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Contents SEAGULL Theatre QUARTERLY
S T Q Contents SEAGULL THeatRE QUARTERLY Issue 17 March 1998 2 EDITORIAL Editor 3 Anjum Katyal ‘UNPEELING THE LAYERS WITHIN YOURSELF ’ Editorial Consultant Neelam Man Singh Chowdhry Samik Bandyopadhyay 22 Project Co-ordinator A GATKA WORKSHOP : A PARTICIPANT ’S REPORT Paramita Banerjee Ramanjit Kaur Design 32 Naveen Kishore THE MYTH BEYOND REALITY : THE THEATRE OF NEELAM MAN SINGH CHOWDHRY Smita Nirula 34 THE NAQQALS : A NOTE 36 ‘THE PERFORMING ARTIST BELONGED TO THE COMMUNITY RATHER THAN THE RELIGION ’ Neelam Man Singh Chowdhry on the Naqqals 45 ‘YOU HAVE TO CHANGE WITH THE CHANGING WORLD ’ The Naqqals of Punjab 58 REVIVING BHADRAK ’S MOGAL TAMSA Sachidananda and Sanatan Mohanty 63 AALKAAP : A POPULAR RURAL PERFORMANCE FORM Arup Biswas Acknowledgements We thank all contributors and interviewees for their photographs. 71 Where not otherwise credited, A DIALOGUE WITH ENGLAND photographs of Neelam Man Singh An interview with Jatinder Verma Chowdhry, The Company and the Naqqals are by Naveen Kishore. 81 THE CHALLENGE OF BINGLISH : ANALYSING Published by Naveen Kishore for MULTICULTURAL PRODUCTIONS The Seagull Foundation for the Arts, Jatinder Verma 26 Circus Avenue, Calcutta 700017 86 MEETING GHOSTS IN ORISSA DOWN GOAN ROADS Printed at Vinayaka Naik Laurens & Co 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Dear friend, Four years ago, we started a theatre journal. It was an experiment. Lots of questions. Would a journal in English work? Who would our readers be? What kind of material would they want?Was there enough interesting and diverse work being done in theatre to sustain a journal, to feed it on an ongoing basis with enough material? Who would write for the journal? How would we collect material that suited the indepth attention we wanted to give the subjects we covered? Alongside the questions were some convictions. -
T]Ntversity of Hyderabai) S.N.School Of' Arts and Communication
I Code No: B-30 T]NTVERSITY OF HYDERABAI) S.N.SCHOOL OF' ARTS AND COMMUNICATION ENTRANCE EXAMINATION. F'EBRUARY _ 2013 M.P.A OHEATRE ARTS) Max. Marks:50 Hall TicketNo. Instructions: i) Write ]our .+- -*r-rz Hall Ticket Number in OMR Answer Sheet given to you. Also write the Hall Ticket Number in the space provided above. iD There is negative marking. Each wrong answer carries -0.33 mark. iii) Answers are to be marked on OMR answer sheet following the instructions provided there upon. iv) Hand over the OMR answer sheet at the end of the examination to the Invigilator. v) No additional sheets will be provided. Rough work can be done in the question paper itself / space provided at the end of the booklet. vi) The question paper.un t" taf<in Uy tfre canaiaates at the end of the examination. 1. The author of the play "Hayavadana" is A) K.Krisbnaiah B) Choramaswami C) Girish Karnad D) Bharatendu Harischandra 2. Guru Kelucharan Mahapathra is an exponent of the form A) Satriya B) Odissi C) Katthak D) Kuchipudi L B -eo 3. World Theatre day is celebrated on A) April26 B) January 31 C) August 15 D)March27 4. M.F.Hussain is a noted A) Painter B) Violinist C) Singer D) Architect 5. The director of play "Charan Das Chor" of Naya Theatre group is A) Vrjay Tendulkar B) Habib Tanvir C) Utpal Dutt D) B.V.Karanth 6. The Golkonda Fort is situated at A) Mumbai B) Hyderabad C) Bhuvaneswar D) Madhurai 7. Number of Vedas are A)2 B) 8 c)4 D) s 8. -
Sombhu Mitra 1914-1997
In Memory ±ombhu Mitra 1914²1997 Spoken-word 45 rpm gramophone records were once a prized possession in many Bengali middle- class households of Calcutta that dabbled in high cul- ture. There were a handful of elocutionists who released albums of poetry quite regularly. Among the many albums in our record collection was one that featured baritone artists reciting some of the best specimens of Bengali poetry. But there was one voice among them whose timbre was of a different sort. To my adolescent ears it was not particularly pleasurable to hear, but singular in its tenored nu- ances, in its intensity of expression and clarity of pronunciation. It was ±ombhu Mitra’s rendition of a poem by the Bengali pantheist poet, J }ban nda D s. There was something in Mitra’s vocalization that stirred my adolescent spirit. I had never known me- chanically reproduced spoken words to engender such intense emotions. My elders told me I was un- fortunate