Preface

George Frideric Handel was born A Guide to Handel's in , lived in Italy for four years, and made London his home by Carol J. Schaub for the last fifty years of his life. With musical traditions firmly established in many European cities, why did Handel choose London? As today's ·residence at , Brydges' residents and tourists are aware, grand house near Edgeware in Mid­ London is one of the finest cultural dlesex. Handel's first biographer, centers in the world. We can only , wrote in 1760 speculate that Handel had the same that Cannons was "a place which feeling about. the city when he was then in all its glory, but arrived in 1710. Although many of remarkable for having much more the· landmarks associated with of art than nature, and much more Handel's life in London have disap­ cost than art."2 Handel stayed at 'peared over the intervening cen­ Cannons until 1719 when his love turies, it is hoped that this guide will for the theater and the newly assist all lovers in retracing established Royal Academy lured some of Handel's footsteps. him back to London. In 1723, Handel moved to the Part I house at 25 Brook Street where he A Guide to the Past lived until his death on 14 April 1759. It was in a neighborhood in­ Setting the Stage ... habited by "people of quality"3 and Handel's London did not have the Handel must have been quite com­ convenience of an efficient fortable there. The parish church Underground system and red was St. George's, Square. double-decker busses. Streets were Although there is no evidence that unpaved, muddy, and it was not un­ any of Handel's music was ever per­ til 1737 that pedestrians and car­ formed there during his lifetime, he riages were separated by posts 25 Brook Street, London-Handel's was a regular worshipper at the erected on the major roads. The area residence from 1723-1759. church and records show that he surrounding the city's most rented a place in one of the pews prestigious theater in Haymarket Italy, he found London to be a center from 1755. was just that-with 1300 hay of intellectual and cultural activity. wagons on market days to fuel the Society was receptive to new A Place to Perform . . . Theaters city's equine transport system.! musical ideas (especially Italian The King's (originally Queen's) The half century which Handel , introduced in 1705), and sup­ Theater on Haymarket provided a lived here was a time of expansion, port from the aristocracy offered venue for more than forty of development, and opportunity for some measure of financial security. Handel's , , and artistic and business endeavors. Since the death of Purcell some fif­ other stage works. It was here Londpn in 1710 was a compact city: teen years earlier, the thriving Handel's first opera, , was the western limit was Bond Street, cultural environment had been performed in 1711. Rinaldo was an north of Street were hamlets without a musical leader. London instant success, and Handel com­ of Marylebone, Paddington, and was ready for Handel-and he was posed three more Italian operas in Tottenham Court, and the area right for London. the next few years. These operas above Piccadilly consisted of were revived at the King's Theater meadow and farmland. By 1750, A Place to Live . . . until 1717; for a variety of reasons many fashionable squares had been During his first visit to London, there were no opera seasons during built in the area bordered by Oxford Handel apparently stayed with the years that Handel was at Can­ Street, Hyde Park, and the Thames. friends. After a brief trip to Ger­ nons. London had a royal court and a many, he returned in 1712, and the the Royal Academy was long flourishing tradition of church wealthy Earl of Burlington became established in 1719 to provide music; enthusiastic amateur perfor­ one of his most important patrons. for London's cultured mances were common in taverns Although contemporary writings society, and Handel was called upon . and private homes. And so when the give little information about to produce a great number of works twenty-five year old Handel arrived Handel's early years in London, it for the King's Theater. The produc­ on the scene, with his career well seems that he stayed at Burlington tions were of high quality, and the under \\;'ay as a result of his years in House from 1713-1716. During this fame of the Royal Academy was time, Handel established his reputa­ widespread. In spite of in-house Schaub currently resides In Rockford, il­ tion as a of Italian opera. bickering and quarrels, the linois. For the past seventeen years she has taught music In the American In 1717 he received an invitation Academy was an enormous success. Schools of Berult, Lebanon; Jedda, from James Brydges (later Duke of However, competition from other Saudi Arabia; and London. Chandos) to become composer-in- attractions eventually led to the Page 32 THE CHORAL JOURNAL financial downfall of the Royal generally well supported by also commissioned to write a "Birth­ Academy. 