Oltrarno DREAMS and the PROFANE – Firenze – Path Path the OLTRARNO ECLECTIC FLORENCE by NATURE
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The Old Bridge in Italy
The Old Bridge in Italy The Old Bridge in Italy Manjula Raman Ponte Vecchio In Italy, there is a city named Florence. The Arno River runs through it. And the Ponte Vecchio stands over the Arno. What is the Ponte Vecchio? Well, its name means "Old Bridge" in Italian. And it is an old bridge. It was built in the 1300s! It was built to take the place of another bridge that had been there. That other bridge had been washed away in a flood. The Ponte Vecchio is easy to recognize. That's because of the shops built on it. These shops are on both sides of the bridge. They have windows with shutters. Parts of them stick out over the water! But so far, the shops and the bridge have stood the test of time. ReadWorks.org · © 2017 ReadWorks®, Inc. All rights reserved. The Old Bridge in Italy - Comprehension Questions Name: ___________________________________ Date: _______________ 1. What river runs through Florence, Italy? A. the Ponte Veccio B. the Old River C. the Arno River 2. Why was the Ponte Vecchio built? A. to protect the people from floods B. to take the place of another bridge C. to add more shops to Florence 3. The Ponte Vecchio has never broken since it was built. What part of the text tells us that this is true? A. "That other bridge had been washed away in a flood." B. "It was built in the 1300s!" C. "So far, the shops and the bridge have stood the test of time." 4. What is "The Old Bridge in Italy" mostly about? A. -
The Italian High Renaissance (Florence and Rome, 1495-1520)
The Italian High Renaissance (Florence and Rome, 1495-1520) The Artist as Universal Man and Individual Genius By Susan Behrends Frank, Ph.D. Associate Curator for Research The Phillips Collection What are the new ideas behind the Italian High Renaissance? • Commitment to monumental interpretation of form with the human figure at center stage • Integration of form and space; figures actually occupy space • New medium of oil allows for new concept of luminosity as light and shadow (chiaroscuro) in a manner that allows form to be constructed in space in a new way • Physiological aspect of man developed • Psychological aspect of man explored • Forms in action • Dynamic interrelationship of the parts to the whole • New conception of the artist as the universal man and individual genius who is creative in multiple disciplines Michelangelo The Artists of the Italian High Renaissance Considered Universal Men and Individual Geniuses Raphael- Self-Portrait Leonardo da Vinci- Self-Portrait Michelangelo- Pietà- 1498-1500 St. Peter’s, Rome Leonardo da Vinci- Mona Lisa (Lisa Gherardinidi Franceso del Giacondo) Raphael- Sistine Madonna- 1513 begun c. 1503 Gemäldegalerie, Dresden Louvre, Paris Leonardo’s Notebooks Sketches of Plants Sketches of Cats Leonardo’s Notebooks Bird’s Eye View of Chiana Valley, showing Arezzo, Cortona, Perugia, and Siena- c. 1502-1503 Storm Breaking Over a Valley- c. 1500 Sketch over the Arno Valley (Landscape with River/Paesaggio con fiume)- 1473 Leonardo’s Notebooks Studies of Water Drawing of a Man’s Head Deluge- c. 1511-12 Leonardo’s Notebooks Detail of Tank Sketches of Tanks and Chariots Leonardo’s Notebooks Flying Machine/Helicopter Miscellaneous studies of different gears and mechanisms Bat wing with proportions Leonardo’s Notebooks Vitruvian Man- c. -
The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: February 26, 2002 Passion for Art and Science Merge in "The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002 Washington, DC -- The Medici family's passion for the arts and fascination with the natural sciences, from the 15th century to the end of the dynasty in the 18th century, is beautifully illustrated in The Flowering of Florence: Botanical Art for the Medici, at the National Gallery of Art's East Building, March 3 through May 27, 2002. Sixty-eight exquisite examples of botanical art, many never before shown in the United States, include paintings, works on vellum and paper, pietre dure (mosaics of semiprecious stones), manuscripts, printed books, and sumptuous textiles. The exhibition focuses on the work of three remarkable