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Catholics & Cremation
Interim Signature Solution Interim Signature Solution (continued from previous panel) Answers in glory and our bodies and souls will be reunited Cremation(continued from previous panel) Ad resurgendum to your Answers but will be remade on that last day, sharing the in glory and our bodies andcum souls Christo will be reunited Cremation Ad resurgendum Glory of the Risen Christ. in the but will be remade on that last day, sharing the cum Christo to your Because of this, it is inconsistent with this belief Glory of the Risen Christ. in the questions… The rules that govern cremation after death for Catholic To Rise to scatter the cremated remains of our deceased Because of this, it is inconsistent with this belief To Rise the Catholic Church are actually not changing! questions… The rules that govern cremation after death for With Christ Catholic (into the air, on the ground, or in bodies of water) Church to scatter the cremated remains of our deceased Since 1963 the Church has allowed cremation the Catholic Church are actually not changing! or to divide them, or to keep them in homes. (into the air, on the ground, or in bodies of water) Church With Christ and since early 1997 it has allowed a funeral Since 1963 the Church has allowed cremation or to divide them, or to keep them in homes. liturgy in the presence of cremated remains. and since early 1997 it has allowed a funeral Recently, the Vatican’s Congregation for the Why are they The Instruction notes that “when, for legitimate Even with these options, the Church has always What should be liturgy in the presence of cremated remains. -
The Mummy Portraits of Fag El-Gamous
Studia Antiqua Volume 12 Number 1 Article 4 June 2013 The Mummy Portraits of Fag el-Gamous Kerry Muhlestein Bethany Jensen Follow this and additional works at: https://scholarsarchive.byu.edu/studiaantiqua Part of the Biblical Studies Commons, Classics Commons, History Commons, and the Near Eastern Languages and Societies Commons BYU ScholarsArchive Citation Muhlestein, Kerry and Jensen, Bethany. "The Mummy Portraits of Fag el-Gamous." Studia Antiqua 12, no. 1 (2013). https://scholarsarchive.byu.edu/studiaantiqua/vol12/iss1/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Studia Antiqua by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. THE MUMMY PORTRAITS OF FAG EL-GAMOUS KERRY MUHLESTEIN AND BETHANY JENSEN Kerry Muhlestein is an associate professor of ancient scripture at Brigham Young University. Bethany Jensen is an archaeology major with a minor in Ancient Near Eastern Studies. he necropolis of Fag el-Gamous has been under excavation by Brigham TYoung University for more than thirty years. In those thirty years, more than 1700 burials1 have been excavated by Brigham Young University. In all of those years of excavation, not a single mummy portrait has been found, even though many of the mummies were interred during the era when some people from this area were having mummy portraits created for their burial. Despite this fact, our research has shown that Fag el-Gamous is the source of at least seven mummy portraits unearthed at the turn of the 20th century. -
The Dread Taboo, Human Sacrifice, and Pearl Harbor
The Dread Taboo, Human Sacrifice, and Pearl Harbor RDKHennan The word taboo, or tabu, is well known to everyone, but it is especially interesting that it is one of but two or possibly three words from the Polynesian language to have been adopted by the English-speaking world. While the original meaning of the taboo was "Sacred" or "Set apart," usage has given it a decidedly secular meaning, and it has become a part of everyday speech all over the world. In the Hawaiian lan guage the word is "kapu," and in Honolulu we often see a sign on a newly planted lawn or in a park that reads, not, "Keep off the Grass," but, "Kapu." And to understand the history and character of the Hawaiian people, and be able to interpret many things in our modern life in these islands, one must have some knowledge of the story of the taboo in Hawaii. ANTOINETTE WITHINGTON, "The Dread Taboo," in Hawaiian Tapestry Captain Cook's arrival in the Hawaiian Islands signaled more than just the arrival of western geographical and scientific order; it was the arrival of British social and political order, of British law and order as well. From Cook onward, westerners coming to the islands used their own social civil codes as a basis to judge, interpret, describe, and almost uniformly condemn Hawaiian social and civil codes. With this condemnation, west erners justified the imposition of their own order on the Hawaiians, lead ing to a justification of colonialism and the loss of land and power for the indigenous peoples. -
