The Hurt Locker Booklet
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SHERLOC Newsletter Organized, As “New” Groups And/Or Networks Focusses on the Topic of Cybercrime and Operating Online Have Been Formed
N E W S L E T T E R I S S U E N O . 1 6 | N O V E M B E R 2 0 2 0 The SHERLOC Team is pleased to share with you Issue No. 16 of our newsletter regarding our recent efforts to facilitate the dissemination of information regarding the implementation of the UN Convention against Transnational Organized Crime and the Protocols thereto, and the international legal framework against terrorism. #0211w In this issue Today, we stand close to the many thousands victims of FEATURED CASE: terrorism and their families all around the world, including ELYSIUM PLATFORM those of the recent Vienna attacks, our host country and home to many of us within the team. We stand by those many victims "struggling in their solitude with the scars of trauma and injury" as "their human rights and dignity have been violated with indiscriminate violence. Only the UNTOC COP10 acknowledgment of their suffering can start their healing; only information-sharing can overcome their isolation; only specialized rehabilitation and redress can help them rebuild their lives" (Laura Dolci, victim of the Canal Hotel bombing in Iraq of 2003). RECENT ACTIVITIES Today, our prayers and thoughts go to all the victims and survivors of terrorism around the world. We reaffirm our strong commitment to facilitate information-sharing as a means to build knowledge and expertise to counter crime, in MEET A CONTRIBUTOR all its forms and manifestations, including terrorism. The SHERLOC team N O V E M B E R 2 0 2 0 I S S U E N O . -
Bigelow Masculinity
Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol. 4, No. 1 (2011) Article TOUGH GUY IN DRAG? HOW THE EXTERNAL, CRITICAL DISCOURSES SURROUNDING KATHRYN BIGELOW DEMONSTRATE THE WIDER PROBLEMS OF THE GENDER QUESTION. RONA MURRAY, De Montford University ABSTRACT This article argues that the various approaches adopted towards Kathryn Bigelow’s work, and their tendency to focus on a gendered discourse, obscures the wider political discourses these texts contain. In particular, by analysing the representation of masculinity across the films, it is possible to see how the work of this director and her collaborators is equally representative of its cultural context and how it uses the trope of the male body as a site for a dialectical study of the uses and status of male strength within an imperialistically-minded western society. KEYWORDS Counter-cultural, feminism, feminist, gender, masculinity, western. ISSN 1755-9944 1 Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol. 4, No. 1 (2011) Whether the director Kathryn Bigelow likes it or not, gender has been made to lie at the heart of her work, not simply as it figures in her texts but also as it is used to initiate discussion about her own function/place as an auteur? Her career illustrates how the personal becomes the political not via individual agency but in the way she has come to stand as a particular cultural symbol – as a woman directing men in male-orientated action genres. As this persona has become increasingly loaded with various significances, it has begun to alter the interpretations of her films. -
Cinematic Realism in Bigelow's "The Hurt Locker"
Cinesthesia Volume 1 | Issue 1 Article 1 12-1-2012 Cinematic Realism in Bigelow's "The urH t Locker" Kelly Meyer Follow this and additional works at: http://scholarworks.gvsu.edu/cine Part of the Film and Media Studies Commons Recommended Citation Meyer, Kelly (2012) "Cinematic Realism in Bigelow's "The urH t Locker"," Cinesthesia: Vol. 1 : Iss. 1 , Article 1. Available at: http://scholarworks.gvsu.edu/cine/vol1/iss1/1 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Meyer: Cinematic Realism in Bigelow's "The Hurt Locker" Cinematic Realism in Bigelow’s The Hurt Locker No one has ever seen Baghdad. At least not like explosive ordnance disposal (EOD) squad leader William James has, through a lens of intense adrenaline and deathly focus. In the 2008 film The Hurt Locker, director