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Edmund De Waal's Unfinished Business
Intelligent Life January/February 2012 GAGOSIAN GALLERY Edmund de Waal’s Unfinished Business "The Hare with Amber Eyes" has become an international phenomenon. Fiammetta Rocco follows the author to Vienna and finds the saga continuing ... Fiammetta Rocco Picture: Edmund de Waal at his studio in south London, photographed by Jonathan Root They were well into the wine before they started telling stories. All day long the delegates at the 2005 Harvard conference on 20th-century studio ceramics had been listening to presentations on the Mingei movement in Japan, debating the role of folk art and the importance of Bernard Leach, a British potter who settled in Japan and became very influential. But as the main course was cleared away, those sitting at a table to one side of the room became captivated by a tale being recounted by another British potter, Edmund de Waal. It was about the Japanese netsuke his family had bought in the 1870s. Within half a century, they were one of the richest in Vienna, with a grand house on the Ringstrasse. At the Anschluss in 1938 the netsuke disappeared; stolen, the family thought. It was only after the war that they discovered they’d been hidden from the Nazis by a faithful servant, Anna. “This would make such a great book,” said Michael Goldfarb, a New York collector and one of those listening. “Edmund, you’ve got to stop talking and start writing. This is the book you were born to write.” Published in June 2010, “The Hare with Amber Eyes” has become the most successful family memoir of the decade. -
Gagosian Gallery
The New York Times November 12, 2019 GAGOSIAN ‘The Hare With Amber Eyes’ Comes Home An exhibition in Vienna puts the figurine at the center of Edmund De Waal’s 2010 memoir on show, and tells the story of a family forced from their home by prejudice. Palko Karasz “The Hare With Amber Eyes,” a Japanese netsuke carving, was a central figure in Edmund De Waal’s 2010 memoir of the same name.© Jewish Museum Vienna Last Monday in the imposing Ephrussi Palace, Edmund de Waal presided over a family reunion. For the first time since World War II, 41 relatives from around Europe, the United States and Mexico toured the neo-Renaissance building that had been home to the Ephrussi family, European Jews whose wealth once rivaled that of the Rothschilds. “Itʼs not just a nice family gathering — itʼs a political act,” said Mr. de Waal in an interview the next day. Mr. De Waal, a British ceramic artist and best-selling author, is the great-grandson of Viktor von Ephrussi, who thrived in Vienna as a banker before fleeing the city after Hitler’s 1938 incorporation of Austria into the Third Reich. On Tuesday, the country’s president, Alexander Van der Bellen, welcomed the family to an exhibition opening nearby that tells their story. “The Ephrussis: Travel in Time,” at the Jewish Museum Vienna through March 8, presents the family’s history through documents, photographs and souvenirs that Mr. de Waal donated to the museum last year. But the stars of the show are 157 netsuke (pronounced NET-ske), tiny Japanese carvings in wood and ivory, made famous by Mr. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Catalogue 2015 with Handbook
Catalogue 2015 with Handbook The Book Discussion Scheme is a member of the Federation of Workers Educational Associations in Aotearoa New Zealand / Te Whetereihana o nga Kaimahi Akoranga o Aotearoa Contents About Us Welcome ............................................................................................................................................... (i) Handbook Highlights ............................................................................................................................ (ii)-(iv) Book Catalogue Fiction (A-Z) ..................................................................................................................................... 5-71 Non-fiction (A-Z) ............................................................................................................................. 72-104 Index by title .................................................................................................................................... 106-114 Index by author ................................................................................................................................ 115-122 Membership Costs ........................................................................................................................... 123 About Us We’re unique! The Book Discussion Scheme (BDS) is unique in New Zealand. We are the only nationwide organisation that specialises in book groups. We are a not-for-profit organisation with a 40-year track record. What we offer We lend books and discussion -
