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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
50Er – 60Er-Jahre Titel Interpret
50er – 60er-Jahre Titel Interpret A Day In The Life Beatles A Hard Days Night Beatles A Whiter Shade Of Pale Procol harum Ain´t That a Shame Fats Domino All Day And All Of The Night Kinks All I Have To Do Everly Brothers All My Loving Beatles And I Love Her Beatles As Tears Go by Rollings Stones Baby You´re A Rich Man Beatles Back In The U.S.S.R Beatles Bad Moon Rising Credence Clearwater Revival Balla Balla Rainbows Because Beatles Beeboopaloola Tony Sheridan Black Magic Woman Santana Blackbird Beatles Blue Berry Hill Fats Domino Blue Suede Shoes Elvis Presley Bonnie And Clyde Georgie Fame Born To Be Wild Steppenwolf Bus Stop Hollies Bye, Bye Love Everly Brothers California Dreamin Mamas & Papas Can´t Buy Me Love Beatles Can´t Help Falling In Love Elvis Presley Carol Chuck Berry Chains Beatles Come Together Beatles Congratulations Cliff Richard Cry Baby Cry Beatles Day Tripper Beatles Days Kinks Dear Prudence Beatles Death Of A Clown Kinks Dedicated Follerwer Of fashion Kinks Delilah Tom Jones Diana Paul Anka Do Wah Diddy Diddy Manfred Mann Do You Want To Know A Secret Beatles Dock Of The bay Otis Redding Don´t let Me Be Misunderstood Animals Dream A Little Dream Mamas & Papas Drive My car Beatles Eight days A Week Beatles Eleanor Rigby Beatles Every Night Paul Mc Cartney Everybody Loves Somebody Dean Martin Everybody´s Trying To Be My Baby Beatles Everybodys talkin´At me Harry Nielson Evil Ways Santana Ferry Cross The Mersey Gerry & Pacemakers For Your Love Yardbirds From Me To You Beatles Get Back Beatles Getting Better Beatles Gimme -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
The Rutles: All You Need Is Cash
SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor. -
Yesterday (Beatles Song)
Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words. -
Ringo Starr Actuarà Per Primera Vegada En Solitari a Barcelona Aquest Dimarts El Bateria De the Beatles Ho Farà En El Marc Del Guitar BCN 2018
Cultura i Mitjans | Jordi Novell | Actualitzat el 25/06/2018 a les 12:12 Ringo Starr actuarà per primera vegada en solitari a Barcelona aquest dimarts El bateria de The Beatles ho farà en el marc del Guitar BCN 2018 Ringo Starr | Arxiu Ringo Starr El Liverpool de postguerra no devia ser el millor dels mons per a un nen malaltís com Richard 'Ritchie' Starkey. Malalt d'apendicitis i peritonitis, i fins i tot en coma durant dies, als tretze anys Starkey emmalaltia de tuberculosi. Ingressat durant prop d'un any en un hospital, per esperonar la seva capacitat motriu els metges li van improvisar un mall fet amb una bobina de cotó per colpejar els armaris del costat del seu llit. I d'aquí, a la banda de l'hospital? Amb una mica d'ajuda dels amics Possiblement una de les grans habilitats de Richard Starkey és ser al lloc adequat en el moment precís. Només així es pot entendre com una banda de skiffle de Liverpool que malviu a Hamburg tocant rock acceleradíssim en tuguris de mala mort amb un èxit notable decideix substituir el seu bateria titular. John Lennon, Paul McCartney i George Harrison prescideixen del monolític estil de Pete Best -un del centenar de persones denominades 'el cinquè beatle'- per sondejar el bateria de Rory Storm and the Hurricanes. Richard Starkey ja era conegut com Ringo Starr - pels enormes anells que lluïa als dits-, i havia de sentir els crits de "Pete forever! Ringo never!" i algun cop de puny que va forçar que Brian Epstein -denominat el cinqu? au va!- hagués de llogar un guardaespatlles. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
