Collective Identity, Learning and the Deaf Rights Movement
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
From the Invisible Hand to Joined Hands
1 From the Invisible Hand to Joined Hands But for the personal computing movement, there would be no Apple. Nearly all of the technical aspects associated with personal computing—small computers, microproces- sors, keyboard-based interfaces, individual usability—were available in 1972. As early as 1969, Honeywell had released the H316 “Kitchen Computer” priced at $10,600 in the Neiman Marcus catalog, and in 1971 John Blankenbaker had intro- duced the Kenbak-1 priced at $750 and Steve Wozniak and Bill Fernandez had built their Cream Soda Computer—so named because they drank Cragmont cream soda as they built the computer with chips discarded by local semicon- ductor companies. But the idea of using computers as personalized tools that augmented the autonomy of individuals only took root because of the efforts of hobbyists and engineers.1 According to some, the first shot of the personal computing movement was in 1966 when Steven Gray founded the Amateur Com- puting Society and published a newsletter for hobbyists, which became a model for hobbyist clubs around the coun- try. At that time, large firms such as IBM or DEC were dedi- cated to a centralized conception of computing in which the mainframe was tended by a priesthood of managers, engi- neers, and operators who prevented users from touching and working with the computer. Their focus effectively blinkered them to the other possibilities—that fans and tinkerers 1 Chapter 1 should have access and that they could in fact make a bundle by serving that market. As one historian of computing noted, “The most rigid rule was that no one should be able to touch or tamper with the machine itself. -
The Deaf Do Not Beg: Making the Case for Citizenship, 1880-1956
The Deaf Do Not Beg: Making the Case for Citizenship, 1880-1956 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Octavian Elijah Robinson Graduate Program in History The Ohio State University 2012 Dissertation Committee: Susan Hartmann, Advisor Paula Baker Susan Burch Judy Tzu-Chun Wu Copyright by Octavian Elijah Robinson 2012 Abstract This dissertation examines deaf people’s anxieties about their place in American society and the political economy from 1880 to 1956. My study highlights how deaf people sought to place themselves within mainstream society through their activism to protect and advance their status as citizen-workers. Their activism centered on campaigns against peddling. Those campaigns sought to protect the public image of deaf people as worker-citizens while protecting their language and cultural community. The rhetoric surrounding impostorism and peddling reveals ableist attitudes; anxieties about the oral method supplanting sign language based education for the deaf; fears and insecurities about deaf people’s place in the American economy; class consciousness; and efforts to achieve full social citizenship. Deaf people’s notion of equal citizenship was that of white male citizenship with full access to economic opportunities. Their idea of citizenship extended to the legal and social right to employment and economic self-sufficiency. This is a historical account of the deaf community’s campaign during the late nineteenth and first half of the twentieth century to promote deaf people within American society as equal citizens and to improve their access to economic opportunities. -
Copyright by Jennifer Nichole Asenas 2007
Copyright by Jennifer Nichole Asenas 2007 The Dissertation Committee for Jennifer Nichole Asenas Certifies that this is the approved version of the following dissertation: The Past as Rhetorical Resource for Resistance: Enabling and Constraining Memories of the Black Freedom Struggle in Eyes on the Prize Committee: Dana L. Cloud, Supervisor Larry Browning Barry Brummett Richard Cherwitz Martha Norkunas The Past as Rhetorical Resource for Resistance: Enabling and Constraining Memories of the Black Freedom Struggle in Eyes on the Prize by Jennifer Nichole Asenas, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2007 Dedication For Jeff and Marc Acknowledgements This dissertation is the product of many kind souls with brilliant minds who agreed to helped me throughout this process. I would like to thank my advisor, Dana Cloud, for being a living example of a scholar who makes a difference. I would also like to thank my committee members: Barry Brummett, Richard Cherwitz, Martha Norkunas, and Larry Browning for contributing to this project in integral and important ways. You have all influenced the way that I think about rhetoric and research. Thank you Angela Aguayo, Kristen Hoerl, and Lisa Foster for blazing trails. Jaime Wright, your inner strength is surpassed only by your kindness. Johanna Hartelius, you have reminded me how special it is to be loved. Lisa Perks, you have been a neighbor in all ways. Amanda Davis, your ability to speak truth to power is inspiring. -
Everyone Here Spoke Sign Language