's Beggar's subscription, but always subject to day Ode for Queen Anne," but there Opera (1728) in English opened up the whims of London's fickle is no evidence that it was ever per­ the world of theater to the middle aristocratic audiences. During the formed for her, due to the Queen's class; audiences flocked to the 1747 season, Handel felt that his poor health.5 The Utrecht theater at Lincoln's Inn Fields to see aristocratic patrons had failed him was first performed at the recently this new ballad opera. A revival of and so appealed to the middle class. completed St. Paul's Cathedral in Ju­ Shakespeare as well as popular The general public welcomed the ly 1713. farces and comedies also con­ dignity and seriousness of Handel's Handel was very interested in the tributed to the decline of public in­ music and became his most en­ organ at St. Paul's during his early terest in Italian opera. And so, in thusiastic supporters. years in London, and would attract 1729, the Royal Academy was By 1750, a Lenten season of large audiences as he played it after declared bankrupt. English oratorios was a regular . He and his acquaintances In an effort to preserve Italian feature at , and would then go to the Queen's Arms opera as an art form, arrangements always concluded with a perfor­ tavern in St. Paul's Churchyard were soon made for Handel and his mance of . With the onset of where a was available manager, Heidegger, to take over blindness, Hanc;lel was forced to for patrons. the King's Theater for a further five seek assistance with the manage­ In 1717 a royal boating party pro­ years. Handel composed seven new ment and conducting of his perfor­ vided the occasion for the Water· operas for this venture, but also mances. Revivals of his music con­ Music. The Thames was an impor­ turned to oratorios in English to at­ tinued as his former pupil, John tant thoroughfare in the early eigh­ tract audiences away from his Christopher Smith, Jr., successfully teenth century, and there are many competitors. The oratorios were carried on the seasons dur­ accounts of river parties accom­ received with enthusiasm and an ad­ ing Handel's last years and following panied by music. King George I and ded feature was the introduction of his death. his party followed a route from organ played by Handel Whitehall to Chelsea (where they between the acts. A rival opera com­ A Place to Perform . . . Churches disembarked for supper) and back to pany, the , and the Royal Court Whitehall. finally forced Handel out of the Although the bulk of Handel's During his residency at Cannons, King's Theater in 1734. He moved musical output was theatrical, his Handel wrote the eleven "Chandos his productions to the new theater at career was interspersed with royal " for the chapel services at Covent Garden until the Opera of the commissions for music in the the. nearby church of St. Lawrence, Nobility collapsed in 1737. private chapel and for ceremonial Whitchurch. The. chapel at Cannons After two more seasons back at occasions. This pattern was evident was not completed until 1720. Ads King's Theater, Handel was again by 1713 when Queen Anne asked and Galatea and were also obliged to move-this time to the Handel to write a Te Deum for a composed during this time; these less prestigious theater at Lincoln's thanksgiving service to celebrate "masques" were revised in 1732 and Inn Fields. Opera continued to be the Peace of Utrecht. Handel was appeared as Handel's first English Handel's favored form, but au­ diences became increasingly indif­ ferent and performances were poor­ ly received. Handel directed his final opera, , at Lincoln's Inn Fields in 1741. It was a failure, as was his other operatic production of the season; Handel got the message and reluctantly abandoned Italian opera. Disillusioned with London au­ diences, Handel must have wel­ MASTERS PROFESSIONAL PERFORMERS comed an invitation to give a season in . He was warmly received SERVICE by Dublin's society, andpresented a season of English oratorios and Formalwear Rentals and Sales odes. The "new Grand Oratorio"4 Messiah (whiCh had been composed at his Brook Street house in twenty­ Black Tuxedo rentals for school year as four days) concluded his successful low as $35.00 for coat and trouser. nine-month visit to Dublin. Back in London, Handel's winter seasons at Covent Garden (and occa­ Call or Write for our FREE Catalog sionally the King's Theater) were 315 Federal Plaza W" Youngstown, OH 44503. (216) 746-7666 firmly established as he continued to produce one or two new oratorios Others: 1-800-321-0087 OH: 1-800-362-2032 each year. These seasons were