artists in Florence who dedicated themselves to depicting nature--Jacopo Ligozzi (1547-1626), Giovanna Garzoni (1600-1670), and Bartolomeo Bimbi (1648-1729). "The masterly technique of these remarkable artists, combined with freshness and originality of style, has had a lasting influence on the art of naturalistic painting," said Earl A. Powell III, director, National Gallery of Art. "We are indebted to the institutions and collectors, most based in Italy, who generously lent works of art to the exhibition." The Exhibition Early Nature Studies: The exhibition begins with an introductory section on nature studies from the late 1400s and early 1500s. -
Passion for Cycling Tourism
TUSCANY if not HERE, where? PASSION FOR CYCLING TOURISM Tuscany offers you • Unique landscapes and climate • A journey into history and art: from Etruscans to Renaissance down to the present day • An extensive network of cycle paths, unpaved and paved roads with hardly any traffic • Unforgettable cuisine, superb wines and much more ... if not HERE, where? Tuscany is the ideal place for a relaxing cycling holiday: the routes are endless, from the paved roads of Chianti to trails through the forests of the Apennines and the Apuan Alps, from the coast to the historic routes and the eco-paths in nature photo: Enrico Borgogni reserves and through the Val d’Orcia. This guide has been designed to be an excellent travel companion as you ride from one valley, bike trail or cultural site to another, sometimes using the train, all according to the experiences reported by other cyclists. But that’s not all: in the guide you will find tips on where to eat and suggestions for exploring the various areas without overlooking small gems or important sites, with the added benefit of taking advantage of special conditions reserved for the owners of this guide. Therefore, this book is suitable not only for families and those who like easy routes, but can also be helpful to those who want to plan multiple-day excursions with higher levels of difficulty or across uscanyT for longer tours The suggested itineraries are only a part of the rich cycling opportunities that make Tuscany one of the paradises for this kind of activity, and have been selected giving priority to low-traffic roads, white roads or paths always in close contact with nature, trying to reach and show some of our region’s most interesting destinations. -
Dante's Political Life
Bibliotheca Dantesca: Journal of Dante Studies Volume 3 Article 1 2020 Dante's Political Life Guy P. Raffa University of Texas at Austin, [email protected] Follow this and additional works at: https://repository.upenn.edu/bibdant Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Italian Language and Literature Commons, and the Medieval History Commons Recommended Citation Raffa, Guy P. (2020) "Dante's Political Life," Bibliotheca Dantesca: Journal of Dante Studies: Vol. 3 , Article 1. Available at: https://repository.upenn.edu/bibdant/vol3/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bibdant/vol3/iss1/1 For more information, please contact [email protected]. Raffa: Dante's Political Life Bibliotheca Dantesca, 3 (2020): 1-25 DANTE’S POLITICAL LIFE GUY P. RAFFA, The University of Texas at Austin The approach of the seven-hundredth anniversary of Dante’s death is a propi- tious time to recall the events that drove him from his native Florence and marked his life in various Italian cities before he found his final refuge in Ra- venna, where he died and was buried in 1321. Drawing on early chronicles and biographies, modern historical research and biographical criticism, and the poet’s own writings, I construct this narrative of “Dante’s Political Life” for the milestone commemoration of his death. The poet’s politically-motivated exile, this biographical essay shows, was destined to become one of the world’s most fortunate misfortunes. Keywords: Dante, Exile, Florence, Biography The proliferation of biographical and historical scholarship on Dante in recent years, after a relative paucity of such work through much of the twentieth century, prompted a welcome cluster of re- flections on this critical genre in a recent volume of Dante Studies. -
The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