Portrait of Italian Jewish Life (1800S – 1930S) Edited by Tullia Catalan, Cristiana Facchini Issue N
Portrait of Italian Jewish Life (1800s – 1930s) edited by Tullia Catalan, Cristiana Facchini Issue n. 8, November 2015 QUEST N. 8 - FOCUS QUEST. Issues in Contemporary Jewish History Journal of Fondazione CDEC Editors Michele Sarfatti (Fondazione CDEC, managing editor), Elissa Bemporad (Queens College of the City University of New York), Tullia Catalan (Università di Trieste), Cristiana Facchini (Università Alma Mater, Bologna; Max Weber Kolleg, Erfurt), Marcella Simoni (Università Ca’ Foscari, Venezia), Guri Schwarz (Università di Pisa), Ulrich Wyrwa (Zentrum für Antisemitismusforschung, Berlin). Editorial Assistant Laura Brazzo (Fondazione CDEC) Book Review Editor Dario Miccoli (Università Cà Foscari, Venezia) Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università di Genova), David Cesarani z.l. (Royal Holloway College, London), Roberto Della Rocca (DEC, Roma), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università La Sapienza di Roma), François Guesnet (University College London), Alessandro Guetta (INALCO, Paris), Stefano Jesurum (Corriere della Sera, Milano), András Kovács (Central European University, Budapest), Fabio Levi (Università degli Studi di Torino), Simon Levis Sullam (Università Ca’ -
Cil-Nr-2-19-2012-Vol-Ii.Pdf
Literatură şi identitate 1 COMMUNICATION INTERCULTURELLE ET LITTÉRATURE NR. 2 / 2012 Mémoire, littérature et identité VOLUMUL II Configurations littéraires et repères identitaires Coordination: Alina Crihană Nicolae Ioana, Doiniţa Milea, Simona Antofi, Nicoleta Ifrim, Laurenţiu Ichim Institutul European 2013 Prezentul volum cuprinde o selecţie a lucrărilor Workshop-ului Memorie, literatură şi identitate (Galaţi, 28 iunie 2013) şi a lucrărilor Colocviului Internaţional Povestirile vieţii: memorie, istorie şi ficţiuni identitare (Galaţi, 26-27 octombrie 2012). Volumul a fost publicat cu sprijinul financiar al Proiectului TOP ACADEMIC, POSDRU/107/1.5/S/76822, Id proiect: 76822. Contact: Centrul de Cercetare Comunicare Interculturală şi Literatură, Facultatea de Litere, Universitatea „Dunărea de Jos” Str. Domnească, nr. 111, Galaţi; Cod poştal: 800001 Telefon: +40-236-460476; Fax: +40-236-460476 Director: [email protected] Redactor-şef: [email protected] Secretar de redacţie: [email protected] Comitetul de redacţie: [email protected], [email protected], [email protected] Difuzare: [email protected], [email protected] Abonamentele se fac la sediul redacţiei, Str. Domnească, nr. 111, Galaţi, cod 800001, prin mandat poştal pe numele Simona Antofi. Preţurile la abonamente sunt: 3 luni – 30 lei; 6 luni - 60 lei ; 12 luni – 120 lei. Abonamentele pentru străinătate se fac achitând costul la redacţie. După achitarea abonamentului, aşteptăm prin fax sau e-mail adresa dvs. de expediţie pentru a vă putea trimite revista. -
Kirkus Reviews on Our BOARD & NOVELTY BOOKS
Featuring 340 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 8 | 15 APRIL 2021 REVIEWS SPECIAL Indie ISSUE Plus interviews with: Celebrating the spark & spirit of Kaitlyn Greenidge, Justine Bateman, independently published books Laekan Zea Kemp, and Jay Hosler With a sampler of great Indie writing and conversations with the authors FROM THE EDITOR’S DESK | Karen Schechner Chairman Direct Access Reading HERBERT SIMON President & Publisher MARC WINKELMAN # When writing about independent publishing, I usually trot out the Chief Executive Officer stats. The point being: Read more Indie! Millions of people already do. MEG LABORDE KUEHN For this year’s Indie Issue, instead of another rundown of Bowker’s lat- [email protected] Editor-in-Chief est figures, we wanted to offer direct access to Indieland’s finest. Look