The Transformational Symbolism of the Skeleton As a Meaning of Rebirth
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Monsters & Miscellanea
Monsters & Miscellanea Volume 1-02: Skeletons by Barry Dore https://www.dmsguild.com/browse.php?author=Barry_Dore Title Art: Magz Wiseman https://www.yellowphonebox.com Cover Image: DMs Guild Creator Resource 3. Flesh Stealer Flesh Stealer, Undeath Dog 4. Skeletal Priests Skeletal Priest, Skeletal Priest of Orcus 5. Skeletons Skeleton: Crocodile, Giant Rat, Hill Giant, Wolf 6. Skeletons, Energy-Infused Cold-Infused; Skeleton, Mammoth Skeleton 7. Fire-Infused; Skeleton, Mastiff Skeleton 8. Lightning-Infused; Skeleton, Velociraptor Skeleton 9. Skeletons, Mold-Infested Mold-Infested; Skeleton, Hook Horror Skeleton 10. Bard Bard College: College of Bones 11. Magic Items Potions, Shodrom's Armaments DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, Ravenloft, Eberron, the dragon ampersand, Ravnica and all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. This work contains material that is copyright Wizards of the Coast and/or other authors. Such material is used with permission under the Community Content Agreement for Dungeon Masters Guild. All other original material in this Samplework is copyright 2019 by Barry Dore and file published under the Community Content Agreement for Dungeon Masters Guild. Not for resale. Permission granted to print or photocopy this document for personal use only. Monsters & Miscellanea 1-02 2 Flesh Stealer Undeath Dog This foul variant of the flesh stealer takes the form of a The flesh stealer appears at first glance to be a typical death dog's two-headed skeleton, empowered with a life humanoid skeleton, but it is far from the norm. -
Grave Exclamations: an Analysis of Tombstones and Their Seu As Narrative of Self Lacey Jae Ritter Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2012 Grave Exclamations: An Analysis of Tombstones and Their seU as Narrative of Self Lacey Jae Ritter Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the Sociology Commons Recommended Citation Ritter, Lacey Jae, "Grave Exclamations: An Analysis of Tombstones and Their sU e as Narrative of Self" (2012). Theses, Dissertations, and Other Capstone Projects. Paper 242. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Grave Exclamations: An Analysis of Tombstones and Their Use as Narrative of Self By Lacey J. Ritter A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Sociology: Teaching Emphasis at Minnesota State University, Mankato May, 2012 April 3, 2012 This thesis paper has been examined and approved. Examining Committee: Dr. Leah Rogne, Chairperson Dr. Emily Boyd Dr. Kathryn Elliot i Ritter, Lacey. 2012. Grave Exclamations: An Analysis of Tombstones and their Use as Narrative of Self. Master’s Thesis. Minnesota State University, Mankato. PP.69. We establish our selves through narratives—with others and by ourselves— during life. What happens, however, when a person dies? The following paper looks at the way narratives about the deceased’s selves are created by the bereaved after their loved ones have died. -
Abstract Rereading Female Bodies in Little Snow-White
ABSTRACT REREADING FEMALE BODIES IN LITTLE SNOW-WHITE: INDEPENDENCE AND AUTONOMY VERSUS SUBJUGATION AND INVISIBILITY By Dianne Graf In this thesis, the circumstances and events that motivate the Queen to murder Snow-White are reexamined. Instead of confirming the Queen as wicked, she becomes the protagonist. The Queen’s actions reveal her intent to protect her physical autonomy in a patriarchal controlled society, as well as attempting to prevent patriarchy from using Snow-White as their reproductive property. REREADING FEMALE BODIES IN LITTLE SNOW-WHITE: INDEPENDENCE AND AUTONOMY VERSUS SUBJUGATION AND INVISffiILITY by Dianne Graf A Thesis Submitted In Partial Fulfillment of the Requirements For the Degree of Master of Arts-English at The University of Wisconsin Oshkosh Oshkosh WI 54901-8621 December 2008 INTERIM PROVOST AND VICE CHANCELLOR t:::;:;:::.'-H.~"""-"k.. Ad visor t 1.. - )' - i Date Approved Date Approved CCLs~ Member FORMAT APPROVAL 1~-05~ Date Approved ~~ I • ~&1L Member Date Approved _ ......1 .1::>.2,-·_5,",--' ...L.O.LJ?