Japanese Film Festival 日本映画祭 23-28 September 2013 @ the New Zealand Film Archive 84 Taranaki Street, Wellington Admission Mon 23Rd Sep

Total Page:16

File Type:pdf, Size:1020Kb

Japanese Film Festival 日本映画祭 23-28 September 2013 @ the New Zealand Film Archive 84 Taranaki Street, Wellington Admission Mon 23Rd Sep Japanese Film Festival 日本映画祭 23-28 September 2013 @ The New Zealand Film Archive 84 Taranaki Street, Wellington Admission Mon 23rd Sep. 6pm* ・Director: Izuru Narushima Free ! ・Casts: Mao Inoue, Eiko Koike. Rebirth (2011) A woman named Kiwako abducts a baby from a man whom she has had an aair with. For four years Kiwako raises the child as 八日目の蟬 her own until she is arrested. M. 147 min. ・Awards: 35th Japan Academy Award, 85th Kinema Junpo © 2011 REBIRTH Film Partners Best 10, 66th Mainichi Eiga Award, etc major 13 Award winner Tue 24th Sep. 6pm* ・Director: Sumio Omori ・Casts: Keisuke Koide, Kent Hayashi. Feel the Wind (2009) Two talented runners who have not fullled their potential meet 風が強く吹いている by chance and rekindle their enthusiasm for the sport. P.G. 133 min. ・Awards: World Premiere: Tokyo International Film Festival © 2009 Feel the Wind Film Partners 2009 Rookie Director’s Award, 31st Yokohama Film Festival Wed 25th Sep. 6pm* ・Director: Yoshimitsu Morita ・Casts: Masato Sakai, Yukie Nakama. Abacus and Sword (2010) The pen is mightier than the sword might be the motto of three generations of a family of bookkeepers at the centre of this 武士の家計簿 dramedy set in Japan from the 1830s to 1877. P.G.129 min. (First Screening in NZ ) ・Awards: Participated the 34th Montreal International Film © 2010 "Abacus And Sword" Film Partners Festival, 23rd Tokyo International Film Festival Thur 26th Sep. 6pm* ・Director: Daihachi Yoshida ・Casts: Miho Kanno, Mari Natsuki. Permanent Nobara (2010) Permanent Nobara is an utterly charming bittersweet romantic comedy based on a manga series of the same title by Rieko パ ー マネント野 ばら Saibara. M.100 min. ( First Screening in NZ ) ・Awards:Netpac Award, 14th Puchon International Fantastic ©2010"Permanent Nobara" Film Partners Film Festival Fri 27th Sep. 6pm* ・Director: Isao Yukisada ・Casts: Hiroko Yakushimaru, Etsushi Toyokawa. (2009) He is a gifted photographer who has fallen into a querulous relation- A Good Husband ship with his wife, she, who is desperate to have a child. Last year, she 今度は愛妻家 persuaded her husband to holiday in Okinawa over Christmas, but this M. 131 min. ( First Screening in NZ ) year he atly refuses to go. ・Awards:14th (2009) Pusan International Film Festival - Open Cinema ©2010 A GOOD HUSBAND Film Committee (World Premiere), 2011 (14th) Shanghai International Film Festival Sat 28th Sep. 5pm* & 7pm* ・Director: Goro Miyazaki ・Planning & screenplay by Hayao Miyazaki. From up on Poppy Hill (2011) Set in Yokohama in 1963, this lovingly hand-drawn lm centers on Umi and Shun and the budding romance that develops as they join forces to コクリコ坂 から save their high school’s ramshackle clubhouse from demolition. G. 91 min. ・Awards: Toronto International Film Festival 2011 Contemporary ©2011 Chizuru Takahashi – Tetsuro Sayama – GNDHDDT World Cinema, Winner Japan Academy prize for Animation 2012 *Complimentary tickets will be issued one hour before screening on a rst-come, rst -served basis. *All lms are played with English Subtitles Further Japan Information and Cultural Centre, Embassy of Japan Information Email: [email protected] Tel: (04)495-8344 www.nz.emb-japan.go.jp/ http://www.facebook.com/JICC.NZ.
Recommended publications
  • Kinotayo-2010
    PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ».