Everyone Here Spoke Sign Language Nora Ellen Groce • •• • •• • • • • • • ••• Everyone Here Spoke Sign Language Hereditary Deafness on Martha's Vineyard Harvard University Press Cambridge, Massachusetts and London, England Copyright C 1985 by Nora Ellen Groce All rights reserved Printed in the United States of America Ninth printing, 1999 Ubrary of Congress Cataloging in Publication Data Groce, Nora, 1952- Everyone here spoke sign language. Bibliography: p. Includes index. 1. Deaf-Massachusetts-Martha's Vineyard-History. 2. Deafness-Genetic aspects. 3. Sign language. I. Tide. HV2561.M49G76 1985 362.4'2'0974494 85-5451 ISBN Q-674-27041-X (paper) For E. Gale Huntington ofChilmark, Martha's Vineyard •• • • • •• • •• ••••• Foreword by John W. M. Whiting This book is about Martha's Vineyard Island-especially the towns of West Tisbury and Chilmark-which for over two hundred years had a high incidence of hereditary deafness. The residents compensated for this condition by inventing or borrowing an efficient sign language, which was used by almost everyone, hearing and deaf alike. Although the last hereditary deaf person in Chilmark died in 1952, some of the older residents still remember the days when everyone spoke sign language. From the memories of these informants and a wealth of archival material, Nora Groce has compiled a detailed, vivid description ofdaily life on the Vineyard in the early days ofthis century. She shows the extraordinary degree to which deaf people were integrated into the community, for Vineyarders did not consider deafness to be a handicap. Curiously enough, both the high incidence of deafness and the adoption of sign language resulted from marriage patterns brought by the original settlers when they emigrated in the seventeenth century from the English county of Kent. -
FY 2018 Annual Report of Achievements
Annual Report of Achievements October 1, 2017–September 30, 2018 Front cover photos, left to right. Second row, middle photo: Seniors excitedly show off their tassels after making the rounds at Gradfest. Gradfest is a “one‑stop shop” event First row, first photo: Shellane McKitty raises her arms as part of a Black for graduating students to gather information, pick up their regalia, Student Union performance at UnityFest, an annual festival celebrating purchase their class rings, and finalize all arrangements for their the different cultures and traditions on campus. upcoming Commencement. Annual Report of Achievements First row, middle photo: Dr. Khadijat Rashid, Dean of the School of Second row, last photo: Dr. Daniel Lundberg teaches a chemistry course October 1, 2017–September 30, 2018 Education, Business and Human Services, delivers welcome remarks and in the department’s state of the art chemistry lab. Dr. Lundberg is one thanks to all who attended the Pan African Dinner. The dinner was one of the many Gallaudet professors preparing students to make a real of the many activities leading up to the Nigerian MOU signing. difference in the sciences. First row, last photo: Recent Gallaudet graduate Marissa Rivera poses in Last row, first photo: A member of the Gallaudet swim team glides to the the hallway of the Longworth House Office Building where she interned finish line with practiced precision and ease during a meet. with Congressional representative Mark Takano (D‑Calif). Last row, last photo: Dr. Audrey Cooper, assistant professor and director Second row, first photo: In the Motion Light Lab, founder and creator of the International Development Program, gives a classroom lecture to Melissa Malzkuhn demonstrates motion capture while signing graduate students. -
Themes and Symbols in ASL Poetry: Resistance, Affirmation, and Liberation 1
-- Themes and Symbols in ASL Poetry: Resistance, Affirmation, and Liberation 1 Karen Christie and Dorothy M.Wilkins (3) ~ Deaf Worlds Submitted 19/09/06 125 2007 I vol 22 (3) Accepted26/10/06 Forest Books ~ ISSN 1362-3125 Page Key words Analysis of signed poetry, De'VIA works, Post-colonial Literary Theory, :try: Resistance, Cultural Resistance, Cultural Affirmation, Cultural Liberation 'ns "Much of my work depicts the Deaf experience. .the suppression, and the beauty, of Deaf Culture and American Sign Language as I see it.. ."2 tal audism Betty G. Miller so Abstract This paper analyzes themes and symbols in a number of works of poetry in American Sign Language. In particular, the expression of themes of resistance to oppressive elements of the dominant (hearing) culture and affirmation of the values of Deaf American culture will be identified and eaf/hearingfamily S71 described in various poetic works. For analysis, definitions of resistance and affirmation are borrowed from Durr and Grcevic (1999) and Durr (1999/2000) who applied these concepts to the works of Deaf artists ation and Deaf People: striving to represent the Deaf experience. Our analysis confirms that there exists a thriving tradition of ASL poetic works which can be described as S86 having themes and symbols of resistance and affirmation. Because a number of poems were found to depict the journey from resistance to affirmation, ... -.. ... ...... .., ...~" ~"" V).."'v» 111""L i'U<;lI}: "C~I~Wncc, AlIlrmation, and Liberation Karen Christie and Dorothy M. Wilkins. DW(22)3:2007 a third theme, called liberation, was created. Furthermore, we propose that Ormsby (1995), Peters (2000), Sutton-Spence (2001), and Taub (2001) these poems can be viewed as part of both postcolonial literature literary have focused on close analysis of particular ASL/BSL poems and the studies and the basic tenets established by the De'VIA Manifesto. -
