SING TO FREEDOM: Music and Stories of the Underground Railroad with Kim and Reggie Harris Purpose, Rationale, and Objectives for the Workshop 2 The Kennedy Center’s Definition of Arts Integration 3 Learning Activities 4-17 1--Introduce Traditional African American Spirituals and Code Songs 4-5 “Let Us Break Bread Together On Our Knees” 2--Vocal and Physical Warm Up 6-8 “Follow the Drinking Gourd” 3--Listen, Interpret, and Sing a Code Song 9-12 “No More Auction Block for Me” 4—Listen, Interpret, and Sing a Code Song 13-15 “Go Down Moses” 5—Song Writing: Adapting and Updating Code Songs 16-22 Final Teacher Reflection/Closing Song 23 Supplementary Materials 24 - Basic Chronology of Slavery in America 24 - Content Standards Addressed in the Workshop 25-26 - Glossary of Secret Code Words and Phrases 27-29 - Websites 30-31 - Books and Materials for Teachers 32 - Books and Materials for Students 33 - Supplementary Lessons 34 This workshop was developed by Kim and Reggie Harris in association with the John F. Kennedy Center for the Performing Arts. ©December 2010 www.kimandreggie.com
[email protected] P.O. Box 18871, Philadelphia, PA 19119 Please feel free to contact us with any questions, comments, and ideas!! Sing to Freedom 1 Purpose of the Workshop The Underground Railroad was a multi-racial, multi-faith freedom movement in Antebellum America from approximately 1830-1860*. Secret code songs were an important part of the planning and implementation of escapes from slavery by African Americans and their allies for freedom. The purpose of this workshop is to explore the history of this time period and to help teachers to give students information and context on how music and culture are instrumental in history.