#m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church. -
A Montelupo Fiorentino Un Itinerari Turistico Tra Le Ceramiche
A MONTELUPO FIORENTINO UN ITINERARIO TURISTICO TRA LE CERAMICHE A MONTELUPO FIORENTINO UN ITINERARIO TURISTICO TRA LE CERAMICHE Panorama-Montelupo Fiorentino-Firenze Montelupo Fiorentino (FI) si appresta a vivere un evento che celebra la ceramica, materiale che ha caratterizzato e continua a contraddistinguere in maniera preponderante la storia, la cultura e l’imprenditorialità della cittadina toscana. Dal 21 al 23 giugno 2019, infatti, in vari luoghi del centro storico, va in scena CÈRAMICA 2019, la Festa Internazionale della Ceramica, giunta alla sua XXVII edizione. Saranno tre giorni ricchi d’iniziative, promosse dal Comune di Montelupo e Fondazione Museo Montelupo onlus, main sponsor COLOROBBIA, che spaziano dall’arte all’artigianato, dalla cultura del ‘saper fare’ delle industrie del comparto ceramico locale, alla gastronomia e a molto altro ancora. Ma sarà un lungo fine settimana che consentirà ai visitatori di scoprire un borgo, alle porte di Firenze, che si distingue per le sue bellezze architettoniche e le eccellenze artistiche, come la Prioria di San Lorenzo e la Chiesa di San Giovanni Evangelista che ospita unapala attribuita a Botticelli, le installazioni di arte moderna realizzate da famosi designer e artisti contemporanei, le botteghe di ceramica e soprattutto il Museo della Ceramica e il parco dell’Ambrogiana che circonda la Villa Medicea. Prioria di San Lorenzo- Montelupo Fiorentino-Firenze Ceramica: tradizione locale antichissima Passeggiando in centro storico si possono ammirare le torri e mura trecentesche, la fontana dell’architetto contemporaneo Marco Dezzi Bardeschi, la Pieve di San Giovanni Evangelista, la Prioria di San Lorenzo e Casa Sinibaldi. In centro si affacciano alcune delle botteghe della ceramica, aziende che portano avanti una tradizione locale antichissima, che risale all’epoca medicea, in particolare tra il 1400 e il 1530, quando Montelupo era il centro di produzione della maiolica per la città di Firenze. -
TRA PIANURA E COLLINA: CASTELLO E LE VILLE MEDICEE La Mappa Il Territorio Del Nostro Percorso
A NORD OVEST TRA PIANURA E COLLINA: CASTELLO E LE VILLE MEDICEE La mappa Il territorio del nostro percorso Questo percorso presenta aspetti di assoluto interesse storico, artistico e paesaggistico, in cui spiccano per bellezza, importanza, monumentalità le ville suburbane di svago e delizia: quelle medicee di Castello e Petraia, con i loro meravigliosi giardini all’italiana (non solo natura adattata alla geometria prospettica del verde, ma programma metaforico e simbolico del potere e del prestigio del Principe) e quelle che furono dei Villa di Castello; la grotta degli animali Medici, come Villa Corsini, ma anche Villa La Quiete alle Montalve (anch’essa appartenuta ai Medici) dove, dal 1724, risiedette Anna Maria Luisa de’ Medici, elettrice Palatina, ultima discendente della famiglia. Questa zona, in parte arrampicata sulla collina di Quarto, deve il suo nome all’antico borgo di origine etrusca e romana (Castellum, cioè cisterna, serbatoio d’acqua) su cui passava l’acquedotto fatto costruire dal senatore Marco Opelio Macrino (164-218) e col quale venivano distribuite Villa della Petraia:veduta le acque verso Firenze. Terra elettiva per l’otium e la delizia dei Medici, teatro di eventi fondamentali nella vita della famiglia, oggi la zona preserva, pur assediata a valle dallo sviluppo urbanistico, una sua precisa e straordinaria memoria storica fatta, anche, di strade e viuzze murate a racchiudere porzioni di campagna, antiche case contadine, olivete e poderi, testimonianza di un passato a vocazione agricola basato sull’organizzazione -
OVERLOOKING a WORK of ART Tuscany Portraits on Show at Forte Di Belvedere
