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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
A Review of the Current State of Research on the Water, Energy, and Food Nexus
A Review of the Current State of Research on the Water, Energy, and Food Nexus by Aiko Endo, Izumi Tsurita, Kimberly Burnett, And Pedcris M. Orencio Working Paper No. 2016-7 May 23, 2016 UNIVERSITY OF HAWAI‘I AT MANOA 2424 MAILE WAY, ROOM 540 • HONOLULU, HAWAI‘I 96822 WWW.UHERO.HAWAII.EDU WORKING PAPERS ARE PRELIMINARY MATERIALS CIRCULATED TO STIMULATE DISCUSSION AND CRITICAL COMMENT. THE VIEWS EXPRESSED ARE THOSE OF THE INDIVIDUAL AUTHORS. A Review of the Current State of Research on the Water, Energy, and Food Nexus Aiko Endo 1*, Izumi Tsurita2, Kimberly Burnett3, Pedcris M. Orencio4 1Research Department, Research Institute for Humanity and Nature, 457-4 Kamigamo-motoyama, Kita-ku, Kyoto 603-8047, Japan 2Department of Cultural Anthropology, Graduate School of Arts and Sciences, The University of Tokyo, 3-8-1 Komaba, Meguro-ku, Tokyo, 153-8902, Japan 3 University of Hawaii Economic Research Organization, University of Hawaii at Manoa, 2424 Maile Way Saunders Hall 540 Honolulu, Hawaii, 96822, U.S.A. 4 Catholic Relief Service Philippines (Manila Office) Urban Disaster Risk Reduction Department, CBCP Building 470 Gen Luna Street, Intramuros, 1002 Manila, Philippines *Author to whom correspondence may be addressed. Tel: +81-75-707-2477; Fax: +81-75-707-2509. [email protected] Abstract: 1. Study region Asia, Europe, Oceania, North America, South America, Middle East and Africa. 2. Study focus The purpose of this paper is to review and analyze the water, energy, and food nexus and regions of study, nexus keywords and stakeholders in order to understand the current state of nexus research. -
EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different. -
Columbia University Task Force on Climate: Report
COLUMBIA UNIVERSITY TASK FORCE ON CLIMATE: REPORT Delivered to President Bollinger December 1, 2019 UNIVERSITY TASK FORCE ON CLIMATE FALL 2019 Contents Preface—University Task Force Process of Engagement ....................................................................................................................... 3 Executive Summary: Principles of a Climate School .............................................................................................................................. 4 Introduction: The Climate Challenge ..................................................................................................................................................... 6 The Columbia University Response ....................................................................................................................................................... 7 Columbia’s Strengths ........................................................................................................................................................................ 7 Columbia’s Limitations ...................................................................................................................................................................... 8 Why a School? ................................................................................................................................................................................... 9 A Columbia Climate School ................................................................................................................................................................. -
Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
Introduction 1 Mimesis and Film Languages
Notes Introduction 1. The English translation is that provided in the subtitles to the UK Region 2 DVD release of the film. 2. The rewarding of Christoph Waltz for his polyglot performance as Hans Landa at the 2010 Academy Awards recalls other Oscar- winning multilin- gual performances such as those by Robert de Niro in The Godfather Part II (Coppola, 1974) and Meryl Streep in Sophie’s Choice (Pakula, 1982). 3. T h is u nder st a nd i ng of f i l m go es bac k to t he era of si lent f i l m, to D.W. Gr i f f it h’s famous affirmation of film as the universal language. For a useful account of the semiotic understanding of film as language, see Monaco (2000: 152–227). 4. I speak here of film and not of television for the sake of convenience only. This is not to undervalue the relevance of these questions to television, and indeed vice versa. The large volume of studies in existence on the audiovisual translation of television texts attests to the applicability of these issues to television too. From a mimetic standpoint, television addresses many of the same issues of language representation. Although the bulk of the exempli- fication in this study will be drawn from the cinema, reference will also be made where applicable to television usage. 1 Mimesis and Film Languages 1. There are, of course, examples of ‘intralingual’ translation where films are post-synchronised with more easily comprehensible accents (e.g. Mad Max for the American market). -
