AHMET E R T E G N AWARD

ROBERT K. OERMANN

HIS DISCOVERIES CREATED A SLEW OF CLASSICS

ew people have stamped the music of their era as and Sedaka. “He knew what it took to make a hit record,” indelibly as impresario . As a music says Rich Podolsky, Kirshner s biographer. “Its why Time publisher, he discovered some of the greatest rock & magazine called him ‘the Man with the Golden Ear.’ ” Froll in history. The creator of Don K irshner s Rock The son of a tailor, Don Kirshner was born in 1934 Concert, he gave national television exposure to a generation in City. From an early age, he had an unerring of rock greats. He was one of the first independent record knack for spotting talent. His first discovery was a student producers. And long before “cross marketing” and “multiple at the Bronx High School o f Science, . They platforms” were buzzwords, this visionary understood began writing together in 1955. Darin and Kirshner the value of coordinating management, publishing, were both self-confident hustlers, and throughout 1956- and production, as well as promoting music via film 57, they placed their songs with such artists as LaVern and television. Baker' the Coasters, Bobby Short, and . A nurturer of talent, Kirshner influenced the In versions by both Marlene Paula and Little Lambsie songwriting of , , , Penn, their “I Want to Spend Christmas with Elvis” was , , , Tommy reviewed by B illb o a rd . The team’s most prominent Boyce, Bobby Hart, Bobby Darin, and David Gates. He was Wear My Ring”: Recorded by and the launched the hitmaking careers of such diverse artists as Blue Caps, it rose to Number Thirteen on the charts as , , and Kansas, as well as King the B side of “Lotta Lovin’ ” in 1957. After Darin’s singing career took off in 1958, Kirshner formed publishing company with A 1 Nevins, a respected guitarist and the producer of the pop group the Three Suns, whose many hits included 1947’s “Peg o’ My Heart.” Born in 1915, Nevins had a heart condition that caused him to retire from performing. He also had an infusion of cash, after transformed his 1944 composition, “Twilight Time,” into a chart-topping, electrifying teen anthem in early 1958. Combining their first names, the two formed at 1650 Broadway, near the famed . Nevins was the company’s formal face for the music THE MAN WITH THE GOLDEN EAR

FROM TOP f$0n with raplf industry. The streetwise Kirshner related to the writers. lj§ngwrittrrgpartner Bobby DariHp|)j|fn g with tte Brii^iBuilding crowd: Jack A week after Aldon opened, fledgling songwriters Neil Artift ljef'lrje, Lou Adfef, Al. N.evi*®i§* Shpfe Sedaka, 18, and , 21, came in to audition Kirshner. fjpSt La Vida, with ten tunes. “Don Kirshner became very excited,” M o.rrr|H|fi^ Hpwa rd’ 6 re en fie Id (.back row, ' from teft), Barry Maefe^ Gpithia Weil, Sedaka recalled in his 1982 autobiography, Laughter in Gerry CarofeKfeg, and Neit the Rain. “He saw potential and made no effort to hide Sedate1 ‘Ifipiadk rpw, Thsifii Lrftf, his enthusiasm. Nevins, a man with a very cool, suave, European personality, was more reserved.” Aldon signed the two young writers, and inked an artist-management contract with Sedaka as well. Kirshner, still friendly with Connie Francis, took Sedaka H iM f f p k m g Archiesr?f©tt)ft , Reggie, Veron*|t; and J-ughead (from left)

