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Collins & Goto Studio Glasgow Scotland COLLINS & GOTO STUDIO GLASGOW SCOTLAND Prof Timothy M. Collins, PhD, MFA, BFA Principal, Collins & Goto Studio, Scotland Honorary Research Fellow, University of Aberdeen Studio 1M, Glasgow Sculpture Studios The Whisky Bond, 2 Dawson Road Glasgow, G4 9SS Email: [email protected] Skype: timothymcollins Cell: (0)7780 358 693 Tim Collins has worked across art, science and philosophy, developing artwork, public artwork, and research related to nature and public space for over twenty years. He has worked within a wide range of communities developing methods and practices that take best advantage of art and aesthetics in the public interest. Over the past decade working with his partner Reiko Goto, Tim has been developing sculptural and performative artwork, tools and technologies that attend to changes that are occurring in the atmosphere with a specific focus on forests and trees. Over the last three years they have been immersed on questions of cultural ecology in relationship to the ancient semi-natural Caledonia forests of Scotland; developing ideas about a 'critical forest art practice', that builds on previous work on post industrial landscapes and waterways. Tim is on the board of directors for the Landscape Research Group and the editorial advisory board for that group’s Journal. He is also on the board of the Glasgow sculpture Studios and is a member of the Native Woodland Discussion Group. He is an arts-peer reviewer and has served as an arts and science panel reviewer with the Arts and Humanities Research Council and the Economic and Social Research Council. Previously Tim has served as an associate professor and a distinguished research fellow at Carnegie Mellon University before moving to the UK in 2005 where he was appointed as a Professor of Art, Ecology and Planning, Associate Dean, research and development at University of Wolverhampton. Various personal challenges and new financial opportunities led to a decision to return to the studio full time in 2012 to refocus his interests and research. PUBLICATIONS and ARTICLES Goto Collins, R., Collins, T. (2018) “The Black Wood: Relations, Empathy and a Feeling of Oneness in Caledonian Pine Forests.” In Arts, Religion, and the Environment. Eds. Bergmann and Clingerman, Leiden, Netherlands: Brill Rodopi. Collins, T., Goto Collins, R., Edwards, D. (2017) A Critical Forest Art Practice. In Landscape Research Journal (Vol. 43 #2),Abingdon: Taylor and Francis. Edwards, D., Collins, T., Goto Collins, R. (2017) An arts-led dialogue to elicit shared, plural and cultural values of ecosystems. In Ecosystem Services 21 (2016) 319–328, Special Session on Cultural Ecosystem Services: Frontiers in Theory and Practice, Ed. Kenter, J. Netherlands: Elsevier Publications. Goto Collins, R., Collins, T. (2017) “Imagination and Empathy - Artists with Trees.” In Participatory Research in More-than-Human Worlds. Eds. Bastian, M., Jones, O., Roe, E. Oxon, UK: Taylor and Francis. Collins, T., Goto, Collins, R. (2016) “Defining a Practice: With Reflection on Sylva Caledonia.” In Elemental: An Arts and Ecology Reader, Brady, J., Ed. Liverpool UK: Gaia Press Edwards, D. Goto Collins, R., (2016) “Does the Conservation Status of a Caledonian Forest also Indicate Cultural Ecosystem Value?” In Bio Cultural Diversity in Europe. Ed. Agnoletti, M. of the University of Firenze, Italy. London: Springer-Verlag.Collins, T., Goto Collins, R., Edwards, D. (2015) Future Forest: The Blackwood, Rannoch Scotland. Oxford and Roslin: Landscape Research Group Press and Forest Research. Collins, T., Goto Collins, R., Edwards, D. (2014) “A Case Study: Forest Futures, Kinloch Rannoch: Artistic engagement, interviews, deliberations and social learning to reveal hidden cultural values” in, the UK National Ecosystems Assessment Follow-on, Shared Plural and Cultural Values: A Handbook for Decision Makers. Eds Kenter, J., Reed, M. et