Download on to Your Computer Or Device
Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival. -
Student Life the Arts
Student Life The Arts University Art Collection the steps of Low Memorial Library; Three- “Classical Music Suite,” the “Essential Key- Way Piece: Points by Henry Moore, on board Series,” and the “Sonic Boom Festival.” Columbia maintains a large collection of Revson Plaza, near the Law School; Artists appearing at Miller Theatre have art, much of which is on view throughout Bellerophon Taming Pegasus by Jacques included the Juilliard, Guarneri, Shanghai, the campus in libraries, lounges, offices, Lipchitz, on the facade of the Law School; a Emerson, Australian, and St. Petersburg and outdoors. The collection includes a cast of Auguste Rodin’s Thinker, on the String Quartets; pianists Russell Sherman, variety of works, such as paintings, sculp- lawn of Philosophy Hall; The Great God Peter Serkin, Ursula Oppens, and Charles tures, prints, drawings, photographs, and Pan by George Grey Barnard, on the lawn Rosen; as well as musical artists Joel Krosnick decorative arts. The objects range in date of Lewisohn Hall; Thomas Jefferson, in front and Gilbert Kalish, Dawn Upshaw, Benita from the ancient Near Eastern cylinder seals of the Journalism Building, and Alexander Valente, Speculum Musicae, the Da Capo of the second millennium B.C.E. to con- Hamilton, in front of Hamilton Hall, both Chamber Players, Continuum, and the temporary prints and photographs. by William Ordway Partridge; and Clement New York New Music Ensemble. Also in the collection are numerous por- Meadmore’s Curl, in front of Uris Hall. The “Jazz! in Miller Theatre” series has help- traits of former faculty and other members ed to preserve one of America’s most important of the University community. -
2019 UCOWR/NIWR Annual Water Resources Conference
2019 UCOWR/NIWR Annual Water Resources Conference June 11-13, 2019 Snowbird, Utah Special Events TUESDAY WEDNESDAY UCOWR Delegate Business Luncheon Breakfast Roundtable Discussions Happy Hour Hike 11:30 am - 12:45 pm 7:30 am - 8:30 am 5:30 pm - 6:15 pm (see pg. 6) (see pg. 13) (see pg. 28) CUAHSI Water Data Services Workshop Awards Luncheon Happy Hour/Social 1:00 pm - 3:50 pm 12:00 pm - 1:50 pm Networking (see pg. 11) (see pg. 29) 6:00 pm (see pg. 28) Welcome Reception & Poster Session JCWRE Editors & Associate 5:30 pm - 7:00 pm Editors Meeting (see pg. 11) 3:40 pm - 4:30 pm THURSDAY Field Trip: Provo River Restoration Project 12:45 pm - 5:00 pm (see pg. 27) Must be pre-registered. Conference Sponsors Exhibitors @ucowr #ucowr facebook.com/ucowr Welcome from Conference Chair, UCOWR President, and NIWR President Dear Colleagues, David Stevens Conference Chair Welcome to Snowbird, Utah! We are excited for you to participate in the Annual Water Resources Conference of the Universities Council on Water Resources and the National Institutes for Water Resources. During your time here, we hope you engage with colleagues and share ideas while enjoying the beautiful surroundings. We have an exciting and informative program planned. Each day opens with a plenary session. Tuesday’s plenary session includes two prominent speakers: Jack Schmidt from Utah State University who will discuss planning for the future of the Colorado River, and Robert Davies from Utah State University who will focus on finding solutions that synergistically address the environmental and social challenges we face in planning our water future. -
Food-Energy-Water Nexus
