DOCSLIB.ORG

Distribution Playbook Success Stories from Aframe Customers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Distribution Playbook Success Stories from Aframe Customers Distribution Playbook Success Stories from Aframe Customers Distribution Playbook Success Stories from Aframe Customers x Introduction To This Playbook < So what exactly is a playbook? In sporting terms, a playbook is the set of plans the coach uses to ensure the team succeeds. For Aframe, these ‘plays’ are really just a metaphorical device to bring together a series of different workflows that might be employed by a particular television project, in this case, global distribution of media rights. In the commercial ‘engine rooms’ of the large production and broadcast outlets, programme distribution teams demand powerful frameworks that enable them to control their content securely, easily and efficiently. This enables them to lower their sales cycles, which utlimately means more profitability for the corporation. In this playbook we’ve featured clients who have applied Aframe to manage their content portfolios across multiple platforms and business units with partners all over the world. By utilizing Aframe as a central resource for all screeners, the rapid review process allowed Keshet International to maximize cash flows from their licensing programs. Read why RDA chose Aframe specifically because of its unique clip-sharing feature. In the US, Veria Living relies on Aframe to instantly refine and share content with clients, replacing a cumbersome DVD production and distribution process. We hope this playbook gives you insight into why media outlets across the world are embracing cloud computing as a smarter way to review, approve and distribute high value video content. Find out more at http://aframe.com/distribution Share this... aframe.com UK & EU: +44 (0)800 197 6870 US: +1 978-799-9440 2 Distribution Playbook Success Stories from Aframe Customers Enabling Rapid Growth in Global Distribution Keshet International is a leading Israeli media company. Established in 1993, it creates innovative content for a variety of media platforms. The company’s core business is free TV with Keshet Broadcasting - a franchisee of Channel 2, Israel’s major commercial channel. In-house and independent producers, spanning all genres including entertainment, drama, factual, news and current affairs, provide Keshet programming. Keshet International is the group’s global distribution and production arm. Its back catalogue contains Israel’s most popular shows, including hit drama series Hatufim (Prisoners of War), which was sold to 20th Century Fox and adapted into Emmy Award winning show Homeland; hit interactive talent show Rising Star; International Emmy nominated docu-reality format Dear Neighbors; talent show Master Class; and ‘buddy comedy’ Traffic Light, winner of the International Emmy Award. Following the success of Homeland, new MD Alon Shtruzman and Head of Distribution & Acquisitions Keren Shahar, recruited a dedicated Sales team to help take other Keshet formats to overseas markets. Challenge Ziv Rabinovich was brought in to support the company’s rapid growth and overhaul the facilitation of the Sales process as Head of Operations, just as opportunities were exploding through the popularity of the Homeland franchise. He wanted to help make the sales process far slicker so that the team could focus on selling, rather than battling with technological obstacles. “One of the main challenges of TV distribution is sharing screeners. Sales people need the ability to share viewing copies of shows to their customers quickly and securely, but in a way that is convenient to the client,” said Head of Operations Ziv Rabinovich. For moving screeners around, the sales teams were using various file transfer technologies without efficiency. Problems arose because clients had to download the footage before it could be viewed, which presented further security concerns. It also put the onus on the client to work harder than necessary – not ideal during any sales process. The team even considered adapting their own website to host and show full episode screeners, but the infrastructure required to provide the necessary control of approved content, security and speed were huge challenges. < x Share this... aframe.com UK & EU: +44 (0)800 197 6870 US: +1 978-799-9440 3 Distribution Playbook Success Stories from Aframe Customers Solution By using Aframe as a central resource for all screeners, Keshet International is able to ensure that only approved content is available for the team to share. This helps manage version control, providing the correct language editions and distributing only approved episodes. The sharing features within Aframe offer the ability to quickly and easily share Keshet’s valuable content, whilst minimizing the risk of a security breach. A central operations team controls access to footage by carefully managing links to streamed content. Links can be set to expire and named individuals may only access very sensitive media. On most occasions the sales team offer online streamed versions of the programmes they’re selling, but sometimes they need the flexibility to offer clients an episode to download. With Aframe they can choose to let recipients download a proxy or the original format version, all with the peace of mind that all activity is logged in the system. Using the cloud enables Keshet to deliver content to people with blazing speed, not to mention convenience. Recipients can choose to view content in browser on computers, tablets and smart phones. This rapid review process gives the sales team the opportunity to vastly reduce sales cycles, eliminate wasted time battling technology and concentrate their efforts on building relationships and closing deals. Results “Aframe is, at least in part, responsible for the significant improvement in sales at Keshet International. The control of media, secure and