43, 46, 117, 120, see performance issues 121, 132 Hogarth, William, 58 later performances, 14, 15–16, Holme, Randle, 100 119, 122, 142 Homer, vii later versions, 34, 36–7, 39 horn, 13, 69, 112 order of movements/playing hornpipe, 26–7 sequences (see also suites in this Hudson,xi entry), 13, 16, 21–5, 28, Hunter, David, 140 43, 137 Hurley, David Ross, 138 ‘Oxford’ version, 33, 43, 47, HWV catalogue, 125 121, 127 performing forces, 12–14, improvisation, 51–2 30, 42 instruments, numbers used, see political background and performing forces under occasion of, 8–12, 77 Handel recordings, 16, 123, 125, 126, Irving, Ernest, 69, 124–5 137, 142 reuse of material from, 29, 42 Jacobites, 4, 7, 60–1, 91 scoring, 31, 41, 43, 45, 46, Jennens, Charles, 4, 21, 49 129–30, 137 jigs, 45

152

Index

Keiser, Reinhard Loussier, Jacques, 126 Handel and, 13, 35, 41–2, 46, 59, Lully, Jean-Baptiste, Handel and, 132, 134 54, 104 Der Carneval von Venedig (Der angenehme Betrug), 44, 132 McCleave, Sarah, 137 Claudius, 40, 41–2, 132 Mackerras, Charles, 125 La forza della virtu`,35 Mainwaring, John, 1–2, 9, 13, 60 Octavia,13 Malmesbury, 21, 24, 25, 46 Keller, Gottfried, 3 Mann, Alfred, 66 Kent, William, 76 Mattheson, Johann, 13, 26, Kerll, Johann Kaspar, Handel 49, 137 and, 55 on compositional technique, Kielmansegge, Johann Adolf, 56–7, 109 Baron, 9–10, 12, 46 on Handel, 49, 51, 137 Kielmansegge, Sophia von, 9, Mendelssohn, Felix, 104 10, 12 and Handel, 120, 125 Klee, Paul, 56 menuet, see minuet Krebs, Johann Ludwig, 116 Messing brothers, 13 Krieger, Johann Philipp, Handel military bands, 118–19 and, 55, 102–4, 133 military instruments, 99 Kytch, Jean Christian, 15 military music, 117 Milton, John, vii Laubach, Walter Hermann, 21 minuet/menuet/minuetto, 26, Leclair, Jean-Marie, Handel and, 54 31, 41, 46, 67, 117, 118, 121, Legh, Elizabeth, 21 130, 137 Lehmann, Fritz, 125 Mondonville, Jean-Joseph de, Lennard, 16, 22, 25, 125, 130 Handel and, 54 Lennard, Barrett, 22 money values and prices, 15, 88, 89, Linike, D., 21 96–7 Liszt, Franz, 52 Montagu, John, Duke of, 82, 83–6 Locke, Matthew, 26 Mozart, Wolfgang Amadeus, 3, Loeillet, Jean Baptiste, 3 52, 57 London, 74–5 arrangement of Messiah, 122 bridges over Thames, 10 Mu¼at, Georg, 27, 42, 128 London Bridge, 10, 88 Mu¼at, Gottlieb, Handel and, 26, Westminster Bridge, 10, 88 54, 57 Green Park, 76 musicians, 14–15, 84, 96–7 opera orchestras, 14 see also wind players Vauxhall Gardens, vii London Philharmonic Orchestra, Newcastle, Duchess of, 10, 12 124 notation, see rhythmic notation Louis XV, King of France, 86 under Handel loure, 27 notes ine´gales, 31, 104