Katherine Bigelow creates a striking realist portrait of an EOD team on their tour of Baghdad. Bigelow’s use of deep focus and wide- angle shots in The Hurt Locker exemplify the realist concerns of French film theorist André Bazin. Early film theory has its basis in one major goal: to define film as art in its own right. In What is Film Theory, authors Richard Rushton and Gary Bettinson state that “…each theoretical inquiry converges on a common objective: to defend film as a distinctive and authentic mode of art” (8). Many theorists argue relevant and important points regarding film, some from a formative point of view and others from a realist view. -
Film & Literature
Name_____________________ Date__________________ Film & Literature Mr. Corbo Film & Literature “Underneath their surfaces, all movies, even the most blatantly commercial ones, contain layers of complexity and meaning that can be studied, analyzed and appreciated.” --Richard Barsam, Looking at Movies Curriculum Outline Form and Function: To equip students, by raising their awareness of the development and complexities of the cinema, to read and write about films as trained and informed viewers. From this base, students can progress to a deeper understanding of film and the proper in-depth study of cinema. By the end of this course, you will have a deeper sense of the major components of film form and function and also an understanding of the “language” of film. You will write essays which will discuss and analyze several of the films we will study using accurate vocabulary and language relating to cinematic methods and techniques. Just as an author uses literary devices to convey ideas in a story or novel, filmmakers use specific techniques to present their ideas on screen in the world of the film. Tentative Film List: The Godfather (dir: Francis Ford Coppola); Rushmore (dir: Wes Anderson); Do the Right Thing (dir: Spike Lee); The Dark Knight (dir: Christopher Nolan); Psycho (dir: Alfred Hitchcock); The Graduate (dir: Mike Nichols); Office Space (dir: Mike Judge); Donnie Darko (dir: Richard Kelly); The Hurt Locker (dir: Kathryn Bigelow); The Ice Storm (dir: Ang Lee); Bicycle Thives (dir: Vittorio di Sica); On the Waterfront (dir: Elia Kazan); Traffic (dir: Steven Soderbergh); Batman (dir: Tim Burton); GoodFellas (dir: Martin Scorsese); Mean Girls (dir: Mark Waters); Pulp Fiction (dir: Quentin Tarantino); The Silence of the Lambs (dir: Jonathan Demme); The Third Man (dir: Carol Reed); The Lord of the Rings trilogy (dir: Peter Jackson); The Wizard of Oz (dir: Victor Fleming); Edward Scissorhands (dir: Tim Burton); Raiders of the Lost Ark (dir: Steven Spielberg); Star Wars trilogy (dirs: George Lucas, et. -
Full Complaint
Case 1:18-cv-01612-CKK Document 11 Filed 11/17/18 Page 1 of 602 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA ESTATE OF ROBERT P. HARTWICK, § HALEY RUSSELL, HANNAH § HARTWICK, LINDA K. HARTWICK, § ROBERT A. HARTWICK, SHARON § SCHINETHA STALLWORTH, § ANDREW JOHN LENZ, ARAGORN § THOR WOLD, CATHERINE S. WOLD, § CORY ROBERT HOWARD, DALE M. § HINKLEY, MARK HOWARD BEYERS, § DENISE BEYERS, EARL ANTHONY § MCCRACKEN, JASON THOMAS § WOODLIFF, JIMMY OWEKA OCHAN, § JOHN WILLIAM FUHRMAN, JOSHUA § CRUTCHER, LARRY CRUTCHER, § JOSHUA MITCHELL ROUNTREE, § LEIGH ROUNTREE, KADE L. § PLAINTIFFS’ HINKHOUSE, RICHARD HINKHOUSE, § SECOND AMENDED SUSAN HINKHOUSE, BRANDON § COMPLAINT HINKHOUSE, CHAD HINKHOUSE, § LISA HILL BAZAN, LATHAN HILL, § LAURENCE HILL, CATHLEEN HOLY, § Case No.: 1:18-cv-01612-CKK EDWARD PULIDO, KAREN PULIDO, § K.P., A MINOR CHILD, MANUEL § Hon. Colleen Kollar-Kotelly PULIDO, ANGELITA PULIDO § RIVERA, MANUEL “MANNIE” § PULIDO, YADIRA HOLMES, § MATTHEW WALKER GOWIN, § AMANDA LYNN GOWIN, SHAUN D. § GARRY, S.D., A MINOR CHILD, SUSAN § GARRY, ROBERT GARRY, PATRICK § GARRY, MEGHAN GARRY, BRIDGET § GARRY, GILBERT MATTHEW § BOYNTON, SOFIA T. BOYNTON, § BRIAN MICHAEL YORK, JESSE D. § CORTRIGHT, JOSEPH CORTRIGHT, § DIANA HOTALING, HANNA § CORTRIGHT, MICHAELA § CORTRIGHT, LEONDRAE DEMORRIS § RICE, ESTATE OF NICHOLAS § WILLIAM BAART BLOEM, ALCIDES § ALEXANDER BLOEM, DEBRA LEIGH § BLOEM, ALCIDES NICHOLAS § BLOEM, JR., VICTORIA LETHA § Case 1:18-cv-01612-CKK Document 11 Filed 11/17/18 Page 2 of 602 BLOEM, FLORENCE ELIZABETH § BLOEM, CATHERINE GRACE § BLOEM, SARA ANTONIA BLOEM, § RACHEL GABRIELA BLOEM, S.R.B., A § MINOR CHILD, CHRISTINA JEWEL § CHARLSON, JULIANA JOY SMITH, § RANDALL JOSEPH BENNETT, II, § STACEY DARRELL RICE, BRENT § JASON WALKER, LELAND WALKER, § SUSAN WALKER, BENJAMIN § WALKER, KYLE WALKER, GARY § WHITE, VANESSA WHITE, ROYETTA § WHITE, A.W., A MINOR CHILD, § CHRISTOPHER F. -