    [Show full text]
  • Reviewing Distinctive DVD Experiences: NEO Magazine and the Critical Reception of Asian Media Distributors
    . Volume 12, Issue 1 May 2015 Reviewing distinctive DVD experiences: NEO Magazine and the critical reception of Asian media distributors Jonathan Wroot, University of Worcester, UK Abstract: This article closely analyses the reviews for Asian films from the longest-running UK magazine that specialises in Asian media – NEO. The critical reception of Asian films has been investigated before, but what has not been realised is the significance of the DVD distributors in shaping these reviews. As a result of examining how influential the discs’ labels are on the review content, it becomes clear that the critics in NEO are assessing more than the film itself. The reviewers are evaluating the entire viewing experience that a home media format, such as DVD, can offer. This is important for Asian media as the NEO reviews illustrate how the discs are the primary means of accessing such films for UK audiences. The reviews also suggest that viewers are becoming aware, and have a substantial interest in, how distributors shape their viewing experience. Key words: Asian media, critical reception, distributors, DVD, Japanese films. DVDs are integral to how Asian media texts, such as Japanese films, are made available to UK consumers. Cinema releases and online outlets (via streaming or downloading) have not been consistently profitable practices for distributors that specialise in Asian films and media. Ever since the popularity of Japanese horror films from 2000 onwards, a steady stream of Asian cinema titles have made their way to the UK via DVD. The importance of this format has also been realised by other distributors of other media exports from Japan, such as anime (animation) and manga (comics).
    [Show full text]
  • JAPAN CUTS: Festival of New Japanese Film (August 20 - September 2, 2021)
    H-Japan JAPAN CUTS: Festival of New Japanese Film (August 20 - September 2, 2021) Discussion published by Joel Neville Anderson on Friday, August 13, 2021 Dear H-Japan subscribers, The programming team behind JAPAN CUTS: Festival of New Japanese Film is proud to share the full lineup for the hybrid 15th edition of the festival, slated for August 20 - September 2, 2021: https://www.japansociety.org/arts-and-culture/films/japan-cuts-festival-of-new-japanese-film Films will again be available to rent via video streaming (across the U.S., with some titles accessible worldwide), in addition to select in-person screenings at Japan Society in NYC following health and safety policies. Expanding the festival’s reach beyond New York, the lineup includes 27 features and 12 short films. The exclusive selection will be supplemented with recorded introductions from filmmakers and live video discussions via social media channels to maintain the festival’s sense of community and dedication to intercultural communication. The Centerpiece Presentation is WIFE OF A SPY (dir. Kiyoshi Kurosawa), awarding the 2021 CUT ABOVE Award for Outstanding Achievement in Film to Yu Aoi. Along with the Feature Slate, Classics, Documentary Focus, Experimental Spotlight, and Shorts Showcase, the second edition of the Next Generation section highlighting independently produced narrative feature films by emerging directors will be juried by film scholar Kyoko Hirano; Brian Hu, Artistic Director of Pacific Arts Movement; and Japanese film subtitler and translator Don Brown, awarding the Obayashi Prize. Please browse the entire dynamic lineup on the website, listed below by program section: FEATURE SLATE - Aristocrats (dir.
    [Show full text]
  • PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
    PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of
    [Show full text]
  • Wolf Children
    PRESENTS WOLF CHILDREN A MAMORU HOSODA FILM Running time: 117 minutes Certificate: TBC Opens at UK cinemas on 25th October Press Contacts Elle McAtamney – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm To the children, a movie like a delightful, fun fairy tale… To the youth, to make raising children, which they have yet to experience, seem full of surprises and wonder… And to the parents, to let them reminisce about their children’s growth… I am striving to make an invigorating movie that satisfies the principles of entertainment. Mamoru Hosoda Director, screenwriter, author of original story INTRODUCTION The long-awaited new film by Director Mamoru Hosoda! Yet another movie that enthralls people of all generations!! In “The Girl Who Leapt Through Time” (2006), he depicted the radiance of youth in flashing moments of life. In “SUMMER WARS” (2009), he told a story about a miracle, of how the bond between people saved Earth’s crisis, and the film swept awards domestic and abroad. Mamoru Hosoda has become the most noted animation director in the world. Why do his works appeal to people of all generations? His stories are not about the extraordinary, and they are not about superheroes. Set in towns that could really exist, the main characters are surrounded by ordinary people and are troubled by slightly unique circumstances, which they struggle to overcome. Based on well-thought-out scenarios, these real-to-life stories are made into dynamic animation. That’s why the main characters seem so familiar to us and draw our sympathy, and we get excited watching how they fare.