Grave Exclamations: an Analysis of Tombstones and Their Seu As Narrative of Self Lacey Jae Ritter Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2012 Grave Exclamations: An Analysis of Tombstones and Their seU as Narrative of Self Lacey Jae Ritter Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the Sociology Commons Recommended Citation Ritter, Lacey Jae, "Grave Exclamations: An Analysis of Tombstones and Their sU e as Narrative of Self" (2012). Theses, Dissertations, and Other Capstone Projects. Paper 242. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Grave Exclamations: An Analysis of Tombstones and Their Use as Narrative of Self By Lacey J. Ritter A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Sociology: Teaching Emphasis at Minnesota State University, Mankato May, 2012 April 3, 2012 This thesis paper has been examined and approved. Examining Committee: Dr. Leah Rogne, Chairperson Dr. Emily Boyd Dr. Kathryn Elliot i Ritter, Lacey. 2012. Grave Exclamations: An Analysis of Tombstones and their Use as Narrative of Self. Master’s Thesis. Minnesota State University, Mankato. PP.69. We establish our selves through narratives—with others and by ourselves— during life. What happens, however, when a person dies? The following paper looks at the way narratives about the deceased’s selves are created by the bereaved after their loved ones have died. -
Guide to Cemetery Surveying
Georgia’s State Historic Preservation Office IIIIIICCCeeemmmeeettteeerrryyy PPPrrreeessseeerrrvvvaaatttiiiooonnn QQQUUUIIICCCKKK TTTIIIPPPSSSIIIIII Guide to Cemetery Surveying 1. Consider carefully the scope of your cemetery survey project. The scope of a cemetery survey project can vary according to your established goals and/or your organizational resources. For instance, your project could be to record the locations of all the cemeteries in the entire county, or you could be interested in just recording the information about one specific cemetery. Either is beneficial, especially when taking into consideration what you can realistically achieve. You can always do more later and add to previously gathered information. Consider the following when planning the scope of your cemetery survey: • For a county-wide cemetery location survey, the main tasks are finding all the cemeteries in the county, making a record of the locations, and marking them on a map. • For a survey of an individual cemetery, tasks include: o Determining its boundaries accurately, including unmarked graves; mapping within the cemetery boundaries the layout of graves and plots. o Recording grave marker inscriptions and keying them to a map of the cemetery’s layout. o Photographing all grave markers, monuments, and other features of the cemetery, referencing their locations on the cemetery map. o Recording the condition of grave markers, monuments, fencing, and other features. o Recording the condition of the landscape (erosion problems, plant overgrowth), and other observable problems, such as vandalism. 2. Determine the underlying purpose of your cemetery survey project. In other words, ask yourself specifically what is the end use of the information you are gathering. -
Do's and Don'ts of Cemetery Cleanups
THE “DO’S AND DON’TS” OF CEMETERY CLEANING GETTING THERE: DO seek permission from abutting property owner to pass through their land. Ask where to park the car to be out of their way. Your consideration on their behalf may net you some cooperation (and maybe even some help) from them. Respect their land and their wishes. Leave no refuse on their property. If you pass through closed gates, re-close them. Always leave everything on abutting property as you find it. STONES: DO NOT move gravestones. If they appear to be out of place, draw a map showing the location of the stone. Indicate by arrow where the stones should be (if known). List names and dates. Slate and small marble stones that are broken off and out of place are in jeopardy of theft. Please list ALL information that appears on the stone. Call Commissioner if stone is perceived to be endangered. Photograph if possible. LIVING TREES: DO NOT cut large living trees in burial grounds, even when they are engulfing a stone. In such a case, the best method is to photograph and record all visible information on the stone. Felling large trees endangers other stones and opens the area to sunlight, which encourages rapid second growth, such as briars, sumac and poison ivy. The large trees provide shade and thereby inhibit undesirable growth from overrunning the cemetery. FALLEN TREES: DO NOT drag large trees across gravestones. Get help to carefully lift away from the stones. Large branches should be cut into sections and carried away. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