immediate sharing and the cost effectiveness of the service have definitely contributed to the success of Keshet formats worldwide,” said Ziv. Share this... aframe.com UK & EU: +44 (0)800 197 6870 US: +1 978-799-9440 4 Distribution Playbook Success Stories from Aframe Customers Making TV Distribution Slicker RDA TV is a media rights distribution company specializing in sports content and highly successful action- entertainment programming aimed at young male audiences. RDA also brokers programming deals with channels and networks across the globe to maximize the exposure, revenue and brand growth of its clients. It works on behalf of some of the world’s leading sports brands including UFC, TNA Wrestling, Real Madrid TV and Liverpool FC. Challenge When you are selling some of the world’s most exciting sports programming to some of the biggest and most respected broadcasters around the world, being able to share content quickly is an essential part of the sales process. Traditional approaches to distributing screeners by DVD pose significant time delays, costs and security risks. RDA demanded a vendor that could expedite distribution for their entire programme catalogue. “We were looking at ways to drive efficiencies into our sales cycle and we knew the daily process of burning DVDs and sending them by courier was expensive, incredibly time consuming and not actually that useful to our customers or our team,” said RDA Sales Manager Paul Benson. Solution RDA TV chose Aframe specifically because of the unique clip sharing feature, which would allow consumers to playout any desired clip in a matter of minutes. Aframe automatically creates h.264 web proxies out of any high resolution media asset uploaded, so footage can be sent instantly for review on a standard web browser or mobile device – no dedicated hardware or software is required. RDA users simply select their desired clips, enter the recipient’s email address and send a message with the link to see the clip in a universally accessible video player. They can also enable the recipient to download the original format of the clip and if the recipient is an Aframe user they can comment on the clip too. This saves ripping hundreds of DVDs and excessive courier costs and makes the review process lighting fast. Share this... aframe.com UK & EU: +44 (0)800 197 6870 US: +1 978-799-9440 5 Distribution Playbook Success Stories from Aframe Customers x x < With Aframe’s simple to use interface, RDA control who has access to the media. Aframe’s permission controls ensured the IP was protected and clients could be monitored at all times - project owners had the ability to invite users and specify their level of access and functionality within each collection. RDA’s high value content is completely secure in the cloud - all Aframe servers are linked so that 3 copies of media are always saved - 2 in the origin location, 1 replicated on the opposite side of the country - with triple security from FACT accreditation, 256-bit encryption and its triple-backup datacenter network. Results Moving HD content around the world in an accelerated and secure fashion made working within tight deadlines possible for RDA. “Since using Aframe we have been able to provide a much quicker, more professional and slicker service, which ultimately improves our bottom line” said Paul Benson. Share this... aframe.com UK & EU: +44 (0)800 197 6870 US: +1 978-799-9440 6 Distribution Playbook Success Stories from Aframe Customers Global Review, Approval & Distribution Veria Living TV is a forward thinking 24/7 television network offering the world’s largest line-up of first- run, original wellness programming – connecting viewers in a contemporary and accessible manner to the benefits and joys of living a healthy lifestyle. Veria Living has produced an enviable catalogue of productions such as Good Food America, Rock Your Yoga and Yoga Sutra, which have embraced viewers throughout the world with a mixture of food, fitness and health segments. Challenge Veria’s program library of over 1,200 hours of HD programming (equivalent to 60TB) was spread out over dozens of external hard drives. Traditionally, the sales team would find out what shows were of interest to a perspective client and then put in a request with the media manager internally to create some DVD screeners.
Load more

Recommended publications
  • Saturday Church
    SATURDAY CHURCH A Film by Damon Cardasis Starring: Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher Running Time: 82 minutes| U.S. Narrative Competition Theatrical/Digital Release: January 12, 2018 Publicist: Brigade PR Adam Kersh / [email protected] Rob Scheer / [email protected] / 516-680-3755 Shipra Gupta / [email protected] / 315-430-3971 Samuel Goldwyn Films Ryan Boring / [email protected] / 310-860-3113 SYNOPSIS: Saturday Church tells the story of 14-year-old Ulysses, who finds himself simultaneously coping with the loss of his father and adjusting to his new responsibilities as man of the house alongside his mother, younger brother, and conservative aunt. While growing into his new role, the shy and effeminate Ulysses is also dealing with questions about his gender identity. He finds an escape by creating a world of fantasy for himself, filled with glimpses of beauty, dance and music. Ulysses’ journey takes a turn when he encounters a vibrant transgender community, who take him to “Saturday Church,’ a program for LGBTQ youth. For weeks Ulysses manages to keep his two worlds apart; appeasing his Aunt’s desire to see him involved in her Church, while spending time with his new friends, finding out who he truly is and discovering his passion for the NYC ball scene and voguing. When maintaining a double life grows more difficult, Ulysses must find the courage to reveal what he has learned about himself while his fantasies begin to merge with his reality. *** DAMON CARDASIS, DIRECTOR STATEMENT My mother is an Episcopal Priest in The Bronx.