    [Show full text]
  • 2013 Toronto Japanese Film Festival
    2013 Toronto Japanese Film Festival: 2 Weeks 18 Films トロント日本語映画祭2013:2週間で18作品上映 Summer Events Preview 夏のイベント紹介 May 2013 2013年5月 Vol.39 Issue 5 1 2012-13 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Peter Wakayama VP, Legacy Art Ito 日 2 JCCC Annual Bazaar VP, Management Ann Ashley VP, Strategic Planning Donna Davis 2 May Movie Secretary Sharon Marubashi Treasurer Chris Reid 系 Directors Ken Fukushima 3 Nikkei Heritage Centre Inscriptions Chris Hope Shari Hosaki 文 Warren Kawaguchi 4-5 Upcoming events Lorene Nagata Christine Nakamura Yuki Nakamura 化 6-7 Heritage News Cary Rothbart Nao Seko 8-10 TJFF Movie Lineup Takato Yamashita 会 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 11-13 Community News Sid Ikeda Miki Kobayashi 館 Mickey Matsubayashi 17-20 日本語紙面 Steve Oikawa Fred Sasaki 役 Connie Sugiyama Foundation Chair Shari Hosaki JCCC Staff 員 James Heron Executive Director [email protected] 416-441-2345 ext.224 及 Kathy Tazumi Accounting/General Administration Manager [email protected] 416-441-2345 ext.229 び Calendar of Events Christine Takasaki Community Events/Volunteer Coordinator May [email protected] 416-441-2345 ext.221 ス Thu 2 Ken Fukushima Exhibit Opening Haruko Ishihara Community Rentals Sat 4 JCCC Bazaar [email protected] 416-441-2345 ext.228 タ Sat 18 Karaoke Club Christine Seki Corporate Rentals/Programming and Business Development Mon 20 JCCC closed – Victoria Day [email protected] 416-441-2345 ext.231 ッ Thu 23 Origami workshop Sally Kumagawa
    [Show full text]
  • Jff2020 Flyer -[Xandraft]
    SCHEDULE VENUE & TICKETS Free Admission WELLINGTON 23 - 25 OCT In Japanese with English Subtitles Fri 23 Oct 6:30pm Iwane: Sword of Serenity WELLINGTON Sat 24 Oct 12:00pm Almost a Miracle Roxy Cinema (5 Park Rd, Miramar, Wellington) 2:30pm Samurai Cat Booking required at roxycinema.co.nz *Online booking fee applies 5:00pm Pecoross’ Mother and Her Days Sun 25 Oct 12:00pm A Beautiful Star [General Enquiries] Embassy of Japan 2:30pm A Banana? At This Time of Night? Phone : 04 472 7807 Email: [email protected] www.nz.emb-japan.go.jp 2020 CHRISTCHURCH 1 - 4 NOV Sun 1 Nov 2:30pm The Wonderland CHRISTCHURCH 5:00pm Bento Harassment Christchurch Art Gallery (Montreal Street, Christchurch) christchurchartgallery.org.nz Wellington Mon 2 Nov 6:00pm The Takatsu River No booking required 23-25 OCT Christchurch Tue 3 Nov 6:00pm Mentai-piriri [General Enquiries] 1-4 NOV Wed 4 Nov 6:00pm Finding Calico Consular Office of Japan New Plymouth Phone : 03 366 5680 Email: [email protected] 21-22 NOV www.nz.emb-japan.go.jp/consular_office NEW PLYMOUTH 21 - 22 NOV Auckland 27-29 NOV Sat 21 Nov 12:30pm Iwane: Sword of Serenity NEW PLYMOUTH Dunedin 12-13 DEC 3:00pm Almost a Miracle Govett-Brewster Art Gallery (42 Queen St, New Plymouth) govettbrewster.com 5:30pm Samurai Cat No booking required Sun 22 Nov 10:00pm Pecoross’ Mother and Her Days [General Enquiries] 12:30pm A Beautiful Star Embassy of Japan Phone : 04 472 7807 Email: [email protected] 3:00pm A Banana? At This Time of Night? www.nz.emb-japan.go.jp AUCKLAND 27 - 29 NOV AUCKLAND Fri 27 Nov 6:00pm
    [Show full text]
  • Under the Open Sky
    Under the Open Sky (Original title: Subarashiki Sekai) Length: 126min. / Release in Japan: Feb 11, 2021 SYNOPSIS Mikami, an ex-yakuza of middle age with most of his life in prison, gets released after serving 13 years of sentence for murder. Hoping to find his long lost mother, from whom he was separated as a child, he applies for a TV show and meets a young TV director Tsunoda. Meanwhile, he struggles to get a proper job and fit into society. His impulsive, adamant nature and ingrained beliefs cause friction in his relationship with Tsunoda and those who want to help him. INTERVIEW with Director NISHIKAWA Miwa --How were you inspired by the novel that this film is based on? Mr. Ryuzo Saki’s novel, Mibuncho (tr. “Inmate Files”), is written like a documentary about an actual murderer’s life after his release from