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Great Heritages of Orissa
Orissa Review * December - 2004 Great Heritages of Orissa Dr. Hemanta Kumar Mohapatra Etymologically, 'heritage' is anything that is or Cultural heritages are the creation of human may be inherited. In such case 'heritage' covers beings, who have created it by virtue of their everything that is seen around the human innovative power, creativity, skill and artistic civilization. Heritage is thus natural or created ability. or has evolved in the course of history. It is natural or man-made. Of the man-made Cultural heritages may be tangible or heritages some are already made and existing intangible. Archaeological heritages may be and others are in the process of making. But otherwise called tangible heritages. The everything what we inherit or may be inherited intangible ones may be called living heritages. can not be heritage in the proper use of the But for better comprehension and convenience term. To assume the dimension of heritage such we have discussed the cultural heritages in features must have influenced the socio- entirety under the following sections. economic and cultural life of the people. It must (a) Archaeological heritages (b) Literary have substantially influenced the imagination heritages (c) Religious heritages and life style of the human beings. A society (d) Performing art heritages, (e) Heritage or civilization is known and become unique festivals (f) Art and craft heritages by its own tradition. It gets its identity by its (g) Modern heritages of Orissa. own heritages. The cultural dimension of Orissa is Heritage is something which is specific varied and wide. Every bit of Oriyan culture and typical of a place, area, region or country and tradition is not included in this discussion. -
Directorate of State Transport, Haryana Spo/He Dated: /5
Directorate of State Transport, Haryana 30-Bays Building, 2no FIoor, Sector_17, Chandigarh DTC (Storcs) 0172-2709809; E_Mail tD: _ d([email protected] To l. Senior Mechanical Engineer, Govt. central workshop, chandigarh. 2, All General Managers, Haryana Roadways. 3. Deputy Transport Controllers, Haryana Roadways Central Workshop, Hisar& Karnal. 4. Flying Squad officer, Haryana Roadways, Inter State Bus Terminal, Delhi. 5. General Manager, Driver Training lnstitute, Murthal (Sonipat). Memo No. SpO/He Dated: /5 - tz ^Ie Subject: Promoting of Digital payment - cashless Transactions. As you are aware that the Govt. of India I Haryana have resolved to make the financial transactions in State Transport Department, Haryana cashless and a few steps have already been initiated at different level of Covt. Authorities. In orderto promote cashless transaction in the department, the,following proposals of the office have been approved by competent authorities which are as under:- I' An online application for Driving Training Fees Payment has been developed to make payment online on e-Gras. All concerned officers are advised to accept Driving Training Fee payment through online payment system only i.e. epqv.hrtransporl.in. No physical cash transaction is allowed. 2. College / Institutes / Schools, General and Employees Bus Pass Payments to be processed online only on web addressi.e, epav.hrtransport.in. No physical cash transaction is allowed. 3. The collection of rented shops and other rented facilities at bus stands to be processed only on web address i.e. epov.hrtransport.in. No physical cash transaction is allowed. 1"he cornpliance report must be conveyed to this office within three days from the c1ate of this letter. -
Congress Participants
