Zinemaldia Egitaraua 2015
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Kore-Eda Event Notes
Family Life with Kore-eda Hirokazu Introduction their application in stories about ‘ordinary’ Japanese Kore-eda Hirokazu (born Tokyo, 1962) is currently the families coping with the move from tradition to leading Japanese director in the international film modernity in contemporary Japan that appears to be world. His last few films have seen his popularity rise Kore-eda’s inspiration. in Japan and his films have been increasingly welcomed at major film festivals. In 2018, his latest Kore-eda has also been linked to directors from film Shoplifters won the Palme d’Or, the top prize at Taiwan such as Hou Hsiao-hsien, Edward Yang and, Cannes Film Festival. Like some of his earlier films, it more controversially, Tsai Ming-liang. These directors opened at No 1 at the Japanese box office in June are part of the ‘Taiwanese New Cinema’ which first 2018 and made around $38 million worldwide. appeared in the 1980s, making a link between the 1950s Japanese masters and Kore-eda. Taiwanese Originally a documentarist working in television, Kore- film has maintained some links to Japanese film eda moved into fiction features with Maborosi in 1995 culture, even though the Japanese colonial and has since made a further 12 cinema features as occupation of Formosa/Taiwan ended in 1945. We’ll director and often writer and film editor as well. He look at a short extract from Hou Hsiao-hsien’s Café has also produced films. Although he has made forays Lumière (2003). Kore-eda has also cited Ken Loach as into several different genres, Kore-eda’s films often an influence. -
Reviewing Distinctive DVD Experiences: NEO Magazine and the Critical Reception of Asian Media Distributors
. Volume 12, Issue 1 May 2015 Reviewing distinctive DVD experiences: NEO Magazine and the critical reception of Asian media distributors Jonathan Wroot, University of Worcester, UK Abstract: This article closely analyses the reviews for Asian films from the longest-running UK magazine that specialises in Asian media – NEO. The critical reception of Asian films has been investigated before, but what has not been realised is the significance of the DVD distributors in shaping these reviews. As a result of examining how influential the discs’ labels are on the review content, it becomes clear that the critics in NEO are assessing more than the film itself. The reviewers are evaluating the entire viewing experience that a home media format, such as DVD, can offer. This is important for Asian media as the NEO reviews illustrate how the discs are the primary means of accessing such films for UK audiences. The reviews also suggest that viewers are becoming aware, and have a substantial interest in, how distributors shape their viewing experience. Key words: Asian media, critical reception, distributors, DVD, Japanese films. DVDs are integral to how Asian media texts, such as Japanese films, are made available to UK consumers. Cinema releases and online outlets (via streaming or downloading) have not been consistently profitable practices for distributors that specialise in Asian films and media. Ever since the popularity of Japanese horror films from 2000 onwards, a steady stream of Asian cinema titles have made their way to the UK via DVD. The importance of this format has also been realised by other distributors of other media exports from Japan, such as anime (animation) and manga (comics). -
Un Affare Di Famiglia Di Kore-Eda Hirokazu
Un affare di famiglia di Kore-eda Hirokazu uscita: 13 settembre 2018 durata: 121 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com UN AFFARE DI FAMIGLIA CAST ARTISTICO Shibata Osamu Lily Franky Shibata Nobuyo ANDO Sakura Shibata Aki MATSUOKA Mayu Shibata Hatsue KIKI Kilin Shibata Shota JYO Kairi Hojo Juri SASAKI Miyu CAST TECNICO Regia / Sceneggiatura / Montaggio KORE-EDA Hirokazu Musica Originale HOSONO Haruomi (Victor Entertainment) Direttore della Fotografia KONDO Ryuto Luci FUJII Isamu Suono TOMITA Kazuhiko Scenografia MITSUMATSU Keiko Aoi Pro. Inc. Produzione Aoi Pro. Inc. Produttori Esecutivi ISHIHARA Takashi Tom YODA NAKAE Yasuhito Produttori Associati OSAWA Megumi ODAKE Satomi Produttori MATSUZAKI Kaoru YOSE Akihiko TAGUCHI Hijiri 2 UN AFFARE DI FAMIGLIA Sinossi Dopo uno dei loro furti, Osamu e suo figlio si imbattono in una ragazzina in mezzo ad un freddo glaciale. Dapprima riluttante ad accoglierla, la moglie di Osamu acconsente ad occuparsi di lei dopo aver appreso le difficoltà che la aspettano. Benché la famiglia sia così povera da riuscire a malapena a sopravvivere commettendo piccoli reati, sembrano vivere felici insieme finché un incidente imprevisto porta alla luce segreti nascosti che mettono alla prova i legami che li uniscono... 3 UN AFFARE DI FAMIGLIA Intervista a Kore-eda Hirokazu Ha deciso di realizzare questo film dopo aver appreso di casi di famiglie che continuano a percepire illegalmente le pensioni dei genitori deceduti da anni. Il suo intento era quello di rappresentare una famiglia da un punto di vista diverso rispetto ai suoi precedenti film? La prima cosa che mi è venuta in mente è stata la frase: “Solo i crimini ci tenevano uniti”. -