    [Show full text]
  • Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
    Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström.
    [Show full text]
  • Light up Your Format Schedule
    President Trump: TV industry reacts to shock result AsiaPage 10 TBIvision.com November 2016 The Gordon Ramsay Collection THE WORD Light up your format schedule all3mediainternational.com @all3media_int pOFC Asia16.indd 1 15/11/2016 18:31 all3mediainternational.com @all3media_int Proven formats Now available for the Asian market From the award winning producers of smash hits Undercover Boss and Gogglebox comes the new format The nation that will have everyone talking. speaks back! 340 million 6.3 million views for the first series mobile participants in China on Tencent per China episode Introducing our newest format... pIFC-01 All3Media Asia16.indd 2 11/11/2016 15:43 all3mediainternational.com @all3media_int Proven formats Now available for the Asian market From the award winning producers of smash hits Undercover Boss and Gogglebox comes the new format The nation that will have everyone talking. speaks back! 340 million 6.3 million views for the first series mobile participants in China on Tencent per China episode Introducing our newest format... pIFC-01 All3Media Asia16.indd 3 11/11/2016 15:43 pXX Televisa Asia16.indd 1 15/11/2016 11:23 TBI Asia 2016 Contents 4 TBI interview: Gabriel Lim, IMDA IMDA chief Gabriel Lim explains the vision for the new Singaporean organisation 8 People The latest comings and goings in the world of international TV 10 Trump and TV 4 10 International content industry figures, from producers to analysts, react to Donald Trump winning the US elections 12 IPCN’s stream dreams With live streaming becoming hugely
    [Show full text]
  • CJ E&M, Endemol Shine Renew the Society Game
    20 march- C NTENT 2 april 2017 www.contentasia.tv l www.contentasiasummit.com Vietnam, Thailand, China top Asia’s formats market in Q1 205 shows on air or com- missioned in Asia in 2017, ContentAsia’s new Formats Outlook finds Vietnam, Thailand and China lead Asia’s formats market this year so far. The three markets account for a combined share of almost 50% (102 titles) of the total 205 shows on air, in production or commis- sioned for broadcast in 2017/2018, ac- cording to ContentAsia’s new Formats Outlook. The full story is on page 4 CJ E&M, Endemol Shine renew The Society Game Co-created political format returns to tvN this year Endemol Shine Group and CJ E&M have renewed their first co-developed format, The Society Game, for a second season. The prime-time reality show – the partnership’s first project – returns to CJ E&M’s flagship tvN channel in Korea in September this year. The full story is on page 2 www.contentasia.tv C NTENTASIA 20 March-2 April 2017 Page 2. WakuWaku CJ, Endemol renew The Society Game collapses Co-created political format returns to tvN this year windows on Crisis Simultaneous April airdate for new Japanese drama Sky PerfecTV’s regional Japanese enter- tainment channel, WakuWaku Japan, will air new Japanese drama Crisis – Special Security Squad across Asia on 11 April two hours after its domestic telecast. New episodes premiere in Japan on Tuesday nights at 9pm from 11 April. In a first for WakuWaku Japan, language- customised versions will air two hours later in Indonesia, Myanmar, Singapore, Taiwan, Sri Lanka and Mongolia.
