THE HARE with the AMBER EYES Blanca Van Hasselt
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Edmund De Waal's Unfinished Business
Intelligent Life January/February 2012 GAGOSIAN GALLERY Edmund de Waal’s Unfinished Business "The Hare with Amber Eyes" has become an international phenomenon. Fiammetta Rocco follows the author to Vienna and finds the saga continuing ... Fiammetta Rocco Picture: Edmund de Waal at his studio in south London, photographed by Jonathan Root They were well into the wine before they started telling stories. All day long the delegates at the 2005 Harvard conference on 20th-century studio ceramics had been listening to presentations on the Mingei movement in Japan, debating the role of folk art and the importance of Bernard Leach, a British potter who settled in Japan and became very influential. But as the main course was cleared away, those sitting at a table to one side of the room became captivated by a tale being recounted by another British potter, Edmund de Waal. It was about the Japanese netsuke his family had bought in the 1870s. Within half a century, they were one of the richest in Vienna, with a grand house on the Ringstrasse. At the Anschluss in 1938 the netsuke disappeared; stolen, the family thought. It was only after the war that they discovered they’d been hidden from the Nazis by a faithful servant, Anna. “This would make such a great book,” said Michael Goldfarb, a New York collector and one of those listening. “Edmund, you’ve got to stop talking and start writing. This is the book you were born to write.” Published in June 2010, “The Hare with Amber Eyes” has become the most successful family memoir of the decade. -
Gagosian Gallery
The New York Times November 12, 2019 GAGOSIAN ‘The Hare With Amber Eyes’ Comes Home An exhibition in Vienna puts the figurine at the center of Edmund De Waal’s 2010 memoir on show, and tells the story of a family forced from their home by prejudice. Palko Karasz “The Hare With Amber Eyes,” a Japanese netsuke carving, was a central figure in Edmund De Waal’s 2010 memoir of the same name.© Jewish Museum Vienna Last Monday in the imposing Ephrussi Palace, Edmund de Waal presided over a family reunion. For the first time since World War II, 41 relatives from around Europe, the United States and Mexico toured the neo-Renaissance building that had been home to the Ephrussi family, European Jews whose wealth once rivaled that of the Rothschilds. “Itʼs not just a nice family gathering — itʼs a political act,” said Mr. de Waal in an interview the next day. Mr. De Waal, a British ceramic artist and best-selling author, is the great-grandson of Viktor von Ephrussi, who thrived in Vienna as a banker before fleeing the city after Hitler’s 1938 incorporation of Austria into the Third Reich. On Tuesday, the country’s president, Alexander Van der Bellen, welcomed the family to an exhibition opening nearby that tells their story. “The Ephrussis: Travel in Time,” at the Jewish Museum Vienna through March 8, presents the family’s history through documents, photographs and souvenirs that Mr. de Waal donated to the museum last year. But the stars of the show are 157 netsuke (pronounced NET-ske), tiny Japanese carvings in wood and ivory, made famous by Mr. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Catalogue 2015 with Handbook
Catalogue 2015 with Handbook The Book Discussion Scheme is a member of the Federation of Workers Educational Associations in Aotearoa New Zealand / Te Whetereihana o nga Kaimahi Akoranga o Aotearoa Contents About Us Welcome ............................................................................................................................................... (i) Handbook Highlights ............................................................................................................................ (ii)-(iv) Book Catalogue Fiction (A-Z) ..................................................................................................................................... 5-71 Non-fiction (A-Z) ............................................................................................................................. 72-104 Index by title .................................................................................................................................... 106-114 Index by author ................................................................................................................................ 115-122 Membership Costs ........................................................................................................................... 123 About Us We’re unique! The Book Discussion Scheme (BDS) is unique in New Zealand. We are the only nationwide organisation that specialises in book groups. We are a not-for-profit organisation with a 40-year track record. What we offer We lend books and discussion -
