The Position of Adam in Latter-Day Scripture and Theology
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Another Look at Cain: from a Narrative Perspective
신학논단 제102집 (2020. 12. 31): 241-263 https://doi.org/10.17301/tf.2020.12.102.241 Another Look at Cain: From a Narrative Perspective Wm. J McKinstry IV, MATS Adjunct Faculty, Department of General Education Presbyterian University and Theological Seminary In the Hebrew primeval histories names often carry significant weight. Much etymological rigour has been exercised in determining many of the names within the Bible. Some of the meaning of these names appear to have a consensus among scholars; among others there is less consensus and more contention. Numerous proposals have come forward with varying degrees of convincing (or unconvincing as the case may be) philological arguments, analysis of wordplays, possi- ble textual emendations, undiscovered etymologies from cognates in other languages, or onomastic studies detailing newly discovered names of similarity found in other ancient Semitic languages. Through these robust studies, when applicable, we can ascertain the meanings of names that may help to unveil certain themes or actions of a character within a narrative. For most of the names within the primeval histories of Genesis, the 242 신학논단 제102집(2020) meaning of a name is only one feature. For some names there is an en- compassing feature set: wordplay, character trait and/or character role, and foreshadowing. Three of the four members in the first family in Genesis, Adam, Eve, and Abel, have names that readily feature all the elements listed above. Cain, however, has rather been an exception in this area, further adding to Genesis 4’s enigmaticness in the Hebrew Bible’s primeval history. While three characters (Adam, Eve, and Abel) have names that (1) sound like other Hebrew words, that are (2) sug- gestive of their character or actions and (3) foreshadow or suggest fu- ture events about those characters, the meaning of Cain’s name does not render itself so explicitly to his character or his role in the narrative, at least not to the same degree of immediate conspicuousness. -
PROGRAM NOTES the Classical Master Josef Haydn and The
Program Notes The Classical master Josef Haydn and the idiosyncratic minimalist Arvo Pärt may seem like a musical odd couple, but this afternoon’s pairing brings to- gether two composers who share some fundamental characteristics. Both are men of a deep personal faith which is often reflected in their music. And both were unafraid to reference contemporary events in their music. Haydn’s title Missa in Tempore Belli (Mass in a Time of War) was his own, and refers to the Napoleonic wars, which were played out in large measure on Austrian soil. Pärt dedicated his 2008 Symphony No. 4 “Los Angeles” to Mikhail Khodoro- vsky, the Russian oil magnate, philanthropist, and vocal critic of the Putin government, whose imprisonment was widely thought to be politically mo- tivated, and his selection of the text for Adam’s Lament is his response to the ongoing tensions between Islamic and Christian worlds. Estonian-born Arvo Pärt (b. 1935) reinvented his compositional style after making an early name for himself as an avant garde composer. His early com- positions were fiercely atonal and serial, but he also experimented with aleatoric music, where he might indicate the range of pitches for a given voice but not specify discrete pitches, rhythms or durations, and collage music, in which he layered phrases of music from composers like Bach onto his own 12- tone music. The premiere of Pärt’s 1968 Credo, a choral collage piece, caused something of an uproar. The use of the liturgical text had not been approved by the Soviet composers’ union and the work was subsequently banned in the Soviet Union. -
Nature and Human Flourishing in the Laws of Manu and the Daodejing Qijing Zheng Bucknell University, [email protected]
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Fall 2017 Nature and Human Flourishing in the Laws of Manu and the Daodejing Qijing Zheng Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Chinese Studies Commons, Comparative Literature Commons, Intellectual History Commons, Social Control, Law, Crime, and Deviance Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Zheng, Qijing, "Nature and Human Flourishing in the Laws of Manu and the Daodejing" (2017). Honors Theses. 428. https://digitalcommons.bucknell.edu/honors_theses/428 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Nature and Human Flourishing in the Laws of Manu and the Daodejing by Qijing Zheng Dec 13, 2017 Approved by: James Mark Shields Digitally signed by James Shields Date: 2017.12.15 09:55:11 -05'00' Adviser: John Hunter Program Chair (proxy): Introduction By comparing the interpretation of dharma in the ancient Indian Laws of Manu (Manusmṛti ) with the concepts of dao 道 in the Chinese classic, Daodejing 道德經, I will demonstrate that, despite the plausible perception that the former represents despotic, hierarchical governance while the latter promotes freedom (and even anarchy), the two texts in fact share a similar envision of human flourishing through the following of one's nature, as well as a foundational belief that both laws and political ideals emerge from nature. -