    [Show full text]
  • Truly Global
    *LIST_1216_ALT_LIS_1006_LISTINGS 11/21/16 4:53 PM Page 1 WWW.WORLDSCREENINGS.COM DECEMBER 2016 ASIA TV FORUM EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_1216_ALT_LIS_1006_LISTINGS 11/21/16 4:53 PM Page 2 ASIA TV FORUM EXHIBITOR DIRECTORY COMPLETE LISTINGS FOR THE COMPANIES IN BOLD CAN BE FOUND IN THIS EDITION OF TV LISTINGS. 20th Century Fox TV Distribution Suite 5302 Fred Media E30 Only Distrib F10 9 Story Media Group J26 Fuji Creative Corporation A24 Out of this World E08/H08 A+E Networks G20 Fuji Television Network A24 Outdoor Productions K32 Aardman Animations K32 Gala Television Corporation C20 Pact K32 ABC Commercial E30 Global Agency E27 Paramount Pictures Suite 5201 About Premium Content E10/F10 Globo E26 Passion Distribution K25 ABS-CBN International Distribution J18 GMA Worldwide J01 PGS Entertainment E10/F10 Activetv Asia E08/H08 GO-N International E10/F10 Phoenix Satellite Television G24 ADK/NAS/D-Rights A24 GOASEAN D10 Picto Studio J10 AK Entertainment H10/H20 Gold Cinema Group J21 Pilgrim Pictures E08/H08 Alfred Haber Distribution F30 Goldbee H34 Pixelline Production D10 all3media International K08 Goquest Media Ventures L34 Pixtrend J10 All Rights Entertainment E10/F10 Grafizix J10 Playoncast H10/H20 Alpha Group B10 Green Gold Entertainment H24 Portfolio Entertainment H33 Ampersand E10/F10 Guangdong Winsing B10 Primeworks Distribution D10 Animasia Productions D10 Gyeonggi Content Agency J10 Public Television Service Foundation C20 Animonsta Studios D10 H Culture J10 Rabbit
    [Show full text]
  • Download the Notebook of Projects
    Notebook of PROJECTS MIA | Notebook of PROJECTS Cultural Partners A brand and project produced by Supported by With the contribution of Partners Board ZIONE GEN IA ER C A SO L S E A I I N T D N U E S D T R N I E AGICI Producers Guild of Italy E P I C I D N N I E - E A V U I S D I I V O Associate Partners Media Partner ANICA member of APT member of MIA | CINEMA BLACK EYED MARIA by Benjamin Brunet, Chile BROADWAY by Christos Massalas, Greece Co-Production Market and Pitching Forum DELICATE BALANCE OF TERROR by Jagoda Szelc, Poland DOHA - THE RISING SUN by Eimi Imanishi, USA DOMINA MARIS by Silvia Perra, Italy THE FAVORITE DAUGHTERS by Lucrezia Le Moli Munck, Italy THE GREAT FREEDOM by Wendla Nölle, Germany THE HANGED by Fernando Coimbra, Brazil I’M FIERCE by Daniel Mejía, Colombia JEUX SANS FRONTIERES by Andrei Cretulescu, Romania THE LAMB by Mario Piredda, Italy LIBERTAD by Clara Roquet, Spain MERCY by Mandi Riggi, UK MISTER by Emily Atef, France THE NIGHTSIREN by Tereza Nvotová, Slovakia/Czech Republic THE PENULTIMATE by Jonas Kærup Hjort, Denmark THE QUESTION OF INNOCENCE by Vimukthi Jayasundara, Sri Lanka SIMIN DONA by Igor Cobileanski, Romania A SPRINGTIME STORY by Andrei Gruzsniczki, Romania WOLF by Nathalie Biancheri, Ireland 4 MIA CINEMA CO-PRODUCTION MARKET AND PITCHING FORUM MIA CINEMA CO-PRODUCTION MARKET AND PITCHING FORUM 5 INFO CHILE Original Title Maria ojos negros BLACK EYED MARIA Screenplay by Benjamín Brunet Benjamín Brunet Shooting Language SYNOPSIS Spanish JOSE (60) and MARIA (46) make love.
    [Show full text]
  • Keshet International
    Case Study “ Geographically, Hong Kong is right in the centre. It’s a very efficient location, and it is very easy to set up a company.” Gary Pudney, Head of Asia Keshet International Bringing Entertainment to the World Israeli media group Keshet International has recently founded its Asia headquarters in Hong Kong as the command centre for its regional expansion You may be a fan of critically acclaimed TV drama Homeland , Studios in Los Angeles. The group has a catalogue of more but you may or may not know that the American political thriller than 90 tried and tested properties that appeal to audiences television series was developed based on an Israeli production worldwide, spanning all genres. Pudney pointed out that Asia is called Prisoners of War (Hatufim). The company that created where the company sees the most growth potential. the original version, Keshet Media Group, was founded in Tel “One-third of the world’s population is here; our goal from this Aviv in 1993 and has become a global media conglomerate in office is to plant a flag in every country,” he said. less than two and a half decades. And the company’s footprints have reached Asia for several years with local adaptations of its Keshet has been working with a number of partners in Mainland productions, such as Master Class in China, Spy in Korea, Rising China. “There is an explosion of opportunities in the scripted Star in Indonesia and Boom! in Thailand and Cambodia. space, and we have a number of dramas under development right now.
