On Professors' Academic Power in Universities
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Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Case of Smallpox and the Manchus (1613-1795
Copyright © 2002 Oxford University Press. All rights reserved. Journal of the History of Medicine and Allied Sciences 57.2 (2002) 177-197 [Access article in PDF] Disease And its Impact on Politics, Diplomacy, and the Military: The Case of Smallpox and the Manchus (1613–1795) Chia-Feng Chang One of the most dramatic events in Chinese history was the rise of the Qing dynasty in 1644. Scholars have suggested various reasons why the Manchus successfully conquered Ming China, but one important reason has long been neglected. An infectious disease, smallpox, played a key role in the story. Smallpox might have served as a barrier, preventing the success of the susceptible Manchus, both during the time of military conquest and in the years that followed. In this essay I explore how the Manchus responded to the danger of smallpox and how smallpox shaped the Manchu military, political, and diplomatic structures during the conquest and the first half of the Qing dynasty (1644–1911). In the late Ming dynasty (1368–1644) smallpox was rare among the peoples who lived beyond the northern borders of China, including the Manchus. For example, Zhang Jiebin (1563–1640), an eminent physician, stated that the northern peoples did not develop the disease. 1 A government official of the time, Xie Zhaozhe, also remarked that the Tartars did not suffer from smallpox. 2 As late as the Qing [End Page 177] dynasty, Zhu Chungu (1634–1718?), who was appointed to practice variolation amongst the Mongols during the Kangxi period (1662–1722), asserted that it was their nomadic lifestyle which protected them. -
Cheng, Prefinal2.Indd
ru in han times anne cheng What Did It Mean to Be a Ru in Han Times? his paper is not meant to break new ground, but essentially to pay T homage| to Michael Loewe. All those who have touched upon Han studies must acknowledge an immense intellectual debt to his work. I have had the great privilege of being his student at Cambridge back in the early 1980s while I was writing my doctoral thesis on He Xiu and the Later Han “jinwen jingxue վ֮ᆖᖂ.” Along with his vast ۶ٖ knowledge about the Han period, he has kept giving me much more over the years: his unfailing support, his human warmth, and wisdom. All this, alas, has not transformed me into what I ought to have be- come: a disciple worthy of the master. The few general considerations I am about to submit about what it meant to be a ru ᕢ in the Han pe- riod call forth an immediate analogy. I would tend to view myself as a “vulgar ru,” as opposed to authentic ones such as the great sinologists who have taught me. Jacques Gernet, who is also one of them, asked me once half teas- ingly whether one could actually talk about an existing Confucianism as early as the Han. His opinion was that what is commonly called Neo-Confucianism from the Song onwards should actually be consid- ered as the earliest form of Confucianism. Conversely, in an article on ᆖ, Michael Nylan and Nathan Sivinخ֜ Yang Xiong’s ཆႂ Taixuan jing described the new syntheses of beliefs prevalent among leading think- ers of the Han as “the first Neo-Confucianism,”1 meaning that “what sinologists call the ‘Confucianism’ of that time decisively rejected cru- cial parts of ‘Confucius’s Way.’ Its revisionism is as great in scope as that of the Song.”2 I here thank the anonymous referees for their critical remarks on my paper and apologize for failing, due to lack of time and availability, to make all the necessary revisions. -
Ancient and Early Medieval Chinese Literature I Handbook of Oriental Studies Handbuch Der Orientalistik
Ancient and Early Medieval Chinese Literature I Handbook of Oriental Studies Handbuch der Orientalistik SECTION FOUR China Edited by Stephen F. Teiser Martin Kern Timothy Brook VOLUME 25/1 Ancient and Early Medieval Chinese Literature A Reference Guide Part One Edited by David R. Knechtges and Taiping Chang LEIDEN • BOSTON 2010 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Ancient and early medieval Chinese literature : a reference guide / edited by David R. Knechtges and Taiping Chang. p. cm. — (Handbook of Oriental studies. Section four, China, ISSN 0169-9520 ; v. 25 = Handbuch der orientalistik) Includes bibliographical references. ISBN 978-90-04-19127-3 (v. 1 : hbk. : alk. paper) 1. Authors, Chinese—Biography— Dictionaries. 2. Authors, Chinese—Biography—Handbooks, manuals, etc. 3. Chinese literature—To 221 B.C.—Bio-bibliography—Dictionaries. 4. Chinese literature—Qin and Han dynasties, 221 B.C.–220 A.D.—Bio-bibliography—Dictionaries. 5. Chinese literature— 220–589—Bio-bibliography—Dictionaries. 6. Chinese literature—To 221 B.C.—History and criticism—Handbooks, manuals, etc. 7. Chinese literature—Qin and Han dynasties, 221 B.C.–220 A.D.—History and criticism—Handbooks, manuals, etc. 8. Chinese literature— 220–589—History and criticism—Handbooks, manuals, etc. I. Knechtges, David R. II. Chang, Taiping. PL2265.A63 2010 895.1’090003—dc22 [B] 2010029368 ISSN 0169-9520 ISBN 978-90-04-19127-3 Copyright 2010 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
How Poetry Became Meditation in Late-Ninth-Century China