September 1987 Page 33 oratorios, It is curious to note that tracted more attention than sible for the ultimate acceptance of these early efforts at English Handel's Music for the Royal Messiah in London, and Handel left musical drama were laid to rest 'for Firework. the Hospital a score of Messiah to nearly fifteen years as Handel ensure continuation of the benefit returned to Italian opera. A Place to Perform . . . And Charity performances after his death. Meanwhile, the royal commis­ A glimpse at Handel's com­ Mainwaring ends his Memoirs by sions continued. There had always mitments to various charities referring to Handel as an "illustrious been a close association between reveals his kindhearted nature. The Foreigner."7 Thankfully, this Handel and the royal family, and he first performance of Messiah in "Foreigner" made his was appointed "Composer of Music Dublin in 1742 was given in aid of home and shared his gift of music to the " in 1723. three charitable causes, and by this with the world. Handel's naturalization as a British time Handel's generosity was well subject in 1727 made it possible for known in London. His finances were Part 1/ A Guide for Today him to compose the Coronation An­ never stable, and yet he was always thems for George II. The coronation ready to help those less fortunate. In Many of the places associated took place in , 1728 a Fund for the Support of with Handel's life in London have and although by all accounts the ser­ Decayed Musicians (now the Royal long since disappeared or been vice was disorganized and the an­ SOciety of Musicians) was estab­ greatly altered. However, some thems "in confusion,"6 the music lished, and Handel was an original buildings have survived, sites exist, has been performed at every British subscriber. He gave annu.al benefit and with some imagination the coronation since. performances for the Fund, and left visitor may recapture the essence of George II proved to be Handel's the charity {;:( 1000 in his will. London in Handel's day. life-long supporter and a steady The was 25 Brook Street was Handel's patron during the difficult theater established by in residence for more than fifty years. seasons. In return, Handel continued 1739 for the maintenance and Records show that when he moved to provide music for state occasions, education of abandoned children. in, he had a short term lease at £60 and for services in Westminster Ab­ This charitable institution also per year. The house stands just west bey and the Chapel Royal. The grand benefited from Handel's patronage of Bond Street and is marked with a celebration for the Treaty of Aix-Ia­ throughout the last ten years of his blue plaque. The upper floor was Chapelle ended in a well-known life. Annual Messiah performances, added in the late nineteenth century fiasco. The structure erected in other fund-raising concerts, and the and the ground floor was converted for an ambitious display gift of an organ all reflect the com­ to a shop in 1906. Between the two of fireworks caught fire and burned poser's good will and support of this world wars there was interest in to the ground in the middle of the worthy cause. The Foundling restoring the house and making it a show. This mishap must have at- Hospital performances were respon- Handel Museum, but there was not enough financial support and the scheme was abandoned. Burlington House, on Piccadilly, is ICE INC. the present home of the Royal Academy of Art. When Handel first "The Concert Tour CO."TM stayed here, it was a fairly plain invites you to consider a house on a large property which ex­ tended towards Cavendish Square. European Concert Tour The . house was remodelled and for Your Performing Ensemble refaced between 1712-1720 and fur­ ther modified in later years. Lord We guarantee: outstanding performance sites Burlington was a patron of the arts, qualitative hotels (all with private facilities) and it was here that Handel probably enjoyed the company of the intellec­ qualitative bi-lingual guides and tuals of the day. A fantastic low price! Cannons was demolished shortly After 27 years we are known as "The Concert Tour CompanyHTM after James Brydges' death because its upkeep was too expensive for the Write or call collect Today heirs. The remains were sold for C·S TRAVEL SERVICE, INC .. building materials, and its treasures were auctioned in 1747. Today near­ "The Concert Tour CO."TM by , and local streets 8222 West 95th Street, Hickory Hills, IL 60457 bearing names such as Handel Way (312) 737-0209 and Chandos Crescent recall an Type of Group ______--,- __.