    [Show full text]
  • TRULY GLOBAL Worldscreen.Com *LIST 0614 LIS 1006 LISTINGS 6/10/14 3:12 PM Page 2
    *LIST_0614_LIS_1006_LISTINGS 6/10/14 3:11 PM Page 1 WWW.WORLDSCREENINGS.COM JUNE/JULY 2014 NATPE EUROPE & LICENSING EXPO EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_0614_LIS_1006_LISTINGS 6/10/14 3:12 PM Page 2 NATPE Europe Exhibitor Directory 03 Productions/MBC Group VB-26 KBS Media S5 108 Media Corp. M6a Keshet International 1023a 20th Century Fox Television Distribution 1099 KOCCA S5 3DD Entertainment VB-41 KSM M12 A+E Networks 1007 Lionsgate 1039/1040 Aardman Animations M7 MarVista Entertainment VB-9 ABS-CBN International Distribution VB-23 MBC S5 Absolutely Independent M17a Médiamétrie VB-59 Alfred Haber Distribution 1001 Mediaset España VB-52 all3media international 1107 Mediatoon Distribution VB-51 Antenna International Enterprises VB-19 MGM 1059/1061 Armoza Formats VB-2 Millimages VB-49 Artist View Entertainment VB-13 Mondo TV VB-44 ATM Grupa S0 Monolith Films S0 Atresmedia VB-53 MTVA Hungarian Public Media VB-27 Azteca 1002 National Film Board of Canada M15 Banijay International VB-12 NBCUniversal International TV Distribution 8064/8069 Barrandov Televizni Studio S3 New Films International VB-34 BBC Worldwide 1045/1047 Novovision VB-56 Berserk Media VB-6 NPO-Sales VB-10 Beyond Distribution M3 NTV Broadcasting VB-1 BRB Internacional VB-52 Octapixx Worldwide VB-33 Broadcasting Board of Governors VB-40 Off the Fence M18 CAKE M8 Optomen Television M16 Caracol Television 1106 ORF-Enterprise 1017 Carsey-Werner Television Distribution VB-17 Passion Distribution M9b CBS Studios International
    [Show full text]
  • Tv Nova: the Boom of Channels
    12 12 PRENSARIO INTERNATIONAL PRENSARIO INTERNATIONAL COMMENTARY CENTRAL & EASTERN EUROPE, FROM INSIDE For the fi rst time, our traditional Natpe Budapest huge content market to enjoy. It is key to bet today issue has turned into our ‘Central & Eastern Europe to have a better business tomorrow. special annual edition’, as we cover with the same issue, both Natpe Budapest, in June, and Kiev Media JUST TO REMEMBER… Show, the emerging content event in Ukraine, in For those reading Prensario International for September. It is a 2 x 1 offer, but above all, a deep the fi rst time… this publication is based on Latin PUBLISHED BY trip into Central & Eastern Europe present. America, but has more than 20 years covering the EDITORIAL PRENSARIO SRL We provide in the edition more than 20 interviews whole international market, and now it manages LAVALLE 1569, OF. 405 to top broadcasters of Central & Eastern Europe, strong coverage and feedback from all regions, C1048 AAK BUENOS AIRES, ARGENTINA and 5 high-end locally produced reports, based on especially in Central & Eastern Europe, where we’ve PHONE: (+54-11) 4924-7908 own researches and alliances with Eurodata, MRM been covering the Budapest shows for 15 years. FAX: (+54-11) 4925-2507 and CeeTV, among other CEE consultant specialists. As well, we’ve strongly developed our online Which is the global message about the region? CEE services. At present we offer daily e-mail newsletters IN THE U.S.: is living a hard moment, due to the global crisis that in English language during the week of the shows, 12307 SW 133 COURT - affects especially the region, with recession and fl at with testimonies of buyers and the major market SUITE #1432 MIAMI, FLORIDA 33186-USA ad pies for years.