how poetry became meditation Asia Major (2019) 3d ser. Vol. 32.2: 113-151 thomas j. mazanec How Poetry Became Meditation in Late-Ninth-Century China abstract: In late-ninth-century China, poetry and meditation became equated — not just meta- phorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthetic of kuyin 苦吟 (“bitter intoning”), which involved intense devotion to poetry to the point of suffering. At stake too was the poet as “fashioner” — one who helps make and shape a microcosm that mirrors the impersonal natural forces of the macrocosm. Jia Dao 賈島 (779–843) was crucial in popularizing this sense of kuyin. Concurrently, an older layer of the literary-theoretical tradition, which saw the poet’s spirit as roaming the cosmos, was also given new life in late Tang and mixed with kuyin and Buddhist meditation. This led to the assertion that poetry and meditation were two gates to the same goal, with Qiji and others turning poetry writing into the pursuit of enlightenment. keywords: Buddhism, meditation, poetry, Tang dynasty ometime in the early-tenth century, not long after the great Tang S dynasty 唐 (618–907) collapsed and the land fell under the control of regional strongmen, a Buddhist monk named Qichan 棲蟾 wrote a poem to another monk. The first line reads: “Poetry is meditation for Confucians 詩為儒者禪.”1 The line makes a curious claim: the practice Thomas Mazanec, Dept. -
The Historical Roots of Technical Communication in the Chinese Tradition
The Historical Roots of Technical Communication in the Chinese Tradition The Historical Roots of Technical Communication in the Chinese Tradition By Daniel Ding The Historical Roots of Technical Communication in the Chinese Tradition By Daniel Ding This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Daniel Ding All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5782-0 ISBN (13): 978-1-5275-5782-6 To Karen Lo: My Lovely Wife and Supporter “Thy fruit abundant fall!” —Classic of Poetry TABLE OF CONTENTS Chapter One ................................................................................................ 1 Technical Writing in Chinese Antiquity: An Introduction Chapter Two ............................................................................................. 21 The Oracle-Bone Inscriptions (甲骨文): The Earliest Artifact of Technical Writing in China Chapter Three ........................................................................................... 37 Classic of Poetry (诗经): Technical Instructions and Reports Chapter Four ............................................................................................ -
History, Background, Context
42 History, Background, Context The history of the Qing dynasty is of course the history of hundreds upon hundreds of millions of people. The volume, density, and complexity of the information contained in this history--"history" in the sense of the totality of what really happened and why--even if it were available would be beyond the capacity of any single individual to comprehend. Thus what follows is "history" in another sense--a selective recreation of the past in written form--in this case a sketch of basic facts about major episodes and events drawn from secondary sources which hopefully will provide a little historical background and allow the reader to place Pi Xirui and Jingxue lishi within a historical context. While the history of the Qing dynasty proper begins in 1644, history is continuous. The Jurchen (who would later call themselves Manchus), a northeastern tribal people, had fought together with the Chinese against the Japanese in the 1590s when the Japanese invaded Korea. However in 1609, after a decade of increasing military strength, their position towards the Chinese changed, becoming one of antagonism. Nurhaci1 努爾哈赤 (1559-1626), a leader who had united the Jurchen tribes, proclaimed himself to be their chieftain or Khan in 1616 and also proclaimed the 1See: ECCP, p.594-9, for his biography. 43 founding of a new dynasty, the Jin 金 (also Hou Jin 後金 or Later Jin), signifying that it was a continuation of the earlier Jurchen dynasty which ruled from 1115-1234. In 1618, Nurhaci led an army of 10,000 with the intent of invading China. -
Communication, Empire, and Authority in the Qing Gazette
COMMUNICATION, EMPIRE, AND AUTHORITY IN THE QING GAZETTE by Emily Carr Mokros A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland June, 2016 © 2016 Emily Carr Mokros All rights Reserved Abstract This dissertation studies the political and cultural roles of official information and political news in late imperial China. Using a wide-ranging selection of archival, library, and digitized sources from libraries and archives in East Asia, Europe, and the United States, this project investigates the production, regulation, and reading of the Peking Gazette (dibao, jingbao), a distinctive communications channel and news publication of the Qing Empire (1644-1912). Although court gazettes were composed of official documents and communications, the Qing state frequently contracted with commercial copyists and printers in publishing and distributing them. As this dissertation shows, even as the Qing state viewed information control and dissemination as a strategic concern, it also permitted the free circulation of a huge variety of timely political news. Readers including both officials and non-officials used the gazette in order to compare judicial rulings, assess military campaigns, and follow court politics and scandals. As the first full-length study of the Qing gazette, this project shows concretely that the gazette was a powerful factor in late imperial Chinese politics and culture, and analyzes the close relationship between information and imperial practice in the Qing Empire. By arguing that the ubiquitous gazette was the most important link between the Qing state and the densely connected information society of late imperial China, this project overturns assumptions that underestimate the importance of court gazettes and the extent of popular interest in political news in Chinese history. -
Learning to Read in Late Imperial China
