Florence, Pisa (Livorno)
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The Old Bridge in Italy
The Old Bridge in Italy The Old Bridge in Italy Manjula Raman Ponte Vecchio In Italy, there is a city named Florence. The Arno River runs through it. And the Ponte Vecchio stands over the Arno. What is the Ponte Vecchio? Well, its name means "Old Bridge" in Italian. And it is an old bridge. It was built in the 1300s! It was built to take the place of another bridge that had been there. That other bridge had been washed away in a flood. The Ponte Vecchio is easy to recognize. That's because of the shops built on it. These shops are on both sides of the bridge. They have windows with shutters. Parts of them stick out over the water! But so far, the shops and the bridge have stood the test of time. ReadWorks.org · © 2017 ReadWorks®, Inc. All rights reserved. The Old Bridge in Italy - Comprehension Questions Name: ___________________________________ Date: _______________ 1. What river runs through Florence, Italy? A. the Ponte Veccio B. the Old River C. the Arno River 2. Why was the Ponte Vecchio built? A. to protect the people from floods B. to take the place of another bridge C. to add more shops to Florence 3. The Ponte Vecchio has never broken since it was built. What part of the text tells us that this is true? A. "That other bridge had been washed away in a flood." B. "It was built in the 1300s!" C. "So far, the shops and the bridge have stood the test of time." 4. What is "The Old Bridge in Italy" mostly about? A. -
Passion for Cycling Tourism
TUSCANY if not HERE, where? PASSION FOR CYCLING TOURISM Tuscany offers you • Unique landscapes and climate • A journey into history and art: from Etruscans to Renaissance down to the present day • An extensive network of cycle paths, unpaved and paved roads with hardly any traffic • Unforgettable cuisine, superb wines and much more ... if not HERE, where? Tuscany is the ideal place for a relaxing cycling holiday: the routes are endless, from the paved roads of Chianti to trails through the forests of the Apennines and the Apuan Alps, from the coast to the historic routes and the eco-paths in nature photo: Enrico Borgogni reserves and through the Val d’Orcia. This guide has been designed to be an excellent travel companion as you ride from one valley, bike trail or cultural site to another, sometimes using the train, all according to the experiences reported by other cyclists. But that’s not all: in the guide you will find tips on where to eat and suggestions for exploring the various areas without overlooking small gems or important sites, with the added benefit of taking advantage of special conditions reserved for the owners of this guide. Therefore, this book is suitable not only for families and those who like easy routes, but can also be helpful to those who want to plan multiple-day excursions with higher levels of difficulty or across uscanyT for longer tours The suggested itineraries are only a part of the rich cycling opportunities that make Tuscany one of the paradises for this kind of activity, and have been selected giving priority to low-traffic roads, white roads or paths always in close contact with nature, trying to reach and show some of our region’s most interesting destinations. -
Ncipe (Ce); 17) S.A.S
COMUNICATO AI SENSI E PER GLI EFFETTI DELL’ART. 122 DEL D.LGS. 163/2006 e succ.modif. ed integr. Lavori di ristrutturazione di un edificio per la realizzazione di n. 13 unità immobiliari ad uso residenziale e n. 1 unità immobiliare ad uso ufficio, nel Comune di Livorno – Via Galilei, 11/13. Finanziamento: Regione Toscana – Delibera G.R. n. 320 del 15/3/2010 – Misura Straordinaria ed Urgente C. CIG: 25661104F5 – CUP: C43F10000020002 - A seguito di procedura aperta, con decisione n. 560/Supporto Organi e Direzione del 15/9/2011, l’appalto dei lavori è stato aggiudicato alla Società PASCUAL S.R.L. di Afragola (NA) , con il ribasso del 21,5440% sull’importo a base di gara di Euro 971.448,94 (+ Euro 27.492,00 per il costo della sicurezza non soggetto a ribasso). - Alla gara hanno partecipato le seguenti Ditte: 1) S.R.L. L. & G. IMPIANTI MALLARDO – AVERSA (CE); 2) S.R.L. EDIL GIFE - LUSCIANO (CE); 3) SOC. COOP. C.A.I.A.P. – PISTOIA; 4) S.R.L. EDILPOINT – PRATO; 5) S.R.L. PE.BA. COSTRUZIONI – FRATTAMINORE (NA); 6) S.R.L. PASCUAL - AFRAGOLA (NA); 7) IMPRESA EDILE DOLCECASA – GENOVA; 8) SOC. COOP. a R.L. GI.MI. – LUSCIANO (CE); 9) S.R.L. FINAMORE COSTRUZIONI – NAPOLI; 10) DITTA CAPONE SALVATORE - AFRAGOLA (NA); 11) S.N.C. IMPRESA EDILE EDILPIU' - SALVATERRA (RE); 12) S.R.L. C.E.G. COSTRUZIONI - ORTA DI ATELLA (CE); 13) S.R.L. FENAP OFFICINE RIUNITE - AGNANO (NA); 14) S.R.L. OPUS COSTRUZIONI – NAPOLI; 15) S.R.L. -