Female Director Takes Hollywood by Storm: Is She a Beauty Or a Visionary?
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-1-2016 Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? Courtney Richardson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Richardson, Courtney, "Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary?" (2016). Honors Senior Theses/Projects. 107. https://digitalcommons.wou.edu/honors_theses/107 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? By Courtney Richardson An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr. Shaun Huston, Thesis Advisor Dr. Gavin Keulks, Honors Program Director Western Oregon University June 2016 2 Acknowledgements First I would like to say a big thank you to my advisor Dr. Shaun Huston. He agreed to step in when my original advisor backed out suddenly and without telling me and really saved the day. Honestly, that was the most stressful part of the entire process and knowing that he was available if I needed his help was a great relief. Second, a thank you to my Honors advisor Dr. -
United Nations Nations Unies Office for the Coordination Of
United Nations Nations Unies Office for the Coordination of Humanitarian Affairs As delivered Under-Secretary-General Valerie Amos Opening remarks at event marking the Tenth Anniversary of the Canal Hotel Bombing Rio de Janeiro, 19 August 2013 It is a great privilege to be here in Brazil with you on the tenth anniversary of the bomb attack that took the lives of 22 people including Sergio Vieira de Mello. The attack on the Canal Hotel is still shocking, horrifying to us ten years on, because it was deliberate and targeted against Sergio and his colleagues who were in Iraq to help people in need. It violated every principle of humanity and solidarity, the principles on which the UN is founded. Today we not only remember Sergio and his colleagues, but also so many friends and of course colleagues who survived the attack. We commemorate Sergio’s life and work in Brazil and on the international stage through the marking of World Humanitarian Day, when we remember all the humanitarian aid workers who have given their lives in order to help people in need. Sergio’s name resonates in the UN building in New York and everywhere he worked around the world: the charismatic leader, the fearless humanitarian. His ideals, commitment and energy remain an inspiration to us all. Ladies and gentlemen, The attack on Sergio Vieira de Mello, and the other people who died at the Canal Hotel that day, was a senseless waste of human life and by forcing the UN to reduce its work in Iraq, it was an indirect attack on some of the most vulnerable people in the world. -
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United Nations Assistance Mission for Iraq (UNAMI) UNAMI FOCUS Voice of the Mission News Bulletin on UNAMI Activities Issue No. 18 December 2007 SRSG Staffan de Mistura in Baghdad that Iraq will spend $900 million on capital 12 Nov 2007 projects across Baghdad. The conference In his first town-hall meeting address to was hosted by the Deputy Prime Minister, UNAMI staff, Special Representative of the Barham Saleh, the two Vice Presidents, Secretary General for Iraq Staffan de Adel Abd-al-Mahdi and Tareq Al-Hashimi, Mistura, reiterated his commitment to fulfill Baghdad’s Mayor, Saber Al-Essawi, UNAMI’s mandate as stated in UNSCR Baghdad’s Governor, Ali Muyassar, and the 1770. He emphasized that special attention commander of the Baghdad Security Plan, will be given to national reconciliation and Abboud Qunbur. national dialogue as stated in the resolution, SRSG Staffan de Mistura Paying Tribute to which clearly