What Wondrous Love Is This
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February 1935
V o l . XVII F e b r u a r y , 1935 No. 2. TABLE OF CONTENTS Frontispiece: “Birdlets at Play" ............. John F. Cavanagh Our Chord of Music........................................Joseph E. Devenish, Jr. 5 Music (poem) .................................................Percy Bysshe Shelley 8 Chicken William J. Sullivan, Jr. 9 On Essaying ............................................................Eugene J. Sullivan 12 Pangs of Muteness .................................................................A . Smith 14 li "Submarine Terrace" ....................................... J. Ford McGowan 16 Winter s Dawn .........................................— ................Max Czech 18 Fog Night ............................................................ John H. Fanning 19 Editorial ....................................................................................... 21 How Tomes Have Changed!........................................................... 23 Campus Chronicle.......................................................................... 27 Bottoms U p! .................................................................................. 35 Press B ox......................................................................................... 36 The Providence College Alembic is published bi-monthly from November to May, by the students of Providence College, Providence, R. I. Entered as second-class matter at the Post Office, Providence, R. I., December 18, 1980, under Act of March 3, 1879. Subscription, $2.00 the year. "Acceptance for mailing -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
“The Greatest Gift Is the Realization That Life Does Not Consist Either In
“The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living. -
Thinking Outside Pandora's Box: Now That the Idea of God Has Been Declared Dead, Has All Hope Been Lost for Philosophy and Humankind? Mary Ann Fenicato
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2004 Thinking Outside Pandora's Box: Now That the Idea of God Has Been Declared Dead, Has All Hope Been Lost for Philosophy and Humankind? Mary Ann Fenicato Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Fenicato, M. (2004). Thinking Outside Pandora's Box: Now That the Idea of God Has Been Declared Dead, Has All Hope Been Lost for Philosophy and Humankind? (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/535 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. Now That the Idea of God Has Been Declared Dead, Has All Hope Been Lost for Philosophy and Humankind? A Dissertation Presented to the Faculty of the Philosophy Department McAnaulty College and Graduate School of Liberal Arts Duquesne University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by: MaryAnn Fenicato, Esq. November 29, 2004 Copyright: MaryAnn Fenicato, Esq. © 2004 ii PREFACE A. Introduction This dissertation is hereby dedicated to all my sources of inspiration heretofore, i.e., human, canine and divine, and hopefully, also to all those yet to come. 1. Human Mentors To my human mentors, I generally dedicate the following two songs. Special thanks, however, to a certain attorney named Michael, whose formidable legal valiance emulated St. Michael the Archangel, and who, on a personal level, was a truly gentle man who showed me how peaceful heaven will be. -
Brain-Based Worship: Re-Membering the Mind-Body Connection" (2014)
Digital Commons @ George Fox University Doctor of Ministry Seminary 5-1-2014 Brain-Based Worship: Re-membering the Mind- Body Connection Paula Champion-Jones George Fox University, [email protected] This research is a product of the Doctor of Ministry (DMin) program at George Fox University. Find out more about the program. Recommended Citation Champion-Jones, Paula, "Brain-Based Worship: Re-membering the Mind-Body Connection" (2014). Doctor of Ministry. Paper 72. http://digitalcommons.georgefox.edu/dmin/72 This Dissertation is brought to you for free and open access by the Seminary at Digital Commons @ George Fox University. It has been accepted for inclusion in Doctor of Ministry by an authorized administrator of