JAPAN CUTS: Festival of New Japanese Film (August 20 - September 2, 2021)
H-Japan JAPAN CUTS: Festival of New Japanese Film (August 20 - September 2, 2021) Discussion published by Joel Neville Anderson on Friday, August 13, 2021 Dear H-Japan subscribers, The programming team behind JAPAN CUTS: Festival of New Japanese Film is proud to share the full lineup for the hybrid 15th edition of the festival, slated for August 20 - September 2, 2021: https://www.japansociety.org/arts-and-culture/films/japan-cuts-festival-of-new-japanese-film Films will again be available to rent via video streaming (across the U.S., with some titles accessible worldwide), in addition to select in-person screenings at Japan Society in NYC following health and safety policies. Expanding the festival’s reach beyond New York, the lineup includes 27 features and 12 short films. The exclusive selection will be supplemented with recorded introductions from filmmakers and live video discussions via social media channels to maintain the festival’s sense of community and dedication to intercultural communication. The Centerpiece Presentation is WIFE OF A SPY (dir. Kiyoshi Kurosawa), awarding the 2021 CUT ABOVE Award for Outstanding Achievement in Film to Yu Aoi. Along with the Feature Slate, Classics, Documentary Focus, Experimental Spotlight, and Shorts Showcase, the second edition of the Next Generation section highlighting independently produced narrative feature films by emerging directors will be juried by film scholar Kyoko Hirano; Brian Hu, Artistic Director of Pacific Arts Movement; and Japanese film subtitler and translator Don Brown, awarding the Obayashi Prize. Please browse the entire dynamic lineup on the website, listed below by program section: FEATURE SLATE - Aristocrats (dir. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Nicolas Philibert
PRESENTACIÓN Michoacán, un estado rico en arte, naturale El gobierno del estado de Michoacán suma za, tradiciones e historia, ofrece al mundo sus esfuerzos cada año para la realización de este cuatro Pueblos Mágicos: Pátzcuaro, Cuitzeo, festival, que hoy por hoy es un escaparate in Tlalpujahua y Santa Clara del Cobre. El ini discutible para exhibir el trabajo creativo y gualable espectáculo natural de la Mariposa la sensibilidad de hombres y mujeres que a Monarca, la eterna viajera; la mística cele través de imágenes y sonidos nos presentan bración de la Noche de Muertos; la fuerza de sus historias. la hermosa costa michoacana, con sus más de 200 kilómetros de litoral, y su majestuosa El gobierno que presido ha puesto especial capital: Morelia, ciudad Patrimonio Cultural interés para que, en cada lugar de nuestro es de la Humanidad, sede orgullosa del Festival tado, la cultura y las tradiciones se conserven Internacional de Cine de Morelia en su octava y sean accesibles para todos, tanto michoaca edición. nos como visitantes. Nuestro estado se enorgullece al recibir a to El compromiso de impulsar las expresiones dos los participantes e invitados a un evento artísticas a través del fortalecimiento de las que ya se ha convertido en tradición: en este políticas públicas se cumple cabalmente. Esto 2010, año del Bicentenario de la Independen nos permite consolidarnos como el destino cia y Centenario de la Revolución Mexicana, cultural de México por excelencia. el FICM cumple ocho años ininterrumpidos de ofrecer arte y creatividad a través de la magia Michoacán Trabaja para apoyar el arte en del cine. -
SHOPLIFTERS a FILM by KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION Et AOI PRO INC
SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION et AOI PRO INC. present LILY FRANKY • ANDO SAKURA • MATSUOKA MAYU • KIKI KILIN SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU 121 MIN. – JAPAN – 2018 – 1.85 – 5.1 INTERNATIONAL PRESS Manlin STERNER Cell : +33 6 63 76 31 13 [email protected] JAPANESE PRESS Naeko YODA Cell: +81 50 3537 6138 (main) – +81 70 3330 2912 (sub) [email protected] Chieko NEMOTO Cell: +81 50 3537 6268 (main) – +81 70 3330 2920 (sub) [email protected] Kenji SASAKI Cell: +81 50 3537 6503 (main) – +81 70 3330 2927 (sub) [email protected] Presskit and stills downloadable from www.wildbunch.biz SYNOPSIS After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them… INTERVIEW WITH KORE-EDA HIROKAZU Director You decided to make this film after learning about incidents of families illegally receiving the pensions of parents who had already died years ago. Was your inten- tion to depict a family from a different angle compared to your previous films? The first thing that came to my mind was the tagline: “Only the crimes tied us together”. In Japan, crimes like pension frauds and parents making their children The later scenes showing the family being split up are heartbreaking. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Wolf Children