Dante's Political Life
Bibliotheca Dantesca: Journal of Dante Studies Volume 3 Article 1 2020 Dante's Political Life Guy P. Raffa University of Texas at Austin, [email protected] Follow this and additional works at: https://repository.upenn.edu/bibdant Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Italian Language and Literature Commons, and the Medieval History Commons Recommended Citation Raffa, Guy P. (2020) "Dante's Political Life," Bibliotheca Dantesca: Journal of Dante Studies: Vol. 3 , Article 1. Available at: https://repository.upenn.edu/bibdant/vol3/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bibdant/vol3/iss1/1 For more information, please contact [email protected]. Raffa: Dante's Political Life Bibliotheca Dantesca, 3 (2020): 1-25 DANTE’S POLITICAL LIFE GUY P. RAFFA, The University of Texas at Austin The approach of the seven-hundredth anniversary of Dante’s death is a propi- tious time to recall the events that drove him from his native Florence and marked his life in various Italian cities before he found his final refuge in Ra- venna, where he died and was buried in 1321. Drawing on early chronicles and biographies, modern historical research and biographical criticism, and the poet’s own writings, I construct this narrative of “Dante’s Political Life” for the milestone commemoration of his death. The poet’s politically-motivated exile, this biographical essay shows, was destined to become one of the world’s most fortunate misfortunes. Keywords: Dante, Exile, Florence, Biography The proliferation of biographical and historical scholarship on Dante in recent years, after a relative paucity of such work through much of the twentieth century, prompted a welcome cluster of re- flections on this critical genre in a recent volume of Dante Studies. -
The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
#m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. -
Florence Florence Can Boast Many Histories – Artistic, Financial, Religious, the Central Point of the City’S Political and Cultural Development
AGENZIA PER IL TURISMO FIRENZE florence Florence can boast many histories – artistic, financial, religious, the central point of the city’s political and cultural development. cultural, political. These are so rich that it is impossible to sum By virtue of its geographic position and social climate, Florence them up in a few short lines. One word, however, has always dis- exercised a function of equilibrium in the history and art of the pe- tinguished the city in the eyes of the world: the Renaissance. riod known as the Renaissance. After various vicissitudes involving the Florentine Republic and history Medici restorations, another historic era started for Florence in a brief 1530 with the establishment of the Grand Duchy of Tuscany. The The early Etruscan settlements sprang up on the hill of Fiesole, power of the city grew, reaching a peak with the defeat of arch-ri- while the Romans established themselves (in 59 BC) on the plain val Siena in 1555. The House of the Medici died out in the 18th around the Arno. The Forum of Roman Florentia was situated where century, giving way to the rule of the Habsburg-Lorraine, under Piazza della Republica stands today, and the inner circle of walls whom Florence also conquered Lucca (1847). Finally, the Duchy ran along today’s Via Tornabuoni, Via Cerretani and Via del Pro- entered the Kingdom of Italy in 1859 following a plebiscite. consolo. Florence was the capital of unified Italy from 1865 to 1870, dur- Miniato and Reparata were the first patron saints of Florence, ing which time Giuseppe Poggi produced an urban planning proj- which became an episcopal see in the 4th century. -
Italy: Florence Outline Itineraries for Tours to Italy