January 2014 Ensign
OLD TESTAMENT PROPHETS ADAM “Few persons in all eternity have been more directly involved in the plan of salvation . than the man Adam.” 1 ost people know me as the first Because we chose to eat the fruit, God knew that the Fall would Mman to live on the earth, but we had to leave the garden and God’s happen—He sent Jesus Christ to many don’t know that I had a special presence. This is known as the Fall. atone for our sins and overcome responsibility before I came to the We became mortal, experienced both death so that we and our children earth. In the premortal existence, I led the good and the bad of life, and could return to Him.11 God’s armies against Satan’s armies brought children to in the War in Heaven,2 and I helped earth.10 Jesus Christ create the earth.3 I was known as Michael then, which means one “who is like God.” 4 God chose me to be the first man on the earth and placed me in the Garden of Eden, a paradise with many types of plants and ani- mals. He breathed into me “the breath of life” 5 and gave me a new name: Adam.6 God told my wife, Eve, and me not to eat the fruit of the tree of knowledge of good and evil.7 If we didn’t eat the fruit, we could stay in the garden and live forever, but we wouldn’t be able to “progress by experiencing opposition in mortality” 8 or have children.9 The choice was ours to make. -
Courtney Cain, Ph.D. 2017 Letter from the Chair
University of Illinois at Urbana-Champaign www.history.illinois.edu Spring 2018 Courtney Cain, Ph.D. 2017 Letter from the Chair uring the past year, from Charlottesville to the 500th anniversary of Martin Luther’s launching of the Protestant Reformation to the centennial of the Russian Revolution Dand the sesquicentennial of our beloved University of Illinois, we were continuously reminded of the ways in which history impacts our present. Events also strengthened our conviction that historians and lovers of history must vigorously engage public discourse. Our job is not merely to set the record straight but also to add complexity and multiple perspec- tives to what might seem to be simple issues. Commitment to history as a form of civic engagement is what led many of our own faculty and graduate students to our discipline and it continues to drive our teaching and research. Over the past year, it has been thrilling to see our undergraduate students adopt this passion and reach out to share it with new audiences. This could take the form of Hidden History tours of campus conducted by public history students based on their own research projects. Or it could transform the airwaves via the People’s History Hour radio show, created by two of our majors. One of them, Nick Goodell, spoke for all of us when he declared, “History seems to me to be the best way to understand our world.” Clare Crowston The pages of this newsletter reflect our colleagues’ close engagement with a number of important anniversaries and historical events. Perhaps closest to our hearts is the 150th anniversary of the founding of our own university. -
LIKE FATHER, LIKE SON GENESIS 4:1–2 Why Did Cain Kill His Brother Abel?
CHAPTER ONE LIKE FATHER, LIKE SON GENESIS 4:1–2 You two are book-men: can you tell me by your wit; What was a month old at Cain’s birth, that’s not five weeks old as yet? (Shakespeare—Love’s Labor’s Lost 4.2.40) Why did Cain kill his brother Abel? It is usually assumed by modern commentators that God’s rejection of Cain’s offering led him to kill his brother in a fit of jealousy.1 Such a conclusion is logical in light of the way the action in the story is arranged. But the fact is we are never told the specific reason for the murder. Ancient exegetes, as we will see later, also speculated over Cain’s motive and sometimes provided the same conclusion as modern interpreters. But some suggested that there was something more sinister behind the killing, that there was something inborn about Cain that led him to earn the title of first murderer. These interpreters pushed back past the actual murder to look, as would a good biographer, at what it was about Cain’s birth and childhood that led him to his moment of infamy. Correspond- ingly, they asked similar questions about Abel. The result was a devel- opment of traditions that became associated with the brothers’ births, names and occupations. Who was Cain’s father? As we noted in the introduction, Cain and Abel is a story of firsts. In Gen 4:1 we find the first ever account of sexual relations between humans with the end result being the first pregnancy. -