Funeral Rites Across Different Cultures
section nine critical incident FUNERAL RITES ACROSS DIFFERENT CULTURES Responses to death and the rituals and beliefs surrounding it tend to vary widely across the world. In all societies, however, the issue of death brings into focus certain fundamental cultural values. The various rituals and ceremonies that are performed are primarily concerned with the explanation, validation and integration of a peoples’ view of the world. In this section, the significance of various symbolic forms of behaviour and practices associated with death are examined before going on to describe the richness and variety of funeral rituals performed according to the tenets of some of the major religions of the world. THE SYMBOLS OF DEATH Social scientists have noted that of all the rites of passage, death is most strongly associated with symbols that express the core life values sacred to a society. Some of the uniformities underlying funeral practices and the symbolic representations of death and mourning in different cultures are examined below: THE SIGNIFICANCE OF COLOUR When viewed from a cross-cultural perspective, colour has been used almost universally to symbolise both the grief and trauma related to death as well as the notion of ‘eternal life’ and ‘vitality’. Black, with its traditional association with gloom and darkness, has been the customary colour of mourning for men and women in Britain since the fourteenth century. However, it is important to note that though there is widespread use of black to represent death, it is not the universal colour of mourning; neither has it always provided the funeral hue even in Western societies. -
The Cemetery: a Highly Heterotopian Place
Heterotopian Studies The Cemetery: a highly heterotopian place To reference this essay: Johnson, P. (2012) ‘The cemetery: a highly heterotopiaplace’ Heterotopian Studies [http://www.heterotopiastudies.com] In the UK as elsewhere in Europe, cemeteries are increasingly managed and developed as green open spaces, natural habitats, cultural or historical sites and educational amenities. English Heritage suggest that ‘in the main they are public…. open spaces with great amenity potential and are a diverse historical resource with tremendous educational potential’ (SCRC, 2001b: 80). Arnos Vale cemetery in Bristol aims to be a ‘place of remembrance, an historic park, and a learning and education resource for the City’ (SCRC, 2001b: 65). Carlisle local authority has produced teachers’ notes to assist in the ‘Citizenship’ component of the National Curriculum. Children are encouraged to ‘study areas of graves for the Victorian rich and paupers, and compare these with "green" woodland graves and conventional lawn type graves’ (SCRC, 2001b: 30). Have these developments radically altered the function of cemeteries? Walters (SCRC, 2001b: 45) is adamant: ‘though cemeteries provide positive values such as urban green space, and may be of historical or architectural significance, these benefits are subservient’ to the prime purpose of a cemetery which is to ‘bury the dead of the locality’. Moreover, its prime significance is ‘as a memento mori, a reminder that we will die that challenges citizens to consider their true values and motivates them to live fully in the meantime’. Contemporary cemeteries have adopted various ‘useful’ applications, but they also remain highly complex and ambiguous spatio-temporal enclosures. Worpole (2003: 56), in his study of cemetery landscapes, wonders whether we have the ‘vocabulary for describing what these unsettling landscapes mean culturally’. -
Cemetery Rules 1 3 5 7