to have missed seeing Mitra in action onstage. He had retired just a few years before I was of age to see and make sense of a play. Then, a few years later, there was news that Mitra was coming out of retirement to play the title role in Bertolt Brecht’s Life of Galileo under the direction of the East German director Fritz Benevitz. I stood in line for a whole night to get tickets. The experience of seeing Mitra live was indescrib- able. This was my first Brecht play and was it a grand introduction! Mitra’s depiction of Galileo from late youth to senility was a display of such amazing dexterity in vocal as well as physical acting, such richness of characterization, replete with details and subtleties, that I simply had to see the play again the next night. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Stream of Consciousness in Buddhadeva Bose's Rat Bhore
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 19 Issue 1 Version 1.0 Year 2019 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Stream of Consciousness in Buddhadeva Bose’s Rat Bhore Brishti: Influences of Virginia Woolf and James Joyce By Tusar Talukder Central Women’s University Abstract- Stream of Consciousness is a narrative mode which brings forward numerous thoughts and feelings of a character without maintaining a coherent structure. The term, ‘Stream of consciousness’ is first found in the book, The Principles of Psychology (1890), penned by philosopher and psychologist William James. However, May Sinclair, in a literary article, published in The Egoist on April 1918, first applied the term stream of consciousness while discussing the novels of Dorothy Richardson. Since then many authors have used this literary device to discover the inner thoughts of the human mind. Amid them, Dorothy Richardson, James Joyce and Virginia Woolf have used it more prominently than others. In Bengali literature, Buddhadeva Bose, according to many critics, for the first time, adeptly manipulated stream of consciousness technique in Rat Bhore Brishti. The way Bose applied it to his novel is very similar to the way James Joyce and Virginia Woolf did so in their novels. The article examines how Buddhadeva Bose, directly being influenced by Virginia Woolf and James Joyce, wrote his stream of consciousness novel, Rat Bhore Brishti. It will encapsulate that though Bose followed Woolf and Joyce in using the technique in the novel, he brought some remarkable changes in applying so. -
Routes 2 Roots Dreams of a Peaceful World Co-Existing with Diverse Cultures, Ruled by Harmony
Routes 2 Roots dreams of a peaceful world co-existing with diverse cultures, ruled by harmony. The world’s largest interactive digital program of teaching performing arts with global reach R-19 LGF, Hauz Khas, New Delhi - 16, Ph: +91 11 41646383 Fax: +91 11 41646384 Studio: Flat No. 5, 1st Floor, Sector - 6 Market, R. K. Puram, New Delhi - 110022, Ph: +91 11 26100114, 26185281 Web: www.routes2roots.com, www.r2rvirsa.in, Email: [email protected] An Initiative of Routes2Roots NGO Routes2Roots twitter.com/Routes2RootsNGO twitter.com/virsar2r virsabyroutes2roots.blogspot.in Board of Advisors & Contributing Maestros of Virsa ROUTES 2 ROOTS Routes 2 Roots is a Delhi based non-profit reputed NGO with a presence all over India. Since its inception in 2004 the NGO is constantly striving to disseminate culture, art and heritage to the common people and the children throughout the world. Ever since its inception in 2004 Routes 2 Roots has dedicated itself to promoting art, culture and heritage throughout the world with the prime objective of spreading the message of peace. We have hosted over 26 international events, 14 exhibitions and 110 concerts throughout the world and all of these programs have been on a non-commercial basis, i.e. no ticketing so that people en masse can come and enjoy a shared experience of each-others’ culture freely. Our organisation is known for quality cultural programs and we have to our credit numerous prestigious international programs such as celebration of 60 years of diplomatic ties between India and China, which was held in 4 cities of China, Celebration of 65 years of Indo-Russian diplomatic ties, which was held in 5 cities of Russia, Festival of India in South Africa covering 4 cities and many more. -
A Hermeneutic Study of Bengali Modernism
