The Monkees the Monkees Mp3, Flac, Wma

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The Monkees The Monkees mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Monkees Country: US Released: 1966 Style: Pop Rock MP3 version RAR size: 1881 mb FLAC version RAR size: 1819 mb WMA version RAR size: 1405 mb Rating: 4.9 Votes: 413 Other Formats: WAV MIDI MMF MPC AA AU VOX Tracklist 1 (Theme From) The Monkees 2:22 2 Saturday's Child 2:45 3 I Wanna Be Free 2:27 4 Tomorrow's Gonna Be Another Day 2:39 5 Papa Gene's Blues 2:01 6 Take A Giant Step 2:32 7 Last Train To Clarksville 2:48 8 This Just Doesn't Seem To Be My Day 2:09 9 Let's Dance On 2:32 10 I'll Be True To You 2:50 11 Sweet Young Thing 1:59 12 Gonna Buy Me A Dog 2:44 Bonus Selection 13 I Can't Get Her Off My Mind (Prev. Unissued Early Version) 2:55 14 I Don't Think You Know Me (Prev. Unissued Alternate Version) 2:18 15 (Theme From) The Monkees (Prev. Unissued Early Version) 0:52 Companies, etc. Manufactured By – Warner Music Australia Pty. Limited Distributed By – Warner Music Australia Pty. Limited Phonographic Copyright (p) – Rhino Records Inc. Copyright (c) – Rhino Records Inc. Licensed To – WEA International Inc. Pressed By – Warner Music Manufacturing Europe Recorded At – RCA Victor Studios, Hollywood Recorded At – RCA Studios, Hollywood Recorded At – Western Recorders Credits Drums – Micky Dolenz Guitar – David Jones*, Mike Nesmith*, Peter Tork Producer – Bobby Hart, Jack Keller, Michael Nesmith, Tommy Boyce Reissue Producer – Bill Inglot Reissue Producer, Liner Notes – Andrew Sandoval Remastered By – Bill Inglot, Ken Perry Vocals – David Jones*, Mike Nesmith*, Micky Dolenz, Peter Tork Barcode and Other Identifiers Barcode (Printed): 0 4509-97655-2 2 Matrix / Runout: [logo] 3 R2 71790-2 SRC**01 Other versions Category Artist Title (Format) Label Category Country Year COM-101 The Monkees The Monkees (LP, Album, Mono) Colgems COM-101 US 1966 The Monkees (CD, Album, RE, R2 71790 The Monkees Rhino Records R2 71790 US 1994 RM) Meet The Monkees (LP, Album, FL-1411 The Monkees First Record FL-1411 Taiwan 1967 Unofficial, Ora) RD-7844 The Monkees The Monkees (LP, Album, Mono) RCA Victor RD-7844 UK 1967 The Monkees (CD, Album, Club, R2 71790 The Monkees Rhino Records R2 71790 US 1994 RE, RM, CRC) Related Music albums to The Monkees by The Monkees The Monkees - Best - I'm A Believer Monkees, The - That Was Then, This Is Now The Monkees - 20 Golden Greats The Monkees - Daydream Believer / Last Train To Clarksville The Monkees - The Monkees Volume 2 The Monkees - I Monkees In TV The Monkees - Hey Hey We're The Monkees The Monkees - Last Train To Clarksville / I'm A Believer The Monkees - MP3 The Monkees - Then & Now... The Best Of The Monkees.