______earlier time. The area is located west Name ______of Edgeware Road between Canons Park and Edgeware, about ten miles Address ____-'- ______north of London in . City ______State _____ Zip ____ The use of candles for illumina­ Phone ( tion in theaters presented a very real fire hazard. Therefore, it is not sur­ Page 34 THE CHORAL JOURNAL porating the thirteenth century tower, and it was in use by 1716. The church has undergone recent restoration, and the paintings and Grinling Gibbons woodwork appear much as they were in Handel's day. The organ has been enlarged several times, and the new console of 1913 has a stop which is connected to the original pipes. The origin~1 keyboard, with three octaves and SIX stops, is still in situs; Handel prob­ ably played it since the organ at Cannons was not built until the chapel was completed in 1720. A monument to the Duke of Chandos, and his family vault, are located in the mausoleum. This is the site of the charming but fictitious story about the blacksmith who inspired the "Harmonious Blacksmith." A marker at his grave in the church­ yard perpetuates the legend. St. George's, Hanover Square was Interior view-Church of St. Lawrence, the parish church during Handel's Original organ - ca. 1716-Church of St. Whitchurch, Canons Park. Lawrence, Whitchurch, Canons Park. residence in Brook Street. It was prising that theaters often burned to completed in 1725, and although he 3000 people in attendance. His the ground and then were rebuilt on apparently had little connection monument in the "poet's corner" of the same site. with the musical activities of the the south transcept was unveiled in King's Theater, on the site of Her church, he did compose a theme for 1762; the sculptor, Roubiliac, took a Majesty's Theater, Haymarket, was an extemporization by organ can­ death mask of Handel, and this may the venue for most of Handel's didates there. have been the basis for this monu- operas. The original Queen's St. James's Palace is closed to the public, but the ch~p~ls where Theater (after Anne) was built in CHORAL MUSIC FOR 1704, and was renamed King's Handel's royal commissions were performed for weddings and ALL SEASONS BY Theater in 1714 for George I. The theater of Handel's time was Lon­ funerals are open for services. The don's opera house during the eigh­ Chapel Royal (sixteenth-century CHESLEY teenth century, and was destroyed Tudor) has services October throug~ Good Friday, and the Queen s by fire in 1789. KAHMANN Covent Garden Theater was com­ Chapel (1625 Inigo Jones), Easter pleted in 1732, but not used ex­ through July. BRAND NEW clusively for operas until the nine­ St. Paul's Cathedral had recently FOR CHRISTMAS teenth century. The first theater was been completed when Handel first modelled after the Opera House arrived. The original organ stood THE BIG (King's) in Haymarket, but was in­ across the entrance to the as a screen; it was rebuilt, divided, and tended to be more magnificent. This PARADE placed at the sides in 1870. Handel theater burned down in 1808, and (for SATB, two trumpets & keyboard) today's is the seems to have been associated with St. Paul's only during his early years AND third on this site at Bow Street. in London. However, he employed Lincoln's Inn Fields, the theater its choir to supplement that of the AND HE Handel knew, was on the south side Chapel Royal for later state occa­ of the square, on Portugal Street. It WARMS sions. was the third on the site, and had Westminster Abbey-In his will, THE been rebuilt from a tennis court in Handel wished to be buried privately 1714. After it had outlived its at Westminster Abbey. However, it EARTH usefulness, it became a warehouse was a grand funeral with at least (for SATB, vocal solos & keyboard) and was torn down in 1848. The visitor wishing to see the For reference copies, "~"" ."" ]"/:1(3 I-Iandbell Conne"ction churches associated with Handel's - " Mal(l1ark Handoells & Choirchim~s call or write: ~ life in London will find them still Music • Supplies • AcceSSOries Orbiting Clef standing and virtually unaltered. Serving the Handbell Ringer and Director with a complete line of Productions, Inc. Church of St. Lawrence, Whit­ Handbell Products. . 108 Woodland Ave. (800) 422-0044 Summit, N.J. 07901 church, is the local parish church. Calif.• Alaska & Hawaii call (213) 439·0481 James Brydges had it rebuilt, incor- 1032B Redondo. P.O. Box 91235. Long Beach. CA 90B09 Tel: (201) 277-3881