This watermark does not appear in the registered version - http://www.clicktoconvert.com Studies on Asia, series II, vol. 1, num. 1 LEARNING TO READ IN LATE IMPERIAL CHINA Li Yu, Emory University Introduction1 On the morning of the tenth day of the third lunar month in the year 1766, dozens of delegates on a Korean solstitial embassy entered a Temple of Chaste Woman located in a village within Yongping Prefecture in Northern China (in today’s Hebei Province). They found a school next to the inner gate of the temple and half a dozen children sitting there studying. What amazed all of them was that, in spite of the noise the delegation had made, these children were not in the least distracted and concentrated on their studies as if nothing had happened. A few moments later when Hong Taeyong (1731-1783), the nephew of the secretary of the embassy, arrived at the gate, an interpreter excitedly reported this marvelous scene to him. Suspicious of the veracity of the story, Hong went inside to investigate. What he discovered and later recorded in his memoir turns out to be a rare piece of evidence showing us a scene of children learning to read in early modern China. Despite the fact that reading was greatly emphasized by educators and policy-makers in early modern China, very little was written on how children were actually taught to read. Previous studies on Chinese elementary education mainly focus on the issue of literacy, the content of education, educational institutions, and educators' theories on teaching.2 Although primers and 1 The article has benefited from comments by Galal Walker, Mark Bender, Cynthia Brokaw, Patricia Sieber, Victor Mair, J. -
A Study of the Standardization of Chinese Writing/ Ying Wang University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2008 A study of the standardization of Chinese writing/ Ying Wang University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Wang, Ying, "A study of the standardization of Chinese writing/" (2008). Masters Theses 1911 - February 2014. 2060. Retrieved from https://scholarworks.umass.edu/theses/2060 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A STUDY OF THE STANDARDIZATION OF CHINESE WRITING A Thesis Presented by YING WANG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Asian Languages and Literatures © Copyright by Ying Wang All Rights Reserved STUDIES OF THE STANDARDIZATION OF CHINESE WRITING A Thesis Presented by YING WANG Approved as to style and content by: hongwei Shen, Chair Donald E. GjertsoH, Member Enhua Zhang, Member hongwei Shen, Director Asian Languages and Literatures Program Department of Languages, Literatures and Cultures Julie Caii s, Chair Departira hguages, Literatures and Cultures ACKNOWLEDGEMENTS I would like to earnestly thank my advisor, Professor Zhongwei Shen, for his helpful, patient guidance and support in all the stages of my thesis writing. Thanks are also due to my committee members Professor Donald Gjertson and Professor Enhua Zhang, for their generous help. My friends, Mathew Flannery and Charlotte Mason, have also edited thesis my in various stages, and to them I am truly grateful. -
Mingfei Qu" and the Poetics of Disagreement Author(S): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol
Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Author(s): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 29 (Dec., 2007), pp. 55- 84 Published by: Chinese Literature: essays, articles, reviews (CLEAR) Stable URL: http://www.jstor.org/stable/25478397 Accessed: 14-08-2017 01:58 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/25478397?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Chinese Literature: essays, articles, reviews (CLEAR) is collaborating with JSTOR to digitize, preserve and extend access to Chinese Literature: Essays, Articles, Reviews (CLEAR) This content downloaded from 66.31.142.119 on Mon, 14 Aug 2017 01:58:38 UTC All use subject to http://about.jstor.org/terms Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Yang Xiaoshan University of Notre Dame This essay reconsiders the controversy surrounding Wang Anshi's two poems on the Wang Zhaojun legend in light of his deliberate use of unconventional rhetoric to shock and awe his audience, especially in poems dealing with historical subjects. -
Chinese Foreign Aromatics Importation
CHINESE FOREIGN AROMATICS IMPORTATION FROM THE 2ND CENTURY BCE TO THE 10TH CENTURY CE Research Thesis Presented in partial fulfillment of the requirements for graduation with research distinction in the undergraduate colleges of The Ohio State University. by Shiyong Lu The Ohio State University April 2019 Project Advisor: Professor Scott Levi, Department of History 1 Introduction Trade served as a major form of communication between ancient civilizations. Goods as well as religions, art, technology and all kinds of knowledge were exchanged throughout trade routes. Chinese scholars traditionally attribute the beginning of foreign trade in China to Zhang Qian, the greatest second century Chinese diplomat who gave China access to Central Asia and the world. Trade routes on land between China and the West, later known as the Silk Road, have remained a popular topic among historians ever since. In recent years, new archaeological evidences show that merchants in Southern China started to trade with foreign countries through sea routes long before Zhang Qian’s mission, which raises scholars’ interests in Maritime Silk Road. Whether doing research on land trade or on maritime trade, few scholars concentrate on the role of imported aromatics in Chinese trade, which can be explained by several reasons. First, unlike porcelains or jewelry, aromatics are not durable. They were typically consumed by being burned or used in medicine, perfume, cooking, etc. They might have been buried in tombs, but as organic matters they are hard to preserve. Lack of physical evidence not only leads scholars to generally ignore aromatics, but also makes it difficult for those who want to do further research.