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The Monkees More of the Monkees Mp3, Flac, Wma
The Monkees More Of The Monkees mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: More Of The Monkees Country: US Released: 1967 Style: Pop Rock MP3 version RAR size: 1598 mb FLAC version RAR size: 1888 mb WMA version RAR size: 1384 mb Rating: 4.5 Votes: 666 Other Formats: APE XM DXD MP2 VOX AAC MP3 Tracklist Hide Credits She A1 2:27 Written-By – Tommy Boyce-Bobby Hart* When Love Comes Knockin' (At Your Door) A2 1:45 Written-By – Carole Bayer, Neil Sedaka Mary, Mary A3 2:12 Written-By – Michael Nesmith Hold On Girl A4 2:23 Written-By – Raleigh*, Carr*, Keller* Your Auntie Grizelda A5 2:28 Written-By – Diane Hilderbrand*, Jack Keller (I'm Not Your) Steppin' Stone A6 2:25 Written-By – Tommy Boyce-Bobby Hart* Look Out (Here Comes Tomorrow) B1 2:10 Written-By – Neil Diamond The Kind Of Girl I Could Love B2 1:50 Written-By – Michael Nesmith, Roger Atkins The Day We Fall In Love B3 2:20 Written-By – Denny Randell, Sandy Linzer Sometime In The Morning B4 2:24 Written-By – Gerry Goffin-Carole King* Laugh B5 2:25 Written-By – Medress*, Siegel*, M. Margo*, P. Margo* I'm A Believer B6 2:41 Written-By – Neil Diamond Companies, etc. Produced For – Columbia Pictures Produced For – Screen Gems Mastered At – RCA Studios Pressed By – Mercury Record Manufacturing Company Manufactured By – RCA Distributed By – RCA Published By – Screen Gems-Columbia Music, Inc. Copyright (c) – Radio Corporation Of America Credits Coordinator [Music] – Emil LaViola, Lester Sill Liner Notes – Don Kirshner Performer – David*, Michael*, Micky*, Peter* Producer – Tommy Boyce And Bobby Hart* (tracks: A1, A6), Carole Bayer (tracks: A2), Carole King (tracks: B4), Gerry Goffin (tracks: B4), Jack Keller (tracks: A4, A5), Jeff Barry (tracks: A4, A5, B1, B3 to B6), Michael Nesmith (tracks: A3, B2), Neil Sedaka (tracks: A2) Supervised By [Music] – Don Kirshner Notes Original mono release pressed by Mercury Record Manufacturing, identified by small MR in runout.
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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
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Football Programs
HOMECOMING 50c SATURDAY OCT. 31 t ~:. ,,...- - Cleaner, fresher, S-rooofu.er\ NORTHWESTERN w ·ir WrLBUR E S - OHIO STATE Job~•F ~ Woodruff NYPP, Editor Nat" ummel ___----- A~verti1in M Don Snal Adverti1~--itrculatio! M anaeer pencer Co., 2!1 epre!entarive anager The Presld New York 16 ::•~son Ave Ohio Stnle es\'s Page ' . ., orthwesl alls -- ~i\dcal p~~fil Officials--· __ 110 tale Hes - ·- 4 S, ' ~""w•orthwes,.rnle •;•~m<o,layers ------ .. G, 8 M•,~••< Brn Uo<,enU, -- - 0 •••••Ohio .,"•St P<o,enand al J-1 omewm;O,• - ---- 12 ' ' <8, "'· "10 ,,coo::::•••••Com~•• · ate--Norl c., ..... K . h,, r"- f·•~·.. - '" ·-s i--;i,s- - - " • ,-.. " •-. ; .... "· "· :U: The Ba;ens' Records ears -- --- 20, 2• ~rchin-g e~!~I~ Outlook- - =-·- ----- 22 Hi~•too State RostePrersonncl-·--- 2~ V ort~we~ .,stern"l;fersily u -ea.I --------- ----- --··--·-·· ---- 34, '"3:15 ars1ty osier -----·- ·- f~~~!~~:J~~~ilo;;-·--=- -_ ~--- ___ :_ - :~ Sw<mm;o, ::•=<meoO- --• -- • ··-· "6f. The Golf co:f;s°erds ····- - -- 64--77 _-::::.::-·--··--------=-- --------- 67 --- 6!171 E T T E S co .. 11., THE AMERICAN TOBACCO 3 ~~~~ COM~ANY THE PRESIDENT'S PAGE W . W . HAYES, Head Coach ESCO SARKKINEN, HARRY L. STROBEL, WILLIAM R. HESS, End Coach Defensive Line Coach Freshma n Coach DOYT L. PERRY, Ba ckfield Coach I the stands today are thou ands of alumni of Ohio State University. To them I want to extend an especial greeting on this traditional Homecoming occasion. Throughout the campus today and tonight there will be scenes of reunion. I want to join in wishing all alumni a pleasant return to their Alma Mater.