Infomail Nr. 776: Erscheint Bald: RINGO STARR CD+Audio-DVD Und DVD Mit Lennon, Mccartney, Starr Donnerstag, 7
InfoMail Nr. 776: erscheint bald: RINGO STARR CD+Audio-DVD und DVD mit Lennon, McCartney, Starr Donnerstag, 7. Februar 2008 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES-Fan, die beiden M.B.M.s Dirk Bock und Robert Weinkauf informierten uns, dass es zwei interessante Neuerscheinungen gibt. Wir haben recherchiert, die Abbildungen herausgesucht und die Meldungen aufbereitet: Dienstag, 4. März 2008: RINGO STARR CD & AUDIO-DVD RINGO 5.1 THE SURROUND SOUND COLLECTION. USA. CD: RINGO STARR: Track 1: Fading In And Fading Out. Track 2: Never Without You. Track 3: Choose Love. Track 4: Imagine Me There. RINGO STARR & BILLY PRESTON: Track 5: Oh My Lord. RINGO STARR: Track 6: Memphis In Your Mind. Track 7: Give Me Back The Beat. Track 8: Love First Ask Questions Later. RINGO STARR & CHRISSIE HYNDE: Track 9: Don’t Hang Up. RINGO STARR: Track 10: Eye To Eye. Track 11: Some People. Track 12: Elizabeth Reigns. Audio-DVD: RINGO STARR: Track 1: Fading In And Fading Out. Track 2: Never Without You. Track 3: Choose Love. Track 4: Imagine Me There. RINGO STARR & BILLY PRESTON: Track 5: Oh My Lord. RINGO STARR: Track 6: Memphis In Your Mind. Track 7: Give Me Back The Beat. Track 8: Love First Ask Questions Later. RINGO STARR & CHRISSIE HYNDE: Track 9: Don’t Hang Up. RINGO STARR: Track 10: Eye To Eye. Track 11: Some People. Track 12: Elizabeth Reigns. Bonus: Track 13: I Really Love Her. Vom Album RINGO RAMA (2003): Never Without You; Imagine Me There; Memphis In Your Mind; Love First Ask Questions Later; Eye To Eye; Elizabeth Reigns. -
LSUG July 29Th 2012
Next Sunday Special Guest Monkee Micky Dolenz! PLAYLIST JULY 29th, 2012 HOUR 1 George Harrison – Bangla Desh George wrote the song in “ten minutes,” for his friend, Ravi Shankar’s war-torn homeland. While in LA working on the soundtrack for the Raga film, Ravi informed George of the atrocities occurring in his native India. Leon Russell, who played keyboards on the session, contributed the idea for the “story” introduction to the song. The song included George, Eric Clapton, Ringo, Bobby Keys, Billy Preston and Leon Russell. Although the lineup is disputed by Jim Horn, who recalls that himself, George, Leon Russell, Klaus Voorman and Jim Keltner were present. voice break The Beatles - I Should Have Known Better - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Following their triumphant visit to America The Beatles were thrust back to work. On February 25, 1964 they dove into new songs slated for their film. On this day they recorded “You Can’t Do That” and began work on Paul’s “And I Love Her” and John’s “I Should Have Known Better.” In the film “I Should Have Known Better” was performed in the train compartment scene, which in reality was the interior of a van with crew members rocking the van to fake the train in motion. Used as the flip side of the U.S. “A Hard Day’s Night” single. Paul’s “Things We Said Today” was the UK b-side. Recorded Feb. 25-26, 1964. On U.S. album: A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970) The Beatles - I’m Happy Just To Dance With You - A Hard Day’s Night (Lennon-McCartney) Lead vocal: George Written by John and Paul specifically to give George a song in the movie “A Hard Day’s Night.” Completed in four takes on March 1, 1964, with filming slated to begin the next day. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964