CONGRESS PARTICIPANTS "COMPAGNIA TRASPORTI LAZIALI" SOCIETÀ REGIONALE S.P. A. Italy 9292 - REISINFORMATIEGROEP B.V. Netherlands AB STORSTOCKHOLMS LOKALTRAFIK - STOCKHOLM PUBLIC TRANSPORT Sweden AB VOLVO Sweden ABB SCHWEIZ AG Switzerland ABG LOGISTICS Nigeria ABU DHABI DEPARTMENT OF TRANSPORT United Arab Emirates ACCENTURE Germany ACCENTURE Finland ACCENTURE Canada ACCENTURE Singapore ACCENTURE BRAZIL Brazil ACCENTURE BRISBANE Australia ACCENTURE SAS France ACTIA AUTOMOTIVE France ACTV SOCIETÀ PER AZIONI Italy ADDAX- ASSESORIA FINANCEIRA Brazil ADNKRONOS Italy ADV SPAZIO SRL Italy AESYS - RWH INTL. LTD Germany AGENCE BELGA Belgium AGENCE FRANCE PRESSE France AGENCE METROPOLITAINE DE TRANSPORT Canada AGENZIA CAMPANA PER LA MOBILITÀ SOSTENIBILE Italy AGENZIA ESTE NEWS Italy AGENZIA MOBILITA E AMBIENTE E TERRITORIO S.R.L. Italy AGENZIA PER LA MOBILITÀ ED IL TRASPORTO PUBBLICO LOCALE DI MODENA S.P.A. Italy AGETRANSP Brazil AIT AUSTRIAN INSTITUTE OF TECHNOLOGY GMBH Austria AJUNTAMENT DE BARCELONA Spain AKERSHUS FYLKESKOMMUNE - AKERSHUS COUNTY COUNCIL Norway AL AHRAME Egypt AL FAHIM United Arab Emirates AL FUTTAIM MOTORS United Arab Emirates AL RAI MEDIA GROUP-AL RAI NEWSPAPER Kuwait ALBERT - LUDWIGS - UNIVERSITÄT FREIBURG INSTITUT FÜR VERKEHRSWISSENSCH Germany ALCOA WHEEL AND TRANSPORTATION PRODUCTS Hungary ALEXANDER DENNIS LIMITED United Kingdom ALEXANDER DENNIS Ltd United Kingdom ALLINNOVE Canada ALMATY METRO Kazakhstan ALMATYELECTROTRANS Kazakhstan ALMAVIVA SPA Italy ALSTOM France ALSTOM MAROC S.A. Morocco AMBIENTE EUROPA Italy AMERICAN PUBLIC TRANSPORTATION ASSOCIATION USA ANDHRA PRADESH STATE ROAD TRANSPORT CORPORATION India APAM ESERCIZIO S.P.A. Italy ARAB UNION OF LAND TRANSPORT Jordan AREA METROPOLITANA DE BARCELONA Spain AREP VILLE France ARIA TRANSPORT SERVICES USA ARRIVA (ESSA ALDOSARI) United Arab Emirates ARRIVA ITALIA S.R.L. -
Haryana Roadways Engineering Corporation.Ltd., Gurgaon
Haryana Roadways Engineering Corporation.Ltd., Gurgaon 6th Milestone Delhi-Jaipur Highway Behrampur road Khandsa, Gurgaon Phone - 0124-2215660, 2215389 E-mail: [email protected] NOTICE INVITING E-TENDER Online E-tenders are hereby invited for the following store materials for fabrication of bus bodies: Sr. Name of Group/Item Approx value EMD Value Sources of Purchase No. (Rs. In lacs) (Rs. In lacs) 1 Mig Wire 0.8mm 25.00 0.50 M/s ESAB India Ltd. or M/s Ador Welding or their authorized dealer or distributors, M/s Maruti Weld, M/s Varun Electrodes Pvt. Ltd., M/s GEE Ltd. 2 Perforated Polythene etc. 04.00 0.08 Manufacturer/General Supplier 3 . Mig Welding Spare Parts 03.00 0.06 M/s L& T Ltd. OR their authorized of L & T make. deal ers/distri butors. 4 Synthetic Based Rubber 03.00 0.06 M/s Piddilite Industries Ltd./M/s Adhesive. Polygel Technologies India Pvt. Ltd. OR their authorized dealers/RC firms with ASRTU. 5 Tinted Toughened 16.00 0.32 Firm should have current rate Glass 5mm thickness contract with ASRTU or Dark Green and manufacture having in house Toughened Glass clear facility of Horizontal Toughening 5 mm. Plant and ISO 9001 meeting specification No.. IS;2553:1992 tt i' axirli 6 Water Proof Paper and 05.00 • 0.10 Authorized dealers/distributors of M/s Sandor'Disc etc. ' Carborandum Universal/Mico Bosch make. 7 Electric Welding Rod 09.50 0.19 M/s ESAB India Ltd. or M/s Ador 3.15mm'x 350mm Welding or their, authorized dealer or distributors, M/s Maruti Weld, M/s Varun Electrodes Pvt. -
Shadows Speak: a Need to Revive the Shadow Theatres of India
ISSN. 0972 - 8406 The NEHU Journal, Vol XIII, No. 1, January-June 2015 , pp. 21-31 Shadows Speak: A Need to Revive the Shadow Theatres of India ARTI N IRMAL 1 Abstract The Shadow Theatre or Shadow Puppetry or ‘Chhaya Natak’ of India is an ancient yet powerful example of folk theatre. On the basis of available evidences it has been found to be a predecessor of human theatre. This ancient form of leather puppetry in India is surviving through ages but it is sad to note that today in the age of film, television and internet, it is merely alive in few regions in India. Since these ‘Shadow Theatres’ signify our Indian culture, it becomes our duty to preserve and promote such art forms for generations to come. Against this background, the present paper aims to highlight the significance of shadow theatres in modern India with special reference to ‘Ravana Chhaya’ of Orissa. Keywords: Folk Theatre, Shadow Theatre, Leather Puppets, Ravana Chhaya, Liminal Zone. hadow Theatre is an ancient form of storytelling and entertainment which uses flat articulate figures to create the impression of moving Shumans. Shadows might seem transitory and temporary in nature, but they can be a powerful mode of artistic and theatrical representation too, if utilized artistically. Technologically, in Shadow Theatre the articulated figures are illuminated from behind the screen to create an illusion of moving characters. And then this illusion is adjusted skillfully to depict various stories from the Ramayana , the Mahabharata , the Puranas , and the folktales. In this way, they not only enhance our understanding of the Indian cultural tradition but also cast a profound social appeal on the viewers. -