Ephrussi De Rothschild Villa and Gardens
Page 3 Cultur espaces , representative for the Villa Ephrussi de Rothschild Page 4 A real wonderland Page 6 Nine fabulous gardens Page 8 A collector’s palace Page 10 Remarkable collections Page 11 Events in 2012 Page 12 The action of Cultur espaces to the Villa Ephrussi de Rothschild Page 15 Useful information 2 Cultur espaces produces and manages, with an ethical and professional approach, monuments, museums and prestigious historic sites entrusted to it by public bodies and local authorities. Culturespaces manages the following sites: Jacquemart-André Museum, Paris (since 1996) Villa Ephrussi de Rothschild, Saint-Jean-Cap-Ferrat (since 1992) Greek Villa Kerylos, Beaulieu sur Mer (since 2001) Château des Baux de Provence (since 1993) Carrières de Lumière (since 2012) Nîmes Arena, the Square House, the Magne Tower (since 2006) Roman Theatre of Orange (since 2002) Cité de l’Automobile, Mulhouse (since 1999) Cité du Train, Mulhouse (since 2005) Waterloo Battlefield, Belgium (since 2004) Cultur espaces uses modern management methods in its work upgrading spaces and collections, welcoming the general public, managing staff and all services, organising cultural activities and temporary exhibitions and promoting sites at a national and international level. To ensure that visits are always a pleasure , the Culture spaces teams place quality of reception and cultural enrichment at the heart of all their services to visitors. With 20 years of experience and 2 million visitors every year , Culture spaces is the leading private organisation managing French monuments and museums, and one of the leading European players in cultural tourism. Our heritage must be preserved for future generations: that is why every year Culture spaces contributes to financing restoration programmes for the monuments and collections it has been entrusted to look after. -
Portrait of Italian Jewish Life (1800S – 1930S) Edited by Tullia Catalan, Cristiana Facchini Issue N
Portrait of Italian Jewish Life (1800s – 1930s) edited by Tullia Catalan, Cristiana Facchini Issue n. 8, November 2015 QUEST N. 8 - FOCUS QUEST. Issues in Contemporary Jewish History Journal of Fondazione CDEC Editors Michele Sarfatti (Fondazione CDEC, managing editor), Elissa Bemporad (Queens College of the City University of New York), Tullia Catalan (Università di Trieste), Cristiana Facchini (Università Alma Mater, Bologna; Max Weber Kolleg, Erfurt), Marcella Simoni (Università Ca’ Foscari, Venezia), Guri Schwarz (Università di Pisa), Ulrich Wyrwa (Zentrum für Antisemitismusforschung, Berlin). Editorial Assistant Laura Brazzo (Fondazione CDEC) Book Review Editor Dario Miccoli (Università Cà Foscari, Venezia) Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università di Genova), David Cesarani z.l. (Royal Holloway College, London), Roberto Della Rocca (DEC, Roma), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università La Sapienza di Roma), François Guesnet (University College London), Alessandro Guetta (INALCO, Paris), Stefano Jesurum (Corriere della Sera, Milano), András Kovács (Central European University, Budapest), Fabio Levi (Università degli Studi di Torino), Simon Levis Sullam (Università Ca’ -
Cil-Nr-2-19-2012-Vol-Ii.Pdf
Literatură şi identitate 1 COMMUNICATION INTERCULTURELLE ET LITTÉRATURE NR. 2 / 2012 Mémoire, littérature et identité VOLUMUL II Configurations littéraires et repères identitaires Coordination: Alina Crihană Nicolae Ioana, Doiniţa Milea, Simona Antofi, Nicoleta Ifrim, Laurenţiu Ichim Institutul European 2013 Prezentul volum cuprinde o selecţie a lucrărilor Workshop-ului Memorie, literatură şi identitate (Galaţi, 28 iunie 2013) şi a lucrărilor Colocviului Internaţional Povestirile vieţii: memorie, istorie şi ficţiuni identitare (Galaţi, 26-27 octombrie 2012). Volumul a fost publicat cu sprijinul financiar al Proiectului TOP ACADEMIC, POSDRU/107/1.5/S/76822, Id proiect: 