Modern Intellectual History http://journals.cambridge.org/MIH Additional services for Modern Intellectual History: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM KRIS MANJAPRA Modern Intellectual History / Volume 8 / Issue 02 / August 2011, pp 327 359 DOI: 10.1017/S1479244311000217, Published online: 28 July 2011 Link to this article: http://journals.cambridge.org/abstract_S1479244311000217 How to cite this article: KRIS MANJAPRA (2011). FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM. Modern Intellectual History, 8, pp 327359 doi:10.1017/S1479244311000217 Request Permissions : Click here Downloaded from http://journals.cambridge.org/MIH, IP address: 130.64.2.235 on 25 Oct 2012 Modern Intellectual History, 8, 2 (2011), pp. 327–359 C Cambridge University Press 2011 doi:10.1017/S1479244311000217 from imperial to international horizons: a hermeneutic study of bengali modernism∗ kris manjapra Department of History, Tufts University Email: [email protected] This essay provides a close study of the international horizons of Kallol, a Bengali literary journal, published in post-World War I Calcutta. It uncovers a historical pattern of Bengali intellectual life that marked the period from the 1870stothe1920s, whereby an imperial imagination was transformed into an international one, as a generation of intellectuals born between 1885 and 1905 reinvented the political category of “youth”. Hermeneutics, as a philosophically informed study of how meaning is created through conversation, and grounded in this essay in the thought of Hans Georg Gadamer, helps to reveal this pattern. -
Satabarshe Sombhu Mitra
Satabarshe Sombhu Mitra UGC Sponsored National Seminar on the Life and Work of Sombhu Mitra Organised by The Bengali and the English Departments of Chandraketugarh Sahidullah Smriti Mahavidyalaya In Collaboration With The Bengali Department of Amdanga Jugalkishore Mahavidyalaya From 22-8-2015 to 23-8-2015 At ‘Uttaran’, B.D.O Office, Deganga Block Debalaya (Berachampa) 743424 Call for Paper It is indeed difficult to overstate the influence of Sombhu Mitra on both the modern Bengali group theatre and the commercial theatres alike. If Nabannna, which came out in 1948 broke new grounds in many ways, Char Adhyay {1951) followed by Raktakarabi (1954), Bisarjan (1961) and Raja (1964) showed the way in which a Tagore play, hitherto widely denounced as unstageable because of its abstractions, can be performed with success on stage without making any substantial departure from the source. While through Tagore’s plays, he was trying to find an expression of the complete man in all contexts of history, Mitra’s Dashachakra (1952) and Putul Khela (1958), adaptations of Ibsen’s An Enemy of the People and Doll’s House, being specimens of the earliest such adaptations for the modern stage, clearly contributed among other playwrights to resist any tendency of cultural insularity of the Bengali stage, though suiting the themes for the dominantly middle class Bengali audience. His translation of Sophocles for the first time for the Bengali stage created new interest in classical drama and set the stage for many such future adaptations. Mitra was always aware of the potentialities of the indigenous forms of drama and Chand Boniker Pala (1978), which was written at a later phase of his life and was meant more for audio presentation than for the stage, takes up a well known story from a Mangalkavya and treats it with a subliminal intertextual link with the Orpheus theme to lend it with themes and motifs at once contemporaneous and eternal for all ages and all times. -
Pandit Ravi Shankar—Tansen of Our Times
Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times by S. Kalidas IND I A INTERNAT I ONAL CENTRE 40, MAX MUELLER MARG , NEW DELH I -110 003 TEL .: 24619431 FAX : 24627751 1 Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times The views expressed in this publication are solely those of the author and not of the India International Centre. The Occasional Publication series is published for the India International Centre by Cmde. (Retd.) R. Datta. Designed and produced by FACET Design. Tel.: 91-11-24616720, 24624336. Pandit Ravi Shankar—Tansen of our Times Pandit Ravi Shankar died a few months ago, just short of his 93rd birthday on 7 April. So it is opportune that we remember a man whom I have rather unabashedly called the Tansen of our times. Pandit Ravi Shankar was easily the greatest musician of our times