Themes and Symbols in ASL Poetry: Resistance, Affirmation, and Liberation Karen Christie
Rochester Institute of Technology RIT Scholar Works Articles 2007 Themes and symbols in ASL poetry: Resistance, affirmation, and liberation Karen Christie Dorothy Wilkins Follow this and additional works at: http://scholarworks.rit.edu/article Recommended Citation Christie, Karen and Wilkins, Dorothy, "Themes and symbols in ASL poetry: Resistance, affirmation, and liberation" (2007). Accessed from http://scholarworks.rit.edu/article/1001 This Article is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Articles by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. -- Themes and Symbols in ASL Poetry: Resistance, Affirmation, and Liberation 1 Karen Christie and Dorothy M.Wilkins (3) ~ Deaf Worlds Submitted 19/09/06 125 2007 I vol 22 (3) Accepted26/10/06 Forest Books ~ ISSN 1362-3125 Page Key words Analysis of signed poetry, De'VIA works, Post-colonial Literary Theory, :try: Resistance, Cultural Resistance, Cultural Affirmation, Cultural Liberation 'ns "Much of my work depicts the Deaf experience. .the suppression, and the beauty, of Deaf Culture and American Sign Language as I see it.. ."2 tal audism Betty G. Miller so Abstract This paper analyzes themes and symbols in a number of works of poetry in American Sign Language. In particular, the expression of themes of resistance to oppressive elements of the dominant (hearing) culture and affirmation of the values of Deaf American culture will be identified and eaf/hearingfamily S71 described in various poetic works. For analysis, definitions of resistance and affirmation are borrowed from Durr and Grcevic (1999) and Durr (1999/2000) who applied these concepts to the works of Deaf artists ation and Deaf People: striving to represent the Deaf experience. -
Through Deaf Eyes Weta and Florentine Films/Hott Productions, Inc
THROUGH DEAF EYES WETA AND FLORENTINE FILMS/HOTT PRODUCTIONS, INC. JANUARY 10, 2007 THIS SCRIPT INCORPORATES THE CORRECTED NARRATION. ###MARKS THE BEGINNING AND ENDING OF OPEN CAPTION SECTIONS. THESE SECTIONS DO NOT REQUIRE CLOSED CAPTIONS. Words Appear: “The following program is available in high-definition TV.” Now, Actor and Director CJ Jones signs as he speaks. CJ JONES: I was driving down on the freeway, oh it was a beautiful day. All the birds were flying and all the birds were singing and all the birds dropping, hey you, quack quack quack, I got you. He swerves and shows a bird hitting his face, then falling. All of a sudden I look through the rear view mirror, the guy behind me was so angry, honk, honk, honk. “Hey you, what are you deaf, huh?” Well that makes me angry, of course I’m deaf and proud. So I step on the gas. Oh, by the way I have a Mercedes 500 ACL. I’m rich and deaf, thank you very much. Finally I caught up with that car. Automatic window. It rolls down. Hey you, what are you hearing, huh? I. King Jordan, former president, Gallaudet University, signs as he speaks. I. KING JORDAN: When you talk to people who can hear and you ask them what do you think it would be like to be a deaf person? Then all of their thinking is well, I couldn’t do this. Can’t, can’t, can’t, can’t, can’t. They would start listing all the things they can’t do. -
A Second Look at Identity Politics in Relation to the 1988 and 2006 Protests at Gallaudet University
Perforating Tympanic Walls: A Second Look at Identity Politics in Relation to the 1988 and 2006 Protests at Gallaudet University Paige Elizabeth Franklin Bachelors, Psychology, May 1991, Gallaudet University Masters, Deaf Education, May 1995 Gallaudet University Masters, Teaching English to Speakers of Other Languages, December 1999, American University Masters, English Language and Literature, December 2005, University of Maryland A Dissertation submitted to The Faculty of Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2010 Dissertation directed by Daniel Moshenberg Associate Professor of English The Columbian College of Arts and Sciences of The George Washington University certifies that Paige Elizabeth Franklin has passed the Final Examination for the degree of Doctor of Philosophy as of December 3, 2009. This is the final and approved form of the dissertation. Perforating Tympanic Walls: A Second Look at Identity Politics in Relation to the 1988 and 2006 Protests at Gallaudet University Paige Elizabeth Franklin Dissertation Research Committee: Daniel Moshenberg, Associate Professor of English, Dissertation Director Robert McRuer, Professor of English, Committee Member Tonya M Stremlau, Professor of English at Gallaudet University, Committee Member ii Copyright 2010 by Paige Elizabeth Franklin All rights reserved iii Acknowledgements I am grateful to my dissertation committee, Dan Moshenberg (chair), Robert (Bob) McRuer, and Tonya Stremlau, for patiently working with me through my writing process. I am also grateful to James J Mahshie for agreeing to serve as the fourth reader and on the defense team. Not only Dan, a women studies and activism studies scholar, cheered me through (Yay! You go!), he also wrote many many emails with praises for each chapter (all six of them) and suggested how I could shape my arguments. -
