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Snarky Puppy's Eye-Popping New Animated Video Is a Surreal Visual
Snarky Puppy’s Eye-Popping New Animated Video Is A Surreal Visual Adventure 68-date 2019 World Tour currently hits 19 countries, more shows to be added Watch the video for “Bad Kids to the Back” here New album Immigrance out March 15th on GroundUP Music February 22, 2019 – Inspired by films like Richard Linklater’s Waking Life, Ralph Bakshi’s American Pop and Disney’s 1937 classic Snow White and the Seven Dwarfs, the surreal video for Snarky Puppy’s “Bad Kids To The Back” utilizes rotoscoped visuals to turn an in-studio performance into one of the wildest animated videos you will see this year. Animator/co-director Michaël Alcaras drew frame-by-frame over live footage of the band recording the song in studio (shot by the video’s other co- director, Stella K), and turned it into an eye-popping four minutes and forty-five seconds. The Snarky horn section suddenly have animal heads; band members shoot lasers from their eyes and tall buildings dance along to the song’s hypnotic grooves. “Bad Kids to the Back,” a “crisp, strutting” (Rolling Stone) track written by Snarky Puppy member Justin Stanton, comes from the group’s upcoming album Immigrance, out March 15th on GroundUP Music. A global touring dynamo who have played to thousands of fans at shows on six continents, Snarky Puppy will embark on another ambitious world tour in 2019. This weekend, the band will be accompanied by the Los Angeles Philharmonic at Walt Disney Concert Hall in Los Angeles before officially kicking off the 68-date world tour April 11th in Osaka, Japan. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Snarky-Puppy-Immigrance-Press-Release 732.48
Snarky Puppy Releasing Moodier, Raw New Album Immigrance March 15th 2019 on GroundUP Music 2019 Tour Dates – UK Tour Announcement 25th Feb. Group performs with L.A. Philharmonic at Walt Disney Concert Hall Feb 23. World tour begins in April Multiple GRAMMY-winners host 3rd annual GroundUP Music Festival in Miami Beach February 8-10 Listen to new song ‘Xavi’ here Pre-order Immigrance here Snarky Puppy, the three-time GRAMMY-winning genre-defying collective, will release their new album Immigrance on March 15th via GroundUP Music. Like their last album, 2016’s GRAMMY-winning Culcha Vulcha, Immigrance is a studio project, and it features most of the same musicians. And though it shares that project’s ace musicianship and dynamic, kinetic spirit, it is also rawer and moodier than its predecessor. Several of the compositions put a new-found emphasis on delivering simpler, streamlined impact, and bassist, composer and bandleader Michael League, as producer on the album, left in the tiny flubs and unvarnished textures that accompany great organic performances. Immigrance is also all about movement. “The idea here is that everything is fluid, that everything is always moving and that we’re all in a constant state of immigration,” explains League, who founded Snarky Puppy in 2003 and has helmed it into one of the most popular, virtuosic and influential bands of the current jazz and instrumental-music renaissance. “Obviously the album’s title is not without political undertones.” But Immigrance doesn’t aim to scold or condescend; rather, its mission is one of uplift, a testament to what humanity can achieve when cultures are able to come together without fear. -
Snarky Puppy Snarky Puppy Snarky Puppy
SNARKY PUPPY GENRE: ELECTRIC JAZZ/FUNK/INSTRUMENTAL Displaying a rare and delicate mixture of sophisticated composition, harmony and improvisation, Fusion-influenced jam band Snarky Puppy make exploratory jazz, rock, and funk. Formed in Denton, Texas in 2004, Snarky Puppy feature a wide-ranging group of nearly 40 musicians known affectionately as “The Fam,” centered around bassist, composer and bandleader Michael League. Comparable Artists: Medeski, Martin & Wood, Brad Mehldau, Weather Report, Steely Dan AWARDS • 2014 Grammy winner for “Best R&B Performance” • Voted “Best Jazz Group” in Downbeat’s 2015 Reader’s Poll/Cover of February 2016 issue •“Best New Artist” and “Best Electric/Jazz-Rock/Contemporary Group/Artist” in Jazz Times 2014 Reader’s Poll PRESS • “Emotionally heroic compositions…At the heart of Snarky Puppy’s music lies an incredible humanity,…a soulful appeal for fans of all ages” – Electronic Musician • “This 12-piece