9 the Mystical Bitter Water Trial [Text Deleted]
9 The Mystical Bitter Water Trial [text deleted] 9.1 Golems as Archetypes of the Trial’s Supernaturally Inseminated Seed [text deleted] 9.2 Lilith as the First Sotah [text deleted] 9.3 Lilith and Samael as Animating Forces in Golems [text deleted] 9.4 Azazel as the Seed of Lilith No study of Lilith would be complete without a discussion of the demon Azazel. This is true because several clues in many ancient texts - including the Torah, the Zohar, and the First Book of Enoch - indicate that Azazel was the seed of Lilith. The texts further hint that Azazel was not the product of Lilith mating with any ordinary man, but rather he was the firstborn seed resulting from her illicit mating with Semjaza, the leader of a group of fallen angels called Watchers. As the seed of the Watchers, Azazel was the first born of the Nephilim, a race of powerful angel-man hybrids who nearly pushed ordinary mankind to extinction before the flood. But Azazel was much more than just a powerful Nephilim. Regular Nephilim were the products of the daughters of Adam mating with Watchers. Azazel was the product of Lilith mating with the Watchers. He is thus less human than all, and the most powerful, even more powerful than the Watchers who sired him. Azazel’s role in the Yom Kippur ceremony of Leviticus 16 indicates he is a rival to Messiah and God. This identifies Azazel as the legendary seed of the Serpent of Eden. God declared in his curse against the Serpent that this great seed would bruise the heel of Eve’s promised seed (Messiah), but Eve’s seed in turn would crush the head of the Serpent Lilith and destroy her seed. -
The Psychology of Satan Jennifer Putnam This Paper Was Written for Dr
The Psychology of Satan Jennifer Putnam This paper was written for Dr. Thomas! Milton course. It was presented at the 2009 Sigma Tau Delta International Convention. John Milton!s Satan is a psychologically complex character. Satan has qualities which make him a brilliant leader, but which also cause him great pain. He is a militant ruler with powerful speeches, and a cunning deceiver with rich disguises. The actions Satan takes, however, cause him great an- guish. It is through his soliloquies that Satan takes off his mask and reveals the troubled person he really is. John Milton in Paradise Lost portrays Satan as a proud, passionately manipulative, and complex character that endures an internal conflict from which he cannot escape. Though Milton begins his masterpiece in medias res, we must start from the beginning with Satan as the angel Lucifer. Lucifer enjoys his high stature in Heaven, until the Son is anointed instead of him, and he becomes jeal- ous. It is then that Lucifer draws emotionally away from God and Heaven. James Holley Hanford and James Taaffe show the results of this jealousy by commenting, “Following God!s announcement of the Son!s elevation, Satan initially defected from the angelic forces” (172). His defection is a result of be- ing too proud of being a servant, which leads to anger and thus, his rebellion. Royland Frye points out the irony of Satan!s refusal to become a slave in that Satan actually becomes a slave to his emotions. Frye says, “As a result of his choice, he becomes a slave to what would, psychologically, be called an "ego- deal,! an identification of the self with an impossible image,” (35). -
SLAVERY Preston, Allan I
FREE a newspaper for the rest of us www.lansingcitypulse.com January 13-19, 2016 S L AV E R Y ISN’T DEAD MSU King tribute puts spotlight on human trafficking --pg. 10 Manager no more? Next stop: Memphis Snyder fails on Flint, SB571 --pg. 6 Local blues musicians head south for international competition --pg. 14 BOBBY MCFERRIN: BOBBY MEETS MICHIGAN! Saturday, February 6 at 8pm Bobby McFerrin comes to East Lansing to celebrate and draw inspiration from the creativity and diversity of Michigan artists. Together they’ll perform, improvise and make a glorious night of music. Variety Series Sponsor $15 STUDENT Media Sponsor TICKETS WHARTONCENTER.COM • 1-800-WHARTON 2 www.lansingcitypulse.com City Pulse • January 13, 2016 Winner of a Juno Award for Roots Album of the Year, Chic Gamine enchants with Motown souls, French pop spirits and rock-and-roll hearts. $15 Student Tickets! With ties to Alvin Ailey, Joffrey Ballet, Cirque du Soleil and appearances on TV’s So You Think You Can Dance, Complexions has a limitless creative vision that “grabs the viewer by the eyeballs and refuses to let go” (Dance Magazine). “...wearing toe shoes has never looked like so much fun” –Washington Post COMPLEXIONS CONTEMPORARY BALLET Thursday, January 21 at 7:30PM DESMOND RICHARDSON & DWIGHT RHODEN Tuesday, January 19 at 7:30PM Variety Series Sponsor Media Sponsor In uniform and kilts of British and Scottish heritage, this ensemble takes over the stage in a grand display of precision marches, bagpipes and Highland dancing. TheTheMOMONNSSTTEERR A worldwide sensation. 2500 years of history’s most memorable speeches from Socrates to JFK, WWhoho AteAte MyMy victory speeches to eulogies, are woven together for a thrilling tour de force one-man show. -
Dryden's the State of Innocence and Fall of Man, an Operatic Version of Paradise Lost
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2006 Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost Devane King Middleton Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Middleton, Devane King, "Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost" (2006). Electronic Theses and Dissertations. 167. https://digitalcommons.georgiasouthern.edu/etd/167 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FORBIDDEN FRUIT: DRYDEN’S THE STATE OF INNOCENCE AND FALL OF MAN , AN OPERATIC VERSION OF PARADISE LOST by DEVANE KING MIDDLETON (Under the Direction of Candy B. K. Schille) ABSTRACT Ever since Dryden published his opera The State of Innocence , critics have speculated about his reasons for making a stage adaptation of Milton’s Paradise Lost . The fact that Dryden worked for Milton in Cromwell’s government may have been a factor. Dryden’s Puritan indoctrination during childhood, followed by influences from a royalist schoolmaster in his teenage years, makes the answer to the question somewhat more complex, as does the fact that the play, its source a Puritan epic adapted by an Anglican royalist poet, is dedicated to the Catholic bride of James, Duke of York and brother to Charles II. -
Wahab, Abdul (1997) a Study of Surat Al-A'raf : Development in Tafsir Studies
Wahab, Abdul (1997) A study of Surat al-A'raf : development in Tafsir studies. PhD thesis http://theses.gla.ac.uk/7234/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] BY ABDUL WAHAB M. A. Arabic & M. A. Islamic Studies University of Peshawar N. W. F. P. Pakistan. A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy of the University of Glasgow. DEPARTMENT OF ARABIC AND ISLAMIC STUDIES. MAY 1997. ;ý /7% 1ýý/// f. `9 L, 0, Lo s1f ý ýi-y ý ý,yT %ý ý-3 t ýt)v (,y-lý', iý ý,,, '. sL.-" i"-. ý. ýa, ýr . ý,,,, In the Name of Allah, the Compassionate, the Merciful, Praise be to Allah, Lord of the Universe, and Peace and Prayers be upon His Final Prophet and Messenger. ABSTRACT Previous studies have mostly concentrated on narrow specialized aspects of the subject Tafsir al-Qur'än. This study is intended as an attempt at a general investigation of the principles and problems of the exegesis of the Qur'an, its form and content, combining such points of view as are appropriate in each case. -
The Jeu D'adam: MS Tours 927 and the Provenance of the Play
Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute Publications 11-30-2017 The Jeu d'Adam: MS Tours 927 and the Provenance of the Play Christophe Chaguinian Follow this and additional works at: https://scholarworks.wmich.edu/mip_edam Part of the Dramatic Literature, Criticism and Theory Commons, and the Medieval Studies Commons Recommended Citation Chaguinian, Christophe, "The Jeu d'Adam: MS Tours 927 and the Provenance of the Play" (2017). Early Drama, Art, and Music. 2. https://scholarworks.wmich.edu/mip_edam/2 This Edited Collection is brought to you for free and open access by the Medieval Institute Publications at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. The Jeu d’Adam EARLY DRAMA, ART, AND MUSIC Series Editors David Bevington University of Chicago Robert Clark Kansas State University Jesse Hurlbut Independent Scholar Alexandra Johnston University of Toronto Veronique B. Plesch Colby College ME Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences The Jeu d’Adam MS Tours 927 and the Provenance of the Play Edited by Christophe Chaguinian Early Drama, Art, and Music MedievaL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2017 by the Board of Trustees of Western Michigan University Library of Congress Cataloging-in-Publication Data Names: Chaguinian, Christophe, editor. Title: The Jeu d’Adam : MS Tours 927 and the provenance of the play / edited by Christophe Chaguinian. Description: Kalamazoo : Medieval Institute Publications, Western Michigan University, [2017] | Series: Early drama, art, and music monograph series | Includes bibliographical references.