Chapter VI BANKING, TRADE and COMMERCE
Chapter VI BANKING, TRADE AND COMMERCE INDIG ENOU S BA NKING Indigenous banking, as elsewhere, is done by individual bankers in towns and money-lenders (sahukars) in villages. The former receive de - posits , deal in hundis and also finance trade and industry against the security of goods. They are quite particular about the purpose s for which they advance lo ans . The money-lenders in villages mainly finance con sumption . Despite thi s difference, their operations are very similar . Functioning in an un- organised manner , they have adapted themselves to the customs, habits and needs of their local clients . Their business, being hereditary, is often carried on as a family concern. They generally rely on their own resources and, if necessary, borrow money from one another and even from joint-stock banks by re-discounting hundis. As the banks impose rigid conditions , these indigenous agencies do not often resort to them . The bazaar hundis rate (i .e. the rate at which indigenous bankers discount hundis) is invariably different from the bank rate. The village economy being traditionally controlled by the sahukar, the poor peasantry was at his mercy for all their financial needs. As a shopkeeper the sahukar preferred to have a lien on the agricultural produce . He could in this way profit twice, once by buying cheaply from the producer to whom he had lent money , and then by selling it at a higher rate to indi- vidual consumers or in a mandi . After 1870, when land became a profitable investment, the sahukar began to tighten his financial hold in such a way as eventually to oust the rural debtors from their lands. -
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c m y k c m y k Registered with the Registrar of Newspapers of India: Regd. No. 14377/57 CONTRIBUTORS Dr. Karan Singh Gouranga Dash Madhavilatha Ganji Meena Naik Prof. S. A. Krishnaiah Sampa Ghosh Satish C. Mehta Usha Mailk Utpal K Banerjee Indian Council for Cultural Relations Hkkjrh; lkaLdfrd` lEca/k ifj”kn~ Phone: 91-11-23379309, 23379310, 23379314, 23379930 Fax: 91-11-23378639, 23378647, 23370732, 23378783, 23378830 E-mail: [email protected] Web Site: www.iccrindia.net c m y k c m y k c m y k c m y k Indian Council for Cultural Relations The Indian Council for Cultural Relations (ICCR) was founded on 9th April 1950 by Maulana Abul Kalam Azad, the first Education Minister of independent India. The objectives of the Council are to participate in the formulation and implementation of policies and programmes relating to India’s external cultural relations; to foster and strengthen cultural relations and mutual understanding between India and other countries; to promote cultural exchanges with other countries and people; to establish and develop relations with national and international organizations in the field of culture; and to take such measures as may be required to further these objectives. The ICCR is about a communion of cultures, a creative dialogue with other nations. To facilitate this interaction with world cultures, the Council strives to articulate and demonstrate the diversity and richness of the cultures of India, both in and with other countries of the world. The Council prides itself on being a pre-eminent institution engaged in cultural diplomacy and the sponsor of intellectual exchanges between India and partner countries. -