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Don Tiff Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch ………………………………………………………………. 2 Scope and Content ………………………………………………………………. 2 Series Notes ………………………………………………………………………. 3 Series I: Sheet Music ………………………………………………………………. 4 Series II: Songbooks ………………………………………………………………. 10 Series III: Manuscript Scores ………………………………………………………. 24 Series IV: Photographs ………………………………………………………. 24 Series V: Miscellaneous ………………………………………………………. 25 MS136-Don Tiff Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION BIOGRAPHICAL SKETCH Don Tiff was born September 7, 1910. The pianist, composer and arranger performed in the orchestras of Jan Garber, Raymond Scott and others; as well as led his own bands. In addition, he oversaw other musical endeavors, including serving as Musical Director at the Orpheum Theatre in Kansas City. Among his original compositions are Sunburst, Carmel By The Sea, and A Million And One Pine Trees. Tiff died September 23, 1998. SCOPE AND CONTENT The Don Tiff Collection was donated to the Dr. Kenneth J. LaBudde Department of Special Collections by Mrs. Don Tiff and was delivered to the department by Don F. Downing. The collection focuses on Tiff'‟s extensive collection of sheet music and songbooks. Additional material include eight 8x10 photographs, several of which include Tiff; and two original scores by Tiff, Carmel By The Sea and A Million And One Pine Trees. Other miscellaneous items include three programs from the Orpheum Theatre from 1936, where Tiff acted as musical director; a song request card; and a newspaper clipping about Tiff. MS136-Don Tiff Collection 2 University of Missouri-Kansas City Dr.
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Celebrating Local Artists and Performers
OCTOBER/NOVEMBER 2020 ART LOCALLY CELEBRATING LOCAL ARTISTS AND PERFORMERS MURALIST NICO CATHCART, THE SUPER SUGAR BEATS, AND MORE! WELCOME WELCOME WELCOME WELCOME LETTER FROM THE president PLEASE JOIN US AS WE CELEBRATE THOSE IN OUR LOCAL ART COMMUNITY MORE INFORMATION AT WWW.ARTSGLENALLEN.COM Dear Friends, The sta at The Cultural Arts Center continues to seek ways to bring the arts into your lives during the pandemic. We are working with Henrico County to create outdoor Sunday Fundays for families in October and will host a great concert on October 25 featuring the awesome Super Sugar Beats! What better way to chase the Pandemic Blues than with the upbeat sound of bubblegum music from the ‘60s and ‘70s? And on November 6, 7, and 8, the phenomenal Debra Wagoner will be on stage. All seating will be socially distant and masks are required in the theater as well as throughout the building. Our doors are open with art exhibits on the walls, wonderful wares in the gift shop, classes in progress, and performances coming up in the theater. We have policies in place to protect and comfort you as you enter our buildings. We do require masks… and encourage you to be creative with art-inspired masks. We will get through this together. But it is time to put the arts and their amazing healing powers into action. I hope to see you at The Center as soon as you are comfortable to visit. And nally, thank you to our wonderful patrons. You have been overly generous in supporting The Center with contributions and by donating your tickets and class registrations from last year back to The Center.
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H-J Final.Vp
DEBUT PEAK WKS ARTIST HRH=Honor Roll of Hits Ả=CD ắ=Picture Sleeve §="24 Hit" Club Ẳ ẳ ẵ DATE POS CHR Song Title UK=#1in Britain =Cassette =12" ="45" RR=Radio & Rec. Songwriter...B-side Label & Number JOURNEY § 1980s: 20 / All-Time: 136 Rock band formed in San Francisco, California: Neal Schon (born on 2/27/1954) and George Tickner (guitars), Gregg Rolie (keyboards, vocals; born on 6/17/1947), Ross Valory (bass; born on 2/2/1949) and Aynsley Dunbar (drums; born on 1/10/1946; John Mayall, Mothers Of Invention). Schon and Rolie had been in Santana. Tickner left in 1975. Steve Perry (lead vocals; born on 1/22/1949) added by 1978. In 1979, Steve Smith replaced Dunbar, who later joined Jefferson Starship, then Whitesnake. Jonathan Cain (ex-keyboardist of The Babys) added in 1981, replacing Rolie. In 1986 group pared down to a three-man core: Perry, Schon and Cain. Randy Jackson (of TV’s American Idol) was a member from 1986-87. Schon and Cain hooked up with Bad English in 1989. Smith, Valory and Rolie joined The Storm in 1991. Reunion in 1996 of Perry, Schon, Cain, Valory and Smith. Steve Augeri replaced Perry in 2001. Arnel Pineda replaced Augeri in 2007. AWARD: R&R Hall of Fame: 2017 TOP HITS: 1)Open Arms 2)Who’s Crying Now 3)Separate Ways (Worlds Apart) 4)Don’t Stop Believin’ 5)Only The Young 4/8/78 57 8 1 Wheel In The Sky..............................................................................................Robert Fleischman/Neal Schon/Ross Valory...Can Do Columbia 10700 7/1/78 83 4 2 Anytime ..........................................................................Robert