Digital Commons @ George Fox University. GEORGE FOX UNIVERSITY BRAIN-BASED WORSHIP: RE-MEMBERING THE MIND-BODY CONNECTION A DISSERTATION SUBMITTED TO THE FACULTY OF GEORGE FOX EVANGELICAL SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF MINISTRY BY PAULA CHAMPION-JONES PORTLAND, OREGON MARCH 2014 ii George Fox Evangelical Seminary George Fox University Portland, Oregon CERTIFICATE OF APPROVAL ________________________________ DMin Dissertation ________________________________ This is to certify that the DMin Dissertation of Paula Champion-Jones has been approved by the Dissertation Committee on March 3, 2014 for the degree of Doctor of Ministry in Semiotics and Future Studies. Dissertation Committee: Primary Advisor: Laura Simmons, PhD Secondary Advisor: Celeste Snowber, PhD Lead Mentor: Leonard I. Sweet, PhD Expert -
Touch of Rapture Script 9
Touch of Rapture January 2013 Fengar Gael 135 West 70th St. (2C) New York, NY 10023 Phone: (646) 707-0903 [email protected] Representation: Bruce Ostler Bret Adams, Ltd. 448 West 44th Street New York, NY 10036 Phone: (212) 765-5630 [email protected] “I believe! I believe in you, divine mother, Sea-born Aphrodite! Oh! the path is bitter Since the other God harnessed us to his cross; Flesh, Marble, Flower, Venus, in you I believe! Yes, Man is sad and ugly, sad under the vast sky. He possesses clothes, because he is no longer chaste, Because he has defiled his proud, godlike head And because he has bent, like an idol in the furnace, His Olympian form towards base slaveries!” Arthur Rimbaud “Do not forget the hand of the artist in these days of computer art, video art, minimalism, mutliples and the rest. The touch of a great artist on paper, canvas, wood, or stone is a miracle of humanity which I hope will not be totally lost in the strange new world we are entering.” Eugene V. Shaw CHARACTERS QUINCE DILLINGHAM, a middle-aged London gallerist CLOVIS MINTON DILLINGHAM, Quince’s wife; a sculptress GINGER MINTON, Clovis’s younger sister; a barrister ROSEMARY MINTON, the cousin of Clovis and Ginger Note: Clovis and Rosemary should be played by the same actor. TIME the present PLACE A stylized set represents a parlor and bedroom on the estate of Fennfield in Hampstead Heath, and Shallots Gallery in the West End of London. Positioned around the stage are Grecian goddess statues composed of artfully draped fabrics. -
Read Razorcake Issue #48 As a PDF
RIP THIS PAGE OUT Razorcake LV D ERQD¿GH QRQSUR¿W PXVLF PDJD]LQH GHGLFDWHG WR If you wish to donate through the mail, PLEASE supporting independent music culture. All donations, subscriptions, please rip this page out and send it to: and orders directly from us—regardless of amount—have been large Razorcake/Gorsky Press, Inc. components to our continued survival. $WWQ1RQSUR¿W0DQDJHU PO Box 42129 Razorcake has been very fortunate. Why? By the mere fact that Los Angeles, CA 90042 we still exist today. By the fact that we have over one hundred regular contributors—in addition to volunteers coming in every week day—at a time when our print media brethren are getting knocked down and out. Name What you may not realize is that the fanciest part about Razorcake is the zine you’re holding in your hands. We put everything we have into Address it. We pay attention to the pragmatic details that support our ideology. Our entire operations are run out of a 500 square foot basement. We don’t outsource any labor we can do ourselves (we don’t own a printing press or run the postal service). We’re self-reliant and take great pains E-mail WRFRYHUDERRPLQJIRUPRIPXVLFWKDWÀRXULVKHVRXWVLGHRIWKHPXVLF Phone industry, that isn’t locked into a fair weather scene or subgenre. Company name if giving a corporate donation 6RKHUH¶VWRDQRWKHU\HDURIJULWWHGWHHWKKLJK¿YHVDQGVWDULQJDW disbelief at a brand new record spinning on a turntable, improving our Name if giving on behalf of someone quality of life with each spin. Donation amount If you would like to give Razorcake some -
Sonic Utopia and Social Dystopia in the Music of Hendrix, Reznor and Deadmau5