TOM BEER for excerpts in various genres, like a scene from Margaret F. Chen’s eerie [email protected] Vice President of Marketing short story collection, Suburban Gothic, and in-depth conversations with SARAH KALINA several authors, including Esther Amini, who talks about Concealed, her [email protected] memoir of growing up as a Jewish Iranian immigrant. And, since it’s been Managing/Nonfiction Editor ERIC LIEBETRAU one of our worst, most isolating, stressful years, we checked in with Indie [email protected] authors; here’s how they coped with 2020-2021. Fiction Editor LAURIE MUCHNICK During the lockdown, author and beekeeper J.H. Ramsay joined an [email protected] online network of writers and artists, and he completed his SF debut, Young Readers’ Editor VICKY SMITH Predator Moons. -
De Waal the Hare with Amber Eyes (Picador, 2010)
µ˙ Book Club Summer 2012 Edmund de Waal The Hare with Amber Eyes (Picador, 2010) In The Hare with Amber Eyes: A Hidden Inheritance, Edmund de Waal (born 1964), a British ceramic artist and renowned scholar, unfolds the story of a remarkable family during a tumultuous century. Descended from the rich and respected Ephrussi and Rothschild families, De Waal might have inherited countless treasures; unfortunately, most of the family legacy was lost or confiscated during World War II. At the time of De Waal’s birth, all that remained was a collection of 264 Japanese netsuke that had been smuggled to safety by a loyal maid and returned after the war. The collection includes figures of street vendors, beggars, monks, rat catchers, dogs, lovers, a woman and an octopus, an elderly lady on an elderly horse, a witch trapped in a temple bell, a persimmon about to split, and a hare with amber eyes. Entranced by the beauty and mystery of this “very big collection of very small objects,” De Waal determined to trace his family’s history through the story of this collection. How to Use this Discussion Guide MFAH Book Club Tours Creating bridges between the literary and visual arts is Bring your book for a docent-led MFAH Book Club tour what makes the MFAH Book Club unique, as all art arises that links themes and excerpts from the book with select from the context of its time and place. The MFAH Book works of art, generates lively discussion, and reveals new Club uses works of art from the collection of the Museum ways of looking at visual art. -
History of Genetics Book Collection Catalogue
History of Genetics Book Collection Catalogue Below is a list of the History of Genetics Book Collection held at the John Innes Centre, Norwich, UK. For all enquires please contact Mike Ambrose [email protected] +44(0)1603 450630 Collection List Symposium der Deutschen Gesellschaft fur Hygiene und Mikrobiologie Stuttgart Gustav Fischer 1978 A69516944 BOOK-HG HG œ.00 15/10/1996 5th international congress on tropical agriculture 28-31 July 1930 Brussels Imprimerie Industrielle et Finangiere 1930 A6645004483 œ.00 30/3/1994 7th International Chromosome Conference Oxford Oxford 1980 A32887511 BOOK-HG HG œ.00 20/2/1991 7th International Chromosome Conference Oxford Oxford 1980 A44688257 BOOK-HG HG œ.00 26/6/1992 17th international agricultural congress 1937 1937 A6646004482 œ.00 30/3/1994 19th century science a selection of original texts 155111165910402 œ14.95 13/2/2001 150 years of the State Nikitsky Botanical Garden bollection of scientific papers. vol.37 Moscow "Kolos" 1964 A41781244 BOOK-HG HG œ.00 15/10/1996 Haldane John Burdon Sanderson 1892-1964 A banned broadcast and other essays London Chatto and Windus 1946 A10697655 BOOK-HG HG œ.00 15/10/1996 Matsuura Hajime A bibliographical monograph on plant genetics (genic analysis) 1900-1929 Sapporo Hokkaido Imperial University 1933 A47059786 BOOK-HG HG œ.00 15/10/1996 Hoppe Alfred John A bibliography of the writings of Samuel Butler (author of "erewhon") and of writings about him with some letters from Samuel Butler to the Rev. F. G. Fleay, now first published London The Bookman's Journal -
The Hare with Amber Eyes: a Family's Century of Art and Loss by Edmund De Waal