Important Note to Readers
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository Important note to readers: This paper is the final draft version of the published article. Readers wishing to cite from this work for scholarly purposes are advised to consult the definitive, published version (below). Citation: Kensicki, L.J. (2001) Deaf President Now! Positive Media Framing of a Social Movement within a Hegemonic Political Environment. Journal of Communication Inquiry, 25(2), pp. 147‐166. Source: http://dx.doi.org/10.1177/0196859901025002005 Deaf President Now! Positive Media Framing of a Social Movement Within a Hegemonic Political Environment Linda Jean Kensicki The University of Texas at Austin 503 Franklin Boulevard Austin, Texas 78751 USA Tel. 512.467.7190 Fax. 512.467.7190 [email protected] Deaf President Now! Positive Media Framing of a Social Movement Within a Hegemonic Political Environment Introduction In the past forty years, social movements have galvanized thousands of people into collective action. Modern movements have closed nuclear plants, created affirmative action legislation, raised the working salaries of women and saved certain species from extinction. The power of collective action has forever altered modern society. By examining movements from a historical context and researching what factors created success or facilitated a movement’s failure, scholars have the opportunity to better inform present movements and thus effect social change. Discovering how one movement succeeded in achieving their goals in the past may help explicate why another will fail in the future. The Deaf President Now movement has much to teach those who study movements and those who hope to benefit from what is learned. -
The Best American Poetry You'll Never Read
The Best American Poetry You’ll Never Read Larry Polansky 3/18/13 revision: 5/2/15 “the poets who do not write. … they make poetry out of handfuls of air” (John Lee Clark) A few months ago, my friend Kenny Lerner sent me a link to a new poem on YouTube, called “Made in the USA,” by himself and collaborator Peter Cook. Together, as Flying Words Project, they perform often, all over the world. They live in different cities, so their habit is to create new poems in hotel rooms while on the road. “Made in the USA” is a poem about epidemics, sneezing, DNA, social ills, the great connectivity of the universe, and lots of other things. Full of inventive imagery, each line propulsively spawns the next. Typical of Flying Words Project poems, it starts personal, gets political, and ends up back where it started. One particularly effective and unusual moment in the poem depicts a ray of sunlight piercing a bead of sweat. If it were a conventional poem, I could quote that part here, and you could decide for yourself if it was “effective and unusual.” I can’t do that. Lerner and Cook work in American Sign Language (ASL). The image I refer to involves Cook using the same handshape simultaneously in both hands — in this case the bent index finger — to represent a ray of sunlight piercing a dripping bead of sweat. Both hands use the same motion, perpendicular to each other. Two ideas, one piercing the other. One image. I considered how I might translate this into English. -
SASL Journal, Volume 1, Number 1
Society for American Sign Language Journal Volume 1 Number 1 Article 1 SASL Journal, Volume 1, Number 1 Follow this and additional works at: https://tigerprints.clemson.edu/saslj Part of the American Sign Language Commons, and the Education Commons Recommended Citation () "SASL Journal, Volume 1, Number 1," Society for American Sign Language Journal: Vol. 1 : No. 1 , Article 1. Available at: https://tigerprints.clemson.edu/saslj/vol1/iss1/1 This Full Issue is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Society for American Sign Language Journal by an authorized editor of TigerPrints. For more information, please contact [email protected]. et al.: SASL Journal, Volume 1, Number 1 SASL Journal Volume 1, Number 1 Fall/Winter 2017 A Society for American Sign Language Publication ISSN: 2474-8277 (online) Published by TigerPrints, 1 Society for American Sign Language Journal, Vol. 1 [], No. 1, Art. 1 SASL Journal Volume 1, Number 1 Editor-in-Chief Jody H. Cripps Department of Audiology, Speech-Language Pathology & Deaf Studies Towson University 8000 York Rd. Towson, MD 21252 [email protected] Fax: 410 704-4131 Copyeditors Betsy McDonald Sheryl B. Cooper Georgetown University (Retired) Towson University Andrew P. J. Byrne Framingham State University SASL Board of Directors Samuel J. Supalla - President Deirdre Schlehofer - Vice President University of Arizona Rochester Institute of Technology Andrew P. J. Byrne - Secretary Harvey Nathanson - Treasurer Framingham State University Austin Community College Gabriel Arellano Jody H. Cripps Georgetown University Towson University Ronald Fenicle Russell S. Rosen Montgomery College CUNY - Staten Island Copyright © 2017 A Society for American Sign Language Publication.