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2015 Sonic utopia and social dystopia in the music of Hendrix, Reznor and Deadmau5 https://hdl.handle.net/2144/15988 Boston University BOSTON UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES Dissertation Sonic Utopia and Social Dystopia in the Music of Hendrix, Reznor and Deadmau5 by EVAN FRANCIS BARROS B.A., Boston College, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 © Copyright by EVAN FRANCIS BARROS 2015 Approved by First Reader _________________________________________________________ Victor Coelho, Ph.D. Professor of Music Second Reader _________________________________________________________ Bruce Schulman, Ph.D. William E. Huntington Professor of History DEDICATION For my parents, Jack and Rose. !iv ACKNOWLEGMENTS Thank you to my wonderfully supportive dissertation committee: Victor Coelho, Bruce Schulman, Brita Heimarck, Jennifer Tebbe-Grossman, and Andrew Shenton. Special thanks to Dr. Coelho for serving as my advisor and guiding me through this journey with invaluable advice, perspective and inspiration. This project would not have been possible without the support of the American and New England Studies Program at Boston University, and the faculty members and staff who have helped along the way, especially Kim Sichel, Nina Silber, Marilyn Halter, Robert Chodat, Anita Patterson, Jessica Sewell, Paul Schmitz, and Tony Barrand. Thank you to my loving family: Manuel, Maria, Lilly, Gloriana, Devin, Maggie, Victor, Ester, Kenny, Stephanie, Anabela, Selina, Joaquim, Candida, Isabel, Ethan and Bradnee. -
The Scars That Have Shaped Me: How God Meets Us in Suffering
“Vaneetha writes with creativity, biblical faithfulness, com- pelling style, and an experiential authenticity that draws other sufferers in. Here you will find both a tested life and a love for the sovereignty of a good and gracious God.” —JOHN PIPER, author of Desiring God; founder and teacher, desiringGod.org “The Scars That Have Shaped Me will make you weep and rejoice not just because it brims with authenticity and integrity, but because every page points you to the rest that is found in entrusting your life to one who is in complete control and is righteous, powerful, wise, and good in every way.” —PAUL TRIPP, pastor, author, international conference speaker “I could not put this book down, except to wipe my tears. Reading Vaneetha’s testimony of God’s kindness to her in pain was exactly what I needed; no doubt, many others will feel the same. The Scars That Have Shaped Me has helped me process my own grief and loss, and given me renewed hope to care for those in my life who suffer in various ways. Reveling in the sovereign grace of God in your pain will bolster your faith like nothing this world can offer, and Vaneetha knows how to lead you to this living water.” —GLORIA FURMAN, author of Missional Motherhood and Alive in Him “When we are suffering significantly, it’s hard to receive truth from those who haven’t been there. But Vaneetha Risner’s credibility makes us willing to lean in and listen. Her writing is built on her experience of deep pain, and in the midst of that her rugged determination to hold on to Christ.” —NANCY GUTHRIE, author of Hearing Jesus Speak into Your Sorrow “I have often wondered how Vaneetha Risner endures suffering with such amazing joy, grace, and perseverance. -
Opening Pandora's Black Box
INTRODUCTION Opening Pandora's Black Box Scene 1: On a cold and sunny morning in October 1985, John Whittaker entered his office in the molecular biology building of the Institut Pasteur in Paris and switched on his EclipseMV/8000 computer. A few seconds after loading the special programs he had written, a three-dimensional picture of the DNA double helix flashed onto the screen. John, a visiting computer scientist, had been invited by the Institute to write programs that could produce three-dimensional images of the coils of DNA and relate them to the thousands of new nucleic acid sequences pouring out every year into the journals and data banks. 'Nice picture, eh?' said his boss, Pierre, who was just entering the office. 'Yes, good machine too,' answered John. Scene 2: In 1951 in the Cavendish laboratory at Cambridge, England, the X-ray pictures of crystallised deoxyribonucleic acid were not 'nice pictures' on a computer screen. The two young researchers, Jim Watson and Francis Crick1, had a hard time obtaining them from Maurice Wilkins and Rosalind Franklin in London. It was impossible yet to decide if the form of the acid was a triple or a double helix, if the phosphate bonds were at the inside or at the outside of the molecule, or indeed if it was an helix at all. It did not matter much to their boss, Sir Lawrence Bragg, since the two were not supposed to be working on DNA anyway, but it mattered a lot to them, especially since Linus Pauling, the famous chemist, was said to be about to uncover the structure of DNA in a few months. -