collective stands out with furious commitment to defying musical categories. The music is no joke.” – LA Times • Featured in the New York Times, NPR, Los Angeles Times, Washington Post, Relix, SF Weekly, Modern Drummer, and more TOUR • Played over 300 performances over the last two years on four continents • Snarky Puppy are devoted to music education holding clinics and workshops with students in-between international tourdates PEAK PERFORMANCE • Their last album, Sylva, garnered a #1-chart debut simultaneously on both Billboard’s Jazz and Heatseekers Charts • Snarky Puppy streaming music fans are primarily paid/premium subscribers to services such as Spotify, Google Play and Apple Music and listen on desktop and mobile devices (49%/51% split) • All of Snarky Puppy’s albums are recorded 100% live often with in-studio audiences present DEMO Male (82%)/Female (18%) Age: 18-34 (73%) http://www.impulse-label.com/ LINKS OFFICIAL WEBSITE 222,852 fans 30.8K followers 62.8K followers 28K 91K (Snarky Puppy) (GroundUP Music). -
Euroradio Folk Festival RÄTTVIK 28–30 JUNI
P2 sveriges radio presenterar Euroradio folk festival RÄTTVIK 28–30 JUNI 2014 AN ILJ S ID V IK S U M V A L E 29 JUNI – 5 JULI D LEKSAND • MORA SID 1 Euroradio folk festival N MED RESERVATION FÖR& ÄNDRINGAR RÄTTVIK E FOTO: MICKE GRÖNBERG/ SVERIGES RADIO Welcome! The Swedish Radio is both proud and happy to be able to present a part of Sweden which is famous for its blue hills, its flowery mead- ows, its magical lakes and its music. Folk musicians in the beautiful national cos- tumes of the province of Dalecarlia are a common feature at Swedish weddings, re- Välkommen! gardless of where in the country the wedding Vi från Sveriges Radio är stolta och glada över takes place, and when Swedes celebrate att få visa upp en del av Sverige som är känt midsummer and erect a maypole decorated för sina blåa kullar, sina blommande ängar, with summer flowers and green birch leaves, sina trollska sjöar och sin musik. nowhere in Sweden are people more eager to dance round the maypole to the accom- Spelmän i vackra folkdräkter från Dalarna paniment of accordion and fiddles than in är ett vanligt inslag på svenska bröllop oav- Dalecarlia. sett var i landet bröllopet står och att resa en midsommarstång klädd med sommarens Never before have tradition and innovation blommor och gröna björkris som man dansar been as intimately linked as they are in the kring till dragspel och fiol gör man ingenstans folk music of today, and therefore we are es- så gärna som här. -
Seit Vier Jahren Besteht Das Quartett Um Jodok Hess
the blue goat quartet The blue goat quartet has existed for seven years. Hess, working as a sideman for Rodrigo Botter Maio (among others) presents his own ideas in this group, and they are ingeniously interpreted and melted into one stunning unity by the band, amongst the best in Contemporary Jazz! The group won the Contemporary Patterns Competition sponsored by Migros in 2001. In the same year they also won the first prize at the Jazz Festival Zurich, Switzerland. the blue goat quartet Costi Topalidis, ts&ss Saxophonist Costi Topalidis studied with George Robert and Andy Scherrer. In 2001, playing with the Daniel Woodtli Sextet, he won the first prize at the Chrysler Competition held at the Montreux Jazz Festival 2000. Playing with the blue goat quartet at the Jazz Festival Zurich 2001, Topalidis won an award as outstanding soloist. He regularly played on TV (Night Moor Show) and plays regularly with George Gruntz. the blue goat quartet Jodok Hess, p Jodok Hess studied at the Berklee College of Music with Tim Ray. As the pianist of the Swiss Youth Jazz Orchestra, he played with Franco Ambrosetti, Jerry Bergonzi, Mike Richmond, among others. He started composing in his own trio with Peter Hunziker and Pit Gutmann, and played his music with Roli v. Flue, Christoph Grab, Tony Renold, Dominic Egli, Raetus Flisch, Peter Frei, and Fabian Gisler. He composes all the songs played by the blue goat quartet. Playing with the band at the Jazz Festival Zurich, Hess won an award as outstanding soloist. He currently plays as a sideman with Rodrigo Botter Maio in ‘The Return of the Bossa Nova’ and ‘Gafiera Alpina’. -
Is This Jazz? Newport Jazz Festival '17: Where to Start