al. Cambridge: UNEP-WCMC Collins, T., Goto Collins, R., Edwards, D. (2014) “Future Forest – Caledonian – Aware Access – Blackwood’, in Imagining Natural Scotland. Ed Griffith, D. Glasgow and Edinburgh: Creative Scotland. Collins, T., Goto Collins, R. (2013) Eden3: The Forest is Moving: Tha a’ Choille a’ Gluasad. (Artist authored catalogue, translation by Mhoireasdan, B.). Perth Museum and Art Gallery Collins, T. Goto Collins, R. with Malcom, C. (2013) Eden3: Trees are the Language of Landscape. (Artist authored catalogue). Edinburgh: Tent Gallery in Art Space and Nature, University of Edinburgh. Collins, T (2012) Art, Imagination and Environment. In Thompson, I. Howard, P. and Waterton, E. (Eds) Companion to Landscape Studies. London: Routledge Goto Collins, R. Collins, T. (2012) LIVING Things – The ethical, aesthetic impulse. In Brady, E. And Phemister, P. (Eds.) Transformative Values: human- environment relations in theory and practice. London: Springer-Verlag. Goto Collins, R., Collins, T. (2011) Scotland: Plein Air, Ethics and Art. Women Environmental Artists Directory Magazine, Issue 3, Border Crossings. Women Environmental Artists Directory, Berkeley, California. Ball, L., Collins, T., Goto, R., Damon, B., (2011) Environmental Art as Ecological Restoration in Egan, D., Hjerpe, E.E., Abrams, J.,(Eds.) Human Dimensions of Ecological Restoration: Integrating Science, Nature and Culture. Washington: Island Press. Collins, T. (2010) 3 Rivers 2nd Nature 2000-2005, Water, Land & Dialogue. In Carney, L.S., And Pageot, E-A, In a special issue on Landscape, Cultural Spaces, Ecology. RACAR, Revue d'art Canadienne / Canadian Art Review, Vol 35 Issue 3. Arnprior, ON: Canada Universities Art Association of Canada. Collins, T. (2008) Can or Should Artists Attempt to Create Verifiable Change? In O’Reilly, S., Beauchamp, P. (Eds.) Sense in Place, Site-ations International. Cardiff, Wales: Centre for Research in art and Design, University of Wales Institute Cardiff, and Dublin: Dublin Institute of Technology DIT, Ireland. Tarr, J, Muller, T. and Collins, T. (2008) Pittsburgh’s Three Rivers From Industrial to Environmental Infrastructure. In Mauch, C. and Zeller, T. (Eds.) Rivers in History: Designing and Conceiving Waterways in Europe and North America. Pittsburgh: University of Pittsburgh Press. The article was subsequently reprinted at the request of the editors in: Mohl, R. and Biles, R. (2012) The Making of Urban America. Maryland: Rowan and Littlefield. EXHIBITIONS 2025 Research and Development to exhibition - A forest charter for the 21st century for 2025. 2018 Planning underway - Plein Air Life, work for US exhibition under development at multiple venues: Appalachian University, North Carolina and others. 2017 The Center for Nature in Cities presents: The Caledonian Decoy, At the Intermedia Gallery, CCA, Glasgow. Plein Air – Live at the Kibble Palace, at the Kibble Palace, Glasgow Botanics, Glasgow. 2016 A Tree is a LIVING Thing (The Piper Schelling Experiments). In the Future Stratigraphy at the University of Sydney, Australia 2015 Sound of a Tree, Curated by Georg Dietzler. In Visual Sounds: Bioakustische Musik, ON - Neue Musik Köln, Cologne Germany. Sylva Caledonia with Gerry Loose, Morven Gregor and Chris Fremantle. Curated by James Howie (ASCUS) and Holly Knox Yeoman. Summerhall Genotype/Phenotype gallery, Edinburgh Scotland. 2013 Eden3: Trees are the Language of Landscape, Tent Gallery at Edinburgh College of Art. Edinburgh, Scotland. CO2 Edenburgh, with Creative Carbon Scotland, for the Edinburgh Festival, Tent Gallery at Edinburgh College of Art. Edinburgh, Scotland. The Forest is Moving - The ing: Tha a’ Choille a’ Gluasad. (Perth Museum and Art Gallery 2011 Nine Mile Run, 3 Rivers 2nd Nature, in Curator Carolyn Speranza, Too Shallow for Diving: The 21st Century is Treading Water, American Jewish Museum, Pittsburgh PA (Collins and Goto w Noel Hefele) page 1 .
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