and Greenfield to her New Jersey home. She chose their Sedaka was touring behind fisch hits as “Calendar Girl.” song “” for her next single, and Aldon had “We were kids with dreams,” recalled . “By its first hit. 1958, 1 was writing the new thing, rock & roll. Don Kirshner By the end of 1958, Nevins had arranged an artist was the one who realized what was in the future. He hired contract for Sedaka with RCA, and the youngster was on all of us. Everybody was a teenager, writing for teem He the charts with “The Diary.” The next year, new signee called every writer at night at 10:30 to say, ‘Goodnight,’ Barry Mann, 19, garnered a 1959 Aldon hit when the and ‘What did you write today?’” Diamonds recorded his “She Say (Oom Dooby Doom).” “Don Kirshner didn’t just buy their songs like other Sedaka and Greenfield created two Top Ten successes: publishers, he helped teach them how to write them,” “Frankie” for Connie Francis and “Oh! Carol” for Sedaka. observes Podolsky. “Kirshner found these kids, believed in The latter was inspired by 17-year-old Carol Klein (soon their talent, and paid them $50 a week when no one else to be Carole King), then collaborating with , would give them the time of day. He was available to them also 17. Billed as the Cousins, the duo cut the demo for all day, all night, 24/7. He was always patient and always the Passions’ 1959 doo-wop classic “Just to Be With You.” listened. He also taught them to work with each other and King, paired with her husband, Gerry Goffin, signed with help each other.” " Aldon the following year, and Simon became an Aldon Barry Mann stayed on a winning streak with demo singer. “Footsteps” by in i960, then “I Love The only proven writer the company signed in those How You Love Me” by the Paris Sisters and “Who Put early years was Jack Keller, who, at 19, had cowritten a 1957 the Bomp,” which he recorded himself, in 1961. That same Top Ten hit for the Chordettes, “Just Between You and year, Mann married his new collaborator! Cynthia Weil. Me.” In i960, he gave Aldon its first Number One records, The two had their first hit together with “Bless You,” “Everybody’s Somebody’s Fool” and “My Heart Has a by 16-year-old Tony Orlando, produced by Nevins and Mind of Its Own,” both sung by Francis; Keller’s cowriter Kirshner (as were Mann and Sedaka). was Greenfield, a collaboration Kirshner suggested while In 1961, Goffin and King broke through with a pair of Number Ones, “Will You Love Me Tomorrow” and “Take Good Care of My Baby.” Meanwhile, Sedaka and Greenfield continued to create hits for both Francis (her movie theme, “”) and Sedaka (“” and “Happy Birthday, Sweet Sixteen”). “At Aldon Music we wrote every day for at least five hours,” Sedaka recalled. “Each team had its own cubicle / containing a piano... We then played KIRSHNER [WAS] OUR our songs for each other in Don Kirshner’s big executive office. We FATHER FIGURE' lived and breathed music.” Cynthia Weil added, “It was a sibling rivalry, with Kirshner as our father figure. And we all wanted to please him.” In 1962-63, Kirshner s discov­ eries created a slew of classics. Mann and Weil delivered “Uptown,” “On Broadway,” “Only in America,” and “Blame It on the Bossa Nova.” Sedaka and Greenfield wrote “Breaking Up Is Hard to Do.” Goffin and King cre­ ated “Up on the Roof,” “,” “The Loco-Motion,” “Hey Girl,” and “One Fine Day.” On assignment for , Goffin and King also penned “It Might as Well Rain Until September.” Kirshner liked Kings demo so much that he released it on his imprint (it reached Number Three on the U.K. charts). Dimension also issued big hits by and . Kirshner and Nevins sold Aldon to in 1963 for more than $2 million. Nevins’ health continued to fail and he died in January 1965. Kirshner became the head of Screen Gems’ music division, and his writers went with him. He remained their motivator, psychiatrist, lawyer, parent, and friend; bailed them out when they needed financial help; aided them during medical emergencies; and inspired them to create ever- better songs. Then he placed those songs with top star’s, such as , , , , Herman’s Hermits, , , , and . As Podolsky writes in his 2012 biography, Don Kirshner: The Man with the Golden Ear, “He coaxed Wmk © Joshua Prezsnt [www.jotlilJaprezant.com] Woman,” and more poured from the publisher in 1.965-67. in publisher the from poured and more Woman,” his writers his writers rides, B the Come ere H song in history. played since has and is artists, radio’s most latter 160 than more the by recorded been 1964, in Brothers Righteous the for provided still more revenue-generating opportunities. opportunities. revenue-generating more still provided Greenfield Angeles. Los to York New from shifted had monumental “You’ve Lost That Lovin’ Feelin’.” Created Created Feelin’.” Lovin’ That Lost “You’ve monumental eivr” n “alr. H prudd el Diamond Neil persuaded He “.” and Believer,” “Daydream Sunday,” Valley “Pleasant Train Clarksville,” to as series V T Gems Columbia-Screen of arm television and film The Mann Sedaka, Keller, by followed 1966, in west moved Get Out of This Place,” “I’m Gonna Be Strong,” and their and their Strong,” Be Gonna “I’m Place,” This of Out Get Keller was soon put to work penning theme music for such music theme for penning to work was soon put Keller Natural A Feel Like) Me Make “(You “Kicks,” Inspiration,” and Stewart, company. the John Tommy joined others Titelman, Gates, Russ Hart, David whom Bobby Wine, of Boyce, Toni latter (the 1968). in Goffin divorced and King and Weil, and business music the now by for representative, Coast OPPOSITE PAGE od” an n el i ter tiewt “e Gotta “We with stride their hit Weil and Mann Good.” Something Into “I’m delivered King and Goffin Love.” in 1964, In today.” standards are which of many years, short in2006. Sedaka and Greenfield gave their mentor “It Hurts to Be Be to Hurts “It mentor their gave Greenfield and Sedaka five in hits hundred two over write to them guided and oke: ihe emt, ayJns ik oez n Peiife#Dotenz,Mickyand Davy MichaetMonkees: Jones, Nesmith, (from-left], 1966. As As music supervisor for the engagedMonkees, Kirshner Kirshner had wisely hired Lou Adler as Aldon’s West West as Aldon’s Adler Lou hired had wisely Kirshner A Gov Kn o Lv, “Yur M) ol and Soul My) “(You’re Love,” of Kind Groovy “A to create the act’s string of hits, including “Last “Last including hits, of act’s string the create igt Hae, e thd Te Monkees, The itched, Bew azel, H Gidget, WithGoffin i>■ arrtJ■Gerry Qarolfi withw lCi^i; THIS PAG! as asmovies. several well , r o f e h t and