Is This Jazz? Newport Jazz Festival ’17: Where To Start On Friday, August 5, the world’s best jazz artists will once again make their yearly pilgrimage to Fort Adams for another exciting Newport Jazz Festival. Over the past few years, the festival has been stepping up the line-ups and has done an amazing job of balancing the old guard with the young lions, simultaneously showing how this music has gotten to where it is and where it’s headed next. The diversity of groups and sounds is no less prevalent this year, with what has to be one of the more stacked bills in recent history. While we may not be able to hit on every “must see” act in this feature, here is a glimpse into who to watch out for and the sets you’ll probably be running to. For the past few years, Snarky Puppy has been a relentless force in the international jazz scene. Formed in 2003 by composer/bassist Micheal League, this powerhouse ensemble has performed thousands of shows across six continents, and has collaborated with Lalah Hathaway, Laura Mvula, Salif Keïta, David Crosby, N’Dambi, Becca Stevens and Jacob Collier. Their intricately arranged and flawlessly executed charts are as stunning as the whirlwind improvisations traded off throughout the group. I can’t say this enough: Cécile McLorin Salvant is the best jazz vocalist working today and absolutely one of the all-time heavies. Her melodic phrasing and command of the depths of her voice are truly unmatched. Beyond her once-in-a-generation talent, her band is loaded with chops, giving this ensemble an edge in crafting unique interpretations of old favorites and outstanding originals and letting Salvant’s voice stretch and dance above the music swirling around her. -
Professor Doctor FRIEDRICH GULDA Called to the Waiter, Member to Qualify for the Final Eliminations
DOWN BEAT, august 1966 VIENNESE COOKING written by Willis Conover Professor Doctor FRIEDRICH GULDA called to the waiter, member to qualify for the final eliminations. Then he'd have to "Dry martini!'' The waiter, thinking he said "Drei martini|'' go through it all again. brought three drinks. It's the only time Gulda's wishes have The jurors were altoist Cannonball Adderley, trombonist J. J. ever been unclear or unsatisfied. Johnson, fluegelhornist Art Farmer, pianist Joe Zawinul, The whole city of Vienna, Austria snapped to attention when drummer Mel Lewis and bassist Ron Carter. The jury Gulda, the local Leonard Bernstein decided to run an chairman who wouldn't vote except in a tie, was critic Roman international competition for modern jazz. Waschko. The jury's refreshments were mineral water, king- For patrons he got the Minister of Foreign Affair, the Minister size cokes, and Viennese coffee. For three days that was all of Education, the Lord Mayor of Vienna and the they drank from 9:30 am till early evening. The jury took la Amtsfuhrender fur Kultur, Volksbildung und Schulverwaltung duties seriously. der Bundeshauptstadt Wien. For his committee of honor he A dialog across the screen might go like this. enlisted the diplomatic representatives of 20 countries, the Young lady in the organization (escorting contestant): "Mr. directors of 28 music organizations, and Duke Ellington. For Watschko?" expenses he obtained an estimated $80,000. For contestants Watschko: "Yes?" he got close to 100 young jazz musicians from 19 countries- Young lady: "Candidate No. 14 " some as distant as Uruguay and Brazil. -
Berührungen 2 Corin Curschellas Gibt Seit 3 Jahrzehnten Konzerte Und Tourt Als «Tonträgerin» (Singer, Songwriter, Composer, Actor, Improviser) Auf Allen Kontinenten
Biografien Stefan Berg wurde in Kassel (Deutschland) geboren und studierte Evangelische Theologie in Marburg und Basel. 2001 bis 2005 war er Stipendiat des Evangelischen Studienwerkes Vil- ligst. Seine Hauptarbeitsgebiete liegen im Bereich der Hermeneutik und Religionsphilosophie. Derzeit ist er Wissenschaftlicher Mitarbeiter am Collegium Helveticum Zürich und promoviert über das Verhältnis von Religion und Musik. Er ist zudem seit Jahren musikalisch tätig und spielt verschiedene Oboen, Klavier und Cembalo. Marc-Antoine Camp, geboren 1972, promovierte an der Universität Zürich nach einem Stu- dium in Historischer Musikwissenschaft, Musikethnologie und Ethnologie. Zwischen 1997 und 2003 war er Assistent am Musikethnologischen Archiv der Universität Zürich, danach Forschungsstipendiat des Schweizerischen Nationalfonds SNF an der Universidade de São Paulo USP, Brasilien. Er beriet das Bundesamt für Kultur in den jüngsten Bestrebungen zur Förderung des immateriellen