76822. Contact: Centrul de Cercetare Comunicare Interculturală şi Literatură, Facultatea de Litere, Universitatea „Dunărea de Jos” Str. Domnească, nr. 111, Galaţi; Cod poştal: 800001 Telefon: +40-236-460476; Fax: +40-236-460476 Director: [email protected] Redactor-şef: [email protected] Secretar de redacţie: [email protected] Comitetul de redacţie: [email protected], [email protected], [email protected] Difuzare: [email protected], [email protected] Abonamentele se fac la sediul redacţiei, Str. Domnească, nr. 111, Galaţi, cod 800001, prin mandat poştal pe numele Simona Antofi. Preţurile la abonamente sunt: 3 luni – 30 lei; 6 luni - 60 lei ; 12 luni – 120 lei. Abonamentele pentru străinătate se fac achitând costul la redacţie. După achitarea abonamentului, aşteptăm prin fax sau e-mail adresa dvs. de expediţie pentru a vă putea trimite revista. -
Kirkus Reviews on Our BOARD & NOVELTY BOOKS
Featuring 340 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 8 | 15 APRIL 2021 REVIEWS SPECIAL Indie ISSUE Plus interviews with: Celebrating the spark & spirit of Kaitlyn Greenidge, Justine Bateman, independently published books Laekan Zea Kemp, and Jay Hosler With a sampler of great Indie writing and conversations with the authors FROM THE EDITOR’S DESK | Karen Schechner Chairman Direct Access Reading HERBERT SIMON President & Publisher MARC WINKELMAN # When writing about independent publishing, I usually trot out the Chief Executive Officer stats. The point being: Read more Indie! Millions of people already do. MEG LABORDE KUEHN For this year’s Indie Issue, instead of another rundown of Bowker’s lat- [email protected] Editor-in-Chief est figures, we wanted to offer direct access to Indieland’s finest. Look TOM BEER for excerpts in various genres, like a scene from Margaret F. Chen’s eerie [email protected] Vice President of Marketing short story collection, Suburban Gothic, and in-depth conversations with SARAH KALINA several authors, including Esther Amini, who talks about Concealed, her [email protected] memoir of growing up as a Jewish Iranian immigrant. And, since it’s been Managing/Nonfiction Editor ERIC LIEBETRAU one of our worst, most isolating, stressful years, we checked in with Indie [email protected] authors; here’s how they coped with 2020-2021. Fiction Editor LAURIE MUCHNICK During the lockdown, author and beekeeper J.H. Ramsay joined an [email protected] online network of writers and artists, and he completed his SF debut, Young Readers’ Editor VICKY SMITH Predator Moons. -
De Waal the Hare with Amber Eyes (Picador, 2010)
µ˙ Book Club Summer 2012 Edmund de Waal The Hare with Amber Eyes (Picador, 2010) In The Hare with Amber Eyes: A Hidden Inheritance, Edmund de Waal (born 1964), a British ceramic artist and renowned scholar, unfolds the story of a remarkable family during a tumultuous century. Descended from the rich and respected Ephrussi and Rothschild families, De Waal might have inherited countless treasures; unfortunately, most of the family legacy was lost or confiscated during World War II. At the time of De Waal’s birth, all that remained was a collection of 264 Japanese netsuke that had been smuggled to safety by a loyal maid and returned after the war. The collection includes figures of street vendors, beggars, monks, rat catchers, dogs, lovers, a woman and an octopus, an elderly lady on an elderly horse, a witch trapped in a temple bell, a persimmon about to split, and a hare with amber eyes. Entranced by the beauty and mystery of this “very big collection of very small objects,” De Waal determined to trace his family’s history through the story of this collection. How to Use this Discussion Guide MFAH Book Club Tours Creating bridges between the literary and visual arts is Bring your book for a docent-led MFAH Book Club tour what makes the MFAH Book Club unique, as all art arises that links themes and excerpts from the book with select from the context of its time and place. The MFAH Book works of art, generates lively discussion, and reveals new Club uses works of art from the collection of the Museum ways of looking at visual art. -
Edmund De Waal: a Life in Arts 'Lots of Reading Goes Into My Pots