Outline itineraries for tours to Italy Italy: Florence Florence We use several hotels in Florence, depending on individual availability. The hotel that we use most frequently is the three star Hotel Byron. The central location is extremely convenient for all of the excursions in Florence, with the Duomo and Ponte Vechio only fi fteen minutes walk away. The beautiful River Arno lies only ten minutes away and is crossed frequently to get to and from our restaurant. The hotel itself is modern and clean, with accommodation in 2,3 and 4 bedded rooms. Each room has en-suite Michelangelo’s - “David” Boboli Gardens facilities, a TV, hairdryer and telephone. They are all serviced daily and security is provided by the 24 hour concierge at reception. There is a pleasant lounge and bar area where participants can meet in the Day 2 evening, as well as an excellent choice of cafes and restaurants nearby for After breakfast we will transfer to the The Uffi zi Museum. This museum participants to sample the local ciabatta sandwiches with an espresso. contains the fi nest collection of art in Italy, and ranks with the Prado and The staff are extremely warm and helpful and we have found this hotel to the Louvre as one of the greatest art galleries in the world. The Uffi zi has provide a very comfortable and convenient base for our group study visits been arranged into periods or schools in order to show the development to Florence. and progress of the Italian art movement. Later parts of the collection include works by European masters in general. -
Enhance Your Stay in Florence with Additional Privately Guided Sightseeing
Enhance your Stay in Florence with Additional Privately Guided Sightseeing Half-Day Walking Tour: Enjoy this comfortably paced walk through the centre of town, enhanced by history and insights from your personal guide. Admire treasured landmarks and city sites including the Duomo with its spectacular cupola designed by Brunelleschi; Giotto’s Bell Tower – one of the city’s greatest Gothic landmarks; the Baptistry with its celebrated gilded bronze doors; and the Piazza della Signoria. $164 per person based on a minimum of 2 guests 3 Hours • Offered Daily Walking Tour + Accademia: Departing from your hotel with your personal guide, you’ll discover the city’s greatest highlights including the Duomo with its spectacular cupola designed by Brunelleschi; Giotto’s Bell Tower, one of the city’s most impressive Gothic landmarks; and the Baptistry with its famous gilded bronze doors. Arriving at the Accademia, one of the world’s finest art museums, enjoy a narrated tour of its most important masterpieces including, of course, Michelangelo’s David. $184 per person based on a minimum of 2 guests 3 Hours • Offered Tue, Wed, Thu, Fri, Sat + Sun Walking Tour + Uffizi Gallery: Set out from your hotel with your personal guide to explore some of the city’s most important landmarks including the Duomo with its spectacular cupola designed by Brunelleschi; Giotto’s Bell Tower, one of the city’s most impressive Gothic landmarks; and the Baptistry with its famous gilded bronze doors. Arriving at the Uffizi, your guide will share historic insights and colorful stories about the wondrous Renaissance masterpieces you’ll see on display here in the gallery - including works by Botticelli, Giotto, Michelangelo, and da Vinci. -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church. -
Gender Dynamics in Renaissance Florence Mary D
Early Modern Women: An Interdisciplinary Journal Vol. 11, No. 1 • Fall 2016 The Cloister and the Square: Gender Dynamics in Renaissance Florence Mary D. Garrard eminist scholars have effectively unmasked the misogynist messages of the Fstatues that occupy and patrol the main public square of Florence — most conspicuously, Benvenuto Cellini’s Perseus Slaying Medusa and Giovanni da Bologna’s Rape of a Sabine Woman (Figs. 1, 20). In groundbreaking essays on those statues, Yael Even and Margaret Carroll brought to light the absolutist patriarchal control that was expressed through images of sexual violence.1 The purpose of art, in this way of thinking, was to bolster power by demonstrating its effect. Discussing Cellini’s brutal representation of the decapitated Medusa, Even connected the artist’s gratuitous inclusion of the dismembered body with his psychosexual concerns, and the display of Medusa’s gory head with a terrifying female archetype that is now seen to be under masculine control. Indeed, Cellini’s need to restage the patriarchal execution might be said to express a subconscious response to threat from the female, which he met through psychological reversal, by converting the dangerous female chimera into a feminine victim.2 1 Yael Even, “The Loggia dei Lanzi: A Showcase of Female Subjugation,” and Margaret D. Carroll, “The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence,” The Expanding Discourse: Feminism and Art History, ed. Norma Broude and Mary D. Garrard (New York: HarperCollins, 1992), 127–37, 139–59; and Geraldine A. Johnson, “Idol or Ideal? The Power and Potency of Female Public Sculpture,” Picturing Women in Renaissance and Baroque Italy, ed. -