prison. I encountered this novel around 30 years after its publication and was surprised at how rigorous the adventure is for someone to go back to a “normal life” once they step off the path. The social system has changed in the past 30 years, but people’s thoughts and attitude toward ex-convicts have not to the same degree. Do we live in a society that gives us a second chance at life? I feel that everybody in Japan harbors an unspoken anxiety and suffocation by an unforgiving world. --You conducted exhaustive research and took four years to write the screenplay. It’s my first time making a film based on a story written by another author and also about a real person, which is a huge responsibility as the director.
    [Show full text]
  • 29Th Tokyo International Film Festival Unveils Full Lineup
    PRESS RELEASE September 26, 2016 c 29th Tokyo International Film Festival Unveils Full Lineup The Tokyo International Film Festival (TIFF) held a press conference to announce lineups in the all sections, jury members, and this year’s topics and highlights at Toranomon Hills Forum in Tokyo today. Yasushi SHIINA, Director General of TIFF & TIFFCOM, made opening remarks and announced that the festival muse for this year is Haru KUROKI, one of the most accomplished actresses in Japan. TIFF’s programing directors then took the stage to introduce the lineup for each section of the 29th edition, as well as to reiterate the prior announcements of the Opening film, Stephen Frears’ Florence Foster Jenkins and the Closing film, Yoshitaka From left: Daigo MATSUI, Yu AOI, Munetaka AOKI, MORI’s Satoshi: A Move for Tomorrow. and Mamoru HOSODA ©2016TIFF In the Competition section, 16 films were selected* from among 1,502 titles from 98 countries and regions. Representing the two Japanese titles in this main competitive section, director Daigo MATSUI and actress Yu AOI from Japanese Girls Never Die, and actor Munetaka AOKI from Snow Woman were welcomed on the stage and made remarks (see following page). *The full Competition section lineup is attached to this press release. Acclaimed director Mamoru HOSODA, who is being honored this year with “The World of Mamoru Hosoda” in the Animation Focus section, greeted the audience after the retrospective lineup was announced. He will appear for stage talks during TIFF with such special guests as director Hirokazu KORE-EDA and filmmaker Daisuke “Dice” TSUTSUMI. *The special guests for “The World of Mamoru Hosoda” are attached to this press release.
    [Show full text]
  • Zinemaldia Egitaraua 2015
    38 2015 9 12 larunbata GARA Zinemaldia V.O. subtítulos en inglés Est. español - Rep. Dominicana China 23.00 V. Eugenia Truman V.O. subtítulos en inglés V.O. subtítulos en español PROGRAMACIÓN Cesc Gay 09.30 V. Eugenia Moira 16.00 V. Eugenia Les Chevaliers Blancs / Est. español - Argentina Levan Tutberidze The White Knights SECCIÓN OFICIAL V.O. subtítulos en inglés Georgia Joachim Lafosse V.O. subt. español y elec. inglés Bélgica - Est. francés HORA SALA TÍTULO Y DIRECTOR Set. 21 12.00 Kursaal, 1 Moira V.O. subtítulos en español Levan Tutberidze 18.15 Antiguo B. 4 Xiang bei fang / Back to the 09.00 Kursaal, 1 Amama Georgia North / Regreso al Norte Set. 18 Asier Altuna V.O. subt. español y elec. inglés Liu Hao Euskal Herria 15.30 V. Eugenia Bakemono no ko / China 11.00 Kursaal, 1 Regression / Regresión Opta al Premio Irizar al Cine Vasco The Boy and the Beast V.O. subtítulos en español Alejandro Amenábar V.O. subt. español y elec. inglés Mamoru Hosoda 19.00 Kursaal, 1 Les démons / The Demons Est. español - Canadá 09.30 V. Eugenia Eva no duerme Japón Philippe Lesage Película fuera de concurso Pablo Agüero V.O. subtítulos en español Canadá V.O. subtítulos en español Argentina-Est.francés-Est.español 16.00 Antiguo B, 6 El Apóstata V.O. subt. español y elec. inglés 21.00 Kursaal, 1 Regression / Regresión V.O. subtítulos en inglés Federico Veiroj 19.00 Kursaal, 2 No estamos solos Alejandro Amenábar 12.00 Kursaal, 1 Eva no duerme Est. español-Uruguay-Est.