calls for a larger UN role in the victims of the Canal Hotel Bombing the country. He expressed the hope that this expansion will lead to tangible results, and UNAMI Focus Interview with the that no effort will be spared by the Mission SRSG, Mr. Staffan de Mistura towards achieving its stated goals. UNAMI Focus: Can you provide the Mr. de Mistura said that his immediate UNAMI Focus readers with a synopsis of priorities are to quickly assume his responsibilities and take initiative to ensure your priorities, along with the things you Baghdad Rehabilitation Day that his activities and initiatives are felt in hope to achieve, in Iraq for the upcoming the country, as well as making certain that year? To launch the initiative, Deputy Prime his, are consistent with those priorities of Minister Barham Saleh extended an his Iraqi counterparts. -
April 14 2019
APRIL 5 - APRIL 14 SPONSORSHIP 2019 323 Central Ave | Sarasota, FL 34236 | www.sarasotafilmfestival.com | 941.364.9514 A 501(C)(3) Non Profit Organization The Sarasota Film Festival is a ten-day celebration of the art of filmmaking and the contribution that film makes to our culture. Celebrating 21 years and beyond, SFF has an esteemed reputation as a destination festival while providing a platform for filmmakers in all stages of their careers locally, nationally, and globally. 2018 Sarasota Film Festival 14 56 43 124 World Documentary Narrative Shorts Premieres Features Features 2 MEET OUR ATTENDEES 3 About our Attendees SFF patrons are well educated, brand savvy, sponsor friendly and have high disposable income. With a satisfaction rating over 90%, our audiences are loyal and engaged throughout the Festival. • Physical Attendance 50,000 + patrons • 80% live in Sarasota year-round • 20% make over $200,000/year • 47% own two or more homes • 55% make $100k/year with average income of • 72% earn more than double the median $122,000 income of other Florida residents • 91% have bachelor’s degree or above • 55% regular retail shoppers • 26% Male • 40% drive a luxury vehicle • 73% Female 4 Social, Digital, and Traditional Media Impressions • Social Media delivers 3+ million impressions annually • IMDb partnership delivers 3+ million impressions • Television advertising delivers 2+ million impressions • Film guide reaches 250k+ viewers • Website delivers 1+ million impressions • Email list of 10k+ patrons • On-screen theatrical branding reaches 50k+ patrons • Press outlets include Variety, The Hollywood Reporter, IndieWire, and IMDb 5 FILM REPRESENTATION 6 Sarasota Film Festival programmers find the best in indie cinema to present a diverse array of domestic, foreign, and studio films that receive critical acclaim, national and international awards consideration. -
MUNUC XXIX International Federation of Red Cross and Red Crescent Background Guide
INTERNATIONAL FEDERATION OF RED CROSS AND RED CRESCENT MUNUC XXIX Topic A: Politicization of Aid Topic B: Building a Localized Response to Crises EXECUTIVE LETTER Delegates, It is my pleasure to welcome you to both this special meeting of the International Federation of the Red Cross and Red Crescent Societies, and to MUNUC XXIX. My name is Jakob Solheim and I will be serving as your committee chair. I am looking forward to a wonderful weekend with all of you. To introduce myself a little bit, I am a third year in the undergraduate college at the University of Chicago, double majoring in Economics and Public Policy. I was born in Rome, but currently hail from Vermont after living in most of Western Europe at one point or another (although never in England or Norway, where I would be an actual citizen). Outside of MUNUC, I am also an active participant in ChoMUN, UChicago’s college MUN conference. Further outside of Model UN, I enjoy reading a good book, debating American and International politics, listening to interesting people at the IOP, or acting in an inevitably silly play with University Theater. As a representative of a national chapter of the IFRC, you will be tasked with solving very nuanced challenges related to how humanitarian organizations should operate. The issue of politicization of aid is very closely related to the ethical considerations of humanitarian organizations like the IFRC. Meanwhile, the problem of establishing a local response to crises has far-ranging implications for how humanitarian organizations might respond to different disasters or crises in the future. -