~__ Date Approved To Amanda Dianne Graf, my daughter. ii ACKNOWLEDGEMENTS Thank you Dr. Loren PQ Baybrook, Dr. Karl Boehler, Dr. Christine Roth, Dr. Alan Lareau, and Amelia Winslow Crane for your interest and support in my quest to explore and challenge the fairy tale world. iii TABLE OF CONTENTS Page INTRODUCTION………………………………………………………………… 1 CHAPTER I – BRIEF OVERVIEW OF THE LITERARY FAIRY TALE AND THE TRADITIONAL ANALYSIS OF THE FEMALE CHARACTERS………………..………………………. 3 CHAPTER II – THE QUEEN STEP/MOTHER………………………………….. 19 CHAPTER III – THE OLD PEDDLER WOMAN…………..…………………… 34 CHAPTER IV – SNOW-WHITE…………………………………………….…… 41 CHAPTER V – THE QUEEN’S LAST DANCE…………………………....….... 60 CHAPTER VI – CONCLUSION……………………………………………..…… 67 WORKS CONSULTED………..…………………………….………………..…… 70 iv 1 INTRODUCTION In this thesis, the design, framing, and behaviors of female bodies in Little Snow- White, as recorded by Wilhelm and Jacob Grimm will be analyzed. -
Dragon Magazine #158
S PECIAL ATTRACTIONS Issue #158 Vol. XV, No. 1 9 Weve waited for you: DRAGONS! June 1990 A collection of lore about our most favorite monster. The Mightiest of Dragons George Ziets Publisher 10 In the D&D® game, no one fools with the dragon rulers and lives for James M. Ward long. Editor A Spell of Conversation Ed Friedlander Roger E. Moore 18 If youd rather talk with a dragon than fight it, use this spell. The Dragons Bestiary The readers Fiction editor Barbara G. Young 20 The gorynych (very gory) and the (uncommon) common dragonet. Thats Not in the Monstrous Compendium! Aaron McGruder Assistant editor 24 Remember those neutral dragons with gemstone names? Theyre 2nd Dale A. Donovan Edition now! Art director Larry W. Smith O THER FEATURES Production staff The Game Wizards James M. Ward Gaye OKeefe Angelika Lokotz 8 Should we ban the demon? The readers respondand how! Subscriptions Also Known As... the Orc Ethan Ham Janet L. Winters 30 Renaming a monster has more of an effect than you think. U.S. advertising The Rules of the Game Thomas M. Kane Sheila Gailloreto Tammy Volp 36 If you really want more gamers, then create them! The Voyage of the Princess Ark Bruce A. Heard U.K. correspondent 41 Sometimes its better not to know what you are eating. and U.K. advertising Sue Lilley A Role-players Best Friend Michael J. DAlfonsi 45 Give your computer the job of assistant Dungeon Master. The Role of Computers Hartley, Patricia and Kirk Lesser 47 The world of warfare, from the past to the future. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Funeral Rites Across Different Cultures
section nine critical incident FUNERAL RITES ACROSS DIFFERENT CULTURES Responses to death and the rituals and beliefs surrounding it tend to vary widely across the world. In all societies, however, the issue of death brings into focus certain fundamental cultural values. The various rituals and ceremonies that are performed are primarily concerned with the explanation, validation and integration of a peoples’ view of the world. In this section, the significance of various symbolic forms of behaviour and practices associated with death are examined before going on to describe the richness and variety of funeral rituals performed according to the tenets of some of the major religions of the world. THE SYMBOLS OF DEATH Social scientists have noted that of all the rites of passage, death is most strongly associated with symbols that express the core life values sacred to a society. Some of the uniformities underlying funeral practices and the symbolic representations of death and mourning in different cultures are examined below: THE SIGNIFICANCE OF COLOUR When viewed from a cross-cultural perspective, colour has been used almost universally to symbolise both the grief and trauma related to death as well as the notion of ‘eternal life’ and ‘vitality’. Black, with its traditional association with gloom and darkness, has been the customary colour of mourning for men and women in Britain since the fourteenth century. However, it is important to note that though there is widespread use of black to represent death, it is not the universal colour of mourning; neither has it always provided the funeral hue even in Western societies. -