Marjorie Munsterberg book review of The Hare with Amber Eyes: A Family's Century of Art and Loss by Edmund de Waal Nineteenth-Century Art Worldwide 10, no. 2 (Autumn 2011) Citation: Marjorie Munsterberg, book review of “The Hare with Amber Eyes: A Family's Century of Art and Loss by Edmund de Waal,” Nineteenth-Century Art Worldwide 10, no. 2 (Autumn 2011), http://www.19thc-artworldwide.org/autumn11/review-of-the-hare-with- amber-eyes-a-familys-century-of-art-and-loss-by-edmund-de-waal. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Munsterberg: The Hare with Amber Eyes: A Family‘s Century of Art and Loss by Edmund de Waal Nineteenth-Century Art Worldwide 10, no. 2 (Autumn 2011) Edmund de Waal, The Hare with Amber Eyes: A Family's Century of Art and Loss. New York: Farrar, Straus and Giroux, 2010. 368 pp. 30 b/w ills. Hard: $26.00; trade paperback: $16.00; e-book, $9.99. ISBN: 978-0-374-10597-6, ISBN10: 0-374-10597-9 The Hare with Amber Eyes by Edmund de Waal is a magical book. A well-known British potter, Waal inherited a collection of 264 Japanese netsukes—small elaborate carvings made of ivory or wood and used as toggles on the cords holding containers (inros) to the sash of a man's traditional Japanese kimono. Possession of these remarkable objects led Waal to several years of travel and research in an effort to understand them and the family they came from, the once fabulously rich Ephrussis. -
Spring 2021 Catalog (PDF)
21S Macm Farrar, Straus and Giroux Page 1 of 42 LEAD Sorrowland A Novel by Rivers Solomon A triumphant, genre-bending breakout novel from one of the boldest new voices in contemporary fiction Vern - seven months pregnant and desperate to escape the strict religious compound where she was raised - flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes. To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future - outside the woods. Finding the Farrar, Straus and Giroux truth will mean uncovering the secrets of the compound she fled but also the On Sale: May 4/21 violent history in America that produced it. 5.38 x 8.25 • 368 pages 9780374266776 • $36.99 • CL - With dust jacket Rivers Solomon's Sorrowland is a genre-bending work of Gothic fiction. Here, Fiction / African American / General monsters aren't just individuals, but entire nations. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction. Notes Praise for An Unkindness of Ghosts Promotion What Solomon achieves with this debut - the sharpness, the depth, the precision - puts me in mind of a syringe full of stars. -
Artistic Identity in the Polipl2ilo
Artistic Identity in the Polipl2ilo Helena K. Sz6pet The Hypnerotomachia Poliphili,or Strife of Love in a Dream of Poliphilo as the title has been translated into English, is one of the most famous yet puzzling products of the Aldine press. Despite an enormous scholarly literature, the identities of the author and artists of this intentionally hermetic book remain greatly debated.I Indeed, because the Poliphilo is the only extensively illustrated book printed by the press, and because of the unscholarly, some- what scandalous nature of the text, it has been argued that Aldus could hardly have had much to do with its initial publication in 1499.2 The Poliphilo, nevertheless, remains one of the central monuments of the Renaissance, and many of its 172 anonymous woodcut illustrations have been cited as sources for important motifs in painting and sculpture from the Renaissance through Baroque eras in Venice and throughout Europe (figs. I and 2).3 Over the past Ioo years, historians have attributed the Poliphilo woodcuts to many different artists, including the painters Bon- consigli, Giovanni and Gentile Bellini, Botticelli, Bartolomeo and Benedetto Montagna, Palma Vecchio, Cima da Conegliano, Franco Francia, Titian, Benozzo Gozzoli and Pinturricchio, and Agabiti; the medalists Peregrini and Sperandio; the printmakers Giulio Campagnola, Jacopo de' Barbari, an anonymous 'Dolphin Master;' and the miniaturists the 'Second Grifo Mlaster' and Benedetto Bordon.4 Attempts to attribute the woodcuts to an artist clearly bring into question the efficacy of stylistic analysis for artistic attribution in this book. The perpetually debated attribution of the Poliphilo woodcuts is partially re-examined here by first asking, why is it important to know the artist/s of the Poliphilo? What is at stake, and how does that in part determine the attribution? The question of style is then rephrased from a codicological perspective.s The attempt to t Helena K.