The Guardian February 11, 2011 GAGOSIAN GALLERY Edmund de Waal: A life in arts 'Lots of reading goes into my pots. My own way of making things comes out of a great deal of thinking about literature' Paul Laity Edmund de Waal. Photograph: Eamon McCabe for the Guardian Six years ago, Edmund de Waal, whose beautiful porcelain pots, glazed in greys, creams and pale greens, have transformed the world of British ceramics, gave a paper at Harvard on orientalism and Japanese pottery. Afterwards, at dinner, he found himself recounting an extraordinary story he had told only to his wife and close friends, about a collection of miniature ivory and wood sculptures he had inherited from his great uncle Iggie. "So I keep on talking," he remembers, "and I realise that I've broken some kind of pact with myself – to mention it at all in public seemed to be crossing a boundary. And then when I got the reaction I got, I knew I faced a difficult question – in fact the question was put to me very directly by the art historians over dinner: 'What the fuck are you going to do with this story? Why are you telling it to us? Why haven't you written it down?'" So, during the next five years, when he was also preparing the two most important installations of his career, he did write it down, though the project turned out to be "much more complicated both emotionally and in terms of research than I could ever have dreamt". It was worth it: The Hare with Amber Eyes became the most praised British book of last year, a prize-winning sensation and a bestseller: it has sold 70,000 hardback copies in Britain alone, and the paperback, just out, is sure to do even better. -
History of Genetics Book Collection Catalogue
History of Genetics Book Collection Catalogue Below is a list of the History of Genetics Book Collection held at the John Innes Centre, Norwich, UK. For all enquires please contact Mike Ambrose [email protected] +44(0)1603 450630 Collection List Symposium der Deutschen Gesellschaft fur Hygiene und Mikrobiologie Stuttgart Gustav Fischer 1978 A69516944 BOOK-HG HG œ.00 15/10/1996 5th international congress on tropical agriculture 28-31 July 1930 Brussels Imprimerie Industrielle et Finangiere 1930 A6645004483 œ.00 30/3/1994 7th International Chromosome Conference Oxford Oxford 1980 A32887511 BOOK-HG HG œ.00 20/2/1991 7th International Chromosome Conference Oxford Oxford 1980 A44688257 BOOK-HG HG œ.00 26/6/1992 17th international agricultural congress 1937 1937 A6646004482 œ.00 30/3/1994 19th century science a selection of original texts 155111165910402 œ14.95 13/2/2001 150 years of the State Nikitsky Botanical Garden bollection of scientific papers. vol.37 Moscow "Kolos" 1964 A41781244 BOOK-HG HG œ.00 15/10/1996 Haldane John Burdon Sanderson 1892-1964 A banned broadcast and other essays London Chatto and Windus 1946 A10697655 BOOK-HG HG œ.00 15/10/1996 Matsuura Hajime A bibliographical monograph on plant genetics (genic analysis) 1900-1929 Sapporo Hokkaido Imperial University 1933 A47059786 BOOK-HG HG œ.00 15/10/1996 Hoppe Alfred John A bibliography of the writings of Samuel Butler (author of "erewhon") and of writings about him with some letters from Samuel Butler to the Rev. F. G. Fleay, now first published London The Bookman's Journal -
2015 Spring Edition
From the Vicar I’ve never enjoyed the sound of my own voice. On the rare occasions in the past where I have been recorded singing, I have cringed at the result, and on the equally rare occasions where I have been recorded speaking my first response has always been, “My God, do I really sound like that?!” So it’s taken a bit of getting used to that we now record the sermons at St Mary’s and post them on the public platform of YouTube. In editing the recordings I need, of course, to listen to them. The first time I did so, my reaction was as above. I was cringing at my accent and some aspects of my rhetorical style. But mainly, it was just an odd, almost “out of body” experience. I’m getting used to it now, and have found that, actually, revisiting not simply a text, but the actual sound, of my preaching has enabled me to think much more deeply about what it is that I do when I preach. Bizarrely, it might even be that putting sermons up on the web might eventually improve my preaching style! However making the vicar a better preacher was not the aim of the YouTube exercise. Rather, there are two goals in this undertaking, both of which seem to be being achieved already. The first is that sermons should be available for St Mary’s parishioners to listen to when they have not been able to get to church that day, or to review if there is something they want to listen to again.