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International Journal of Research in Social Sciences Vol. 11 Issue 03, March 2021 ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gate as well as in Cabell’s Directories of Publishing Opportunities, U.S.A Performance Analysis of State Transport Undertaking: A Study of Haryana Devinder S Hooda NitishaSehrawat Abstract Haryana Roadways bus transport has been operated by the Haryana Government to meet the need of Public Road Transport in Haryana. The mission of Haryana Roadways is to surpass and robustness for public transportation services for rural and urban areas in state. The important objective of the study is to assess the performance of Haryana Roadways by firstly performance indicators are classified into categories and evaluate the overall performance and Depot- wise performance of Haryana Roadways.This study has taken some important indicators to measure the performance of depot, through these indictors it has been found that which area need more work. The accident rate was -3.28 in Haryana, which indicates that due to development of roads, trained staff, newly buses on road and proper maintenance of old buses the number of accident has been reduced. In Haryana the consumption of fuel has been growing only by 0.12% rate. This is also a very good sign for the performance. No significant fluctuations in consumption of fuel have been spotted among Haryana Roadways buses.Out of the 20 depots Bhiwani depot performed best, total receipts have shown highest growth rate and the total expenditure was lowest for this depot, in contrary to Ambala depot whose performance was worst. -
Annual Report 1990 .. 91
SANGEET NAT~AKADEMI . ANNUAL REPORT 1990 ..91 Emblem; Akademi A wards 1990. Contents Appendices INTRODUCTION 0 2 Appendix I : MEMORANDUM OF ASSOCIATION (EXCERPTS) 0 53 ORGANIZATIONAL SET-UP 05 AKADEMI FELLOWSHIPS/ AWARDS Appendix II : CALENDAR OF 19900 6 EVENTS 0 54 Appendix III : GENERAL COUNCIL, FESTIVALS 0 10 EXECUTIVE BOARD, AND THE ASSISTANCE TO YOUNG THEATRE COMMITTEES OF THE WORKERS 0 28 AKADEMID 55 PROMOTION AND PRESERVATION Appendix IV: NEW AUDIO/ VIDEO OF RARE FORMS OF TRADITIONAL RECORDINGS 0 57 PERFORMING ARTS 0 32 Appendix V : BOOKS IN PRINT 0 63 CULTURAL EXCHANGE Appendix VI : GRANTS TO PROGRAMMES 0 33 INSTITUTIONS 1990-91 064 PUBLICATIONS 0 37 Appendix VII: DISCRETIONARY DOCUMENTATION / GRANTS 1990-91 071 DISSEMINATION 0 38 Appendix VIll : CONSOLIDATED MUSEUM OF MUSICAL BALANCE SHEET 1990-91 0 72 INSTRUMENTS 0 39 Appendix IX : CONSOLIDATED FINANCIAL ASSISTANCE TO SCHEDULE OF FIXED CULTURAL INSTITUTIONS 0 41 ASSETS 1990-91 0 74 LIBRARY AND LISTENING Appendix X : PROVIDENT FUND ROOMD41 BALANCE SHEET 1990-91 078 BUDGET AND ACCOUNTS 0 41 Appendix Xl : CONSOLIDATED INCOME & EXPENDITURE IN MEMORIAM 0 42 ACCOUNT 1990-91 KA THAK KENDRA: DELHI 0 44 (NON-PLAN & PLAN) 0 80 JA WAHARLAL NEHRU MANIPUR Appendix XII : CONSOLIDATED DANCE ACADEMY: IMPHAL 0 50 INCOME & EXPENDITURE ACCOUNT 1990-91 (NON-PLAN) 0 86 Appendix Xlll : CONSOLIDATED INCOME & EXPENDITURE ACCOUNT 1990-91 (PLAN) 0 88 Appendix XIV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN & PLAN) 0 94 Appendix XV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN) 0 104 Appendix XVI : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (PLAN) 0 110 Introduction Apart from the ongoing schemes and programmes, the Sangeet Natak Akademi-the period was marked by two major National Academy of Music, international festivals presented Dance, and Drama-was founded by the Akademi in association in 1953 for the furtherance of with the Indian Council for the performing arts of India, a Cultural Relations. -
Research Article
Available Online at http://www.recentscientific.com International Journal of CODEN: IJRSFP (USA) Recent Scientific International Journal of Recent Scientific Research Research Vol. 12, Issue, 02 (E), pp. 41069-41072, February, 2021 ISSN: 0976-3031 DOI: 10.24327/IJRSR Research Article PERFORMING ARTS AS A DOMAIN OF INTANGIBLE CULTURAL HERITAGE WITH SPECIAL REFRENCE TO INDIAN FOLK THEATRE Mohammad Irfan, Farin Khan* and Himanshi Sharma Department of Museology, Aligarh Muslim University, Aligarh-202002, Uttar Pradesh, India DOI: http://dx.doi.org/10.24327/ijrsr.2021.1202.5823 ARTICLE INFO ABSTRACT Article History: Performing Arts have been a very important and integral part of Indian Tradition and Culture. In