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Tapestry”—Carole King (1971) Added to the National Registry: 2003 Essay by Cary O’Dell
“Tapestry”—Carole King (1971) Added to the National Registry: 2003 Essay by Cary O’Dell Original album Original label Carole King There are few artists—of any genre, of any era, of either gender—who have had as profound an effect on popular music as Carole King. Alone or with a co-writer (especially her one-time husband Gerry Goffin), King has written such resounding hits as “The Loco-Motion,” “You Make Me Feel (Like a Natural Woman”), “You’ve Got a Friend,” “Will You Still Love Me Tomorrow,” “Oh, No Not My Baby,” “Go Away Little Girl,” “Up on the Roof,” “One Fine Day,” “I’m Into Something Good,” “Take Good Care of My Baby,” and “Pleasant Valley Sunday,” among others. Considered alone, such a body of work would be enough to make King one of the great, original talents of rock and pop, but, for her, her ample 1960’s songwriting success was only a prelude. In 1971, King crafted one of the most enduring and influential albums of all time, a perfect showcase for her songwriting talents and performing abilities. Her album, “Tapestry,” was produced by Lou Adler and released on the Ode label. It contained the songs “I Feel the Earth Move,” “It’s Too Late,” “You’ve Got a Friend,” “Where You Lead,” and “You Make Me Feel (Like a Natural Woman).” The album would go on to rank on the “Billboard” album chart for over 300 weeks. Four of its cuts would become major hits. It would win the Grammy that year for “Album of the Year” as well as Grammys for “Best Female Pop Vocal Performance,” “Record of the Year” (for “It’s Too Late”) and “Song of the Year” (for “You’ve Got a Friend”).
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The Drink Tank
Cover by DeepDream Page 3—Editorial by Alissa McKersie Page 5— Hey Hey We’re the Marxes by Steven H Silver Page 8 Art for Monkees’ Sake by Chris Page 12—I’m a Believer By Jacq Monahan Page 19—Considering “Your Auntie Grizelda” by Chuck Serface Page 22—“Hey, Hey, We’re the (Flying) Monkees!” Steven H Silver Editors Alissa McKersie Chris Garcia I guess you never forget your first Fandom. The Monkees was my first. My parents will attest to the fact that I was pretty obsessed. Back in the day before the Internet was a big thing, we had the post. We made friends through the mail. We had little booklets that we made, wrote in, and passed on to the next person. I made my own Monkees Stationary and wrote letters on it! I wrote to my Monkees pals all the time! I had every episode recorded on VHS! I was a very big fan! Then, Davy came out with a book, They Made a Monkee Out of Me… We lived in Central Illinois, and it’s only about 2.5 hours to get to Chicago. Eventually, every- thing comes to Chicago. As it happens, The Monkees were coming to play a show, and better yet (as he was my favorite), because of his new book, Davy was doing a book signing before the show! Oh. My. God. My poor little obsessed heart was overwhelmed! And, bless my parents’ hearts for taking me for this experience (is it because of this that I now love cons?).
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4 Appointed by Columbia Ent..." West 57Th Street, Room 1106, New Initial Work by Mempro for the York, N.Y
Stratta Forms Warwicke Label Cos.; Croma Shifts To Memphis Share To Colby Under Mempro Dist. NEW YORK Ettore Stratta has his - Music, MEMPHIS - Dionne Warwicke's sold interests in Croma Sonday Records is moving to Mem- Arcola Music and other affiliate pub- phis. The performer, who has had a lishing companies, and has started his long friendship with Marty Lacker own music and production firms, Ars and Don Burt, owners of Mempro, Nova Music, Jubilus Music and Ettore Inc., has chosen their company to be Productions. headquarters for her record label. Co-founder of Croma with Robert "Looking on Memphis as becoming Colby, Stratta has been responsible her second home, Miss Warwicke feels for publishing such hit songs as Love that the great recording center Mem- Is Blue, New World In The Morning, phis has become makes it highly suit- Mammy Blue, Durham Town and over able to be headquarters of her compa- 100 other recorded copyrights. Before ny," Lacker said. "Mempro will han- joining Croma, he was at Columbia dle all administrative distribution, Records as A&R international direc- sales and promotion for Sonday Rec- tor and produced records with Barbra ords." Streisand, Andy Williams, Steve & Eydie, The New Christy Minstrels, Lacker said that having recorded in Chad & Jeremy, among others. Memphis herself-with plans to re- cord other releases here in the future Stratta is the recipient of two Gold SLADE ALIVE!-Shown during their recent visit to Polydor's New York offices is rock group, Slade. In town for an appearance at New York's Academy -she is "well aware of the impor- Records for the discovery and produc- tance of Memphis in the world-wide tion of the phenomenally successful of Music, the group stopped up to talk with top Polydor executives.