PRESENTS WOLF CHILDREN A MAMORU HOSODA FILM Running time: 117 minutes Certificate: TBC Opens at UK cinemas on 25th October Press Contacts Elle McAtamney – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm To the children, a movie like a delightful, fun fairy tale… To the youth, to make raising children, which they have yet to experience, seem full of surprises and wonder… And to the parents, to let them reminisce about their children’s growth… I am striving to make an invigorating movie that satisfies the principles of entertainment. Mamoru Hosoda Director, screenwriter, author of original story INTRODUCTION The long-awaited new film by Director Mamoru Hosoda! Yet another movie that enthralls people of all generations!! In “The Girl Who Leapt Through Time” (2006), he depicted the radiance of youth in flashing moments of life. In “SUMMER WARS” (2009), he told a story about a miracle, of how the bond between people saved Earth’s crisis, and the film swept awards domestic and abroad. Mamoru Hosoda has become the most noted animation director in the world. Why do his works appeal to people of all generations? His stories are not about the extraordinary, and they are not about superheroes. Set in towns that could really exist, the main characters are surrounded by ordinary people and are troubled by slightly unique circumstances, which they struggle to overcome. Based on well-thought-out scenarios, these real-to-life stories are made into dynamic animation. That’s why the main characters seem so familiar to us and draw our sympathy, and we get excited watching how they fare. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
Der Filmkomponist Max Steiner (1888-1971)
exil.arte-Schriften Band 2 Für exil.arte herausgegeben von Gerold Gruber Peter Wegele Der Filmkomponist Max Steiner (1888–1971) 2012 BÖHLAU VERLAG WIEN KÖLN WEIMAR Gedruckt mit Unterstützung durch den Fonds zur Förderung der wissenschaftlichen Forschung Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Coverabbildung: RKO-Studioporträt von Max Steiner, 1933 © Max Steiner Collection, Perry Special Collections, Brigham Young University © 2012 by Böhlau Verlag Ges.m.b.H & Co. KG, Wien Köln Weimar Wiesingerstraße 1, A-1010 Wien, www.boehlau-verlag.com Alle Rechte vorbehalten. Dieses Werk ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist unzulässig. Umschlaggestaltung: Michael Haderer, Wien Satz: Bettina Waringer Druck und Bindung: General Nyomda Kft. Gedruckt auf chlor- und säurefreiem Papier Printed in Hungaria ISBN 978-3-205-78801-0 Inhalt Vorwort . 9 1. Einführung . 11 1.1. Vom Stummfilm zum Tonfilm . 12 1.2. Filmmusiktechnik. 19 1.2.1. Erste Annäherung an den Film . 19 1.2.2. Cues und Click . 23 1.2.3. Der Orchestrator . 29 1.2.4. Instrumentierung . 34 1.2.5. Melodik . 41 1.2.5.1. Zitate. 41 1.2.5.2. Leitmotive. 46 1.2.6. Harmonik . 56 1.2.6.1. Die „unendliche Harmonie“ bei Richard Wagner . 56 1.2.6.2. Underscoring. 57 1.2.7. Mickey Mousing . 61 1.2.8. Dialog und Musik . 63 1.3. Filmmusik und das Musiktheater . 65 2. Das Leben von Max Steiner . 69 2.1. -
2013 Toronto Japanese Film Festival
2013 Toronto Japanese Film Festival: 2 Weeks 18 Films トロント日本語映画祭２０１３：２週間で１８作品上映 Summer Events Preview 夏のイベント紹介 May 2013 2013年5月 Vol.39 Issue 5 1 2012-13 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Peter Wakayama VP, Legacy Art Ito 日 2 JCCC Annual Bazaar VP, Management Ann Ashley VP, Strategic Planning Donna Davis 2 May Movie Secretary Sharon Marubashi Treasurer Chris Reid 系 Directors Ken Fukushima 3 Nikkei Heritage Centre Inscriptions Chris Hope Shari Hosaki 文 Warren Kawaguchi 4-5 Upcoming events Lorene Nagata Christine Nakamura Yuki Nakamura 化 6-7 Heritage News Cary Rothbart Nao Seko 8-10 TJFF Movie Lineup Takato Yamashita 会 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 11-13 Community News Sid Ikeda Miki Kobayashi 館 Mickey Matsubayashi 17-20 日本語紙面 Steve Oikawa Fred Sasaki 役 Connie Sugiyama Foundation Chair Shari Hosaki JCCC Staff 員 James Heron Executive Director [email protected] 416-441-2345 ext.224 及 Kathy Tazumi Accounting/General Administration Manager [email protected] 416-441-2345 ext.229 び Calendar of Events Christine Takasaki Community Events/Volunteer Coordinator May [email protected] 416-441-2345 ext.221 ス Thu 2 Ken Fukushima Exhibit Opening Haruko Ishihara Community Rentals Sat 4 JCCC Bazaar [email protected] 416-441-2345 ext.228 タ Sat 18 Karaoke Club Christine Seki Corporate Rentals/Programming and Business Development Mon 20 JCCC closed – Victoria Day [email protected] 416-441-2345 ext.231 ッ Thu 23 Origami workshop Sally Kumagawa