Inmedia, 4 | 2013, « Exploring War Memories in American Documentaries » [Online], Online Since 12 November 2013, Connection on 25 September 2020
InMedia The French Journal of Media Studies 4 | 2013 Exploring War Memories in American Documentaries Electronic version URL: http://journals.openedition.org/inmedia/657 DOI: 10.4000/inmedia.657 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 4 | 2013, « Exploring War Memories in American Documentaries » [Online], Online since 12 November 2013, connection on 25 September 2020. URL : http://journals.openedition.org/inmedia/ 657 ; DOI : https://doi.org/10.4000/inmedia.657 This text was automatically generated on 25 September 2020. © InMedia 1 TABLE OF CONTENTS Exploring War Memories in American Documentaries From Film Archives to Digital Filmmaking From Film Archives to Digital Filmmaking: Exploring War Memories in American Documentaries Georges Fournier and Delphine Letort Television’s “True Stories”: Paratexts and the Promotion of HBO’s Band of Brothers and The Pacific Debra Ramsay “How Could You Forget That?”: Representing Collective and Traumatic Memories in Winter Soldier Daniel Grinberg Control Room and the Staging of War Barry Mauer The War Tapes: Documenting the Iraq War with Digital Cameras Delphine Letort Documenting Virtual War Calvin Fagan Varia Crafting the Web New Media Craft in British and American Contemporary Art Charlotte Gould Bibliographical Essay Audio-Visual: Disembodied Voices in Theory Anaïs Le Fèvre-Berthelot Interview Broken Beyond Repair:Warren Spector on the History of Video Games Warren Spector and Carl Therrien InMedia, 4 | 2013 2 Critical Perspective Information and Communication Sciences as Critical Social Sciences Fabien Granjon Conference Reviews The Canadian Communication Tradition 4-7 June 2013, University of Victoria, British Columbia Christopher Ali Book Reviews Marta Boni, Adrienne Boutang, Barbara Laborde and Lucie Merijeau (eds), Théorème #17, Networking images. -
Vol 7, Issue 4
Volume 7 ~ Issue 4 Published without profit by dedicated volunteers who believe that exceptional works by the famous, not-yet-famous, and never-to-be-famous deserve to be published side by side in a beautiful and creative setting. $5.00 Table of Contents SAY WE HAVE FELT THIS Vernon Fowlkes, Jr. 1 HOW TO MURDER AN AUTHOR Jim Reed 2 WHY HESTER PRYNNE STILL LOVES Irene Latham 4 THE COLOR RED STILL LIFE WITH GOLF BALL Amasa Smith 5 SOMEWHAT DIFFICULT TO PUT INTO Anthony Seed 6 WORDS MORRIS AVENUE STREETLIGHTS Dan Deem 12 SHIRLEY Larry Smith 17 THE RESURRECTION AND THE LIFE Nick McRae 18 LIFE FORCE Cavenaugh Kelly 19 IMAGINARY LETTER FROM ZELDA TO Leah DiVincenzo 22 SCOTT FITZGERALD CIRCA 1936 TRAP OF FEATHERS Andrew Glaze 23 WATERFALL Ty Evans 24-25 POINT OF VIEW Murray Edwards 26 WHAT IT IS LIKE Harry Moore 29 UNUSED FOOTAGE N. A’Yara Stein 30 METAMORPHOSIS Heather Cadenhead 31 STILL, MY DAUGHTER WANTS TO FLY Kory Wells 32 WHAT COLOR IS CANCER? Maria Coble 34 MAERE TUNGOL Dick Sheffield 35 TRACKS Jack Criswell 37 BOAT MARINA Derek McCrea 44 Front Cover: HOLDING PEAR WITH ATTITUDE, Oil on Canvas, 12” x 12”. North Carolina artist Ebeth Scott-Sinclair interprets old world themes with a unique contemporary southern vision. Her work is characterized by a fresco-like surface texture and an interplay of warm, vibrant color that conjures a world of juxtaposition. She is represented in galleries throughout the southeast. www.ebethscottsinclair.com; [email protected] Back Cover: ANTICIPATION, Oil on Canvas, 15” x 15” Charles Chambers’ work focuses primarily on the human form.