The Skeleton Woman: Healing Through Relating
The Skeleton Woman: Healing Through Relating By Françoise Aline Cloutier Jungian Psychoanalyst October 2011 Table of content Table of content .............................................................................................................................................. 2 1. Introduction ........................................................................................................................................... 3 2. The tale .................................................................................................................................................. 5 3. Interpretation : The context .................................................................................................................... 8 4. Being dragged upward ..........................................................................................................................11 5. Attachment and fears ............................................................................................................................12 6. Safe in his house with Raven and Sedna ..............................................................................................13 7. Instincts are back ..................................................................................................................................15 8. To untangle her from the fishing line ...................................................................................................17 9. How can she trust again? ......................................................................................................................19 -
Bialystok Jewish Cemetery a Historical Study Commissioned by the District Enterprise of Municipal Economy in Bialystok
Bialystok Jewish Cemetery A historical study commissioned by the District Enterprise of Municipal Economy in Bialystok Commissioner: Mrg. Barbara Tomacka in cooperation with conservators: R. Kucharczyka, Wojciech Hulanicki, Andrzej Stasiak Bialystok 1985 Table of Contents I. Preliminary Information 1 II. List of materials used in the study 3 III. Object Topography 7 IV. History of the Cemetery 9 V. Cemetery Characteristics 15 VI. Analysis of sepulchral monuments 18 VII. Copy of gravestones with registration cards 26 VIII. Conservation Conclusions and Recommendations 33 IX. References 35 X. List of illustrations XI. Maps/Plans: Jewish Cemetery at Ul. Wschodnia -1 I. Preliminary Information: This historical study concerns the Jewish cemetery in Bialystok, located at Wschodnia Street. It was developed at the request of Regency Enterprise of Municipal and Housing Management in Bialystok (Rejenowego Przedsiebiorstwa Gospodarki Komunelnej i Mieszkaniowe w Bialymstoku). During the work a number of difficulties were encountered, the most serious was the lack of archival materials that would answer the following questions: when and from whom was the land for cemeteries bought, are its borders shown on the plan of Bialystok from 1937 the same as when it was marked out? No cemetery plan was found. Further obstacles are the inaccessible archives of the Jewish Historical Institute /no employees?/, renovation of the library at this institute, as well as the unfinished work on the tombstone records carried out by Janine Tyszka at the order of the Voivodship Conservator of Historic in Bialystok. To date / i.e. until March 1985/, the inscriptions were read, and registration cards were placed for about 100 gravestones. -
2015 Program