    [Show full text]
  • Rising Star: a Game-Changing Format in a Dying Genre
    volume 5 issue 9/2016 RISING STAR: A GAME-CHANGING FORMAT IN A DYING GENRE THEHIGHSANDLOWSOFAFORMAT’ SBIRTH Merav Schiffmann c/o Hillel Sommer P.O. Box 167 Herzelia 46150 Israel [email protected] Abstract: In the TV industry everyone is constantly searching for ‘the next big hit.’ For a brief moment in time, Rising Star perfectly fit this description. Within days of the Israeli launch of the first season, the format had already sold internationally to major territories. Rising Star boasted a first of its kind audience participation and a real-time live experience. This caught the attention of producers, executives and creators everywhere. This was a game-changing concept, set to shake the genre of reality singing competition shows to the core. The case study discussed in this paper examines the creation stages of a transmedia television format, the strains effecting its development, its rapid global roll-out and the international adaptations, primarily the failure on the US market and its negative ripple effect. Keywords: Rising Star, reality singing competitions, international roll-out, transmedia 1 Introduction The singing competition genre has enjoyed global domination for over a decade. The programme that had pioneered it all was Fremantle Media’ Pop Idol (2001–2003), that would later evolve into the Idol juggernaut franchise with Fox’ American Idol (2002–2016) being the most prominent of all versions. Breathing down the Idols’ neck is Syco’ franchise, The X Factor (2004–), led by its flagship, the UK’ ITV’ version.1 The latest phenomenon to have joined the frenzy was Talpa’ hugely successful The Voice of Holland (2010–), which would soon become internationally-known as The Voice.
    [Show full text]
  • PDF ATF Dic17
    //// COMMENTARY BY NICOLÁS SMIRNOFF ATF 10th Anniversary Edition This is not a standard issue. niversary edition? If you read This is our 10th anniversary edi- some of the about 25 regional re- tion at Asian TV Forum, a pre- ports and top broadcaster inter- mium development with 30 to views we include, it gets clear: 50% more reports, interviews while most of the regions of the and presences than usual from world are slow or complicated, international and Asian leading Asia continues with strong vi- media companies. The idea is to tality, digital media is directly generate an edition not only to exploding. The local industry is read at the market, but also to be now far more open to internatio- use as a reference in Asia and for nal players, both buying and se- Asia, during many months. We lling, so programming, formats are very proud of this print & online issue. and co-productions opportunities are on top. The ATF approach was started in 2008 What is pending? The public organizations Published by facing the great explosion of Asian media that push business, production hubs, etc, must Editorial Prensario SRL Lavalle 1569, Of. 405 industry, and our goal of consolidating our- get more international, stable in time, to make C1048 AA K selves as a full top worldwide publication. alliances and long-term deals more trustwor- Buenos Aires, Argentina The strategy directions were two: to develop thy. Entities staffs change a lot, promotion Phone: (+54-11) 4924-7908 Fax: (+54-11) 4925-2507 international business in Asia, and to push plans have frequent stops… with the interest Asian initiatives to worldwide markets.
    [Show full text]
  • Endemol Shine Israel 20 17 Go2films 21 18 July August Productions 22 19 Keshet International 23 20 Koda Communication Ltd
    The 2nd International TV Formats Conference 2017 BRINGING SCREENS ALIVE Israeli Companies Catalog Be the first to discover the newest Israeli TV formats! BRINGING SCREENS ALIVE The Israel Export and International Cooperation Institute (IEICI) is a nonprofit organization whose purpose is to support and advance Israeli exporters and companies planning to enter the global arena. The Institute helps Israeli exporters develop business alliances and networks, as well as enhance collaborations and strategic partnerships with overseas business entities. Since its establishment in 1958, the IEICI has provided thousands of Israeli exporters with a variety of services and tools for international success. The film and television industry in Israel has begun to generate an interest around the world. Recent years have seen a growing presence of Israeli films at international film festivals, including prestigious festivals such as the Cannes Film Festival, the Berlin Film Festival, the London Film Festival, the Toronto Festival and the Venice Film Festival. The film and television sector at the Export Institute acts to advance the film and television industry in Israel by establishing national pavilions at international exhibitions around the world, and by introducing independent producers, purchase station managers and program managers worldwide to Israeli producers. In addition, the industry works with film funds such as the Rabinovich Foundation and with the country's major film festivals such as the Jerusalem Festival, the Haifa Festival and the Documentary Filmmakers Forum. www.export.gov.il Mira Geshel, Manager, Film and TV [email protected] Tel: +972-3-514-2878 | Mobile: +972-54-4578658 BRINGING SCREENS ALIVE The Foreign Trade Administration (FTA) at the Ministry of Economy and Industry manages and directs Israel's international trade policy.
    [Show full text]