l a ired. In 1977, Kirshner was the music supervisor for the for supervisor music the was Kirshner ired.1977, In a l John, , , Tina Turner, Turner, Tina Springsteen, Bruce Ronstadt, Linda John, for rock on national television.-The program featured live live featured program television.-The on national rock for with undiscovered rock talent. He died of heart failure in failure heart of died He talent. rock undiscovered with his wooden stage presence, wide-collared leisure suits, and suits, leisure wide-collared stage presence, his wooden visible chapter of his colorful life. In 1972, he became became he 1972, In life. colorful his of chapter visible giving early exposure to Steve Martin, Jay Leno, and Billy Billy and Leno, Jay Martin, Steve to exposure early giving rhne’ Rc Concert. Rock er’s n irsh K on Sdk, n te ilo-eln po-ok band prog-rock million-selling the and Sedaka, bound performances, not lip synching. lip not performances, his life, Kirshner believed he had published new American new American published hehad believed Kirshner hislife, Throughout ashits. revived been all have Tomorrow” Me Love You “Will and Roof,” the on “Daydream “Up Own,” Its of Do,” Mind to Hard Is Up “Breaking Motion,” parodied him on on him parodied delivery. regularly Bronx-inflected monotonic, provided a national television platform for more than 450 450 than more for platform television a national provided V T M back,” he famously quipped. The 1968-69 Archies hits hits Archies 1968-69 The quipped. famously he back,” new publishing venture, Don Kirshner Music. Kirshner Don new publishing venture, the for Kim and Andy Barry ff by Je written were map.All in the in the Wind.” and “Dust Son” Wayward On “Carry included 1970s the of The following year, he became host and producer of of producer and host became he year, following ’s The -TV BC A for producer executive the classics. This song legacy is proof did.he that is proof song legacy classics.This a Has Heart “My Me,” Love You How Love “I Believer,” Loco- “The That Day,” Fine “One Lost Girl,” “You’ve “Hey Feelin’,” Girl,” Lovin’ Little Away “Go Broadway,” 17,2011. on 76 ageat January professionals music-industry connecting enterprise online Crystal, among others. Kirshner was the unlikely MC, with with was MC, the unlikely among Kirshner others. Crystal, major talents, including the Eagles, , Stones, Rolling the Eagles, the including talents, major B series V T CBS cartoon group . “I want a band that won’t talk talk won’t that a band want “I Archies. the group cartoon at company. the with split Kirshner’s in side,resulting chafed band’s the took group Gems Screen prefab control, musical the Kirshner’s when But hits. Monkees and Believer” a “I’m to rights publishing the him give to million-selling “Sugar, Sugar” put Kirshner Records on the Records Kirshner put Sugar” “Sugar, million-selling ass aog tes Krhe-ulse Kna hits Kansas Kirshner-published others. among Kansas, Darren and Lisa Hartman, ’s , rocker rocker Dash, Sarah Labelle’s Hartman, Lisa and Darren n Rd twr. isnr lo hmind comedians, championed also Kirshner Stewart. Elton Rod and Jackson, Michael Bowie, David Zeppelin, Led “Bang-Shang-A-Lang,” “Jingle Jangle,” and the multi- multi- the and Jangle,” “Jingle “Bang-Shang-A-Lang,” Didi Stewart, soul balladeer Adam Wade, comeback- comeback- Wade, Adam balladeer soul Stewart, Didi “A Little Bit Me, A Little Bit You,” which also became became also which You,” Bit Little A Me, Bit Little “A The music Don Kirshner molded is eternal. “On “On eternal. is molded Kirshner Don music The Kirshner Records next signed singing actors James James actors singing signed next Records Kirshner By then, Kirshner was into the next and most most and next the into was Kirshner then, By In later years, Don Kirshner an was in active Kirshner Rockrena, Don In later years, Between the the Between Kirshner bounced back with the studio-only, TV- TV- studio-only, the with back bounced Kirshner Don K irsh n er’s Rock er’s n irsh K Don era h Top, the at Year A hidgj ullabaloo indig!jH Sh audy ght ve, iv L t h ig N Saturday During its 1973-81 run, the show show the run, 1973-81 its During which starred Shaffer. starred which was the major showcase major the was era and the rise of of rise the and era n Concert In which Kirshner Kirshner which series. Don