Jackson St. 18 16 17 18 15 13 14 Office 2 4 6 8 Hopkins Rd. Pump House CEMETERY RULES 1 3 5 7 9 10 11 12 35 36 19 20 21 22 34 37 23 24 25 26 33 27 28 29 32 30 31 Mentor Municipal Cemetery Mentor Municipal Cemetery 6881 Hopkins Road Mentor, OH 44060 (440) 974-5733 (440) 974-5733 Cemetery Decoration Rules Complete Decoration Removals • Fresh or artificial flowers are permitted in urns, pots, or flower holders placed Gravesites are to be cleaned of all decorations three times a year: alongside the monument on patio block or footer extension. • March 1st • Steel rod hangers are permitted. Single hangers shall be placed at the side • Three weeks after Easter of the monument. Double hangers must be placed flush on the back of the • November 1st monument footer. The basket or hook shall not stick out into the walkway. All hangers must have a visible decoration on the hook at all times for the These dates will be posted on the exit signs. safety of those walking by the hanger. Wrapped or decorated steel rod hangers • Please allow two (2) weeks to be sure removal has been completed before are not permitted. placing new decorations on your gravesite. This will protect your new • Wreaths can be placed at the side of the headstone during the winter months. decorations from being accidentally removed. Items in an urn or on a • Non-glass eternal flames, containing a candle or solar powered candle, or a monument will not be removed unless items pertain to a past holiday or they solar powered “coach” style lantern may be placed at the gravesite. -
Eligibility Determinations for Burial - in Advance of Need
ELIGIBILITY DETERMINATIONS FOR BURIAL - IN ADVANCE OF NEED Summary Many individuals would like to know, in advance, whether they are eligible for burial in a Department of Veterans Affairs (VA) national cemetery. To assist them, VA is launching an initiative, the “Pre-Need Eligibility Determination Program,” specifically aimed at helping individuals with burial planning and making sure their wishes are known. VA will upon request make pre-need determinations of eligibility for burial in a VA national cemetery in advance of need. Having this information will help Veterans use the VA benefits they have earned, for their families and for themselves. Once VA determines that individuals are eligible, those individuals will be entitled to the same benefits they would receive were a determination made at the time of need (time of death). These include any or all of the following, at no cost to the family: Burial in any open VA national cemetery, including opening and closing of the grave Grave liner Perpetual care of the gravesite Government-furnished upright headstone, flat marker or niche cover Burial flag Presidential Memorial Certificate Eligibility The law provides eligibility for burial in a national cemetery to: Members of the armed forces Veterans who have met minimum active duty service requirements as applicable by law and who were discharged under conditions other than dishonorable Members of the reserve components of the armed forces are also eligible, provided they: Died while on active duty under certain circumstances, or while performing training duty; Have 20 years of service creditable for retired pay; or Were called to active duty and served the full term of service. -
Memento Mori+ David Dunnico
II MEMENTO MORI+ DAVID DUNNICO MEMENTO MORI (a Latin phrase meaning ‘remember you must die’) is a series of photographs by David Dunnico. Using contemporary photographic processes, Memento Mori looks at the Victorian romantic vision of loss, grief and mourning, with its rich and clearly defined symbolism. # Memento Mori is not about the living which was celebrating it’s 200th # Thomas Lynch the American poet being ‘haunted’ by the spirits of dead anniversary. He has also produced and undertaker wrote in his book people. Rather, the work looks at how images for this series in Barcelona, Kiev, ‘Bodies in Motion and at Rest’ (pub- people remember those they have lost Prague and Washington. lished by Johnathan Cape, 2000): and how in a sense, the dead continue to # In 2007, Weaste Cemetery the first “The facts of life and death remain the have an existence through the remem- and largest of Salford City Council’s same. We live and die, we love and brance of the living. four municipal cemeteries, celebrated its grieve, we breed and disappear. # For a number of years Dunnico has 150th anniversary. To mark this And between these existential gravities, pictured statues, and funerary monu- anniversary, Salford Museum and Art we search for meaning, save our memo- ments. He visited Paris to photograph Gallery asked David to photograph ries, leave a record for those who the famous Père-Lachaise cemetery Salford’s cemeteries for this exhibition. remember us”. SALFORD MUSEUM&ART GALLERY * Montage of spires from Salford’s four municipal cemeteries III * Montage of figures and tombs from Père Lachaise IV FOR THOSE WE LEAVE BEHIND # Traditionally people were buried in # Ronnie Scott writes in his 2005 book # New rituals and protocols have devel- churchyards, but by the 19th Century about the Glasgow Necropolis ‘Death oped.