Kulturerbes. Gegenwärtig forscht er an der Hochschule Luzern über die Wahrnehmung mikrorhythmischer Musikgestaltung. Berührungen 2 Corin Curschellas gibt seit 3 Jahrzehnten Konzerte und tourt als «Tonträgerin» (Singer, Songwriter, Composer, Actor, Improviser) auf allen Kontinenten. Sie hat 7 eigene CD’s produ- ziert (2008: Grischunit mit Marc Ribot und Peter Scherer; Traumton / Berlin) und bei unzäh- ligen Studiosessions gesungen. Seit 1983 spielt sie auch auf Theaterbühnen, u.a. unter der Denklabor Villa Garbald Regie von Christoph Marthaler. Sie hat viele Songs für andere Künstler geschrieben, Film- und Theatermusik komponiert, in Spielfilmen mitgespielt und in Musicals gesungen. Die ei- genen Bandformationen reichen vom Soloprogramm bis zum Sextett; sie singt in 6 Sprachen 7608 Castasegna (Bergell) und begleitet sich an 6 verschiedenen Musikinstrumenten. Stilistisch ist Corin Curschellas weltoffen. Derzeit ist sie wieder auf Tournée als Sängerin des Vienna Art Orchestra. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Snarky Puppy
Snarky Puppy Michael League / Bass and Band Leader Jason “JT” Thomas / Drums Nate Werth / Percussion Shaun Martin / Keyboards Justin Stanton / Keyboards and Trumpet Jay Jennings / Trumpet Chris Bullock / Tenor Saxophone and Flute Chris McQueen / Guitar Zach Brock / Violin with special guest Alina Engibaryan / Vocals and Piano Sunday Evening, September 8, 2019 at 7:00 Hill Auditorium Ann Arbor Opening Performance of the 141st Annual Season 26th Annual Jazz Series This evening’s performance is supported by Michigan Engineering, Elaine and Peter Schweitzer, and Imagine Fitness & Yoga. This evening’s performance is funded in part by JazzNet Endowment Fund. Media partnership provided by WEMU 89.1 FM, WDET 101.9 FM, and Ann Arbor’s 107one. Special thanks to Ellen Rowe and the U-M Department of Jazz & Contemporary Improvisation for their participation in events surrounding this evening’s performance. Snarky Puppy appears by arrangement with Royal Artist Group. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM This evening’s program will be announced by the artists from the stage. There will be one intermission following Alina Engibaryan’s opening set. 3 ARTISTS The last four years have brought dramatic University of North Texas’ jazz studies changes for Snarky Puppy. After a decade program. Three years later, a serendipitous of relentless touring and recording in all intersection with the gospel and R&B but complete obscurity, the Texas-bred/ community in Dallas transformed the New York-based quasi-collective suddenly music into something funkier, more direct, found itself held up by the press and and more visceral. -
Works Neu Updated 2001
DANIEL SCHNYDER 467 CENTRAL PARK WEST APT. 4B NEW YORK / NEW YORK 10025 E-MAIL: [email protected] PHONE: 212-678 7873 FAX: 212-678 7940 Daniel Schnyder/Werkverzeichnis Music for Violin - Violin Concerto - Sonatine Exotique for Violin and Piano - String Trio (Violin, Viola Vc.) - String Quartet 1 - String Quartet 2 - String Quartet 3 - String Quintet (2 violins/ 2 violas/ vc) - String Sextet - Ritus (for string orchestra: Ed. Kunzelmann: Ed. C.F.Peters) - Memoires for tenor sax and string orchestra - Songbook for Saxophone and string orchestra - Miniatures for String Orchestra (Ed. Kunzelmann/ Ed. C.F. Peters) - Piano Trio - WALDEN TRIO (for Horn, Violin and Piano) - EAST (for violin bass and guitar) - ZOOM IN (for ss and string quartet or quintet plus bass and optional perc.) - ‘Suite for jazz soloist (Saxophone; Clarinet) and string quartet’ (classical and advanced jazz improvisation skills for ww. soloist are a must)(rec. on TARANTULA enja rec. by Daniel Schnyder) - Memoires - Yellow Beach Birds - No Smoking - Family Fotos - No Tuba Today - Mr. M (for Charles Mingus) - Wedding Song - Cairo MYTHOLOGY by Daniel Schnyder enja rec.: album “Mythology” scored for string quartet and jazz band: (bass /drums/2tp/sax) ---------------------------------- Arrangements for string quartet by Daniel Schnyder - Purple Haze (as recorded by Absolute Ensemble on Absolution enja) by Jimi Hendrix - Sympathy for the Devil (Rolling Stones) Arr. for String Quartet plus jazz soloist without or with rhythm section -‘In a Sentimental Mood’ by Duke Ellington -‘Peace by Horace Silver’ -‘Someday My Prince will Come’ -Vivaldi: unknown Opera Arias Arrangements for string sextet and jazz rhythm section plus sax.