    [Show full text]
  • The Japanese Film Festival 2015 Booking Information
    APRIL 2015 WWW.JFF.IE WELCOME TO THE JAPANESE FILM FESTIVAL 2015 This year’s seventh edition of the Japanese Film BOOKING Festival marks the continuation of the very INFORMATION successful collaboration between the Embassy of Japan and access›cinema, with the support of the Ireland Japan Association and the Japan VENUE INFORMATION Foundation. Screenings will be held in Dublin, Cork, Limerick, Galway and Waterford, and we are CORK UCD Student Centre Cinema pleased to announce that this year's Japanese Film Gate Cinema Student Centre, Belfield Festival has been expanded to include Sligo and North Main Street, Cork. Campus, Dublin 4. Dundalk, giving audiences throughout Ireland the T: (021) 427 9595 T: (01) 716 3810 chance to see Japanese films. www.corkcinemas.com www.ucd.ie/studentcentre/ This year's programme of 18 films is as varied ucdcinema as ever: highlights include Uzumasa Limelight, Triskel Christchurch a moving portrait of an elderly actor of samurai Tobin Street, Cork. Dublin City University roles facing redundancy as he is eclipsed by T: (021) 427 2022 Henry Grattan Building, DCU younger actors, and the unconventional and www.triskelartscentre.ie Campus, Glasnevin, Dublin 9. brilliantly acted love story The Light Shines Only (no advance bookings, tickets There, Japan’s official submission to the 2015 DUNDALK available only on door) Academy Awards. Audiences can also look An Táin Arts Centre forward to Tokyo Tribe, a gangsta-rap musical set T: (042) 933 2332 SLIGO amidst the warring gangs of a stylised version of www.antain.ie Sligo Institute of Technology Tokyo, already tipped to be a future cult classic Room B1201 (no advance of Japanese cinema.
    [Show full text]
  • Japan Society and the Agency for Cultural Affairs Announce Inaugural ACA Cinema Project Online Film Series 21St CENTURY JAPAN: F
    FOR IMMEDIATE RELEASE Japan Society and the Agency for Cultural Affairs Announce Inaugural ACA Cinema Project Online Film Series 21st CENTURY JAPAN: FILMS FROM 2001-2020 February 5-25, 2021 A selection of 30 films celebrating the past 20 years of Japanese cinema streams online throughout the U.S. on Japan Society’s virtual cinema, including films by Hirokazu Kore-eda, Naomi Kawase and Takashi Miike Plus, online U.S. premieres of Sion Sono’s Red Post on Escher Street and Yukiko Mishima’s Shape of Red, a special focus on Kiyoshi Kurosawa and a selection of breakout films by up-and-coming filmmakers Red Post on Escher Street © 2021 “Red Post on Escher Street” Film Partners New York, NY (January 7, 2021) – Japan Society and the Agency for Cultural Affairs, Government of Japan (ACA), in collaboration with the Visual Industry Promotion Organization (VIPO), announce the inaugural ACA Cinema Project online film series 21st Century Japan: Films from 2001-2020, streaming nationwide on Japan Society’s Virtual Cinema from February 5-25, 2021. As Japan’s film industry enters its third decade in the new millennium, this 30-film online series takes a look back at the last 20 years of Japanese cinema to celebrate some of the most remarkable narrative fiction films and filmmakers that define the era. Covering a wide range of production styles and genres—from small budget independent debuts to festival favorites and award-winning major studio releases—this diverse slate of feature and short films offers a guided tour of modern Japanese cinema, including special spotlights dedicated to the work of Kiyoshi Kurosawa and a selection of breakout films by up-and-coming filmmakers.
    [Show full text]