and his death marks not only the transience of time itself, but it also reminds us of the glory that was his life and the immortality of his legacy. In the passing of Robindro Shaunkar Chowdhury, as he was called by his parents, on 11 December in San Diego, California, we cherish the memory of an extraordinary genius whose life and talent spanned almost the whole of the 20th century. It crossed all continents, it connected several genres of human endeavour, it uplifted countless hearts, minds and souls. Very few Indians epitomized Indian culture in the global imagination as this charismatic Bengali Brahmin, Pandit Ravi Shankar. Born in 1920, Ravi Shankar not only straddled two centuries but also impacted many worlds—the East, the West, the North and the South, the old and the new, the traditional and the modern. -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay
BOOK DESCRIPTION AUTHOR " Contemporary India ". Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay. 100 Great Lives. John Cannong. 100 Most important Indians Today. Sterling Special. 100 Most Important Indians Today. Sterling Special. 1787 The Grand Convention. Clinton Rossiter. 1952 Act of Provident Fund as Amended on 16th November 1995. Government of India. 1993 Vienna Declaration and Programme of Action. Indian Institute of Human Rights. 19e May ebong Assame Bangaliar Ostiter Sonkot. Bijit kumar Bhattacharjee. 19-er Basha Sohidera. Dilip kanti Laskar. 20 Tales From Shakespeare. Charles & Mary Lamb. 25 ways to Motivate People. Steve Chandler and Scott Richardson. 42-er Bharat Chara Andolane Srihatta-Cacharer abodan. Debashish Roy. 71 Judhe Pakisthan, Bharat O Bangaladesh. Deb Dullal Bangopadhyay. A Book of Education for Beginners. Bhatia and Bhatia. A River Sutra. Gita Mehta. A study of the philosophy of vivekananda. Tapash Shankar Dutta. A advaita concept of falsity-a critical study. Nirod Baron Chakravarty. A B C of Human Rights. Indian Institute of Human Rights. A Basic Grammar Of Moden Hindi. ----- A Book of English Essays. W E Williams. A Book of English Prose and Poetry. Macmillan India Ltd.. A book of English prose and poetry. Dutta & Bhattacharjee. A brief introduction to psychology. Clifford T Morgan. A bureaucrat`s diary. Prakash Krishen. A century of government and politics in North East India. V V Rao and Niru Hazarika. A Companion To Ethics. Peter Singer. A Companion to Indian Fiction in E nglish. Pier Paolo Piciucco. A Comparative Approach to American History. C Vann Woodward. A comparative study of Religion : A sufi and a Sanatani ( Ramakrishana). -
Library Catalogue
Id Access No Title Author Category Publisher Year 1 9277 Jawaharlal Nehru. An autobiography J. Nehru Autobiography, Nehru Indraprastha Press 1988 historical, Indian history, reference, Indian 2 587 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence historical, Indian history, reference, Indian 3 605 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence 4 3633 Jawaharlal Nehru. Rebel and Stateman B. R. Nanda Biography, Nehru, Historical Oxford University Press 1995 5 4420 Jawaharlal Nehru. A Communicator and Democratic Leader A. K. Damodaran Biography, Nehru, Historical Radiant Publlishers 1997 Indira Gandhi, 6 711 The Spirit of India. Vol 2 Biography, Nehru, Historical, Gandhi Asia Publishing House 1975 Abhinandan Granth Ministry of Information and 8 454 Builders of Modern India. Gopal Krishna Gokhale T.R. Deogirikar Biography 1964 Broadcasting Ministry of Information and 9 455 Builders of Modern India. Rajendra Prasad Kali Kinkar Data Biography, Prasad 1970 Broadcasting Ministry of Information and 10 456 Builders of Modern India. P.S.Sivaswami Aiyer K. Chandrasekharan Biography, Sivaswami, Aiyer 1969 Broadcasting Ministry of Information and 11 950 Speeches of Presidente V.V. Giri. Vol 2 V.V. Giri poitical, Biography, V.V. Giri, speeches 1977 Broadcasting Ministry of Information and 12 951 Speeches of President Rajendra Prasad Vol. 1 Rajendra Prasad Political, Biography, Rajendra Prasad 1973 Broadcasting Eminent Parliamentarians Monograph Series. 01 - Dr. Ram Manohar 13 2671 Biography, Manohar Lohia Lok Sabha 1990 Lohia Eminent Parliamentarians Monograph Series. 02 - Dr. Lanka 14 2672 Biography, Lanka Sunbdaram Lok Sabha 1990 Sunbdaram Eminent Parliamentarians Monograph Series. 04 - Pandit Nilakantha 15 2674 Biography, Nilakantha Lok Sabha 1990 Das Eminent Parliamentarians Monograph Series.