153

Index

oboe, 12–13, 128 Purcell, Henry, 3, 26, 122 opera seria,5 Handel and, 4, 27–8, 70, 104 orchestras, 12–13, 14 seating plans, 128 Quantz, Johann Joachim, 26 see also performing forces under Handel Rameau, Jean-Philippe, 108 Orkney, Earl of (George Handel and, 54, 133 Hamilton), 10, 12 Naı¨s,87 ornamentation, 104, 130–1 Rank, J. Arthur, 124 Oxford,22 Raphael, 50 recorder, 12–13, 43, 45 Pascal, Blaise, 2 Redlich, xi, 37, 39, 125 passepied, 31 re´jouissances, 116 Pepusch, Johann Christoph, repeats, 27, 130 3, 120 see also da capo/alternativement Handel and, 4 Reynolds, Joshua, 50 percussion instruments, 99–101, rigaudon, 26 116–17 Roberts, John, 51 perﬁdia, 34, 45 Robinson, Percy, 50 performance issues, 121, 122, Robjohns, Sydney, 126 124–2, 127–31, 142 Rousseau, Jean-Jacques, 26 see also bowing, double dotting, Royal Society of Musicians of dynamics, notes ine´gales, Great Britain, 21 ornamentation RSM, 21, 24 and repeats Ruggieri, Gaetano, and Ruggieri performing forces, see under Handel family, 80–2 Philidor, Franc¸ois-Andre´ Danican, Russell, Tilden A., 137 108 Philomusica of London, 16, 142 Sadie, Stanley, 139 piccolo, 43 Sammartini, Giuseppe, 131, 142 Pompadour, Jeanne Antoinette sarabande, 41 Poisson, Marquise de, 86, 87 Scarlatti, Domenico, Handel and, Pope, Alexander, 99 54 Porta, Giovanni Scheibe, Johann Adolf, 49 Handel and, 57, 87, 116, 133, 134 Schola Cantorum Basiliensis, 126 Numitore, 57, 116, 134 serpent, 99 Prat, Daniel, 7 Servandoni, Chevalier Pre´vost, Abbe´,49 (Jean-Nicholas Servan), Price, Uvedale, 48 79–80, 84, 87, 96, 108 prices and money values, 15, 88, Shaftesbury,22 89, 96–7 Shakespeare, William, 1, 135 Priestman, Brian, 125 Shaw, George Bernard, 98, 141 Prout, Ebenezer, 124 side drum, 99–101, 116–17, 141

154

Index

Smith, Christopher, 60, 61 Tsunoda, Keigo, 126 Smith, John Christopher, 1, 9, 14, Tyers, Jonathan, 83, 88, 94 42, 103, 139 copies of Water Music by, 21–2, Vivaldi, Antonio, 61 42–3, 45 Concerti a due cori,61 on Water Music,27 La tempesta di mare,17 Smith, Sta¼ord, 21 Smith, William C., 22 Walpole, Horace, 1, 58, 73, 82, 91, Smollett, Tobias, 79 94–5 Stokowski, Leopold, 41, 123, 125 Walpole, Robert, 4 Stravaganza,45 Walsh, John, 52, 85, 121, 130 Stravinsky, Igor, 99 editions of Fireworks Music, 101, string instruments, 124 118, 121, 122 Strungk, Nicolaus Adam, Handel editions of Water Music, 15–16, and, 55 22–4, 25, 28, 43, 122, 125 Swingle Singers, 126 Waltz, Gustavus, 14 Weill, Kurt, 5–6 Taylor, Sedley, 50 Wenzinger, August, 126 Telemann, Georg Philipp, 33, Wesley, Charles, 91, 106 55, 116 Wesley, John, 91 Bach and, 55 wind bands, 118–19 Handel and, 51, 54, 55, 57, wind instruments, 99 114–15, 133, 134 see also individual instruments Hamburg Ebb and Flow,17 wind players, 12–13, 14–15, 41, 84, Thompson, E. P., 50 113–14 timpani, 14, 99–101 Wright, Daniel, 120, 121 Tovey, Donald, 107 traverso, see ﬂute Zachow, Friedrich Wilhelm, 54, 55 trombone, 99 Zimmerman, Franklin B., 137 trumpet, 13 Zo¼any, John, 11

155