FLORENCE CITY GUIDE ® OCTOBER 2020 WWW.WHEREITALIA.COM/FLORENCE AUTUMN TIPS ON LUXURY SHOPPING, DINING AND SIGHTSEEING HOW TO ENJOY YOUR WINE TASTING IN ITALY OVERLOOKING A WORK OF ART Tuscany portraits on show at Forte di Belvedere SIGHTSEEING | MUSEUMS | SHOPPING | DINING | ENTERTAINMENT | MAPS Florence October 2020 VIA SESTESE WINE EXPERIENCE CASTELLO SESTO 14 the guide apertura SIGHTSEEING FIORENTINO SVINCOLO SESTO FIORENTINO V I A 18 SHOPPING S AUTOSTRADA FIRENZE-MARE E S VI VIA XXV APRILE T A E VIA DEL CHIUSO DEI PAZZI G S E At the Officina . DUPRÈ VIA REGINALDO GIULIANI VIA DELLE PANCHE Profumo-Farmaceutica VIA ANDREA COSTA Santa Maria Novella you VIA ANDREA COSTA VIA G. DUPRÈ Teatro Romano can discover products VIA FAENTINA VIA DE' PERFETTI RICASOLI VIA CARLO DEL GRECO Museo Bandini VIA MARINI VIA PORTIGIANI for personal care with Cattedrale di San Romolo BO SCONI STRAD A PROV INCIALE 54 DEI PIAZZA PIAZZA G.GARIBALDI MINO DA FIESOLE a Florentine spirit VIA MASSICINI V. LUCCHESE A VIALE XI AGOSTO LUC V VIA SANT’APPOLINAR AUTOSTRADA FIRENZE-MARE I VIA S.CHIARA A E VIA SALVADOR ALLENDE F R À VIALE SAN G VIA GI VIALE 30GAETANO PIERACCINIDINING I O ULI AENTINA V O CACCIN A N I N VIA F SOLANA I PONTE D A Today, as over 130 F VIA DELLA BADIA DEI ROCCETTINI I NUOVO E VIA REGINALDO GIULIANI S H I A F I E VIA DELLE PANCHE O FIESOLE L ALLA CC E D PIAZZA E years ago, the most T Aeroporto Amerigo V I A V E T ENRICO O Vespucci PIGNONE BADIA L MATTEI VIA MANTELLINI ' A N G E VIA PRATESE L I C authentic cuisine of PIZZERIA O V I A U G O C O R S I SAN DOMENICO V. -
US Fifth Army History
FIFTH ARMY HISTORY 5 JUNE - 15 AUGUST 1944^ FIFTH ARMY HISTORY **.***•* **• ••*..•• PART VI "Pursuit to the ^rno ************* CONFIDENTIAL t , v-.. hi Lieutenant General MARK W. CLARK . commanding CONTENTS. page CHAPTER I. CROSSING THE TIBER RIVE R ......... i A. Rome Falls to Fifth Army i B. Terrain from Rome to the Arno Ri\ er . 3 C. The Enemy Situation 6 CHAPTER II. THE PURSUIT IS ORGANIZED 9 A. Allied Strategy in Italy 9 B. Fifth Army Orders 10 C. Regrouping of Fifth Army Units 12 D. Characteristics of the Pursuit Action 14 1. Tactics of the Army 14 2. The Italian Partisans .... .. 16 CHAPTER III. SECURING THE FIRST OBJECTIVES 19 A. VI Corps Begins the Pursuit, 5-11 June 20 1. Progress along the Coast 21 2. Battles on the Inland Route 22 3. Relief of VI Corps 24 B. II Corps North of Rome, 5-10 June 25 1. The 85th Division Advances 26 2. Action of the 88th Division 28 CHAPTER IV. TO THE OMBRONE - ORCIA VALLEY .... 31 A. IV Corps on the Left, 11-20 June 32 1. Action to the Ombrone River 33 2. Clearing the Grosseto Area 36 3. Right Flank Task Force 38 B. The FEC Drive, 10-20 June 4 1 1. Advance to Highway 74 4 2 2. Gains on the Left .. 43 3. Action on the Right / • • 45 C. The Capture of Elba • • • • 4^ VII page CHAPTER V. THE ADVANCE 70 HIGHWAY 68 49 A. IV Corps along the Coast, 21 June-2 July 51 1. Last Action of the 36th Division _^_ 5 1 2. -
Passepartour 2019
PASSEPARTOUR 2019 FIRENZE OLTRARNO THE KEYS OF ACCESSIBILITY Florence is a world heritage site and as such it must be accessible to all, without exclusion. Florence welcomes people with physical disabilities due to an abundance of pedestrian areas and accessible historical and artistic sites. It is also unde- niable that some routes of the city-center - similar to many other historical cities throughout the world - may present some difficulties for people using wheelchairs: for example narrow streets, tiny sidewalks that are not easily passable or not homogeneous pavement. To address this problem and provide information on which paths are the best to follow for people with physical disabilities, the Municipality of Florence in collaboration with Kinoa Srl have designed and published this Guide. The PASSEPARTOUR project is made up of four volumes, each describing four different tourist itineraries "without barriers". In addition, the guide provides a map of the historical city-center, highlighting all the areas that can be navigated with complete autonomy, or with the support of a helper. In addition, Kinoa has developed the navigation app Kimap, which acts as a companion tool to the guide for the mobility of disabled people. Kimap can be downloaded for free on every smartphone: the app shows the most accessible path to reach your desired destination and is constantly updated. We hope that this project will contribute to improve the tourist experi- ence for those visiting our marvellous City, opening the doors to its extraordinary heritage. Cecilia Del Re Councilor for Tourism of the City of Florence Florence is a world heritage site and as such it must be accessible to all, without exclusion.