Classical and Political Humanitarianisms in an Era of Military Interventionism and the War on Terror Ambiguity, Prescription, Jus in Bello and Jus Ad Bellum
journal of international humanitarian legal studies 8 (2017) 33-112 brill.com/ihls Classical and Political Humanitarianisms in an Era of Military Interventionism and the War on Terror Ambiguity, Prescription, Jus in Bello and Jus ad Bellum Matthew Bywater London School of Economics and Political Science graduate [email protected] Abstract This paper scrutinises the modus operandi of classical and political humanitarianism: the use of ambiguity and prescription to frame calls for international action to protect civilians, and public commentary on jus in bello and jus ad bellum. It does so by in- novatively considering the perspectives of belligerents alongside those of humanitar- ian actors, so as to identify how belligerents have responded to the two humanitarian modus operandi, and to ascertain the connection of humanitarian actors to the wars and international military interventions that they have implicitly or explicitly called for or endorsed. The paper finds that the response of belligerents differs from what both classical and political humanitarians expect. Even where humanitarians maintain am- biguity, the intention to will military action remains present and even the documenta- tion and reporting of violence will bolster military intervention. Such consequences will be perceptible to belligerents, who may restrict humanitarian space. When hu- manitarians advance jus ad bellum perspectives, the humanitarian identity envisioned by classicists is not necessarily compromised. But belligerents are positively influenced by such perspectives only when those perspectives coincide with their own position. Keywords humanitarianism – humanitarian action – military intervention – war – témoignage – speaking out – advocacy – perceptions – belligerents The historical period since the end of the Cold War has been a particularly tumultuous one for the humanitarian community. -
Constructing Islamophobia: Hollywood
Constructing Islamophobia: Hollywood A Master’s Thesis by Marloes Veldhausz North American Studies - Radboud University Student number: s4258851 Supervisor: dr. L. Munteán | Second Reader: Prof. dr. F. Mehring Veldhausz 4258851/2 Abstract Islam has become highly politicized post-9/11, the Islamophobia that has followed has been spread throughout the news media and Hollywood in particular. By using theories based on stereotypes, Othering, and Orientalism and a methodology based on film studies, in particular mise-en-scène, the way in which Islamophobia has been constructed in three case studies has been examined. These case studies are the following three Hollywood movies: The Hurt Locker, Zero Dark Thirty, and American Sniper. Derogatory rhetoric and mise-en-scène aspects proved to be shaping Islamophobia. The movies focus on events that happened post- 9/11 and the ideological markers that trigger Islamophobia in these movies are thus related to the opinions on Islam that have become widespread throughout Hollywood and the media since; examples being that Muslims are non-compatible with Western societies, savages, evil, and terrorists. Keywords: Islam, Muslim, Arab, Islamophobia, Religion, Mass Media, Movies, Hollywood, The Hurt Locker, Zero Dark Thirty, American Sniper, Mise-en-scène, Film Studies, American Studies. 2 Veldhausz 4258851/3 To my grandparents, I can never thank you enough for introducing me to Harry Potter and thus bringing magic into my life. 3 Veldhausz 4258851/4 Acknowledgements Thank you, first and foremost, to dr. László Munteán, for guiding me throughout the process of writing the largest piece of research I have ever written. I would not have been able to complete this daunting task without your help, ideas, patience, and guidance.