September 1987 Page 35 ------

ment. It is interesting that the year Manuscripts of birth is inscribed as MDCLXXXIV, . Handel bequeathed his "musick a year earlier than is documented in n books" to his old friend and scribe the baptismal register of the Lieb­ , Sr., and he frauenkirche in , Germany. passed them to his son in 1763. This confusion may result from the Smith, Jr., gave them to the Royal fact that England used the Old Style Family in the 1770's in gratitude for (Julian) calendar until 1752. This a pension from George III. Seven also may explain why the first volumes (mainly containing rough Handel Commemoration (in sketches) went to the Founder's Col­ Westminster Abbey for the lection in the Fitzwilliam Museum, centenary of his 1685 birth)was held Cambridge. The remaining volumes in 1784.8 were kept in royal residences until To complete a tour of Handel's they were deposited on permanent London, two sites remain. These loan in the British Museum in 1911. locations were the scene of Handel's Queen Elizabeth II donated the col­ performances in his later years, lection to the Royal Music Library in away from the world of the theater 1957. and church. These autographs had been Green Park is part of London's bound in eighty-eight volumes since oldest royal park. Charles II added the time of George III, with portions these acres to St. James's Park in of large works distributed 1667. The proximity to the royal throughout several volumes. These residence -at St. James's Palace were broken up and rebound in the made it an ideal setting for the St. George's Church, Hanover Square, 1920's in order to bring whole works London. "Royal Fireworks" of 1749. together, resulting in the present set Foundling Hospital is now known funds was torn down in 1926. Today of ninety-seven volumes of as the Thomas Coram Foundation, the Foundation continues to provide autographs. The volumes contain after its founder. The hospital and for children with special needs. ninety percent of all of Handel's sur­ chapel for which Handel raised Treasures displayed at their offices viving autographs and constitute the

..4& at 40 (the site of largest collection of autographs of the old Foundling Hospital) include any famous composer housed in one the three-rnanual keyboard of the institution anywhere in the world.9 1988 FESTIVALS ! original organ presented and played Conveniently for researchers, ***** by Handel, and a terracotta bust by Handel dated most of his Roubiliac. The "fair copy" of manuscripts. Curiously, in 1739 he 12th St. Moritz Workshop Messiah (score, vocal, and or­ started using astrological signs to & Festival tour: June 3-13 chestral _parts) and the conducting denote the days of the week. The score of the _"Foundling " fact that he developed the practice College choruses will perform are also on display. Both are in the of dating each Act or Part provides _ Beethoven's 9th Symphony handwriting of Handel's scribe, John invaluable information about his with Erich Berge} & the C. Smith, Jr., with annotations by work habits. Orchestre de Lyon in Lyon. the composer. The collection of manuscripts in ***** Warwick International Choral Festival: July 19-27 John Rutter will conduct community choruses & the English Festival in the Rutter & Faure Requiems. acfea Concert tour experts since 1955 )'.,. Associate Consultants for Education Abroad New York: 800.222.6995 Seattle: 206.362.4448 San Francisco: 415.927.2127 Houston: 713.561.5002 Keyboard of the original organ, presented to the Foundling Hospital by Handel-Thomas Coram Foundation, London. Page 36 THE CHORAL JOURNAL . .' .. ; . .

,: " '",. Attention, all andchohs! Be part of Disney's year-long music admission, lunches and souvenirs. festival saluting the Bicentennial of Travel packages available through the United States Constitution. Walt Disney Travel Co. Two of the most magical places on For more information and applications write or earth - the Magic Kingdom and call: WALT DISNEY WORLD/Magic Music Days, P.O. Box 10,000, Lake Buena Vista, FL Epcot Center - invite you to per­ 32830-1000 (305) 934-6060. form any time of the year! New performance packages include Magic Kingdom and Epcot Center C1987 The Watt Disney Company September 1987 Page 37 III m ] s sS t 1 r

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Page 38 THE CHORAL JOURNAL the (at the British Museum) is kept in the Music Library. With a pass to· the Reading Room and a letter of reference from a university or other research in­ stitution, it is possible to study the manuscripts.