SPRING COMMENCEMENT UNIVERSITY OF MICHIGAN May 2, 2015 10:00 a.m. This program includes a list of the candidates for degrees to be granted upon completion of formal requirements. Candidates for graduate degrees are recommended jointly by the Executive Board of the Horace H. Rackham School of Graduate Studies and the faculty of the school or college awarding the degree. Following the School of Graduate Studies, schools are listed in order of their founding. Candidates within those schools are listed by degree then by specialization, if applicable. Horace H. Rackham School of Graduate Studies .................................................................................................. 21 College of Literature, Science, and the Arts ............................................................................................................33 Medical School ...................................................................................................................................................... 54 Law School ............................................................................................................................................................ 55 School of Dentistry ................................................................................................................................................ 57 College of Pharmacy .............................................................................................................................................. 59 College of Engineering .......................................................................................................................................... -
T'challa Ramonda Tetu Shuri Zenzi Ayo Aneka Midnight
AFTER A TERRORIST BOMBING, KING T’CHALLA, A.K.A. THE BLACK PANTHER, BEGAN A RELENTLESS COUNTERATTACK ON HIS MANY ENEMIES. WAKANDA’S SECRET POLICE, THE HATUT ZERAZE, INVADED THE JABARI-LANDS TO TAKE ON THE ROGUE DORA MILAJE WHO HAD RECENTLY SEIzED CONTROL OF THAT AREA. ELSEWHERE, T’CHALLA ALLOWED HIMSELF TO BE CAPTURED BY EZEKIEL STANE, AN ARMS DEALER WHO HAD BEEN SUPPLYING TECHNOLOGY TO THE REBELS STAGING THE ATTEMPTED COUP OF WAKANDA. USING BLOOD-BORNE NANITE CAMERA TECHNOLOGY PIONEERED BY DOCTOR DOOM, T’CHALLA BROADCAST STANE’S PACT WITH THE REBEL LEADER TETU, UNDERMINING THEIR POLITICAL POSITION WITH THE CITIzENS OF WAKANDA. WITH THE TRUTH REVEALED, T’CHALLA CALLS IN STORM, LUKE CAGE, MISTY KNIGHT, AND MANIfOLD... A.K.A. THE CREw. MEANWHILE, SHURI TRAVELS THE PLANE OF COLLECTIVE WAKANDAN MEMORY KNOWN AS THE DJALIA, TRAINING WITH AND LEARNING FROM A GRIOT IN THE FORM OF HER MOTHER. Discover more about the Black Panther and Wakanda with the BLACK PANTHER: A NATION UNDER OUR FEET spotlight videos at marvel.com/PantherNation SHURI T’CHALLA RAMONDA CHANGAMIRE MIDNIGHT ANGELS EZEKIEL STANE ANEKA TETU AYO ZENZI 7 part writer TA-NEHISI COATES pencils/layouts CHRIS SPROUSE inks/finishes KARL STORY color artist LAURA MARTIN A NATION A UNDER OUR FEET letterer VC’s JOE SAbINO design MANNY MEDEROS logo RIAN HUgHES cover by bRIAN STELFREEZE & LAURA MARTIN variant covers by MIKE DEODATO & FRANK MARTIN; ESAD RIbIC; MARgUERITE SAUVAgE; bILL SIENKIEWICZ; LEINIL YU & JASON KEITH; SCORPKINg COSTUMINg WITH JUDITH STEPHENS assistant editor CHRIS RObINSON editor WIL MOSS executive editor TOM bREVOORT editor in chief AxEL ALONSO chief creative officerJOE QUESADA publisher DAN bUCKLEY executive producer ALAN FINE BLACK PANTHER No. -
Run Date: 08/30/21 12Th District Court Page
RUN DATE: 09/27/21 12TH DISTRICT COURT PAGE: 1 312 S. JACKSON STREET JACKSON MI 49201 OUTSTANDING WARRANTS DATE STATUS -WRNT WARRANT DT NAME CUR CHARGE C/M/F DOB 5/15/2018 ABBAS MIAN/ZAHEE OVER CMV V C 1/01/1961 9/03/2021 ABBEY STEVEN/JOH TEL/HARASS M 7/09/1990 9/11/2020 ABBOTT JESSICA/MA CS USE NAR M 3/03/1983 11/06/2020 ABDULLAH ASANI/HASA DIST. PEAC M 11/04/1998 12/04/2020 ABDULLAH ASANI/HASA HOME INV 2 F 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA DRUG PARAP M 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA TRESPASSIN M 11/04/1998 10/20/2017 ABERNATHY DAMIAN/DEN CITYDOMEST M 1/23/1990 8/23/2021 ABREGO JAIME/SANT SPD 1-5 OV C 8/23/1993 8/23/2021 ABREGO JAIME/SANT IMPR PLATE M 8/23/1993 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 8/04/2021 ABSTON CHERICE/KI OPERATING M 9/06/1968 2/16/2021 ABSTON CHERICE/KI REGISTRATI C 9/06/1968 8/09/2021 ABSTON TYLER/RENA DRUGPARAPH M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA USE MARIJ M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OWPD M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA IMPR PLATE M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SEAT BELT C 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON