The Origin of Woman
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The Garment of Adam in Jewish, Muslim, and Christian Tradition
24 The Garmentof Adam in Jewish, Muslim, and ChristianTradition Stephen D. Ricks Although rarely occurring in any detail, the motif of Adam's garment appears with surprising frequency in ancient Jewish and Christian literature. (I am using the term "Adam's garment" as a cover term to include any garment bestowed by a divine being to one of the patri archs that is preserved and passed on, in many instances, from one generation to another. I will thus also consider garments divinely granted to other patriarchal figures, including Noah, Abraham, and Joseph.) Although attested less often than in the Jewish and Christian sources, the motif also occurs in the literature of early Islam, espe cially in the Isra'iliyyiit literature in the Muslim authors al ThaclabI and al-Kisa'I as well as in the Rasii'il Ikhwiin al ~afa (Epistles of the Brethren of Purity). Particularly when discussing the garment of Adam in the Jewish tradition, I will shatter chronological boundaries, ranging from the biblical, pseudepigraphic, and midrashic references to the garment of Adam to its medieval attestations. 1 In what fol lows, I wish to consider (1) the garment of Adam as a pri mordial creation; (2) the garment as a locus of power, a symbol of authority, and a high priestly garb; and (3) the garment of Adam and heavenly robes. 2 705 706 STEPHEN D. RICKS 1. The Garment of Adam as a Primordial Creation The traditions of Adam's garment in the Hebrew Bible begin quite sparely, with a single verse in Genesis 3:21, where we are informed that "God made garments of skins for Adam and for his wife and clothed them." Probably the oldest rabbinic traditions include the view that God gave garments to Adam and Eve before the Fall but that these were not garments of skin (Hebrew 'or) but instead gar ments of light (Hebrew 'or). -
Amazing Facts Study Guide-02 Did God Create the Devil
Amazing Facts Study Guide 2 - Did God Create the Devil? Most people in the world are being deceived by an evil genius bent on destroying their lives - a brilliant mastermind called the devil, or Satan. But this dark prince is much more than what you might think... many say he's just a devious mythical figure, but the Bible says he's very real, and he's deceiving families, churches, and even nations to increase sorrow and pain. Here are the Bible's amazing facts about this prince of darkness and how you can overcome him! 1. With whom did sin originate? "The devil sinneth from the beginning." 1 John 3:8. "That old serpent, called the Devil, and Satan." Revelation 12:9. Answer: Satan, also called the devil, is the originator of sin. Without the Scriptures, the origin of evil would remain unexplained. 2. What was Satan's name before he sinned? Where was he living at that time? "How art thou fallen from heaven, O Lucifer, son of the morning!" Isaiah 14:12. Jesus said, "I beheld Satan as lightning fall from heaven." Luke 10:18. "Thou wast upon the holy mountain of God." Ezekiel 28:14. Answer: His name was Lucifer, and he was living in heaven. Lucifer is symbolized by the king of Babylon in Isaiah 14 and as the king of Tyrus in Ezekiel 28. 3. What was the origin of Lucifer? What responsible position did he hold? How does the Bible describe him? "Thou wast created." Ezekiel 28:13, 15. "Thou art the anointed cherub that covereth." Ezekiel 28:14. -
Nature and Human Flourishing in the Laws of Manu and the Daodejing Qijing Zheng Bucknell University, [email protected]
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Fall 2017 Nature and Human Flourishing in the Laws of Manu and the Daodejing Qijing Zheng Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Chinese Studies Commons, Comparative Literature Commons, Intellectual History Commons, Social Control, Law, Crime, and Deviance Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Zheng, Qijing, "Nature and Human Flourishing in the Laws of Manu and the Daodejing" (2017). Honors Theses. 428. https://digitalcommons.bucknell.edu/honors_theses/428 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Nature and Human Flourishing in the Laws of Manu and the Daodejing by Qijing Zheng Dec 13, 2017 Approved by: James Mark Shields Digitally signed by James Shields Date: 2017.12.15 09:55:11 -05'00' Adviser: John Hunter Program Chair (proxy): Introduction By comparing the interpretation of dharma in the ancient Indian Laws of Manu (Manusmṛti ) with the concepts of dao 道 in the Chinese classic, Daodejing 道德經, I will demonstrate that, despite the plausible perception that the former represents despotic, hierarchical governance while the latter promotes freedom (and even anarchy), the two texts in fact share a similar envision of human flourishing through the following of one's nature, as well as a foundational belief that both laws and political ideals emerge from nature. -
Super Satan: Milton’S Devil in Contemporary Comics
Super Satan: Milton’s Devil in Contemporary Comics By Shereen Siwpersad A Thesis Submitted to Leiden University, Leiden, the Netherlands in Partial Fulfillment of the Requirements for the Degree of MA English Literary Studies July, 2014, Leiden, the Netherlands First Reader: Dr. J.F.D. van Dijkhuizen Second Reader: Dr. E.J. van Leeuwen Date: 1 July 2014 Table of Contents Introduction …………………………………………………………………………... 1 - 5 1. Milton’s Satan as the modern superhero in comics ……………………………….. 6 1.1 The conventions of mission, powers and identity ………………………... 6 1.2 The history of the modern superhero ……………………………………... 7 1.3 Religion and the Miltonic Satan in comics ……………………………….. 8 1.4 Mission, powers and identity in Steve Orlando’s Paradise Lost …………. 8 - 12 1.5 Authority, defiance and the Miltonic Satan in comics …………………… 12 - 15 1.6 The human Satan in comics ……………………………………………… 15 - 17 2. Ambiguous representations of Milton’s Satan in Steve Orlando’s Paradise Lost ... 18 2.1 Visual representations of the heroic Satan ……………………………….. 18 - 20 2.2 Symbolic colors and black gutters ……………………………………….. 20 - 23 2.3 Orlando’s representation of the meteor simile …………………………… 23 2.4 Ambiguous linguistic representations of Satan …………………………... 24 - 25 2.5 Ambiguity and discrepancy between linguistic and visual codes ………... 25 - 26 3. Lucifer Morningstar: Obedience, authority and nihilism …………………………. 27 3.1 Lucifer’s rejection of authority ………………………..…………………. 27 - 32 3.2 The absence of a theodicy ………………………………………………... 32 - 35 3.3 Carey’s flawed and amoral God ………………………………………….. 35 - 36 3.4 The implications of existential and metaphysical nihilism ……………….. 36 - 41 Conclusion ……………………………………………………………………………. 42 - 46 Appendix ……………………………………………………………………………… 47 Figure 1.1 ……………………………………………………………………… 47 Figure 1.2 ……………………………………………………………………… 48 Figure 1.3 ……………………………………………………………………… 48 Figure 1.4 ………………………………………………………………………. -
Courtney Cain, Ph.D. 2017 Letter from the Chair
University of Illinois at Urbana-Champaign www.history.illinois.edu Spring 2018 Courtney Cain, Ph.D. 2017 Letter from the Chair uring the past year, from Charlottesville to the 500th anniversary of Martin Luther’s launching of the Protestant Reformation to the centennial of the Russian Revolution Dand the sesquicentennial of our beloved University of Illinois, we were continuously reminded of the ways in which history impacts our present. Events also strengthened our conviction that historians and lovers of history must vigorously engage public discourse. Our job is not merely to set the record straight but also to add complexity and multiple perspec- tives to what might seem to be simple issues. Commitment to history as a form of civic engagement is what led many of our own faculty and graduate students to our discipline and it continues to drive our teaching and research. Over the past year, it has been thrilling to see our undergraduate students adopt this passion and reach out to share it with new audiences. This could take the form of Hidden History tours of campus conducted by public history students based on their own research projects. Or it could transform the airwaves via the People’s History Hour radio show, created by two of our majors. One of them, Nick Goodell, spoke for all of us when he declared, “History seems to me to be the best way to understand our world.” Clare Crowston The pages of this newsletter reflect our colleagues’ close engagement with a number of important anniversaries and historical events. Perhaps closest to our hearts is the 150th anniversary of the founding of our own university. -
Explaining the Evils of the Nephilim
Explaining The Nephilim Giants ‘When mankind began to multiply on the earth and daughters were born to them, the ‘sons of God’ (fallen angels) saw the daughters of men (human women) were beautiful and they took (raped) all the women they desired and chose. (As a result) there were Nephilim on the earth in those days and also afterwards when the ‘sons of God’ (fallen angels) lived with the daughters of mankind and they bore children to them. Those were the mighty men who were of old, men of renown’ (Genesis 6:1,2 & 4). ‘The people who dwell in the land are strong and the cities are fortified and very great. We saw the children (descendents) of Anak there … Amalek dwells in the land of the South … They brought up an evil report of the land they had spied out to the Children of Israel saying, “The land where we spied out is a land that eats up its inhabitants. All the people who we saw in it are men of great stature (giants). There we saw the Nephilim, the sons (descendents) of Anak who come of the Nephilim and we were in our own sight as grasshoppers and so we were in their sight’” (Numbers 13:28, 29, 32 & 33). These evil beings called the Nephilim were the wicked giant offspring born to the women who had been raped by the fallen angels referred to as ‘the sons of God’. The Nephilim ‘men of renown’ were not decent men who were well known, they were vicious, violent, wicked half human, half fallen angels who later brought into existence the Amalek and Anakim (plural of Anak). -
The Book of Genesis: Literature, Ethics, Theology
The Book of Genesis: Literature, Ethics, Theology Liberal Studies Spring 2014 Professor Tod Linafelt Office: 126 New North Phone: 202-687-6238 Email: [email protected] Course Description To quote the flyleaf from Robert Alter’s translation of Genesis, which we will use in class: “Genesis begins with the making of heaven and earth and all life, and ends with the image of a mummy – Joseph’s – in a coffin. In between come many of the primal stories in Western culture: Adam and Eve’s expulsion from the Garden of Eden, Cain’s murder of Abel, Noah and the Flood, the destruction of Sodom and Gomorrah, Abraham’s binding of Isaac, the covenant of God and Abraham, the saga of Joseph and his brothers. These are stories we attend to throughout our lives, for their beauty, their emotional resonance, their philosophical weight, and their sacredness. They connect us with one another and with generations to come.” In this course we will explore together the stories from the book of Genesis, with special attention to their literary quality, their ethical content, and their theological implications. Required Texts Richard Elliott Friedman, The Bible with Sources Revealed, Harper One, paperback. ISBN: 006073065X. Robert Alter, Genesis: Translation with Commentary, WW Norton, paperback. ISBN: 039331670X. David Ferry, Gilgamesh: A New Rendering in English Verse, FSG, paperback. ISBN: 0374523835. Course Requirements (1) Attendance and participation: Come to class regularly and be prepared to discuss the readings for the week. As part of your preparation for each class, you are expected to spend about six hours with the readings – underlining, taking notes, pondering larger implications, and completing any written assignments that might be due. -
The Jeu D'adam: MS Tours 927 and the Provenance of the Play
Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute Publications 11-30-2017 The Jeu d'Adam: MS Tours 927 and the Provenance of the Play Christophe Chaguinian Follow this and additional works at: https://scholarworks.wmich.edu/mip_edam Part of the Dramatic Literature, Criticism and Theory Commons, and the Medieval Studies Commons Recommended Citation Chaguinian, Christophe, "The Jeu d'Adam: MS Tours 927 and the Provenance of the Play" (2017). Early Drama, Art, and Music. 2. https://scholarworks.wmich.edu/mip_edam/2 This Edited Collection is brought to you for free and open access by the Medieval Institute Publications at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. The Jeu d’Adam EARLY DRAMA, ART, AND MUSIC Series Editors David Bevington University of Chicago Robert Clark Kansas State University Jesse Hurlbut Independent Scholar Alexandra Johnston University of Toronto Veronique B. Plesch Colby College ME Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences The Jeu d’Adam MS Tours 927 and the Provenance of the Play Edited by Christophe Chaguinian Early Drama, Art, and Music MedievaL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2017 by the Board of Trustees of Western Michigan University Library of Congress Cataloging-in-Publication Data Names: Chaguinian, Christophe, editor. Title: The Jeu d’Adam : MS Tours 927 and the provenance of the play / edited by Christophe Chaguinian. Description: Kalamazoo : Medieval Institute Publications, Western Michigan University, [2017] | Series: Early drama, art, and music monograph series | Includes bibliographical references. -
Abel A. Shuford Dies
SHUFORD MEMORIAL NUMBER THE HICKORY DEMOCRAT Established 1899 HICKORY, N. C., THURSDAY. MAY 9, 1912 Democrat and Press, Consolidated 1905 streamed through, itself lessened; ces. Still another was his readi- by the clouds outside, for Nature ness to help people, especially'-JOHN M. SHUFORD. herself was in a mournful mood, young men and start them in bus- and mingled her tears with those iness. 'Here is a letter thatjtjSplendid Citizen Passes Quietly DIES of not gives say. A. he SHUFORD human friends. Had it me comfort', would Away to His ABEL Rest. been a rainy day the congrega- It would be from some young tion outside would have been lar- man whom he had helped to getst Mr. John M. Shuford died ger than the 200 or so who could a start in life. He believed inni May Ist at the Richard Baker not, as it was, get into the young men and has always toldd Hospital, which was built within SUDDENLY AT HIS HOME church. me that they yielded him the bestst che past year by his gifted son, ; Shuford, Grief bowed its head behind investments he ever made. He£ Or. J. H. He bad lin- When Mr. Chase went to Alaba- its black crape but Hope, the loved best to helpHhe old veter-r- *ered for long months with a negro assumed a sanctified; Dobson ma, the business was closed outj anchor in leif's storms, ans, and always sent a substi- i_ wasting disease, which pitiously Hickory's Giant Figure and one of the State's' look when he took the parson's horse. -
Adam and Eve 2011
Adam & Eve Recent Paintings by SAMUEL BAK PUCKER GALLERY I BOSTON Samuel Bak’s Adam & Eve: On Holocaust and Beauty ver a prolific career that began in 1942 at the age of nine in the Vilna Ghetto and continues to flourish today in a studio near Boston with a lush forest view, Samuel Bak has provided an aesthetic language for contemplating the Holocaust, a history Ooften described as “inconceivable.” After a brief period of abstract expres- sionist work in the late 1950s, in which the Holocaust lurked in rather than loomed over his compositions, Bak decisively turned to a more classical vocabulary, having settled in Rome amidst the glories of the Italian Renaissance. Bak initially struggled with directly representing the Holocaust, especially in the more realist modes he adopted in Rome, but eventually surrendered to his childhood memories in a series of painful stages, which led to the exhibition of his work in the German National Museum in Nuremberg in 1978 (figure 1). In his recent large-numbered series Adam and Eve, Bak casts the first couple as lone survivors of a biblical narrative of a God who birthed humanity and promised never to destroy it. Unable to make good on the greatest of all literary promises, God becomes another one of the relics that displaced persons carry around with them in the disorienting aftermath of world war. Adam and Eve devotedly shlep this God-artifact along with them on their exilic odyssey to nowhere. Viewers often describe Bak as a tragedian, but if classical tragedy describes the fall of royal families, Bak narrates the disintegration and disillusion of the chosen people. -
A Preface to Paradise Lost
A PREFACE TO PARADISE LOST A PREFACE TO PARADISE LOST by C. S. LEWIS OXFORD UNIVERSITY PRESS LONDON OXFORD NEW YORK First published by Oxford University Press, London, 1942 First issued as an Oxford University Press paperback, 1961 This reprint, 1969 I'RINTED IN THJ-: UNITED STATJ-:5 OF AMERICA DEDICATION To CHARLES WILLIAMS DEAR wJLLIAMS, When I remember what kindness I received and what pleasure I had in delivering these lectures in the strange and beautiful hillside College at Bangor, I fe el almost ungrateful to my Welsh hosts in offering this book not to them, but to you. Yet I cannot do otherwise. To think of my own lecture is to think of those other lectures at Oxford in which you partly anticipated, partly confirmed, and most of all clarified and matured, what I had long been thinking about Milton. The scene was, in a way, medieval, and may prove to have been historic. You were a vagus thrown among us by the chance of war. The appropriate beauties of the Divinity School pro vided your bac'cground. There we elders heard (among other things) what he had long despaired of hearing-a lecture on Comuswhich placed its importance where the poet placed it and watched 'the yonge fr esshc fo lkes, he or she', who filled the benches listening first with incredulity, then with tolera tion, and finally with delight, to something so strange and new in their experience as the praise of chastity. Reviewers, who have not had time to re-read Milton, have fa iled fo r the most part to digest your criticism of him ; but it is a reasonable hope that of those who heard you in Oxford many will understand henceforward that when the old poets made some virtue their theme they were not teaching but adoring, and that what we take fo r the didactic is often the enchanted. -
Adam Smith Vs Manu: Look Who's Winning
Indiatimes | The Times of India | The Economic Times | Login | Register Like 15k Follow @timesofindia Opinion Home Blogs Times View Campaigns City India World Entertainment Tech Sports Lifestyle Environment Science Spirituality Q&A Business Adam Smith vs Manu: Look who’s winning August 24, 2014, 4:12 AM IST SA Aiyar in Swaminomics | India | TOI 161 76 2 10 34 The most heartwarming book of 2014 is Defying the Odds, by Devesh Kapur, Shyam Babu and Chandrabhan Prasad. It tells the stories of 21 dalits who rose from humble origins to become millionaire tycoons. India has long been a land of oppression. It has just started becoming a land of opportunity too. Sukesh Rajan came from a family of rat-catchers, eating rats and grain hoarded by rats in holes. His parents educated him and wanted him to become a civil servant. But he flunked the exams. He then had an epiphany. He knew slum-dwellers couldn’t afford standard Rs 10 spice packs. Why not sell them one-rupee sachets? He started small, but sales soon soared. He diversified into packaged roasted sattoo (gram flour) eaten by labourers. Sattoo also sold well to urban youngsters as a health food. Today he employs over 100 persons, and aims for sales of Rs 1,000 crore in five years. Rajendra Gaikwad started buying and selling old newspapers. He then got a job at a pest control unit. He later drove an auto-rickshaw while working part-time at a pest control company. A poultry farm asked the company to eliminate rats in its farm, but the owner refused, saying that was a dalit’s job.