Tuscany Regional Survey Presented By
European Union | European Regional Development Fund Sharing solutions for better regional policies Tuscany Regional Survey presented by Toscana Promozione Turistica - Tuscany Tourist Board TABLE OF CONTENTS THE SOCIO-ECONOMIC PICTURE OF THE REGION ___________________________________ 1 REGIONAL TOURIST ORGANISATION _____________________________________________ 3 THE TOURISM MARKET ________________________________________________________ 6 Florence and the main cities of art in the region ____________________________________ 7 Spa towns _________________________________________________________________ 8 Hilly areas _________________________________________________________________ 8 Mountain Tourist Systems ____________________________________________________ 8 Bathing systems ____________________________________________________________ 8 TOURISM SUPPORT ACTIONS ___________________________________________________ 9 SWOT ANALYSIS OF THE TUSCANY DESTINATION __________________________________ 11 THE SOCIO-ECONOMIC PICTURE OF THE REGION There are about 3,745,000 residents in Tuscany, whose average age is 46.7 years and more than half of whom are female. More than ¼ of the population resides in the province area of Florence, while other areas with significant population density are Pisa (11%) and Lucca (11%). Demographic projections estimate more than 4 million residents by 2030. There are more than 396,000 resident foreigners (10.6%) and the difference in age with respect to Italians is significant: on average about 33 years compared with 47 years for Tuscans. Among the 174 nationalities present, the Romanian (21%) and Albanian (17.8%) communities are the most numerous, followed by the Chinese (11%) and Moroccan (7%) communities. Although there has been a slowdown in migratory flows in recent years, mainly due to a reduction in the supply of labour, the region remains one of the most popular destinations in Italy. The population of Tuscany, like that of Italy and Europe is experiencing gradual ageing and the elderly now represent ¼ of the total. -
Arte E Botteghe, Santa Croce E Dintorni
SANTA CROCE E DINTORNI Centro Storico di Firenze inscritto nella Lista del Patrimonio Mondiale nel 1982 SOMMARIO / TABLE OF CONTENTS Storia History 4 Itinerario Itinerary 7 Approfondimenti Further Insights 15 Informazioni Information 39 HISTORY In questa visita ti porteremo attraverso il Centro Storico a spasso tra piazza Santa Croce e Borgo degli Albizi e per le vie che li congiungono. Quest’area era anticamente un’isola formata da due bracci dell’Arno che si ricongiungevano all’altezza di via Verdi e di via de’ Benci. Dunque, dal momento che questa era una zona abbastanza isolata, i francescani la scelsero quale loro sede. Piazza Santa Croce venne realizzata circa un secolo dopo l’insediamento dei francescani per accogliere le folle di fedeli. Maestosa si staglia sulla piazza l’imponente basilica di Santa Croce, realizzata anche grazie ai finanziamenti di importanti famiglie del quartiere, come i Bardi, i Peruzzi, i Cerchi e gli Alberti. Le sue vaste dimensioni rispecchiano la popolarità riscossa dai francescani nella zona, grazie alla loro capacità di intessere rapporti fecondi con la popolazione. Così, nel corso del tempo, la basilica è divenuta il tempio di sepoltura di molti artisti, letterati e scienziati italiani, come Michelangelo, Galileo e Machiavelli. L’estrema vicinanza dell’Arno ha fatto sì che l’alluvione del 1966 infliggesse gravissimi danni alla basilica, al convento e al suo patrimonio artistico, tanto da diventare uno dei simboli delle perdite subite dalla città. Nel corso del Rinascimento, tuttavia, data la sua ampiezza e regolarità, la piazza divenne anche il luogo ideale per spettacoli, gare popolari, giostre cavalleresche e feste, come il calcio in costume, che vi si tiene tutt’oggi.