WELCOME CONTENTS This year is our biggest and most ambitious Map 6 conference to date, with three full days containing: AGENDA Tuesday, January 19 7 60+ sessions; Wednesday, January 20 8 400+ speakers; Thursday, January 21 10 70+ posters; 2 receptions; BIOGRAPHIES An exhibition; Keynote Speakers 11 Book signings and more… John H. Chafee Memorial Lecture 13 Environmental science has been Lifetime Achievement Awardees 14 developing a systems-based approach for Plenary Speakers 15 many years. Advances in sensors, data management, computing, and modeling are Sessions now allowing the integration of food, Symposia A 19 energy, and water systems in a manner not Symposia B 26 possible previously. An emerging Symposia C 33 ‘community of practice’ is developing and World Cafés Round 1 46 connecting new scientific insights and engineering solutions with decision- World Cafés Round 2 67 making and public policy. Day 2 Workshops 86 Symposia D 89 They will develop holistic solutions to Day 3 Afternoon Sessions 102 complex challenges that stem from the question: how do we provide food, energy, EXHIBITION AND POSTERS and water for 9, 10, or 11 billion people in a Exhibitors 114 manner that is environmentally sustainable Poster Titles and Authors 115 at different scales of space and time? Conferences are about people. The strength Staff and Volunteers 122 of this conference lies in the diversity of NCSE Board of Directors 123 participants and perspectives present. Special Issue of JESS 124 Embrace the diversity and be challenged by it. Leave with new ideas, new collaborators, AFFILIATES new inspiration and motivation, and maybe Community College Affiliates 125 even new funding leads. -
Internationale Filmfestspiele Berlin
Pressemitteilung Berlinale 2014: International Jury With James Schamus serving as Jury President, the International Jury will decide who will receive the Golden Bear and Silver Bears of the 2014 Berlinale Competition. The other members of the International Jury will be Barbara Broccoli, Trine Dyrholm, Mitra Faharani, Greta Gerwig, Michel Gondry, Tony Leung and Christoph Waltz. James Schamus, Jury President, USA In his capacity as a producer, James Schamus has been responsible not only for the Academy Award-winning film Brokeback Mountain, but also for numerous other Ang Lee films, including The Wedding Banquet, which won the Berlinale Golden Bear in 1993. James Schamus also wrote the script for the Ang Lee film The Ice Storm and was co-writer of Crouching Tiger, Hidden Dragon and Lust, Caution by Ang Lee. He is also Professor of Professional · · · Practice in Columbia University’s School of the Arts, where he teaches film · · · history and theory. As one of independent cinema’s most important champions, James Schamus knows the balancing act between Hollywood's studio system and art-house cinema better than anyone. In 1991, he founded the production company Good Machine in New York, which merged with USA Films in 2002 to become the new company Focus Features. For over a decade, James Schamus led Focus Features, and during that era, was involved in the production and distribution of award-winning and celebrated films such as Far from Heaven, Eternal Sunshine of the Spotless Mind, Lost in Translation, Milk, Dallas Buyers Club and Teddy Award winner The Kids Are All Right. Thanks to Focus Features, international successes such as 8 Women, The Pianist and The Motorcycle Diaries were presented in American cinemas. -
LIVE from COLUMBIA Pop-Ups from Morningside Campus
VIEW THIS EMAIL IN YOUR BROWSER FOR IMMEDIATE RELEASE PRESS CONTACTS August 17, 2021 Aleba Gartner, 212/206-1450 millertheatre.com [email protected] Lauren Bailey Cognetti, [email protected] "Those thirty minutes number among the most intense I’ve experienced as a listener... The close-up, multiple angle and high resolution shots of the performance gave a view not even accessible to an audience member sitting in the front row.” — Elizabeth Lyon in The Hudson Review Miller Theatre at Columbia University School of the Arts announces LIVE FROM COLUMBIA Pop-Ups from Morningside Campus Co-presented with Columbia School of the Arts Miller Theatre continues its popular Pop-Up Concerts series, offering audiences a virtual front-row seat to three performances filmed on Columbia University's Morningside campus. Virtual • Free as always Featuring performances by Arturo O'Farrill & the Afro Latin Jazz Orchestra Filmed from the Miller Theatre stage Live Stream: Saturday, September 18 at 4pm Simone Dinnerstein, piano Filmed in Butler Library's famous reading room Video Premiere: Tuesday, October 12 at 7pm Yarn/Wire Filmed from the Miller Theatre stage Video Premiere: Tuesday. November 9 at 7pm Concerts in the Live from Columbia series are livestreamed or filmed live and premiered throughout the Fall 2021 season, with on-demand streaming available immediately after. millertheatre.com/live-from-columbia * Miller Theatre will announce its full 2021-22 season later this fall. From Melissa Smey, Executive Director Arts Initiative and Miller Theatre: "I am thrilled to continue our Live from Columbia series with the School of the Arts, welcoming a global audience to incredible, free performances.