The Space of Politics: Wolin, Voegelin, and Arendt Compared. Thomas Heilke Department of Political Science University of Kansas Prepared for the Annual Meeting of the American Political Science Association, Chicago, August 29-Sept. 2, 2007. © 2007 by Thomas Heilke. Do not cite without express permission of author. For electronic copies or other inquiries, please email:
[email protected]. 1. Introduction In January, 2000, a 10 year-old boy stood on the stage of the amphitheater in Fiesole, a small Etruscan-era hill-top town in the Italian province of Tuscany, and recited “In Flanders’ Fields,” the well-known paean to the dead at the second Battle of Ypres in 1915. A physician and second in command of the 1st Brigade Canadian Field Artillery, Dr. John McCrae, wrote the poem during the second week of the battle, upon the death of his friend, Lieutenant Alexis Holmer.1 McCrae was killed in action on 28 January, 1918. The poem reads as follows: In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.2 The poem is not, perhaps, intended to be “political” in the precise sense of motivating its audience to common action toward a common cause: the background of the poem is the death of a soldier, and it is written by another soldier who was a close friend.