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Living the Business
Living the Business By Mike Curb With Don Cusic Copyright © 2017 by Curb Recording Group, Inc. Original photography copyright © 2017 by Curb Recording Group, Inc. Text copyright © 2017 by Curb Recording Group, Inc. ISBN 978-0-9990395-1-9 All rights reserved. Printed in the United States of America. No part of this book may be reproduced in any form or by any electronic or mechanical means, including retrieval systems, without permission in writing from the copyright holder, except in brief quotations or approved images used in a review. Brackish Publishing P.O. Box 120751 Nashville, TN 37212 Production Coordinator Jim Sharp Sharp Management Cover and Interior Layout Design www.PricelessDigitalMedia.com Contents Introduction .......................................................................................................... 9 LIVING THE BUSINESS: 50 Years as an Entrepreneur in the Music Business by Mike Curb ................. 13 CHAPTER 1: Te Early Years ........................................................................... 17 CHAPTER 2: Early Music Infuences .............................................................. 25 CHAPTER 3: First Steps in the Music Industry ............................................. 33 Te Mike Curb Congregation, Crickets, Buddies, Bobby Darin, Hondells (composing the commercial You Meet Te Nicest People On A Honda) CHAPTER 4: Soundtracks ................................................................................ 49 Composing Movies Temes: SkaterDater, Wild Angels (“Blues’ Teme”) Composing TV
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Don Kirschner 2012.Pdf
AHMET E R T E G N AWARD ROBERT K. OERMANN HIS DISCOVERIES CREATED A SLEW OF CLASSICS ew people have stamped the music of their era as and Sedaka. “He knew what it took to make a hit record,” indelibly as impresario Don Kirshner. As a music says Rich Podolsky, Kirshner s biographer. “Its why Time publisher, he discovered some of the greatest rock & magazine called him ‘the Man with the Golden Ear.’ ” Froll songwriters in history. The creator of Don K irshner s Rock The son of a tailor, Don Kirshner was born in 1934 Concert, he gave national television exposure to a generation in New York City. From an early age, he had an unerring of rock greats. He was one of the first independent record knack for spotting talent. His first discovery was a student producers. And long before “cross marketing” and “multiple at the Bronx High School o f Science, Bobby Darin. They platforms” were buzzwords, this visionary understood began writing songs together in 1955. Darin and Kirshner the value of coordinating management, publishing, were both self-confident hustlers, and throughout 1956- and production, as well as promoting music via film 57, they placed their songs with such artists as LaVern and television. Baker' the Coasters, Bobby Short, and Connie Francis. A nurturer of talent, Kirshner influenced the In versions by both Marlene Paula and Little Lambsie songwriting of Carole King, Gerry GofFin, Neil Sedaka, Penn, their “I Want to Spend Christmas with Elvis” was Barry Mann, Cynthia Weil, Neil Diamond, Tommy reviewed by B illb o a rd .
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Doo Wop, Tin Pan Alley, Aldon Music and Phil Spector Doo Wop, Tin Pan
Jones-McIntosh_Rock_n_Roll02E_Ch10_Printer.qxd 7/8/16 1:47 PM Page 113 chapter 10 DooDoo Wop, Wop, Tin Tin Pan Pan Alley, Alley, AldonAldon Music Music and and PhilPhil Spector Spector Doo-Wop Doo-wop is an unaccompanied style of close-harmony singing by groups of usually four or five members that developed in the late 1940s and thrived in the early 1950s. If instrumen- tal accompaniment was added, it was very much in the background so as not to detract from the voices. The term “doo-wop” itself derives from the ad-lib syllables used while singing the harmony parts. The origins of doo-wop are traceable to nineteenth-century barbershop singing and to the music of such flagship groups as the Ink Spots in the 1930s and the Orioles in the late 1940s. The Orioles were one of the first prominent doo-wop groups, demonstrating their sound in 1948 with the #1 hit “It’s Too Soon to Know.” From 1948 to 1954, they recorded over 120 sides, hitting the charts with memorable songs such as “Crying in the Chapel” (1953). In the mid-1950s The Castelles and The Penguins innovated new doo-wop styles, most famously up-tempo doo-wop. The Penguins’ “Earth Angel” (recorded in 1954) is an excel- lent example of the matured popular doo-wop sound. The song “Get a Job” by The Silhouettes (that hit #1 in 1958) is arguably the most successful doo-wop song of all time. This song inspired the early Motown release of The Miracles’ “Got a Job” in the same year.
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