the past times these performances used to be performed in each and every part of India in their regional Received 06th November, 2020 th ethics and customs. But with the change in time we see change in our customs and traditions. We are Received in revised form 14 swiftly moving towards western culture as a result of which these integral parts of Indian tradition December, 2020 are also changing and vanishing up to an extent. Performing Arts have a very wide range and India Accepted 23rd January, 2021 th has been a hub of many such activities, these activities include dance performances, folk music sung Published online 28 February, 2021 in festivals, marriages, funerals and other important ceremonies as well. This shows that whatever the occasion be, different art forms have been an integral part of our Indian Traditional Culture. But Key Words: with the change in time, a constant decrement has been seen in these community performances. -
Rain Carts of the Canal Villages of Sonipat
CHAPTER vn COMMUNICATIQNS ROAD AND ROAD TRANSPORT ROADS A cross road line of importance runs from. Kharkhoda. going eastward . to Bhagpat. Some of the heaviest traffic of'the country.side.Iay.in.the cotton, gUT, and grain carts of the canal villages of Sonipat. The cross-country lines of road in that part of tahsil were often soft andtutt¥ ;often eut"lltY by wrong-headed water-courses and it was very difficult to. cress, them during the rainy season. Besides Grand Trunk Road (Sher Shah SUJ'iMilrgfrom Delhi towards Sonipat), the following table shows the important means of communicatioris (roads/routes) in the Sonipat area :- Route Halting Place ltemarks '\ \ Delhi to 1~ Rai Police bungalow and. enaamping Karnal ground Larsauli Ditto Rai to i Sonipat j Sonip3;.t Police bungalow Besides, a small list of unmetalled (roads ·l883-84)in tbeSonipattarea is given below-r-> Un metalled roads 'uttgtli (Miles) 1. Sonipat to Maniarpur ferry 11 2. Kharkhoda via Thana KaJan to Bhagpat 18 3. Sonipat to Bhagpat 12 4. Badli to Zafarpur via Sonipat 29 By 1912, there was some improvement in the roads. In addition to G.T. Road. Delhi city was also connected by a metalled road -Sonipat- Khar khoda. The position of the metalled roads in the Gohana area was not so satisfactory. The metalled roads were .Gohana-Rohtak (20 miles); Sampla- Kharkhoda-Sonipat (I8 miles); Rohtak-Kharkhoda and from Gohana to Mcham Kharkhoda and Safidon. 1. Delhi District Gazetteer, 1883-84, p. 144. 186 COMMUNICATIONS 1 187 All 'the roads were usually in-very faiJ'06ooitioo'aoo easy fQt' the traffic '~'OOurrtry carts-exaepttUter heavy- rain. -
Love, with Strings Attached - ALL - the Hindu
11/27/2017 Love, with strings attached - ALL - The Hindu SUNDAY MAGAZINE Love, with strings attached Anusua Mukherjee NOVEMBER 26, 2017 00:00 IST UPDATED: NOVEMBER 26, 2017 03:52 IST Puppetry in Odisha is not really a ‘dying art’ as it is often made out to be, but it is at risk of being appropriated by the state A white screen, about 4x6 feet, is tied to two metal poles at a height of three feet from the ground. A group of puppeteers and musicians sits behind it, hidden by a curtain that is hung from the screen. The performers hold up flat leather puppets against a light bulb and the shadow play begins. It looks like sunrise as the puppets gradually appear on the ‘horizon’, being raised from below the stage by the puppeteers on the other side. There is a clash of cymbals; the harmonium matches the beats of the mridangam; the daskathi, two wooden sticks held in the palm, does a constant clackety-clack. The singing is sometimes euphoric, sometimes pleading, sometimes heroic, as befits the characters. Hanuman comes to the rescue of Sita in Lanka and is confronted by the demon-like Lanka Devi. In this black-and-white battle of good and evil, the latter must inevitably be defeated: there is raucous, victorious laughter as the demons fall in a trembling http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/love-with-strings-attached/article20942786.ece 1/8 11/27/2017 Love, with strings attached - ALL - The Hindu heap. I feel like I have been watching scenes from my unconscious.