Portraits and Monuments Many likenesses of Handel have found their way into private collec­ tions, but there are some which are readily accessible to the general public besides those at the Coram Foundation and Westminster Ab­ bey. National Portrait Gallery: The por­ trait by Hudson (1756) with Messiah score is the only one on show. Other portraits and· a bust are kept in reserve and can be seen by special arrangement. Victoria and Albert. Museum: A statue by Roubiliac (1738) depicts Handel in casual attire. This statue viving music festival. By the 1750's, Map References (Nearest Underground Sta­ was erected in Handel's music was part of the tion) during Handel's lifetime, and after regular repertoire, and his oratorios 1. 25 Brook Street (Bond Street or Oxford the Gardens were demolished, it Circus) . dominated the festival by 1780. 2. Burlington House (Green Park or Piccadil· stood in Novello's music shop. The Iy Circus) statue was sold to the V & A in 1965. For Further Research 3. King's Theater (Piccadilly Circus) Additonal portraits exist in the Fitzwilliam Museum, Cambridge 4. Covent Garden Theater (Covent Garden) Fitzwilliam Museum, Cambridge; Guildhall Library, London 5. St. George's, Hanover Square (Oxford Cir­ Bodleian Library, Oxford; Royal Royal College of Music, London cus) Royal Society of Musicians, London 6. Chapel Royal, St. James's Palace (Green Society of Musicians, London; and Park or Piccadilly Circus) in the royal collections in Kens­ It is hoped that the reader has en­ 7. St. Paul's Cathedral (St. Paul's) ington Palace and Buckingham joyed this tour, whether it was the 8. Westminster Abbey (St. James's Park or Palace. Westminster) walking or armchair variety. 9. Green Park (Green Park) Perhaps it will lead to a fuller 10. Thomas Coram Foundation (Russell ... And More understanding of the life and times Square) For the true Handelian who wishes of . to indulge in a pursuit of trivia: Handel Street in , just north of the Coram Foundation. St. Andrew's Church, Holborn Tbe INTERNATIONAL FEDERATION FOR CHORAL MUSIC organ case is from the organ (ACDA is one of 8 Founding Members) presented to Coram by Handel. Membership benefits: Church of the Holy Sepulchre, • Subscription to International Choral Bulletin Holborn Viaduct-organ supposedly • Information on choral activities, workshops, festivals, and seminars through­ played by Handel. out the world Sir John Soane Museum, Lincoln's Inn Fields-houses an eclectic col­ • Copies of World Census on Choral Music and of international festival lection. It contains a plaster programs and song books medalian of Handel and Hogarth's • Discount at IFCM-sponsored events such as the First World Symposium on "The Levee" with Choral Music, held in Vienna, Austria, August 11-18,1987 reputed to be Handel. • Participation in IFCM actitivies worldwide Cannons Treasures: St. John's Dues: Church, Hampstead-wrought iron gates in churchyard. Trinity Church, $20 for individuals; $50 for . Rates for other categories available on request Gosport-purchased the "Jordan" For further information, write: organ from the chapel. It can still be seen, bear.ingthe Chandos crest. International Federation For Choral Music Victoria and Albert Museum-Gib­ Walter S. Collins, Secretary-General bons' "St. Stephen" from library. College 01 Music C.B. 301 Three Choirs Festival (Worcester, University 01 Colorado Boulder, CO 80309-0301 Gloucester, Hereford)-dates from U.S.A. 1724 and is the world's oldest sur­ September 1987 Page 39 CATALOGUE OF MAJOR ENGLISH COMPOSITIONS Notes WITH YEAR AND PLACE OF FIRST PERFORMANCE This listing is presented chronologically to facilitate tracing the relationship between venue and 1 Royal Society of Musicians, Handel in events in Handel's life. London (n.p.: Royal Society of Musicians, YEAR TITLE TYPE VENUE 1984), p. 7. 1711 Rinaldo opera Queen's Theater 2 John Mainwaring, Memoirs of the Life of 1712 11 Pastor Fido opera Queen's Theater the Late George Frederic Handel (London: R. 1713 Tesco opera Queen's Theater and J. Dodsley, 1760), pp. 95-96. 1713 "Birthday Ode for Queen Anne" ode no known perf. 3 Jacob Simon, ed., Handel: A Celebration 1713 Utrecht "Te Deum" anthem St. Paul's Cathedral of His Life and Times: 1685-1759 (London: 1715 Amadigi opera King's Theater National Portrait Gallery, 1985), p. 176. 1717 "" orchestral Thames River 4 Dublin Journal, 27 March 1742, quoted in 1717-18 "" anthems St. Lawrence Whit· Jonathan Keates, Handel: The Man and His church Music (New York: St. Martin's Press, 1985), p. 1718 (revised 1732) masque Cannons 242. 1718 Esther (revised 1732) masque probably Cannons 5 Simon, Handel, pp. 86-88. 1720 (Royal Academy) opera King's Theater 6 Ibid., p. 142. 1721 (Royal Academy) opera King's Theater 1 Mainwaring, Memoirs, p. 208. 1723 (Royal Academy) opera King's Theater 8 Simon, Handel, p. 249. 1723 (Royal Academy) opera King's Theater 9 , Handel (London: 1724 (Royal Academy) opera King's Theater Thames and Hudson, 1984), p. 232. 1724 (Royal Academy) opera King's Theater 1725 (Royal Academy) opera King's Theater Select Bibliography 1726 (Royal Academy) opera King's Theater 1726 (Royal Academy) opera King's Theater Armstrong, Rev. Benjamin J. Some Ac· 1727 (Royal Academy) opera King's Theater count of the Parish of 1727 "Coronation Anthems anthem Westminster Abbey (Edgeware, 1908). 1727 Ricardo Primo (Royal Academy) opera King's Theater Clark, Richard. Reminiscences of Handel, 1728 (Royal Academy) opera King's Theater His Grace the Duke of Chandos, Powells the 1728 (Royal Academy) opera King's Theater Harpers, the Harmonious Blacksmith, and 1729 Lotario opera King's Theater Others (London, 1836). 1730 opera King's Theater Coopersmith, J.M. 'A List of Portraits, 1731 opera King's Theater Sculptures, etc., of Georg Friedrich Handel', 1732 opera King's Theater Music and Letters, XIII (Cambridge, Mass., 1732 opera King's Theater 1932). 1733 opera King's Theater Dean, Winton. The New Grove Handel (Lon· 1733 oratorio King's Theater don, 1982). . 1733 oratorio King's Theater Flower, Newman. George Frideric Handel: 1734 Arianna opera King's Theater His Personality and His Times (London, 1923. 1734 Wedding Anthem "This is the Day" anthem Queen's Chapel, St. rev. 1959). James Hogwood, Christopher. Handel (London, 1735 opera Covent Garden 1984). 1735 opera Covent Garden Keates, Jonathan. Handel: The Man and His 1735-6 Six Concertos, organ or harpsichord orchestral Covent Garden Music (London, 1985). 1736 "Alexander's Feast" ode Covent Garden King, A. Hyatt. Handel and His Autographs 1736 opera Covent Garden (London, 1967). 1737 opera Covent Garden Landon, H.C. Robbins. Handel and His 1737 Guistino opera Covent Garden World (London, 1984). 1737 11 Trionfo del Tempo & dello Veritit oratorio Covent Garden Mainwaring, J. Memoirs of the Life of the 1737 opera Covent Garden Late George Frederic Handel (London, 1760). 1737 "Funeral Anthem for Queen Michelin Tyre PLC. London Tourist Guide Caroline " anthem Westminster Abbey (France, 1983). 1738 opera King's Theater Nalbach, Daniel. The King's Theatre 1738 opera King's Theater 1704·1867 (London, 1972). 1739 oratorio King's Theater Royal Society of Musicians. Handel in Lon· 1739 oratorio King's Theater don (London, 1984). 1739 "Ode for St. Cecelia's Day" anthem Lincoln's Inn Fields Simon, Jacob, ed .. Handel: A Celebration of 1739 Twelve Grand Cqncertos orchestral Lincoln's Inn Fields His Life and Times (London, 1985). 1740 L'Aliegro, iI Penseroso ed iI Moderatooratorio Lincoln's Inn Fields Smith, William C .. Concerning Handel (Lon· 1740 opera Lincoln's Inn Fields don, 1948). 1741 Deidamia opera Lincoln's Inn Field's Streatfeild, R. A .. Handel (New York, 1964). 1742 Messiah oratorio Dublin 1743 oratorio Covent Garden 1743 Dettingen "Te Deum" anthem Chapel Royal, St. James 1744 oratorio Covent Garden 1744 and His Brethren oratorio Covent Garden 1745 oratorio King's Theater 1745 oratorio King's Theater 1746 oratorio Covent Garden 1747 Judas Maccabaeus oratorio Covent Garden 1748 oratorio Covent Garden 1748 oratorio Covent Garden 1749 oratorio Covent Garden BUCKNELL 1749 Soloman oratorio Covent Garden A professional music program 1749 "Music for the Royal Fireworks" orchestral Green Park in an outstanding liberal·arts setting 1749 "Foundling Hospital Anthem anthem F.oundling Hospital full member: NASM 1750 oratorio Covent Garden BUCKNELL UNIVERSITY 1752 oratorio Covent Garden Dept. of Music, Room 107 1757 The Triumph of Time and Truth oratorio Covent Garden Lewisburg, PA 17837

Page 40 THE CHORAL JOURNAL